Two men, twenty miles apart, are killed in the same strange way on a quiet summer morning in the Florida Keys. Forensic photographer Alex Rutledge finds that he may be the only person interested in pursuing justice, especially when his brother becomes a key suspect.Alex connects the current-day murders to a thirty-year-old scam amidst revenge smoldering since the Nixon years. He races time to thwart a final killing and, if possible, to prove his brother's innocence.Tom Corcoran once again delivers a deftly plotted and gripping mystery with all of the flavor and intrigue that Key West can offer.
About the Author
Tom Corcoran has been a bartender, disc jockey, screenwriter, Navy officer and journalist. He co-wrote the Buffett hits "Fins" and "Cuban Crimes of Passion." He lives in the Lower Keys, Florida and is working on a sixth Alex Rutledge mystery.
Tom Corcoran has been a bartender, disc jockey, screenwriter, Navy officer and journalist. He co-wrote the Buffett hits "Fins" and "Cuban Crimes of Passion." He is the author of Gumbo Limbo, Bone Island Mambo, and other Alex Rutledge mysteries. He lives in the Lower Keys, Florida.
Read an Excerpt
Air Dance Iguana
By Tom Corcoran
St. Martin's PressCopyright © 2005 Tom Corcoran
All rights reserved.
A cockatoo's screech pierced the dead man's silence.
I scanned the home across the canal, its second-story porch, then checked the morning sky. A high-coasting turkey vulture had spooked the caged bird. Moments later a yachtsman eighty yards to windward began dock-testing his unmuffled outboards. An oily blue cloud drifted down to shroud the suspended corpse. I knew that the body deserved more respect, that Ramrod Key should go quiet until the medical examiner lowered it from the boat-lift davit. On a deeper level, I hoped that people would treat my death with brief dignity if they learned that I had died, even if I'd been strung to a winch before dawn and hung like fresh-caught fish in a waterside market.
The cockatoo screeched again.
I switched lenses and went back to photographing the victim. In contrast to the late-June warmth, he looked trapped in midwinter with his blue, frostbitten hands.
Bobbi Lewis raised her voice to beat the outboards. "What the hell happened to his left shoe?"
"He wore out the toe fighting for altitude," I said. "The killer dangled him just high enough to offer hope."
"But no chance to survive." She sipped from a lidded Styrofoam cup. "Are you done here? Someone on the forensic squad said you might be dawdling."
"You should fire me," I said.
"Talk to Sheriff Liska. He might create a part-timers' retirement program. Meanwhile, I like the way you work."
"My long career of evidence jobs?"
"Don't belittle yourself. You've got a mind for this game. But I really meant two mornings ago with sunlight sneaking between the miniblinds."
Once in a while she softened her hard-cop demeanor.
"This early sun is screwing me up right now," I said. "I need to take some insurance shots with fill flash."
"You're right, Alex. This is not the place for romantic chatter."
"We have our jobs to do."
"Darling, that's wonderful and insightful. The scene techs want to do theirs today."
When my phone rang at 6:40 that morning, I knew that one of the overlapping jurisdictions — either Monroe County or the City of Key West — needed help. The rude wake-up was my own damned fault. Several years back, after fifteen years of freelance ad agency and magazine work, I had started accepting crime-scene gigs for extra cash. But I kept stepping into crap that I couldn't scrape off my shoes, and I had come to dread the sight of my own camera. I'd never wanted to be a cop, yet every time I saw a victim up close, I wanted justice.
That's not exactly true. My job wasn't justice. I wanted revenge in the spirit of decency, contradictory or not. I had invented a few versions and barely survived. Revenge almost always claims two victims.
Dawn calls were never a good sign. I let it ring through to the answering machine.
One minute after the ringing stopped, my cell phone buzzed. I was awake enough to be curious, so I reached for the nightstand. No surprise: the window identified Detective Lewis of the Monroe County Sheriff's Department, my lover for the past four months. Somehow, on our amorous roller-coaster ride, we had managed not to mix our personal lives and our jobs. Now she had broken a rule, had dialed my unlisted cell number to hire me for work she knew I wanted to avoid. In spite of a long list of reasons to ignore it, I took the call.
It summoned me to a hanging next to a canal. I found it tough to decline, especially since Lewis's persuasive manner didn't invoke whining.
I consoled myself with ten minutes in my outdoor shower before I left the house.
Lewis moved to shade under the victim's elevated house. She wore crisp khaki slacks, clean sneaks, a star-logo-emblazoned white polo shirt, and, clipped to her belt, the Monroe County badge. At five-eight, with the shoulders of a competitive swimmer, she looked capable but not powerful. I wished I had a dollar for every man — criminal or not, and including other deputies — who had made the mistake of thinking he could bully or belittle her.
She studied the dead man, glanced over, and caught me staring. "What?" she said.
"Are you zoned-out?" I said.
She shook her head. "You know what I see?"
There would be no correct answer. "What do you see?"
"A prehistoric praying mantis that spit out a one-string marionette."
"Very creative," I said.
"Can you top that?"
I looked at the stanchion, the swing arm, and the crane-like davit's on-off switch, well out of the victim's reach. I considered the noose and restraints and, as if part of the man's punishment, the spectacle. "To me, it's a professional hit," I said. "Thought out, drawn out for cruelty, and foolproof."
"Good start," said Lewis. "Go farther."
On what scale of analysis? I took a stab at animal simile. "I see an iguana with a hemp necklace."
"Where's your action verb?"
"An iguana dancing on air for his breakfast."
"That's what you see?" she said. "An air dance iguana?"
"It beats an upchucked marionette."
"Now you've twisted my creativity."
The neighbor up the canal revved and shut down his twin outboards. A last thick cloud of fumes drifted toward us.
"Have you put a name to this guy?" I said.
"What did you smoke this morning?"
Lewis lowered her voice. "His name was Jack Mason. People called him Kansas Jack. With your new escape from downtown, Alex, you'd have been his neighbor. You could have bonded with him, shared a few beers."
"That's the third time you've called it an escape, Bobbi. You make it sound like I'm running away from you, and I'm not. I'll be one island up, a mile from here. What does that do, put our homes eighteen minutes apart instead of fifteen?"
She shrugged. The phone on her belt buzzed. She unclipped it, suppressed a grin, and strode away.
The cockatoo screeched again.
We ought not reveal this weapon to the Third World.
Morning sunlight sparkled on the canal's surface. Cool yellows enveloped Kansas Jack Mason's drooping body. His eyes bulged — hence my iguana impulse. He wore shorts and black socks. His shoes were utility specials, the black oxfords I had sworn off on leaving the military. His lean face and muscular arms suggested a man who might have shoveled coal in his youth, or snow, or manure. His belly bulk supported Bobbi's assumption that he was a drinker. He'd probably done little labor of late beyond bending his elbow.
The breeze finally offered me a favor, turned the corpse so that my camera caught reflections in the duct tape over his mouth. I tapped the shutter button six times, at different angles, then zoomed and focused on the rope around his neck. In my childhood I'd seen a diagram of the correct way to structure the knot. A person today would be investigated, hounded out of town and state for showing a youth how to tie a noose. As if the skill might lead one to a hellish career. My knowledge hadn't inspired me to hang anyone.
Tomorrow I would start nine weeks of house-sitting on Little Torch Key. After almost thirty years in Key West, I would learn about life twenty-seven miles from the big island, among fish and birds and people who had elected to live closer to open water. Kansas Jack had existed at the bottom end of Lower Keys style. In contrast to nearby homes with their clean pea rock, proper trees, shaped shrubs, and slick watercraft, his place was a dump. He had arranged empty buckets under a homemade lean-to with a weedy thatched roof. Each five-gallon plastic bucket had its own category: plumber's trash, wood scraps, parched aloe clusters, boat-motor parts. A row of pineapples along his home's east wall had sprouted and wilted, been wasted. A veteran center-console Mako named Swizzle Rod rested sun-bleached and engine-free on a boat trailer with two flat tires. Its blue Bimini top had frayed to pale pennants, and its name had faded to a pink swirl on the transom. If the man's demise hadn't been so evil, his hands hadn't been bound by monofilament fishing line, I could have suspected murder-suicide. Kansas Jack had killed his environment, then took himself out. But this scene spoke only of murder, at the ugly end of a sad spectrum.
I heard a distant helicopter, then a go-fast boat out in Newfound Harbor Channel. With the exhaust fumes dissipated, the smell of sour plankton captured my nose. I framed a shot of the yard, the expanse between the davit and the house.
"Take your time, Rutledge."
I knew the voice.
"Gaze about and soak up paradise," he said. "We got all fucking week."
I had known Sheriff Fred "Chicken Neck" Liska since the early nineties. Before his recent Monroe County campaign and election, during his tenure as a city police detective, he had prided himself on his disco-era outfits. For the past year or so, I'd been surprised each time I'd seen him in khakis and the badge-embroidered polo shirt. I asked one time if he missed his old image, the Nik-Nik shirts, and he shrugged and mumbled something about "protective coloration."
I knew only two tactics to counter Liska's sarcastic banter. Remain silent or speak in homilies.
"Everyone's in a hurry," I said. "We came to the Keys to slow down our lives, but we speed up after we're here awhile."
"We got a rain issue," he said, sticking his thumb to the northwest. "The print people want a shot at that davit. Plus, we got a situation up the road. I need you there for an hour or so."
"Should I have my booking agent review my contract?"
Liska ignored me. His mouth formed an odd smile as he peered at the corpse. I could almost hear his brain shift from its management hemisphere to its true detective side. "That tan, his forearms?" he said. "That's his lifestyle in a jiffy. He never wore a watch."
"I thought about that. The man was barely scraping by. He might have been one of the last old-time Keys dwellers not pushed out by all the incoming wealth."
"Think he got to see himself die?"
"It was dark, no moon," I said. "Or do we know that?"
"He was found at first light."
"Somebody hooked him up and turned on the davit winch," I said. "He heard pulleys, motor whine, and the twang of the cable adjusting itself on the take-up reel. He felt himself going away slowly. Probably smelled himself, too, while his murderer got in his car and drove home. From the surroundings and the stand-still drama, we might assume it wasn't a robbery."
"Don't ever assume slobs don't have money," said Liska.
"Who found him?"
"Woman down the canal, going out for smokes at daybreak. She idled by and spotted him swinging."
"She runs for cigarettes in her boat?"
"Florida snatched her license after four DUIs. She commutes to the store in her Boston Whaler. Happens a lot in the Lower Keys. She even drives it to church. What's that fucking noise?"
I pointed to the cockatoo. "Bird."
"If it wakes the dead, maybe our jobs will be easier."
"I just saw two more shots I want."
"I have a crime-scene crew waiting on your ass. You've got ninety seconds."
"Where's your regular photo ace? That schmuck from Marathon."
"I fired him."
Bobbi Lewis watched me snap my lens covers into place, stuff gear into my canvas shoulder bag. "Did you shoot any digital?"
"If the courts require film, why double up?" I said.
"I just thought, if you had two or three, you could e-mail them to me. Might help me write my scene report."
I pulled my eight-megapixel Olympus from the bottom of my bag, then walked a semicircle to capture the surroundings. "Regarding my alleged escape," I said, "you've got an open invitation. Aren't you looking forward to a few days in the boondocks?"
"I have a full-time job, Alex. I used this year's vacation time when we were naked in Grand Cayman."
"Weekends, yes," she said without smiling. "Thank you."
"There's another photo I want when you cut this one down," I said. "The sticky side of that duct tape on his mouth."
"We've tried that before," she said. "No one can read fingerprints on top of duct-tape threads. It'll get tossed out as inconclusive, so why bother?"
"Can't hurt to take a couple shots. Let's at least preserve the evidence."
"I'll try to arrange something." She pointed. "The sheriff is waiting in his car."
"One last thing?" I said.
"You called me out of bed before seven. You owe me one."
"Maybe so," she said. "Tell me what."
"Forget you're in a hurry long enough for a smile."
"With this kind of shit going down, I save smiles for the weekends, too."
She raised her hand, pretended to scratch her forehead, and slid me a quick half-grin.CHAPTER 2
Kansas Jack's character van was hand-painted a poster tone of royal blue. Faded bumper stickers covered its rear end. SAVE TIBET, STOP GLOBAL WHINING, SAVE OLD STILTSVILLE, and FUCK FEMA. BLOW THE BRIDGE. All of them wishful thinking. Jack had written Swizzle Rod with a red Magic Marker on his gray vinyl spare-tire cover.
Beyond the yellow tape, Sheriff Liska's personal car was wedged into a patch of palm trimmings, puddles, and toppled garbage cans. Just past the Lexus, my old nemesis, Deputy Billy "No Jokes" Bohner, leaned against his green-and-white's front fender. A Kevlar vest under his starched white shirt bulked his torso. He mopped his doughy face with a paper towel, turned an eye to me, then looked away.
Liska lowered his passenger-side window. Cool air escaped the leather-scented interior. He said, "You doing okay?"
I leaned down to speak. "What's with your lady detective?"
"Is she letting her mind run free?"
"That gets it."
"It's her first step in solving tough ones. So far it works." The electric window started upward. "Hop in."
I opened the door, noticed the light-colored carpet, and checked my shoes for mud. The cold, dry air hit me like I'd opened a freezer.
Liska said, "How do you feel about what you saw?"
"It wasn't random. Someone hung him for show."
"You just restated two facts," he said. "I asked how you felt."
"I heard you, and it forces me to ask what's going on. Is touchy-feely the new fad in crime solving? She had me visualizing sci-fi back there."
"She told me your cute 'air dance' remark," he said. "Answer my question."
"Start with numb," I said. "I didn't know him. He didn't have style, but he had a right to not be dead. Someone hung him, and not one neighbor is out here bleeding sympathy or demanding justice."
"Perfect," he said. "You're getting better at this. Another year, you might be a good cop. Like I said, I need you up the road."
"Thanks for the upbeat words, Sheriff. Is it another murder?"
"Does it make a difference? Murder, car wreck, B and E — a picture's a picture."
"I've seen too many bodies the past few years and one too many today. Why would I want to sign up for more?"
"You're getting used to it, in spite of yourself. You can stay on the clock."
"Given my choice, I'd rather sell used cars in Tampa."
"You could do well," he said. "It's a growing town."
I didn't answer him. I watched a letter carrier drive box to box.
"Why the attitude?" he said. "You too good for the work?"
"Let's just say that the work is not my destiny. I take photos, ninety percent of the time not of dead people. Except for these crime gigs, it's been a rewarding occupation. Fundamentally, I'm into sunshine and smiles. Do you feel a need to transform my life?"
"I want to help you reach your potential."
"But it's your version, not mine," I said. "I have thirty hours to prep my house for a two-month rental, and I'm low on film. I wish to decline."
"We got people waiting for you up there. Do I need to pull you off the clock, send you there against your wishes, and chalk it up to civic duty? Take it from a veteran civil servant. You'll find it harder to cash that unsigned check."
"My only civic duties are jury service, paying taxes, and not committing crimes."
He turned to face me. "You could've stayed home in bed. Why'd you even come to this one?"
"My inner need for fantasy."
"Follow that thought. If your girlfriend asked you to go to Marathon, you'd do it?"
"Dud question, Sheriff. She's got a conscience. She knows she burned up today's favors by dragging me to this one."
Liska stared out the windshield. He looked tired, whipped, not at all like the eccentric but legendary case-closing cop of a few years ago.
I said, "Why me instead of Lewis, or one of your other detectives? Surely they know how to use a camera."
Excerpted from Air Dance Iguana by Tom Corcoran. Copyright © 2005 Tom Corcoran. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
I recently purchased and struggled to read this book. The number of typo's was extremely high. Do publishers and editors no longer proof read before submitting for publication and sale? I will closely check before purchasing again.
I have enjoyed several Corcoran's books but will not ordering more due to the poor spelling and punctuation. It seemed to become worse as the books progressed.
This is a great story but there are many very distracting typos.
(Try two. This software discarded my first review.) The book had a passable plot and characters, but I spent too much time trying to guess what was really being meant. Seems to have scanned from hardcopy very badly. For example: a upper case T appeared where a double quote and a capital I would made more sense; Occasional substitution of 'die' for 'the' or even 'diem' for 'them'; frequent missing or incorrectly added paragraph marks; two or more words run together making improper compound words; LOTS of sentences missing the period at the end and so on.
Ridulously hard to read because of all the spelling and punctuation errors!!!! Proofread people!!! Was not worth the money because of all the problems!
What fun again! We are taken back to that wonderful 'Key West' world with those strange characters and a great plot with Carl Hiaisen type twists. One of my favorite paragraphs in the book....'Taking all these risks its like testing yourself', I said. 'Just honing my street skills. Some people worry about the differance between right and wrong. I worry about the differance between wrong and fun. I believe P.J. O'Rourke said it first. 'Whatever' he grabbed my tequila and shot it down. 'It proves I can read'... just fun stuff... ah siblings and lovers...our hero explores the relationship with his brother that spans a lifetime of conflict and a lover he works with...of course the usual murder and mayhem... well worth the turning of pages and entering the world of Key West... can't wait for another.
His on and off lover Monroe County Sheriff Department Detective Bobbi Lewis hires freelance photographer Alex Rutledge to take shots at the Little Torch Key crime scene where Kansas Jack Mason was murdered hanging from a davit. Twenty miles away in Marathon another corpse that of Milton Navarre perhaps of Pensacola was hanging from a davit too. --- Alex is a bit confused as he is the only person to have seen both apparently related crime scenes he wonders why Sheriff Liska had two different cops checking each homicide. The prime suspect is Alex¿s brother Timothy, who he has not seen in seven years, but has now returned. He now has to peel him off the streets of Key West. Though Alex believes Tim is a loser, he refuses to accept that his sibling would kill anyone not even the mean streets of Cleveland Heights could do that to him. He begins to make inquiries poking for the connection between the victims, which soon leads him back to a 1970s scam from around the time he first arrived to live in Key West. --- The latest Rutledge mystery (see OCTOPUS ALIBI) captures the essence of life (and in this case death) on the Keys not just Key West. Alex drives the story line from the moment he ignores the first o¿dark call, visits two related murder scenes, picks up his brother, and finally confronts the killer who has a gun aimed at him. Like Alex, fans will wonder what¿s going on as Tom Corcoran provides a zany solid investigative tale. ---Harriet Klausner