Resistance Reimagined: Black Women's Critical Thought as Survival
Resistance Reimagined highlights unconventional modes of black women's activism within a society that has spoken so much of freedom but has granted it so selectively. Looking closely at nineteenth- and twentieth-century writings by African American women that reimagine antebellum America, Regis Fox introduces types of black activism that differ from common associations with militancy and maleness. In doing so, she confronts expectations about what African American literature can and should be. Fox analyzes Harriet Wilson's Our Nig, Elizabeth Keckly's Behind the Scenes, Anna Julia Cooper's A Voice From the South, and Sherley Anne Williams's Dessa Rose. The thinkers highlighted by Fox have been dismissed as elitist, accommodationist, or complicit—yet Fox reveals that in reality, these women use their writing to protest antiblack violence, reject superficial reform, call for major sociopolitical change, and challenge the false promises of American democracy.
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Resistance Reimagined: Black Women's Critical Thought as Survival
Resistance Reimagined highlights unconventional modes of black women's activism within a society that has spoken so much of freedom but has granted it so selectively. Looking closely at nineteenth- and twentieth-century writings by African American women that reimagine antebellum America, Regis Fox introduces types of black activism that differ from common associations with militancy and maleness. In doing so, she confronts expectations about what African American literature can and should be. Fox analyzes Harriet Wilson's Our Nig, Elizabeth Keckly's Behind the Scenes, Anna Julia Cooper's A Voice From the South, and Sherley Anne Williams's Dessa Rose. The thinkers highlighted by Fox have been dismissed as elitist, accommodationist, or complicit—yet Fox reveals that in reality, these women use their writing to protest antiblack violence, reject superficial reform, call for major sociopolitical change, and challenge the false promises of American democracy.
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Resistance Reimagined: Black Women's Critical Thought as Survival

Resistance Reimagined: Black Women's Critical Thought as Survival

by Regis M. Fox
Resistance Reimagined: Black Women's Critical Thought as Survival

Resistance Reimagined: Black Women's Critical Thought as Survival

by Regis M. Fox

eBook

$14.99 

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Overview

Resistance Reimagined highlights unconventional modes of black women's activism within a society that has spoken so much of freedom but has granted it so selectively. Looking closely at nineteenth- and twentieth-century writings by African American women that reimagine antebellum America, Regis Fox introduces types of black activism that differ from common associations with militancy and maleness. In doing so, she confronts expectations about what African American literature can and should be. Fox analyzes Harriet Wilson's Our Nig, Elizabeth Keckly's Behind the Scenes, Anna Julia Cooper's A Voice From the South, and Sherley Anne Williams's Dessa Rose. The thinkers highlighted by Fox have been dismissed as elitist, accommodationist, or complicit—yet Fox reveals that in reality, these women use their writing to protest antiblack violence, reject superficial reform, call for major sociopolitical change, and challenge the false promises of American democracy.

Product Details

ISBN-13: 9780813063669
Publisher: University Press of Florida
Publication date: 09/12/2018
Sold by: Barnes & Noble
Format: eBook
Pages: 210
File size: 3 MB

About the Author

Regis M. Fox is assistant professor of English at Grand Valley State University.

What People are Saying About This

From the Publisher

"Offers fresh insights into nineteenth-century black women's cultural production. Compelling and elegantly crafted."—Kathy L. Glass, author of Courting Communities: Black Female Nationalism and "Syncre-Nationalism" in the Nineteenth-Century North "Outstanding in explaining why these figures were important leaders in their own time and are important models today. A truly engaging and significant study."—John Ernest, editor of Douglass in His Own Time

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