The template for the hot-blooded Italian best seller The Days of Abandonment is familiar, in fiction and in life. But the raging, torrential voice of the author is something rare. Using the secret of her identity to elevate this book's already high drama, the author (Elena Ferrante is a pseudonym) describes the violent rupture of a marriage with all the inner tranquillity that you might associate with Medea. When her book's heroine has the temerity to invoke Anna Karenina approaching the railroad tracks, the analogy is actually well earned.
The New York Times
Bibliophobia by Sarah Chihaya reflects on the books that change the way we think about life and literature. Chihaya joins us to talk about these “Life Ruiner” books, the way we connect to stories at different points in our lives, the way our reading shapes us and more with Miwa Messer, host of Poured Over. This […]
Tell Me Everything by Elizabeth Strout returns to Crosby, Maine and to her beloved characters in a novel of friendship, love and the many ways in which we tell our own stories. Strout joins us to talk about writing familiar faces, creating a sense of community, the importance of emotional truth and more with Miwa […]
“I was always in a play, always in rehearsals. And if I wasn’t in a play, I was counting the hours ‘til I could be in a play. Because it was the first time I felt a sense of belonging, a sense of community.” In Making a Scene, actress Constance Wu (Lyle, Lyle Crocodile) takes readers […]
With Those Who Leave and Those Who Stay, the story of a woman’s life finds epic dimension in an interior landscape.