Winner of the eLit GOLD award: "Illuminating Digital Publishing Excellence."
INDEPENDENT OPINION : "The Hendersons’ monument of research and craftsmanship seeks to give Lewis the consideration that she has been denied—not dissimilar to the artist’s own commitment to proving her competitors and critics wrong, demonstrating that a minority could take on the hegemonic tradition of fine arts. The book provides crystalline accounts of Lewis’s feuds and mentorships, as well as rich illustrations of the works being discussed throughout. Overall, the authors deliver a well-constructed mix of primary resources, critical analysis and literary flourishes." - Kirkus Reviews. "Thank you so much for your excellent research ... Your work on Edmonia Lewis will be used for many years to come by scholars, art historians, art collectors and anyone interested in knowing more about this outstanding woman" - Dr. Sheryl Colyer. "" "5.0 of 5 stars" - Goodreads.
Based primarily on decades of research by Harry Henderson, this fresh look at the facts of Edmonia Lewis's life and art discusses how she helped shape today's world. It includes more than 100,000 words, 50 illustrations (12 in color), 800 notes, a bibliography, and a list of more than 100 works by Edmonia Lewis with notes on museums that collect her work.
Edmonia Lewis was the first famous “colored sculptor” and the first to idealize her African and American Indian heritages in stone. She flourished from 1864 through 1878, and, as an artist, was a rare instrument for social change in the aftermath of the Civil War. She pressed her case for equality from her studio in Rome, Italy, and with annual tours of the United States.
Her biography is based on private letters, public documents, essays, hundreds of news items, reviews of her work, museum collections, and more than two dozen published interviews. It reveals how a world biased against her color, class, gender and religion received her. Of special interest to African-American and American-Indian studies, as well as art, women’s, and American history, the narrative opens an abundance of previously unrecognized sources, reinterprets important relationships, names missing works, and corrects the identification of an important portrait. Students of the nineteenth century will find it a cool counterpoint to the bitter rage of Civil War and Reconstruction.
Readers familiar with her legendary icons of race may be surprised by her many portraits and her untold moves to Paris and London. They will also find answers to long-standing questions: Where, when, and how did she die? Why did her encounter with a bronze Ben Franklin leave her reeling? Why did she idealize a woman with African features only once in her career? Why did she never cite the now-famous Forever Free after her first interviews in Rome? Why did she have to stalk Henry Wadsworth Longfellow through the streets to make his portrait? Where was her studio? How often did she tour America? How did she enter her work in the 1876 Centennial expo, which had barred colored people absolutely? What were her relationships with fans, mentors, and fellow sculptors? Who were her rivals, her best friends, and her worst enemies? Fresh evidence, never before collected and collated, argues a novel motive for her erotic masterwork, the Death of Cleopatra, which sits apart in her œuvre like a hussy in a small town church. Newly realized sources also change our view of her childhood and provide ample support to refute distortions of her personal character, sexuality, and appearance.
Harry Henderson was co-author with Romare Bearden of the “landmark” History of African-American Artists from 1792 (Pantheon, 1993) and 6 Black Masters of American Art (Doubleday, 1972). Albert Henderson has contributed to a number of learned journals and books.
2012. More than 100,000 words, 50 images, 800 notes, a bibliography, and a reference list of more than 100 works mentioned in our sources. ISBN 9781588634528 (EPUB Electronic book)
|Publisher:||Esquiline Hill Press|
|Sold by:||Barnes & Noble|
|File size:||2 MB|
About the Author
Albert Henderson, past editor of Publishing Research Quarterly, has contributed essays to Scholarly Publishing (Wiley 2002), Immigrant Publishers (Transaction, 2009) and to many learned journals.