Alternative Comedy: 1979 and the Reinvention of British Stand-Up
In the late 1970s, the alternative comedy scene exploded into life in Britain and completely changed the style, subject matter and politics of British stand-up. Contemporary critics talked about it as 'anti-matter comedy' that 'makes you laugh while actually rearranging large chunks of your brain'. This book draws on a wealth of archive material – including unpublished recordings of early performances – and new interviews with key figures such as Alexei Sayle, Andy de la Tour and Jim Barclay, to provide a detailed history of the early scene and an examination of the distinctive modes of performance style which developed.

Beginning with its origins, the volume traces the influence of American stand-up, and in particular the significance of Mort Sahl and Lenny Bruce as the originators of a style of stand-up that influenced the British pioneers of alternative comedy. It shows how the opening of the Comedy Store in 1979 provided a catalyst for a new movement, which grew outward from there with the foundation of the group Alternative Cabaret and the opening of the Comic Strip. But it also looks at smaller venues and less celebrated acts that have not been as well remembered, including ranting poets and street performers. Finally, it looks at alternative comedy's legacy, showing how it was the starting point for the UK's thriving and varied live scene, which encompasses anything from small pub gigs to huge arena tours.
1132704568
Alternative Comedy: 1979 and the Reinvention of British Stand-Up
In the late 1970s, the alternative comedy scene exploded into life in Britain and completely changed the style, subject matter and politics of British stand-up. Contemporary critics talked about it as 'anti-matter comedy' that 'makes you laugh while actually rearranging large chunks of your brain'. This book draws on a wealth of archive material – including unpublished recordings of early performances – and new interviews with key figures such as Alexei Sayle, Andy de la Tour and Jim Barclay, to provide a detailed history of the early scene and an examination of the distinctive modes of performance style which developed.

Beginning with its origins, the volume traces the influence of American stand-up, and in particular the significance of Mort Sahl and Lenny Bruce as the originators of a style of stand-up that influenced the British pioneers of alternative comedy. It shows how the opening of the Comedy Store in 1979 provided a catalyst for a new movement, which grew outward from there with the foundation of the group Alternative Cabaret and the opening of the Comic Strip. But it also looks at smaller venues and less celebrated acts that have not been as well remembered, including ranting poets and street performers. Finally, it looks at alternative comedy's legacy, showing how it was the starting point for the UK's thriving and varied live scene, which encompasses anything from small pub gigs to huge arena tours.
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Alternative Comedy: 1979 and the Reinvention of British Stand-Up

Alternative Comedy: 1979 and the Reinvention of British Stand-Up

Alternative Comedy: 1979 and the Reinvention of British Stand-Up

Alternative Comedy: 1979 and the Reinvention of British Stand-Up

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Overview

In the late 1970s, the alternative comedy scene exploded into life in Britain and completely changed the style, subject matter and politics of British stand-up. Contemporary critics talked about it as 'anti-matter comedy' that 'makes you laugh while actually rearranging large chunks of your brain'. This book draws on a wealth of archive material – including unpublished recordings of early performances – and new interviews with key figures such as Alexei Sayle, Andy de la Tour and Jim Barclay, to provide a detailed history of the early scene and an examination of the distinctive modes of performance style which developed.

Beginning with its origins, the volume traces the influence of American stand-up, and in particular the significance of Mort Sahl and Lenny Bruce as the originators of a style of stand-up that influenced the British pioneers of alternative comedy. It shows how the opening of the Comedy Store in 1979 provided a catalyst for a new movement, which grew outward from there with the foundation of the group Alternative Cabaret and the opening of the Comic Strip. But it also looks at smaller venues and less celebrated acts that have not been as well remembered, including ranting poets and street performers. Finally, it looks at alternative comedy's legacy, showing how it was the starting point for the UK's thriving and varied live scene, which encompasses anything from small pub gigs to huge arena tours.

Product Details

ISBN-13: 9781350052819
Publisher: Bloomsbury Publishing
Publication date: 04/16/2020
Series: Cultural Histories of Theatre and Performance
Sold by: Barnes & Noble
Format: eBook
Pages: 240
File size: 2 MB

About the Author

Oliver Double is Reader in Drama at the University of Kent, UK. He is the author of Stand-Up! On Being a Comedian (Methuen, 1997), Getting the Joke: The Inner Workings of Stand-Up Comedy (Methuen, 2005; expanded 2nd edition Bloomsbury Methuen Drama, 2014) and Britain Had Talent: A History of Variety Theatre (2012), and co-editor with Adam Ainsworth and Louise Peacock of Popular Performance (Methuen Drama, 2017).
OLIVER DOUBLE is a Senior Lecturer in Drama at the University of Kent, UK.
Claire Cochrane is Professor of Theatre Studies at the University of Worcester, UK. She has published widely on regional British theatre with a particular focus on Black British and British Asian theatre. Her publications include Twentieth Century British Theatre Industry Art and Empire (2011).
BRUCE MCCONACHIE is Professor of Theatre Arts and Performance Studies at the University of Pittsburgh, USA.

Table of Contents

Acknowledgements


Introduction UK 1979

Part One History of early alternative comedy

1. Prehistory – influences and origins
2. The beginnings of alternative comedy
3. The spread of the circuit

Part Two Alternative comedy performance

4. 'Bits of me haven't been finished yet' – Reinventing stand-up from scratch
5. 'Anti-matter comedy' – Stylistic Innovation
6. 'Advanced social thinkers' – Persona and Perspective
7. 'Comedy of direct confrontation' – Relating to audiences
8. 'I tell jokes which precipitate the downfall of capitalist society' – Politics

Part Three Legacy of alternative comedy

9. Alternative comedy now

Notes
References
Index
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