How the Word Is Passed: A Reckoning with the History of Slavery Across America

by Clint Smith Narrated by Clint Smith

Overview

Notes From Your Bookseller

A travelogue, a history, a quest, a warning and a call for a reckoning that the history of slavery is the history of our country, central and defining to who we we were and who we are, individually and collectively. In powerfully lyrical prose, Clint Smith challenges us to really learn our history, listen to our legacies, understand the recollections that "remain in the marrow of our bones," that travel through time and generations. A tour de force that will keep you engaged long past the last page.

This compelling #1 New York Times bestseller examines the legacy of slavery in America-and how both history and memory continue to shape our everyday lives.

Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks-those that are honest about the past and those that are not-that offer an intergenerational story of how slavery has been central in shaping our nation's collective history, and ourselves.

It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.

A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view-whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted.

Informed by scholarship and brought to life by the story of people living today, Smith's debut work of nonfiction is a landmark of reflection and insight that offers a new understanding of the hopeful role that memory and history can play in making sense of our country and how it has come to be.

*

Instant #1 New York Times Bestseller*

Winner of the National Book Critics Circle Award for Nonfiction

Winner of the Stowe Prize*

Winner of*2022 Hillman Prize for Book Journalism*

PEN America 2022 John Kenneth Galbraith Award for Nonfiction Finalist*

A New York Times 10 Best Books of 2021*

A Time 10 Best Nonfiction Books of 2021*

Named a Best Book of 2021 by The New York Times, The Washington Post, The Boston Globe, The Economist, Smithsonian, Esquire, Entropy, The Christian Science Monitor, WBEZ's Nerdette Podcast, TeenVogue, GoodReads, SheReads, BookPage, Publishers Weekly, Kirkus, Fathom Magazine, the New York Public Library, and the Chicago Public Library*

One of GQ's 50 Best Books of Literary Journalism of the 21st Century*

Longlisted for the National Book Award Los Angeles Times, Best Nonfiction Gift*

One of President Obama's Favorite Books of 2021

Editorial Reviews

From the Publisher

"The Atlantic writer drafts a history of slavery in this country unlike anything you’ve read before.”—Entertainment Weekly

“An important and timely book about race in America.”—Drew Faust, Harvard Magazine

"Merging memoir, travelogue, and history, Smith fashions an affecting, often lyrical narrative of witness."—The New York Review of Books

"In this exploration of the ways we talk about — and avoid talking about — slavery, Smith blends reportage and deep critical thinking to produce a work that interrogates both history and memory."—Kate Tuttle, Boston Globe

“Raises questions that we must all address, without recourse to wishful thinking or the collective ignorance and willful denial that fuels white supremacy.” —Martha Anne Toll, The Washington Post

“Sketches an impressive and deeply affecting human cartography of America’s historical conscience…an extraordinary contribution to the way we understand ourselves.” —Julian Lucas, New York Times Book Review

"With careful research, scholarship, and perspective, Smith underscores a necessary truth: the imprint of slavery is unyieldingly present in contemporary America, and the stories of its legacy, of the enslaved people and their descendants, are everywhere."—TeenVogue

"History is often contested ground; people argue over whose stories matter, and how they are communicated. In this personal, thoughtful book, Smith visits the landmarks and museums that attempt to tell Americans the story of slavery. Along the way, he talks to all kinds of people, encountering moments of anger and denial as well as sparks of hope, humanity and grace."—People, Black History Month reading list

“Clint Smith, in his new book “How the Word Is Passed,” has created something subtle and extraordinary.”—Christian Science Monitor

"Part of what makes this book so brilliant is its bothandedness. It is both a searching historical work and a journalistic account of how these historic sites operate today. Its both carefully researched and lyrical. I mean Smith is a poet and the sentences in this book just are piercingly alive. And it’s both extremely personal—it is the author’s story—and extraordinarily sweeping. It amplifies lots of other voices. Past and present. Reading it I kept thinking about that great Alice Walker line ‘All History is Current’.”—John Green, New York Times bestselling author of The Anthropocene Reviewed

“The summer’s most visionary work of nonfiction is this radical reckoning with slavery, as represented in the nation’s monuments, plantations, and landmarks.”—Adrienne Westenfeld, Esquire

“The detail and depth of the storytelling is vivid and visceral, making history present and real. Equally commendable is the care and compassion shown to those Smith interviews — whether tour guides or fellow visitors in these many spaces. Due to his care as an interviewer, the responses Smith elicits are resonant and powerful. . . . Smith deftly connects the past, hiding in plain sight, with today's lingering effects.”—Hope Wabuke, NPR

“This isn’t just a work of history, it’s an intimate, active exploration of how we’re still constructing and distorting our history.” —Ron Charles, The Washington Post

“Both an honoring and an exposé of slavery’s legacy in America and how this nation is built upon the experiences, blood, sweat and tears of the formerly enslaved.”—The Root

“The power of an itinerant narrator—Smith journeys to Monticello, Angola Prison, Blandford Cemetery, and downtown Manhattan—is that it reveals slavery’s expansive, geographical legacy. Smith tells his stories with the soul of a poet and the heart of an educator."—The Millions

“What [Smith] does, quite successfully, is show that we whitewash our history at our own risk. That history is literally still here, taking up acres of space, memorializing the past, and teaching us how we got to be where we are, and the way we are. Bury it now and it will only come calling later." —USA Today

Kirkus Reviews

★ 2021-03-31
A Black journalist and poet calls for a reconsideration of the way America teaches its history of slavery.

“The story our country tells about the Civil War often flattens some of its otherwise complex realities,” writes New Orleans native Smith, a staff writer for the Atlantic. He notes the U.S. is “at an inflection point, in which there is a willingness to more fully grapple with the legacy of slavery and how it shaped the world we live in today.” However, while “some places have attempted to tell the truth about their proximity to slavery and its aftermath,” others have refused. For this book, the author traveled to nine sites, eight in the U.S. and one in Dakar, Senegal, “to understand how each reckons with its relationship to the history of American slavery.” The result is a devastating portrait with unforgettable details. At the Whitney Plantation in Wallace, Louisiana, historians have labored to help visitors close “the yawning gap on slavery” in their educations—“a hammer attempting to unbend four centuries of crooked nails.” By contrast, the Angola Museum at the Louisiana State Penitentiary has a gift shop with such souvenirs as “a white mug with the silhouette of a guard sitting in a watchtower surrounded by fencing.” When Smith asked his White tour guide to comment on Angola’s role in slavery, the guide replied, “I can’t change that.” At these places and other sites such as Monticello, Galveston Island, and New York City, the author conducted interviews with tour guides, visitors, and others to paint a vivid portrait of the extent to which venues have attempted to redress past wrongs. Smith concludes with a moving epilogue about taking his grandparents to the National Museum of African American History and Culture. The trip elicited painful stories from their childhoods, such as his grandmother recalling walking home from school as White children in buses threw ice cream at her and hurled vicious epithets.

A brilliant, vital work about “a crime that is still unfolding.

Product Details

BN ID:	2940173049858
Publisher:	Hachette Audio
Publication date:	06/01/2021
Edition description:	Unabridged

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