Aesop's Fables

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Overview

'The story goes that a sow who had delivered a whole litter of piglets loudly accosted a lioness. "How many children do you breed?" asked the sow. "I breed only one," said the lioness, "but he is very well bred!"' The fables of Aesop have become one of the most enduring traditions of European culture, ever since they were first written down nearly two millennia ago. Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered
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Aesop's Fables: Illustrated Edition (Fall River Press Edition) (PagePerfect NOOK Book)

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Overview

'The story goes that a sow who had delivered a whole litter of piglets loudly accosted a lioness. "How many children do you breed?" asked the sow. "I breed only one," said the lioness, "but he is very well bred!"' The fables of Aesop have become one of the most enduring traditions of European culture, ever since they were first written down nearly two millennia ago. Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the stories of the tortoise and the hare, and the boy who cried wolf? This new translation is the first to represent all the main fable collections in ancient Latin and Greek, arranged according to the fables' contents and themes. It includes 600 fables, many of which come from sources never before translated into English.

An illustrated collection of traditional moral tales from the Greek slave Aesop.

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Editorial Reviews

Publishers Weekly
A host of anthologies gather favorites old and new. In Aesop's Fables, Saviour Pirotta retells eight of the fables in the voice of Aesop himself ("My fables are short and simple. They are mostly about animals and simple country folk"). Richard Johnson illustrates most of the tales with one full-page, full-bleed painting and a smattering of spot art. A dramatic image of the lion caught in the net as the mouse attempts to free him is especially effective. Copyright 2005 Reed Business Information.
Publishers Weekly - Publisher's Weekly
Hague brings his signature nostalgic, intricately detailed style to 13 of Aesop's moral tales. Ages 4-8. (Sept.) Copyright 1999 Cahners Business Information.
Publishers Weekly - Publisher's Weekly
In her first book, German artist Drr uses pencil and charcoal to illustrate a particularly imaginative selection of 17 classic fables. Although many entries are familiar, Thuswaldner makes room for more unusual choices. In "A Dress for the Moon,'' for example, the moon's mother complains of the moon's ever-changing size, which makes her "the despair of the very best of dressmakers!'' The retellings are graceful and, true to Aesop, do not tack on any aphoristic morals. With its sophisticated design, however, the volume lacks child appeal. Sketchy and airy, the art is more conceptual than purely narrative; the duotone presentation may obscure the visual transitions between many of the spreads. Color remains the province of the type, printed in a distractingly bright, tomato red that seems almost to vibrate against the stark white paper. All ages.
Children's Literature - Deborah Zink Roffino
Classics like "The Town Mouse and the Country Mouse," "The Fox and the Grapes," "The Hare and the Tortoise," "The Crow and the Pitcher," and "The Lion and the Mouse" are included in this medley of thirteen of famous tales. Soft, detailed watercolors in muted shades are saturated with details that add to each story. The moral is clearly stated after each fable. The simplicity makes this edition perfect for teaching youngsters the tricks to constructing fables.
Children's Literature
Eight fables are expanded and developed into short stories with settings in Ancient Greece. A fictitious Aesop introduces himself in a conversational tone at the beginning of the book. He continues his chat with the reader as he introduces each of the tales with the description of a possible incident that could have inspired the moral of the story. "The Cat's Bell" features disgruntled mice sharing grievances about the farm cat before they devise a solution that none will put into action. The familiar mouse that saves the lion is given a family of eight children to help chew through the net that encases the lion. A wolf wisely chooses freedom over the possible pleasures of being a pet dog. Of course, the farmer kills the goose that lays golden eggs, thus losing his good fortune. The stork evens the score with the fox when invited to dinner. The tortoise reminds the hare (and the reader) that "Slow and steady wins the race." The foolish frogs discover that they had been much better off without a king. And a jay learns that peacock feathers do not transform him into a fine bird. Colorful, whimsical illustrations depict people and animals in Ancient Greece as gracious and joyful. An engaging introduction to these timeless tales. 2005, Kingfisher, Ages 7 to 11.
—Phyllis Kennemer, Ph.D.
School Library Journal
Gr 1-5-Each of these eight fables is presented in a two-part format. The first part consists of a wordy introduction in which "Aesop" explains the meaning and possible context of the tale and relates it to his own life as a freed Athenian slave. Several of the selections, such as "The Frogs That Wanted a King" and "The Jay and the Peacocks," are not often anthologized. Each telling contains descriptions of the setting, extensive dialogue, and rounded-out motivation. Unfortunately, the resulting long-windedness violates the pithiness of the genre. "The Lion and the Mouse" comes in at over eight pages. The preface makes clear what advice the ensuing selection will impart; the final paragraph of the narrative emphasizes the upcoming lesson, and a neatly framed moral is appended. This triple treatment leaves nothing to chance or children's ability to interpret meaning. However, Johnson's richly toned paintings in a pleasing variety of shapes grace the pages with lively animal and human activity. Three times as many fables in a quarter of the words appear in Ver-nica Uribe's Little Book of Fables (Groundwood, 2004), while Helen Ward's grand retelling of a dozen tales in Unwitting Wisdom (Chronicle, 2004) features more subtly designed illustrations that embellish the stories' content.-Susan Hepler, Burgundy Farm Country Day School, Alexandria, VA Copyright 2005 Reed Business Information.
School Library Journal
A volume that is imbued with a decidedly European sensibility. The 17 selections range from the familiar "The Town Mouse and the Country Mouse" 'to those that rarely find their way into American anthologies, e.g., "The Empty Head'' and "A Dress for the Moon.'' The fables are retold in a matter-of-fact style and are illustrated with large-scale pencil drawings. Drr is adept at depicting animals' forms, but her humans are slightly awkward. Also, in spite of some endearing scenese.g., a full-front closeup of the tortoise heading over the finish lineall of the characters remain objectified and distant. Perhaps the most disturbing quality of the art is that there is no moisture, sparkle, or sign of life within the creatures' eyes. With so many Aesop collections available, the need for this one is limited.
From Barnes & Noble
Touched with passion, humor, & life, here are Aesop's wonderful animals & the messages of their feats & foibles, illustrated in beautiful full-color paintings. Includes "The Fox & the Grapes," "The Hare & the Tortoise," others. 10" x 13". All ages
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Product Details

  • ISBN-13: 9780295976419
  • Publisher: University of Washington Press
  • Publication date: 1/28/1997
  • Pages: 56
  • Sales rank: 564,870
  • Product dimensions: 8.06 (w) x 7.90 (h) x 0.52 (d)

Meet the Author

Aesop probably lived in the middle part of the sixth century BC. A statement in Herodotus gives ground for thinking that he was a slave belonging to a citizen of Samos called Iadmon. Legend says that he was ugly and misshapen. There are many references to Aesop found in the Athenian writers: Aristophanes, Xenophon, Plato, Aristotle and others. It is not known whether he wrote down his Fables himself, nor indeed how many of them are correctly attributed to his invention.

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Table of Contents

Note from the Publisher 7
The Lion and Other Beasts Go Hunting 11
The Lioness 13
The Fox and the Goat 15
The Birds, the Beasts, and the Bat 17
The Council of Mice 19
The Monkey and the Camel 21
The Ant and the Grasshopper 23
The Fox and the Crow 25
The Ass and the Grasshoppers 27
The Lion and the Three Bulls 29
The Hares and the Frogs 31
The Dog and the Bone 33
The Angler and the Little Fish 35
The Porcupine and the Snakes 37
The Donkey in Lion's Skin 39
The Thief and the Dog 41
The Raven and the Swan 43
The Bull and the Goat 45
The Bundle of Sticks 47
The Wolf in Sheep's Clothing 49
The Fighting Cocks and the Eagle 51
The Two Frogs 53
The Tortoise and the Hare 55
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