The Harlem Renaissance is rightly considered to be a moment of creative
exuberance and unprecedented explosion. Today, there is a renewed interest in this
movement, calling for a re-evaluation and a closer scrutiny of the era and of
documents that have only recently become available. Temples for Tomorrow reconsiders
the period -- between two world wars -- which confirmed the intuitions of W. E. B.
DuBois on the "color line" and gave birth to the "American dilemma," later evoked by
Gunnar Myrdal. Issuing from a generation bearing new hopes and aspirations, a new
vision takes form and develops around the concept of the New Negro, with a goal: to
recreate an African American identity and claim its legitimate place in the heart of
the nation. In reality, this movement organized into a remarkable institutional
network, which was to remain the vision of an elite, but which gave birth to
tensions and differences.
This collection attempts to assess
Harlem's role as a "Black Mecca", as "site of intimate performance" of African
American life, and as focal point in the creation of a diasporic identity in
dialogue with the Caribbean and French-speaking areas.
Essays
treat the complex interweaving of Primitivism and Modernism, of folk culture and
elitist aspirations in different artistic media, with a view to defining the
interaction between music, visual arts, and literature.
Also
included are known Renaissance intellectuals and writers. Even though they had
different conceptions of the role of the African American artist in a racially
segregated society, most participants in the New Negro movement shared a desire to
express a new assertiveness in terms of literary creation and
indentity-building.
The Harlem Renaissance is rightly considered to be a moment of creative
exuberance and unprecedented explosion. Today, there is a renewed interest in this
movement, calling for a re-evaluation and a closer scrutiny of the era and of
documents that have only recently become available. Temples for Tomorrow reconsiders
the period -- between two world wars -- which confirmed the intuitions of W. E. B.
DuBois on the "color line" and gave birth to the "American dilemma," later evoked by
Gunnar Myrdal. Issuing from a generation bearing new hopes and aspirations, a new
vision takes form and develops around the concept of the New Negro, with a goal: to
recreate an African American identity and claim its legitimate place in the heart of
the nation. In reality, this movement organized into a remarkable institutional
network, which was to remain the vision of an elite, but which gave birth to
tensions and differences.
This collection attempts to assess
Harlem's role as a "Black Mecca", as "site of intimate performance" of African
American life, and as focal point in the creation of a diasporic identity in
dialogue with the Caribbean and French-speaking areas.
Essays
treat the complex interweaving of Primitivism and Modernism, of folk culture and
elitist aspirations in different artistic media, with a view to defining the
interaction between music, visual arts, and literature.
Also
included are known Renaissance intellectuals and writers. Even though they had
different conceptions of the role of the African American artist in a racially
segregated society, most participants in the New Negro movement shared a desire to
express a new assertiveness in terms of literary creation and
indentity-building.
Temples for Tomorrow: Looking Back at the Harlem Renaissance
408Temples for Tomorrow: Looking Back at the Harlem Renaissance
408Product Details
ISBN-13: | 9780253109101 |
---|---|
Publisher: | Indiana University Press |
Publication date: | 09/19/2001 |
Sold by: | Barnes & Noble |
Format: | eBook |
Pages: | 408 |
File size: | 5 MB |