Brooklyn Noir

Brooklyn Noir

Brooklyn Noir

Brooklyn Noir

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Overview

This award-winning anthology of original crime fiction exploring Brooklyn’s many enclaves features new stories by Pete Hamill, Maggie Estep and others.

New York’s punchiest borough asserts its criminal legacy with this collection of stories from some of today’s best writers. Brooklyn Noir moves from Coney Island to Bedford-Stuyvesant to Bay Ridge to Red Hook to Bushwick to Sheepshead Bay to Park Slope and far deeper, into the heart of Brooklyn’s historical and criminal largesse. Each contributor offers a new story set in a distinct neighborhood. 

Many of the stories that first appeared in this volume have garnered critical acclaim, including Pete Hamill’s Edgar Award finalist “The Book Signing”; Ellen Miller’s Pushcart Prize finalist “Practicing”; Pearl Abraham’s Shamus Award finalist “Hasidic Noir”; Arthur Nersesian’s Anthony Award finalist “Hunter/Trapper”; and Thomas Morrissey’s Robert L. Fish Memorial Award-winner “Can’t Catch Me”.

Brooklyn Noir also features brand-new stories by Nelson George, Sidney Offit, Neal Pollack, Ken Bruen, Maggie Estep, Kenji Jasper, Adam Mansbach, C.J. Sullivan, Chris Niles, Norman Kelley, Nicole Blackman, Tim McLoughlin, Lou Manfredo, Luciano Guerriero, and Robert Knightley.

Product Details

ISBN-13: 9781936070152
Publisher: Akashic Books
Publication date: 07/01/2004
Series: Akashic Noir Series
Sold by: Barnes & Noble
Format: eBook
Pages: 380
Sales rank: 623,302
File size: 2 MB

About the Author

TIM McLOUGHLIN is the editor of the multiple award-winning anthology Brooklyn Noir and Brooklyn Noir 2: The Classics, and is coeditor of Brooklyn Noir 3: Nothing but the Truth. His books have been published in five languages and he is the 2003 recipient of Italy’s Premio Penne award. His short fiction and essays have appeared in numerous literary magazines and anthologies, and his work has been included in Best American Mystery Stories. He lives in Brooklyn. Heart of the Old Country is his latest novel.

Read an Excerpt

Excerpt of The Book Signing by Pete Hamill
(Park Slope)

Carmody came up from the subway before dusk, and his eyeglasses fogged in the sudden cold. He lifted them off his nose, holding them while they cooled, and saw his own face smiling from a pale green leaflet taped to the wall. There he was, in a six-year-old photograph, and the words Reading and Book Signing and the date and place, and he paused for a moment, shivering in the hard wind. The subway was his idea. The publisher could have sent him to Brooklyn in a limousine, but he wanted to go to the old neighborhood the way he always did, long ago. He might, after all, never come this way again.

The subway stairs seemed steeper than he remembered and he felt twinges in his knees that he never felt in California. Sharp little needles of pain, like rumors of mortality. He didn't feel these pains after tennis, or even after speed-walking along the Malibu roads. But the pain was there now, and was not eased by the weather. The wind was blowing fiercely from the harbor, which lay off in the darkness to his right, and he donned his glasses again and used both gloved hands to pull his brown fedora more securely to his brow. His watch told him that he had more than a half hour to get to the bookstore. Just as he had hoped. He'd have some time for a visit, but not too much time. He crossed the street with his back to the place where the bookstore awaited him, and passed along the avenue where he once was young.

His own aging face peered at him from the leaflets as he passed, some pasted on walls, others taped inside the windows of shops. In a way, he thought, they looked like Wanted posters. He felt a sudden . . . what was the word? Not fear. Certainly not panic. Unease. That was the word. An uneasiness in the stomach. A flexing and then relaxing of muscles, an unwilled release of liquids or acids, all those secret wordless messages that in California were cured by the beach and the surf or a quick hit of Maalox. He told himself to stop. This was no drama. It was just a trip through a few streets where once he had lived but had not seen for decades. After seventeen novels, this would be his first signing in the borough that had formed him. But the leaflets made clear that here, in this neighborhood, his appearance might be some kind of big deal. It might draw many people. And Carmody felt apprehensive, nervous, wormy with unease.

Table of Contents

Introduction by Tim McLoughlin
Part I: Old School Brooklyn
Pete Hamill (Park Slope) "The Book Signing"
Pearl Abraham (Williamsburg) "Hasidic Noir"
Sidney Offit (Downtown) "No Time for Seniors"
Tim McLoughlin (Sunset Park) "When All This Was Bay Ridge"
Ellen Miller (Canarsie) "Practicing"
Part II: New School Brooklyn
Adam Mansbach (Crown Heights) "Crown Heist"
Arthur Nersesian (Brooklyn Heights) "Hunter/Trapper"
Nelson George (Brownsville) "New Lots Avenue"
Neal Pollack (Coney Island) "Scavenger Hunt"
Norman Kelley (Prospect Heights) "The Code"
Part III: Cops & Robbers
Thomas Morrissey (Bay Ridge) "Can't Catch Me"
Lou Manfredo (Bensonhurst) "Case Closed"
Luciano Guerriero (Red Hook) "Eating Italian"
Kenji Jasper (Bed-Stuy) "Thursday"
Robert Knightly (Greenpoint) "One More for the Road"
Part IV: Backwater Brooklyn
Maggie Estep (East New York) "Triple Harrison"
Ken Bruen (Galway, Ireland) "Fade to . . . Brooklyn"
C.J. Sullivan (Bushwick) "Slipping into Darkness"
Chris Niles (Brighton Beach) "Ladies' Man"
About the Contributors

What People are Saying About This

Tim Cockey

You want real? Leave the white collar at home and come to Brooklyn. The stories in this astonishingly diverse collection will pull you out onto the street, maybe even rough you up a little. And you'll love it. Edgy, sly, and at times downright eye-popping, Brooklyn Noir takes you on an ultra-cool walking tour of NYC's hippest borough.
author of Backstabber

Laura Lippman

Brooklyn Noir is such a stunningly perfect combination that you can’t believe you haven’t read an anthology like this before. But trust me--you haven't. Story after story is a revelation, filled with the requisite sense of place, but also the perfect twists that crime stories demand. The writing is flat-out superb,  filled with lines that will sing in your head for a long time to come.
winner of the Edgar, Shamus, and Agatha awards

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