Anita de Monte Laughs Last (Reese's Book Club Pick)

by Xochitl Gonzalez

Overview

Notes From Your Bookseller

A sharp and rollicking read about the power of art and the lasting legacy of those who make it from the bestselling author of our previous Discover pick, Olga Dies Dreaming.

REESE'S BOOK CLUB PICK • New York Times bestselling author Xochitl Gonzalez delivers a mesmerizing novel about a first-generation Ivy League student who uncovers the genius work of a female artist decades after her suspicious death

A Best Book of 2024: Kirkus, TIME, NPR, Goodreads, Electric Lit and more!

“Anita de Monte Laughs Last is a cry for justice. Writing with urgency and rage, Gonzalez speaks up for those who have been othered and deemed unworthy, robbed of their legacy." ―The Washington Post

"Anita De Monte Laughs Last by Xochitl Gonzalez asks some big questions, like who in art or history is remembered, who is left behind or erased and WHY. I have goosebumps just talking about this story." ―Reese Witherspoon

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved out for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret.

But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita’s story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist.

Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last is a propulsive, witty examination of power, love, and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite.

Product Details

ISBN-13:	9781250786210
Publisher:	Flatiron Books
Publication date:	03/05/2024
Pages:	352
Product dimensions:	6.10(w) x 9.30(h) x 1.20(d)

About the Author

Xochitl Gonzalez is the New York Times bestselling author of Anita de Monte Laughs Last, a Reese's Book Club Pick longlisted for the Aspen Words Literary Prize, and the award-winning Olga Dies Dreaming, named a Best of 2022 by The New York Times, TIME, Kirkus, Washington Post, and NPR. Gonzalez is a staff writer for The Atlantic and was recognized as a 2023 Pulitzer Prize finalist in Commentary. A native Brooklynite and proud public school graduate, Gonzalez holds a BA from Brown University and an MFA from the Iowa Writers’ Workshop.

Editorial Reviews

Anita de Monte Laughs Last is a cry for justice. Writing with urgency and rage, Gonzalez speaks up for those who have been othered and deemed unworthy, robbed of their legacy." —The Washington Post

"Admirers of Xochitl Gonzalez’s debut, Olga Dies Dreaming, will be pleased to encounter in Gonzalez’s follow-up novel, Anita de Monte Laughs Last, not one but two protagonists who echo the titular Olga’s best qualities. Like Olga, they are Latina women of vision and will, who emphatically refuse to be put in a corner." —New York Times Book Review

"Unflinching and thought-provoking." —People

"This rollicking page-turner from the bestselling author of Olga Dies Dreaming includes of-the-moment commentary about who succeeds and why." —Real Simple

"Gonzalez’s sophomore outing deserves a mouse on her doorstep in gratitude... This is a brutal but ultimately heartwarming and certainly thought-provoking novel of Latinx magic, family, and feminine power." —Booklist (starred review)

"Part campus novel, part ghost story, Xochitl Gonzalez’s second novel fearlessly takes on racism and misogyny in the rarefied world of fine art and art history... Anita de Monte Laughs Last boldly questions the choices behind what we are taught and demands that the complete story be disclosed." —BookPage (starred review)

"Gonzalez has that particular penchant for navigating perspectives in a voice that’s at once delightfully humorous and sobering." —Elle

"An uncompromising message, delivered via a gripping story with two engaging heroines." —Kirkus (starred review)

"Gonzalez’s newest novel is a dynamic exploration of love, art, and power." —LitHub

"A new captivating novel that explores othering, erasure, power, and legacy through the lens of two women of color navigating the art scene years apart." —TODAY.com

"Gonzalez crafts excoriating and whip-smart commentary on the art world’s Eurocentric conceptions of beauty and the racism faced by first-generation students of color. This is incandescent." —Publishers Weekly (starred review)

"Funny, piercing, and full of moxie, Anita de Monte Laughs Last is unsparing in its assessment of what goes on behind the castle walls, the price people pay to be accepted into those hallowed halls, and what it takes to liberate oneself from the dangers that lurk within. Really, what Xochitl Gonzalez has written is an affirmation for anyone who's ever had to 'work twice as hard to get half as much.' Anita de Monte Laughs Last is rollicking, melodic, tender, and true. And oh so very wise." —Robert Jones, Jr., author of The Prophets, a finalist for the National Book Award for Fiction

"Bravo! A remarkable story about reclaiming what has been erased. Reader, enjoy!” —Ana Castillo, author of So Far From God

From the Publisher

★ 2023-11-18
An undergraduate at Brown University unearths the buried history of a Latine artist.

As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.

An uncompromising message, delivered via a gripping story with two engaging heroines.

Kirkus Reviews