Dressing the Past
Minoan ladies, Scythian warriors, Roman and Sarmatian merchants, prehistoric weavers, gold sheet figures, Vikings, Medieval saints and sinners, Renaissance noblemen, Danish peasants, dressmakers and Hollywood stars appear in the pages of this anthology. This is not necessarily how they dressed in the past, but how the authors of this book think they dressed in the past, and why they think so. No reader of this book will ever look at a reconstructed costume in a museum or at a historical festival, or watch a film with a historic theme again without a heightened awareness of how, why, and from what sources, the costumes were reconstructed. The seventeen contributors come from a variety of disciplines: archaeologists, historians, curators with ethnological and anthropological backgrounds, designers, a weaver, a conservator and a scholar of fashion in cinema, are all specialists interested in ancient or historical dress who wish to share their knowledge and expertise with students, hobby enthusiasts and the general reader. The anthology is also recommended for use in teaching students at design schools.
1008573543
Dressing the Past
Minoan ladies, Scythian warriors, Roman and Sarmatian merchants, prehistoric weavers, gold sheet figures, Vikings, Medieval saints and sinners, Renaissance noblemen, Danish peasants, dressmakers and Hollywood stars appear in the pages of this anthology. This is not necessarily how they dressed in the past, but how the authors of this book think they dressed in the past, and why they think so. No reader of this book will ever look at a reconstructed costume in a museum or at a historical festival, or watch a film with a historic theme again without a heightened awareness of how, why, and from what sources, the costumes were reconstructed. The seventeen contributors come from a variety of disciplines: archaeologists, historians, curators with ethnological and anthropological backgrounds, designers, a weaver, a conservator and a scholar of fashion in cinema, are all specialists interested in ancient or historical dress who wish to share their knowledge and expertise with students, hobby enthusiasts and the general reader. The anthology is also recommended for use in teaching students at design schools.
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Dressing the Past

Dressing the Past

Dressing the Past

Dressing the Past

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Overview

Minoan ladies, Scythian warriors, Roman and Sarmatian merchants, prehistoric weavers, gold sheet figures, Vikings, Medieval saints and sinners, Renaissance noblemen, Danish peasants, dressmakers and Hollywood stars appear in the pages of this anthology. This is not necessarily how they dressed in the past, but how the authors of this book think they dressed in the past, and why they think so. No reader of this book will ever look at a reconstructed costume in a museum or at a historical festival, or watch a film with a historic theme again without a heightened awareness of how, why, and from what sources, the costumes were reconstructed. The seventeen contributors come from a variety of disciplines: archaeologists, historians, curators with ethnological and anthropological backgrounds, designers, a weaver, a conservator and a scholar of fashion in cinema, are all specialists interested in ancient or historical dress who wish to share their knowledge and expertise with students, hobby enthusiasts and the general reader. The anthology is also recommended for use in teaching students at design schools.

Product Details

ISBN-13: 9781782974727
Publisher: Oxbow Books
Publication date: 03/10/2008
Series: Ancient Textiles , #3
Sold by: Barnes & Noble
Format: eBook
Pages: 167
File size: 19 MB
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About the Author

Marie-Louise Nosch is Director of the Danish National Research Foundation’s Centre for Textile Research, University of Copenhagen and Research Professor at the SAXO Institute, University of Copenhagen. She is the editor of many titles in the Ancient Textiles series.

Table of Contents


List of illustrations     vii
List of contributors     xiii
Acknowledgements     xvii
Introduction$dthe Editors     xix
Maps   Peder Dam     xxii
Haute Couture in the Bronze Age: A History of Minoan Female Costumes from Thera   Marie-Louise B. Nosch     1
You are What You Wear: Scythian Costume as Identity   Margarita Gleba     13
"On the Borders of East and West": A Reconstruction of Roman Provincial and Barbarian Dress in the Hungarian National Museum   Ilona Hendzsel   Eszter Istvanovits   Valeria Kulcsar   Dorottya Ligeti   Andrea Ovari   Judit Pasztokai-Szeoke     29
A Weaver's Voice: Making Reconstructions of Danish Iron Age Textiles   Anna Norgaard     43
Iconography and Costume from the Late Iron Age in Scandinavia   Ulla Mannering     59
Tools, Textile Production and Society in Viking Age Birka   Eva B. Andersson     68
Spotlight on Medieval Scandinavian Dress: Sources and Interpretations   Kathrine Vestergaard Pedersen     86
Tailored Criticism: The Use of Renaissance and Baroque Garments as Sources of Information   Cecilia Aneer     98
Costume in a Museological Context: Dealing with Costume and Dress from ModernDanish History   Tove Engelhardt Mathiassen   Helle Leilund     115
Cut, Stitch and Fabrics: Female Dress in the Past 200 Years   Maj Ringgaard     134
Ancient Female Costume: From Silent Cinema to Hollywood Glamour   Annette Borrell     158
Timeline   Agnete Wisti Lassen     166
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