Anya Borzakovskaya is one frustrated, grouchy teenager. She's embarrassed by her Russian-émigré mom; her little brother drives her bats; she doesn't fit in at school; she can't get the boy she likes to notice her; and her only weapons are her sharp tongue and perpetual sneer. Then she falls down a well and makes a friend: the very lonely ghost of a girl named Emily, who died there a hundred years before and can't leave her bones. Anya's the only one who can see Emily, of course, but Emily's excited enough to be out in the world again (via a tiny bone Anya carries around with her) that she offers to help her new pal out in all sorts of poltergeisty ways; Anya, in return, resolves to try to solve the mystery of Emily's murder. Brosgol's debut graphic novel—taut, witty, and breezily paced—seems to be heading in a very familiar direction, and then, abruptly, veers off toward a completely different and much more clever third act. Brosgol's two-toned purple-and-black images have a bold, cartoony flair, underscoring her knack for comic timing and pacing, and making nearly every stance and facial expression her characters adopt at least a little bit funny. (June)
Anya's Ghost is a masterpiece, of YA literature and of comics.” Neil Gaiman
“Remarkable. . . . with an attitude and aptitude reminiscent of Marjane Satrapi (Persepolis) who likewise conveyed the particulars of an immigrant adolescence, Brosgol has created a smart, funny and compassionate portrait of someone who, for all her sulking and sneering, is the kind of daughter many parents would like to have. And the kind of girl many of us maybe once were.” The New York Times
The teen years are rough, and Anya's feeling it. Her changing body makes her self-conscious, her family embarrasses her, and she's given up on trying to fit in at school. Oh, and her new BFF is a ghost. But maybe that last is just fine. First Second bills this as "spooky, sardonic, and secretly sincere."
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Gr 7 Up—Anya is a Russian girl who wants to fit in with her American classmates. She falls down a well and meets a ghost named Emily, who was murdered. They become friends and promise to help one another. Emily helps Anya get closer Sean, a boy she likes. In return, Anya promises to help solve Emily's 90-year-old murder. The story is rather dark and at times darkly humorous, especially when Anya fantasizes about Sean. It gets even darker when Anya realizes that Emily has been concealing a very dangerous truth about herself. Anya's character is not always sympathetic-she cheats on tests, she is often rude to her friends, and she refuses to help another Russian student because he's too "fobby" (Fresh Off the Boat). But her interactions with Emily and Sean change her and help her to evolve into a character whom readers can admire. The artwork is made up of clean, cartoony lines, reminiscent of that in Hope Larson's Mercury (S & S, 2010). The mix of mystery, horror, and the coming-of-age theme combined with the appealing graphic style will make Anya's Ghost an ideal choice for reluctant teen readers.—Andrea Lipinski, New York Public Library
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily's help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that "perfect" may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol's tight storytelling invokes the chilling feeling of Neil Gaiman's Coraline (2002), though for a decidedly older set. In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance.
A book sure to haunt its reader long after the last past is turned—exquisitely eerie. (Graphic supernatural fiction. 12 & up)