The Grammar of Carnatic Music

This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky.

1119406000
The Grammar of Carnatic Music

This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky.

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The Grammar of Carnatic Music

The Grammar of Carnatic Music

by K.G. Vijayakrishnan
The Grammar of Carnatic Music

The Grammar of Carnatic Music

by K.G. Vijayakrishnan

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Overview

This book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/listeners which the author calls the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music. The volume includes a foreword by Paul Kiparsky.


Product Details

ISBN-13: 9783110198881
Publisher: De Gruyter Mouton
Publication date: 01/01/2007
Series: Phonology and Phonetics [PP] Series
Sold by: Barnes & Noble
Format: eBook
Pages: 342
File size: 12 MB
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About the Author

K.G.Vijayakrishnan, Central Institute of English Foreign Languages, Hyderabad, India.

Table of Contents

Acknowledgements     ix
Foreword   Paul Kiparsky     xi
Foreword   Aruna Sairam     xv
Introduction     1
Language and (Carnatic) music     14
Issues in modeling the grammar: Language and Carnatic music     37
Conversion of pitch values to notes     73
Classifying pitch variations and assigning structure to a line of Carnatic music     104
Construing meaning in Carnatic music: Determining grammaticality     139
Construing meaning in Carnatic music: Style/Stylistic issues     180
The lexicon of Carnatic music     229
Accounting for variation in Carnatic music     267
A note on the roman notation     296
Another take on the mathematics of the twelve notes     299
An annotated selection of Carnatic music webpages     301
Carnatic music glossary     307
Notes     311
Bibliography     331
Author and composer index     335
Subject index     337
Raagam index     341
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