The Ministry of Time: A Novel

by Kaliane Bradley

Overview

Notes From Your Bookseller

Escapist and relatable, poignant and funny, this genre-bending novel is firing on all storytelling cylinders, and is a terrific pleasure to read.

ONE OF BARACK OBAMA’S FAVORITE BOOKS OF SUMMER 2024 • A NEW YORK TIMES BESTSELLER • WINNER OF THE GOODREADS CHOICE AWARD FOR SCIENCE FICTION • A GOOD MORNING AMERICA BOOK CLUB PICK • A BEST BOOK OF THE YEAR: NPR, VANITY FAIR, ESQUIRE, VOX, GOOD HOUSEKEEPING, THE INDEPENDENT, PARADE, KIRKUS REVIEWS, AND MORE...

“This summer’s hottest debut.” —Cosmopolitan • “Witty, sexy escapist fiction [that] packs a substantial punch...Fresh and thrilling.” —Los Angeles Times • “Electric...I loved every second.” —Emily Henry

“Utterly winning...Imagine if The Time Traveler’s Wife had an affair with A Gentleman in Moscow...Readers, I envy you: There’s a smart, witty novel in your future.” —Ron Charles, The Washington Post

A time travel romance, a spy thriller, a workplace comedy, and an ingenious exploration of the nature of power and the potential for love to change it all: Welcome to The Ministry of Time, the exhilarating debut novel by Kaliane Bradley.

In the near future, a civil servant is offered the salary of her dreams and is, shortly afterward, told what project she’ll be working on. A recently established government ministry is gathering “expats” from across history to establish whether time travel is feasible—for the body, but also for the fabric of space-time.

She is tasked with working as a “bridge”: living with, assisting, and monitoring the expat known as “1847” or Commander Graham Gore. As far as history is concerned, Commander Gore died on Sir John Franklin’s doomed 1845 expedition to the Arctic, so he’s a little disoriented to be living with an unmarried woman who regularly shows her calves, surrounded by outlandish concepts such as “washing machines,” “Spotify,” and “the collapse of the British Empire.” But with an appetite for discovery, a seven-a-day cigarette habit, and the support of a charming and chaotic cast of fellow expats, he soon adjusts.

Over the next year, what the bridge initially thought would be, at best, a horrifically uncomfortable roommate dynamic, evolves into something much deeper. By the time the true shape of the Ministry’s project comes to light, the bridge has fallen haphazardly, fervently in love, with consequences she never could have imagined. Forced to confront the choices that brought them together, the bridge must finally reckon with how—and whether she believes—what she does next can change the future.

An exquisitely original and feverishly fun fusion of genres and ideas, The Ministry of Time asks: What does it mean to defy history, when history is living in your house? Kaliane Bradley’s answer is a blazing, unforgettable testament to what we owe each other in a changing world.

Product Details

ISBN-13:	9781668045145
Publisher:	Avid Reader Press / Simon & Schuster
Publication date:	05/07/2024
Pages:	352
Sales rank:	8,186
Product dimensions:	6.00(w) x 9.20(h) x 1.40(d)

About the Author

Kaliane Bradley is a British-Cambodian writer and editor based in London. Her short fiction has appeared in Somesuch Stories, The Willowherb Review, Electric Literature, Catapult, and Extra Teeth, among others. She was the winner of the 2022 Harper’s Bazaar Short Story Prize and the 2022 V.S. Pritchett Short Story Prize.

Read an Excerpt

Chapter I I
Perhaps he’ll die this time.

He finds this doesn’t worry him. Maybe because he’s so cold he has a drunkard’s grip on his mind. When thoughts come, they’re translucent, free-swimming medusae. As the Arctic wind bites at his hands and feet, his thoughts slop against his skull. They’ll be the last thing to freeze over.

He knows he is walking, though he can no longer feel it. The ice in front of him bounces and retreats, so he must be moving forward. He has a gun across his back, a bag across his front. Their weight is both meaningless and Sisyphean.

He is in a good mood. If his lips were not beyond sensation, he would whistle.

In the distance, he hears the boom of cannon fire. Three in a row, like a sneeze. The ship is signaling.

Editorial Reviews

03/11/2024

British Cambodian writer Bradley’s clever debut features time travel, romance, cloak-and-dagger plotting, and a critique of the British Empire. The unnamed narrator, who works as a translator for Britain’s Ministry of Defence sometime in the near future, is selected by the government to aid a newly formed agency to process time travelers from the past. Her assigned “expat” is real-life polar explorer Lt. Graham Gore, who has arrived in the future sometime before his death during the ill-fated 1845 Franklin expedition, a mind-bender Bradley heads off at the pass (“Anyone who has ever watched a film with time-travel... will know that the moment you start to think about the physics of it, you are in a crock of shit”). The narrator, whose mother was a Cambodian refugee, feels a kinship with Gore’s sense of disorientation. The roguishly handsome naval officer lives with her as part of the terms of the assignment, and her account of their burgeoning mutual attraction is interspersed with episodes from Gore’s disastrous journey to the Arctic. A thriller-like scenario regarding mortal threats to the narrator and Gore feels secondary; more fruitful are Bradley’s depictions of the ways in which time travelers react to modern nightclubs, sexual freedoms, and the news that the empire has “collapse.” It’s a sly and ingenious vehicle for commentary on the disruptions and displacements of modern life. (May)

Publishers Weekly

★ 09/20/2024

DEBUT A paper pusher for the British government is assigned to an experimental time travel ministry helping an "expat" stolen from the past adjust to modern life. She's assigned to bridge this knowledge gap as a roommate to Graham Gore from the doomed Franklin Expedition, performing both friendship and surveillance for a year. She keeps him at arm's length to avoid acting on her instant attraction. But issues in the ministry—including overly interested spy handlers, double agents, and future tech—force her and Gore closer. But their connection might also destroy their future. This melancholic tale reads like a dryly millennial take on classical Greek tragedy. Alternately bitter, absurdist, and hopeful, the story is at once a slow-burn romance, a spy thriller, and a tightly focused character study. It also examines obsession, flattening and replaying the past, and the desire to be right overwhelming the opportunity to do good. How can history change, Bradley asks, if people barely tolerate one another's individual pasts? VERDICT Bittersweet, tender, and ruthless, Bradley's captivating debut examines the personal frictions between people, between global and personal understanding, and within one's self.—Katherine Sleyko

Library Journal

Katie Leung narrates this time-travel novel from the point of view of the unnamed protagonist, who works as a "bridge" at the British government's Ministry of Time. They have technology that allows them to pluck people out of time and are studying whether these "expats" can survive with no ill effects. The bridge is helping her expat, 1800s polar explorer Graham Gore, adapt to the future; they live together and inevitably grow closer. Leung's Graham is especially appealing, as is her performance of Margaret, an expat from the seventeenth century whose accent is described as unplaceable and who takes to modern times surprisingly well. George Weightman sounds like he was plucked right out of the era himself as he narrates interspersed sections that detail Graham's doomed polar expedition. J.M.D. © AudioFile 2024, Portland, Maine

MAY 2024 - AudioFile

★ 2024-02-03
A time-toying spy romance that’s truly a thriller.

In the author’s note following the moving conclusion of her gripping, gleefully delicious debut novel, Bradley explains how she gathered historical facts about Lt. Graham Gore, a real-life Victorian naval officer and polar explorer, then “extrapolated a great deal” about him to come up with one of her main characters, a curly-haired, chain-smoking, devastatingly charming dreamboat who has been transported through time. Having also found inspiration in the sole extant daguerreotype of Gore, showing him to have been “a very attractive man,” Bradley wrote the earliest draft of the book for a cluster of friends who were similarly passionate about polar explorers. Her finished novel—taut, artfully unspooled, and vividly written—retains the kind of insouciant joy and intimacy you might expect from a book with those origins. It’s also breathtakingly sexy. The time-toggling plot focuses on the plight of a British civil servant who takes a high-paying job on a secret mission, working as a “bridge” to help time-traveling “expats” resettle in 21st-century London—and who falls hard for her charge, the aforementioned Commander Gore. Drama, intrigue, and romance ensue. And while this quasi-futuristic tale of time and tenderness never seems to take itself too seriously, it also offers a meaningful, nuanced perspective on the challenges we face, the choices we make, and the way we live and love today.

This rip-roaring romp pivots between past and present and posits the future-altering power of love, hope, and forgiveness.

Kirkus Reviews

"[Bradley's] utterly winning book is a result of violating not so much the laws of physics as the boundaries of genre. Imagine if The Time Traveler’s Wife had an affair with A Gentleman in Moscow. . . You’d need a nuclear-powered flux capacitor to generate more charisma than Gore. . . His banter with the narrator crackles off the page . . . Readers, I envy you: There’s a smart, witty novel in your future."—Ron Charles, The Washington Post

"The Ministry of Time reads like a novel that was written for pleasure . . . this is the kind of summer romp that also sparks real thought. . . . [G]ive in to the tide of this book, and let it pull you along. It’s very smart; it’s very silly; and the obvious fun never obscures completely the sheer, gorgeous, wild stretch of her ideas."—Ella Risbridger, The Guardian

“Bradley pulls off a rare feat. The Ministry of Time doesn’t stoop to easy answers and doesn’t devolve into polemic. It’s a smart, gripping work that’s also a feast for the senses. An assassination, moles, questions of identity and violence wreak havoc on our happy lovers and the bubble they create in London. Yet our affection for them is as fresh and thrilling as theirs is for one another . . . An edgy, playful and provocative book that’s likely to be the most thought-provoking romance novel of the summer. "—Lauren LeBlanc, Los Angeles Times

"A hilarious yet poignant take on dislocation, loss, and oddball community . . . A twisty plotline that incorporates plenty of John le Carré and Mick Herron spy-craft references . . . with the silly, incisive, and spot-on comedy of Douglas Adams."—Daneet Steffens, The Boston Globe

“Bradley ‘s writing is clear and stylish, her dialogue dry and sprightly; the serious matters of love and mortality are cloaked in humour, but never too heavily . . . If you loved Audrey Niffenegger’s The Time Traveler’s Wife, or the big hit of 2022, Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow, [The Ministry of Time] will be right up your street . . . A rattling good adventure story too, the twists at the end [are] perfectly earned . . . Don’t wait for this tale to come to the small screen. Crack this book open and you’ll see how time can disappear.”—Erica Wagner, Financial Times

“[The Ministry of Time] basically has everything you would want in a book in one incredible and exhilarating read that you'll definitely tell all your friends about.” —Cosmopolitan

"A revelatory page-turner."—People

“If you're a fan of Outlander, spy novels, time travel books, or just really innovative and fun storytelling, The Ministry of Time is definitely for you.” —Town & Country, "45 Must-Read Books of Spring 2024"

"This will be the book everyone is talking about this summer. Booksellers, social media, your parents, your teens. Everyone will simply love this time-traveling spy romance. It literally checks off all of the boxes for what a damn good book should be. Just go get it right now. Seriously."—Debutiful

"This is a lightning strike of a story that will appeal to fans of time travel, spy novels, romance, and bittersweet, satirical office drama alike. The result is part 'Kate and Leopold' and part Tomorrow and Tomorrow and Tomorrow.” —Polygon

"An outrageously brilliant debut with a premise that just gets more and more original. The Ministry of Time pulls off the neatest trick of speculative fiction, first estranging us from our own era, and then facilitating our immigration back into the present; but it is also a love story, exploratory, sensitive, charged with possibility, and powered by desire, reminding us that history is synonymous with human beings, and that we all have the ability to change it. This is already the best new book I will have read next year." —Eleanor Catton, author of Birnam Wood

“The Ministry of Time is as electric, charming, whimsical, and strange as its ripped-from-history cast. (Extremely.) I loved every second I spent wrapped up in Kaliane Bradley's stunning prose, the moments that made me laugh and those that made my heart ache. This is a book that surprises as much as it delights, and I'm already impatiently waiting for whatever Bradley concocts next." —Emily Henry, author of Funny Story

“Smart and affecting, full of ideas plus aslow-burning love story. It’s a wonderful debut.” —David Nicholls, New York Times bestselling author of One Day

"Fantastically fun and unmistakably urgent, The Ministry of Time is an ecstatic celebration of fiction in all its vehement, ungovernable, mutinous glory." —Megha Majumdar, author of A Burning

"Hugely enjoyable: ingeniously constructed, beautifully written, and unexpectedly sexy. It is the rarest of creations: a boldly entertaining page-tuner that is also deeply, thoughtfully engaged with our past, present and future." —Joanna Quinn, author of The Whalebone Theatre

From the Publisher

The Ministry of Time encapsulates life’s paradoxes as easily as it transcends genre.”

Shelf Awareness