Praise for The Ballad of Songbirds and Snakes:
#1 USA Today Bestseller
#1 New York Times Bestseller
"The Ballad of Songbirds and Snakes delivers a mesmerizing look into the life of Coriolanus Snow and the root causes of his villainous behavior. Collins once again proves that she is a master of building a fascinating world around complex characters who must grapple with the complications of chaos and control and their effects on human nature." — The Associated Press
"It is a steep challenge to write a book whose hero is, everyone knows, destined to become deeply evil. Do we want to hear — now, after we know the endgame — that the young Voldemort was unfairly saddled with a demerit in class or that the adolescent Sauron fretted because he had to wear hand-me-down clothes? Yes, please." — New York Times
"For true fans of The Hunger Games, Collins shines most as she weaves in tantalizing details that lend depth to the gruesome world she created in the original series and Coriolanus's place in its history." — Time
"The Ballad of Songbirds and Snakes is your apocalyptic escape from our current apocalypse." — Vox
"It's the pull between Coryo's head and heart — and the realization that he actually has a beating heart, not just a rose-scented lump of coal — that makes the future President Snow very worthy of a 517-page prequel." — Washington Post
"[B]y introducing a new cast of teenagers, Collins is able to raise questions about privilege, the uses of violence, and the futility of war." — People
"Collins's themes of friendship, betrayal, authority and oppression, as well as the extra layers of lore about mockingjays and Capitol's history, will please and thrill." — MSN
"The Ballad of Songbirds and Snakes describes how most lives are actually lived, the consequences of countless small choices that ultimately amount to a big one: not just how to feel but who to be." — Slate
"Collins reminds readers that even the most horrible people may have at one point done the right thing, but that doesn't make them any less despicable or less worth overthrowing." — Polygon
* "Both a tense, character-driven piece and a cautionary tale.... The twists and heartbreaks captivate despite tragic inevitabilities." — Kirkus Reviews, starred review
"A gripping mix of whipsaw plot twists and propulsive writing make this story's complex issues — vulnerability and abuse, personal responsibility, and institutionalized power dynamics — vivid and personal." — Publishers Weekly
Praise for The Hunger Games:
"I couldn't stop reading." — Stephen King, Entertainment Weekly
"The Hunger Games is amazing." — Stephenie Meyer
"Brilliantly plotted and perfectly paced." — John Green, New York Times Book Review
Praise for Catching Fire:
"Whereas Katniss kills with finesse, Collins writes with raw power." — Time Magazine
"Collins expertly blends fantasy, romance and political intrigue." — People Magazine
Praise for Mockingjay:
"Fans will be happy to hear that Mockingjay is every bit as complex and imaginative as Hunger Games and Catching Fire." — Entertainment Weekly
"Suspenseful... Collins' fans, grown-ups included, will race to the end." — USA Today
"At its best the trilogy channels the political passion of 1984, the memorable violence of A Clockwork Orange, the imaginative ambience of The Chronicles of Narnia and the detailed inventiveness of Harry Potter." — New York Times Book Review
"Unfolding in Collins' engaging, intelligent prose and assembled into chapters that end with didn't-see-that-coming cliffhangers, this finale is every bit the pressure cooker of its forebears. [Mockingjay] is nearly as shocking, and certainly every bit as original and thought-provoking, as The Hunger Games. Wow." — Los Angeles Times
* "This concluding volume in Collins's Hunger Games trilogy accomplishes a rare feat, the last installment being the best yet, a beautifully orchestrated and intelligent novel that succeeds on every level." — Publishers Weekly, starred review
★ 2020-05-20
An origin story for both President Snow and the Hunger Games as we know them.
Coriolanus Snow has the right family name, a prestigious address, talent, and charisma—but unless he wins a prize to pay for university, it’s all for nothing, as his family’s wealth came from the now obliterated District 13. He must succeed in his final project of being a mentor in the Hunger Games, but his District 12 girl tribute assignment at first feels damning. However, Lucy Gray Baird is vibrant and wild, a singer and performer with star power; she’s perfect for Coriolanus, who has been tasked with boosting the grim, lackluster games that, early in the shift from mock war to sporting spectacle, are even more brutal and unpredictable. Coriolanus is pulled between Mengelian Dr. Gaul’s twisted mentorship and connections with sympathetic foils Lucy Gray (which veers romantic) and compassionate classmate Sejanus. Conflicted Coriolanus thinks of himself as a good person in an impossible situation but also as exceptional—a belief with a high price. Collins humanizes him as superficially heroic and emotionally relatable while also using him for a vehicle for philosophical questions. Though readers know how he will eventually answer the questions explicitly asked of him, the central question is why, resulting in both a tense, character-driven piece and a cautionary tale. There is some mention of diversity in skin tone; Coriolanus and Lucy Gray seem to be white.
The twists and heartbreaks captivate despite tragic inevitabilities. (Science fiction. 12-adult)
