“Novels are long divorced from the oral tradition; few are designed to last beyond their reading. But some books—Gabriel García Márquez’s One Hundred Years of Solitude (1967), for instance, or Larry McMurtry’s Lonesome Dove (1985)—continue to be passed down, like legends. Predicting posterity is impossible, but The Wayfinder is this kind of work, modern and mythological. It is good enough, wondrous enough, to endure.”
—The Wall Street Journal
“An epic that feels less created than unearthed . . . Johnson’s dizzying attention to the mercurial crosscurrents of conquest recalls . . . Olga Tokarczuk’s The Books of Jacob. His bold melding of magic and psychological realism casts a spell as captivating as Marlon James’s Black Leopard, Red Wolf. Yet The Wayfinder is sui generis — a tapestry of South Pacific myth, archetypal quest, political allegory, environmental jeremiad and feminist revision that feels both ancient and impossibly relevant."
—Ron Charles, The Washington Post
“Johnson is a master builder of fictive worlds. The Wayfinder is a story of cultural erasure wrapped into a fantastical fable.”
—Los Angeles Times
“This is one of [Adam Johnson's] biggest swings yet . . . A sprawling epic.”
—Joumana Khatib, The New York Times Book Review
“[An] epic-scale historical adventure from Pulitzer Prize winner Adam Johnson . . . Johnson paints a rich tale of nature, politics, and tradition . . . It's a unique, spellbinding saga that drew us into an elaborate world.”
—Apple's Best of the Month
“[Johnson’s] audacious, unruly imagination roams with confidence through the island kingdom of Tonga . . . A grand, perilous and transfiguring adventure . . . Enchanted touches are deftly threaded into the rangy storyline by Johnson's richly lyrical prose, which is also capable of handling the social dynamics of the Tongans along with the background stories of royalty and their rivals . . . A world that, like the pendant recovered at the novel’s start, feels ‘both ancient and startlingly new.’”
—Kirkus Reviews
“A majestic saga of political unrest in the South Pacific and a girl's quest to save her people . . . This is remarkable.”
—Publishers Weekly (starred review)
“Expansive in scope, historically detailed, and totally enthralling . . . Johnson's monumental research into the history, legacy, and imprint of the Polynesian culture is evident in the meticulous detail of his narrative—which is about much more than his characters, whose vibrancy demands acknowledgement, and his gorgeous landscape descriptions . . . Part bildungsroman, part historical exploration, this novel is a study of the many islands in the South Pacific, their power struggles, abuses of power, and the perseverance to survive.”
—Booklist (starred review)
“From talking corpses to poetic parrots, The Wayfinder is bursting at the seams with ideas and blistering prose.”
—Chicago Review of Books
“How lucky we are that Adam Johnson has ignited for us this wild, epic, and utterly captivating skein of human history. His years of immersion in the Polynesian oral tradition and research into the Tu‘itonga Empire shimmer through The Wayfinder at every twist, but his rollicking storytelling leads the way.”
—Jennifer Egan, Pulitzer Prize-winning author of A Visit from the Goon Squad and The Candy House
“The Wayfinder is a singular achievement. Everything you can ask for in a reading experience, and, because it’s Adam Johnson, a little bit more. There are lines in here so pure and direct and lyrical and right, they make my teeth ache.”
—Stephen Graham Jones, author of The New York Times Bestseller The Buffalo Hunter Hunter
“Epic in every sense of the word, this is a high wire act that burns the net below. Epic in that it swings with the same music in great works from Gilgamesh on down. Epic in scope that races across time and space until one is no different from the other. Epic in that we are swept up in a journey where not even the reader returns. In The Wayfinder myth becomes fact, magic becomes wisdom, poetry is in the mouths of birds, and a young girl sets out to remake the world.”
—Marlon James, Booker Prize winning author of Moon Witch, Spider King
2025-07-17
The Polynesian islands in the South Pacific are transformed by this historical epic into a region at once otherworldly and recognizable.
The Pulitzer Prize–winning Johnson (The Orphan Master’s Son, 2012) has established a reputation for spinning complex, colorful, and plausibly rococo yarns from civilizations remote from and mysterious to outsiders. Here, his audacious, unruly imagination roams with confidence through the island kingdom of Tonga as it undergoes societal uncertainty and the potential of war with other islands. At or near the center of this whirlwind is Kōrero, bold and insatiably curious daughter of a fisherman and a tattoo artist, whose discovery of a fishhook-shaped pendant in an ancestral graveyard signals the beginning of a grand, perilous, and transfiguring adventure that puts her, her family, and her friends on a sea voyage whose outcome could mean either salvation or oblivion for their people. The perilous odyssey is led by a figure known only as the Wayfinder, whose near-intuitive grasp of navigation by both the shifting waters and the celestial patterns of the night sky arouses in Kōrero her own aspirations of being a “way finder.” Telling stories, however, is her own means of navigating through the twists and turns of her life’s journey, and Johnson’s multilayered narrative has the baggy, wildly divergent feel of oral storytelling, in which the intrigues of royal power politics, often facilitated through violence, are woven with tales of familial conflict, verse by royal poets, and even the occasional monologue from Kōkī, the most articulate and, it seems, resilient of the islands’ many parrots. Such enchanted touches are deftly threaded into the rangy storyline by Johnson’s richly lyrical prose, which is also capable of handling the social dynamics of the Tongans along with the background stories of royalty and their rivals. At times, the saga can get so discursive that it risks leaving the reader on some reef or capsized by an unexpected surge from another time. Yet somehow, you yield to the novelist’s evocation of a world that, like the pendant recovered at the novel’s start, feels “both ancient and startlingly new.”
A book stuffed with revelations while keeping many secrets.
