The Birthing House

The Birthing House

2.4 64
by Christopher Ransom
     
 

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A chilling ghost story that is also a tale of exquisite psychological suspense, The Birthing House marks the debut of a writer whose first novel is a terrifying tour de force.

Conrad and Joanna Harrison, a young couple from Los Angeles, attempt to save their marriage by leaving the pressures of the city to start anew in a quiet, rural setting. They buy a

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Overview

A chilling ghost story that is also a tale of exquisite psychological suspense, The Birthing House marks the debut of a writer whose first novel is a terrifying tour de force.

Conrad and Joanna Harrison, a young couple from Los Angeles, attempt to save their marriage by leaving the pressures of the city to start anew in a quiet, rural setting. They buy a Victorian mansion that once served as a haven for unwed mothers, called a birthing house. One day when Joanna is away, the previous owner visits Conrad to bequeath a vital piece of the house's historic heritage, a photo album that he claims "belongs to the house." Thumbing through the old, sepia-colored photographs of midwives and fearful, unhappily pregnant girls in their starched, nineteenth-century dresses, Conrad is suddenly chilled to the bone: staring back at him with a countenance of hatred and rage is the image of his own wife….

Thus begins a story of possession, sexual obsession, and, ultimately, murder, as a centuries-old crime is reenacted in the present, turning Conrad and Joanna's American dream into a relentless nightmare.

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Editorial Reviews

From the Publisher

“A blend of supernatural horror and psychological thriller, Ransom's impressive debut chronicles a couple's descent into madness after they purchase a 140-year-old Victorian house in rural Wisconsin . . . this addictively readable ghost story will keep readers up all night, with the lights on, of course.” —Publishers Weekly

“A biting and well-written novel… The kind of genuinely scary story that makes little hairs stand up on the back of your neck… This is a rare thing: a ghost story with class. Read it.” —Peter Blauner, author of the New York Times bestseller Slipping Into Darkness

“The birth of an exciting new voice in dark fiction… The Birthing House is a book that will leave you holding your breath.” —Scott Nicholson, Bram Stoker Award finalist, author of They Hunger

“Either I don't know my horror stories (and I do know my horror stories) or Christopher Ransom's The Birthing House was so all-out scary that it kept me up until the wee hours in a way few novels have since Carrie went to the prom…. This book is killer.” —Jacquelyn Mitchard, New York Times bestselling author of The Deep End of the Ocean

“Terrifying and beautiful. I couldn't put The Birthing House down.” —Sara Gran, author of Dope

The Birthing House is as scary as they come…. It's quite simply a terrific novel.” —Marcus Sakey, author of The Blade Itself

“An exceptional debut… Ransom's style mimics that of the early Stephen King and Dan Simmons's horror fiction (e.g., A Winter Haunting).” —Library Journal (starred review)

“A damn creepy, very original ghost story.” —Jack Ketchum, Bram Stoker Award winner, author of The Lost

“Fans of Shirley Jackson and Clive Cussler can rejoice, for a new voice in wickedly scary fiction has arrived.” —Indiebound

“A stunning debut--swaddling the reader in dread from the very first sentence, and spiraling into a heart-stopping climax.” —Michael Marshall, author of The Straw Men

“Ransom has a distinctive narrative voice, and a Stephen King-like gift for the dreadful lurking behind the everyday. . . . The novel builds to a gripping climax that will make you think twice, maybe three times, about making an offer on that beautiful old fixer-upper.” —SmartMoney magazine

“The Birthing House is the literary equivalent to Nirvana's semaphore effort In Utero . . . themed with birth, babies, and new beginnings . . . inviting the reader to share with [Ransom] an advent of existence that is steeped in blood and mystery. It's full of life, the prose like that of a professional, and certainly not a debut.” —HorrorScope

author of the New York Times bestseller Slipping I Peter Blauner
A biting and well-written novel… The kind of genuinely scary story that makes little hairs stand up on the back of your neck… This is a rare thing: a ghost story with class. Read it.
New York Times bestselling author of The Deep End Jacquelyn Mitchard
Either I don't know my horror stories (and I do know my horror stories) or Christopher Ransom's The Birthing House was so all-out scary that it kept me up until the wee hours in a way few novels have since Carrie went to the prom…. This book is killer.
Publishers Weekly

A blend of supernatural horror and psychological thriller, Ransom's impressive debut chronicles a couple's descent into madness after they purchase a 140-year-old Victorian house in rural Wisconsin. Failed L.A. screenwriter Conrad Harrison, whose marriage is on the rocks and who's still coming to grips with the sudden death of his estranged father, decides it's time for a change and, on a whim, buys a turn-of-the-century birthing house he fatefully found after driving the wrong way out of Chicago. But the sprawling structure has a dark history, and after his wife lands a new job and leaves for a few weeks of training in Detroit, Harrison begins to unravel the house's bloody past, even as his own sanity is unraveling. Replete with subtle symbolism that supports the birthing motif (spiders with bulging egg sacs, a moist clutch of snake eggs, etc.), this addictively readable ghost story will keep readers up all night, with the lights on, of course. (Aug.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Library Journal

After his father's death, Conrad Harrison acts on a whim and purchases a Victorian house in Wisconsin. Hoping for a fresh start, Conrad and his wife relocate there from California. They soon learn that their new home is a former birthing house and begin to experience ghostly apparitions, even hearing phantom baby cries in the night. The house's eccentricities begin to wear away at Conrad's sanity, drawing the reader into a psychological struggle of imagination and reality. As much about the terrors of humankind as it is about the supernatural, this is an exceptional debut, full of action-packed gore and carnal imagery. Ransom's style mimics that of the early Stephen King and Dan Simmons's horror fiction (e.g., A Winter Haunting). For popular fiction collections in libraries with high interest in horror. [150,000-copy first printing; library marketing.]
—Carolann Curry

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Product Details

ISBN-13:
9780312624156
Publisher:
St. Martin's Press
Publication date:
08/03/2010
Edition description:
First Edition
Pages:
320
Product dimensions:
5.50(w) x 8.10(h) x 0.80(d)

Read an Excerpt

They were in the house a week before it came for him.

Joanna Harrison was dozing on the couch in the TV room while her

husband stood on the deck, breathing through a sweet clove cigarette that burned

his throat and floated a candy cloud above his empty thoughts. The cigarette was

the kind found on the back covers of men’s magazines, the smoke of wannabes.

What Conrad wanted to be this night was content, and, for a few more minutes of

this vanishing sunset hour, he was.

Content equally with himself and his lot: a full acre of sloping lawn,

century-old maple and black walnut trees, and a garden as large as a swimming

pool, its aged gray gate roped with grape vines. Raspberry and clover grew thick

in the shade of the shaggy pines still moist with the day’s sweet rain.

He heard running water and looked through the window into the kitchen.

Her blurry, sleepy-slouched shape hovered for a moment, probably filling a glass

to take to bed. He waved to her. She either did not see him or was too tired to

wave back. She turned away and faded back into the house.

He wanted to follow her, but he waited. Let her brush and floss, finish

with a shot of the orange Listerine before she turned back the freshly laundered

Egyptian cotton. You can’t rush these things. These are delicate times. Eyes

closed, he could almost see her stretched out in one of her tanktinis and cotton

boy-cut underwear, a big girl-woman reading another marketing book he always

said were made for people on planes. She must be happy here. Otherwise, she

would be cleaning and planning and avoiding bedtime.

Summer had arrived early. The house was muggy. He wondered if she

would be warm enough to go without covers, but cool enough to allow his touch.

He had been shocked to discover that he wanted her more now. He was

still madder than hell about the entire stupid scene with That Fucker Jake and all

its implications, its mysteries. But he knew the balance of things and how he’d

not been holding up his share of them was half the problem. Maybe more than

half. She’d almost slipped away. Even before that nasty little homecoming it had

been months, and since the fresh start (that was how he thought of it, but never

named it as such, not aloud) he’d been watching for signs. If Luther and Alice

were in their crates, that was one sign. If she had showered that was yet another,

though never a binding one. None of the signs were binding, which added

suspense to the marriage and kept his hopes in a perpetual swing from boyish

curiosity on one side to blood-stewing resentment on the other.

He walked up the deck steps to the wooden walkway, into the mudroom.

He climbed stairs (the servants’ stairs off the kitchen, not the front stairs with the

black maple banister, which for some reason he had been avoiding since the

move) and felt the weight of the day in his bones.

By the time he finished brushing his teeth he was tired the way only people

who have unpacked ninety percent of their possessions in a single day can be

tired. His mind was empty, his muscles what his mom said his father used to call

labor-fucked, the old man’s way of suggesting that work is its own reward.

I’m sorry, Dad-

Work. He knew his hands still worked for her. He thought she liked his

hands better than just about every other part of him. He no longer relied on his

appearance as the catalyst, didn’t know many men married more than a few years

who did. He knew he wasn’t a Jake. At thirty he was what divorced female

bartenders had from time to time called cute, no longer handsome, if he ever was.

He felt remarkably average. He had acquired a belly, but the move had already

burned that down from a 36 to a 34. With the yard work he’d be down to a 32—

his high school Levi’s size—by the end of June. Jo always said she liked his laugh

lines, the spokes radiating from what his mother used to call his wily eyes. Wily

used to be enough, but now he was just grateful for a second chance. He could

live with average—so long as he could still seduce her.

Conrad wound his way through the back hall, making the S-turn through

the library, into the front hallway. The creaking floorboards were a new sound,

allowing him to birth one final clear thought for the day.

This is a healing place. This is home.

Conrad waded into the moonlight pooling on the new queen-sized bed—

another purchase, this one more deserved—he’d made without her input. The

ceiling fan was whirring, the dogs were curled into their crates on the floor, and

Jo was waiting for him on top of the new sheets. She was without a top, wearing

only loose fitting boxers (his), which were somehow better than if she were

naked. That she had gone halfway without prematurely forfeiting the under

garment was a gesture that made him feel understood. The arc of her hips rose

off the bed like the fender of a street rod and his blood awakened.

With his blood, his hopes.

No longer content, Conrad stretched out, not caring what funny tent shape

his penis made as it unfolded like a miniature welcome banner. He rolled to one

side, facing her. She smelled of earth and lavender and something otherwise

herbal—new scents for her in this new place. Her belly was nearly flat except for

the smallest of rolls just above the waistband, and he loved this, too. He called it

her little chile relleno and she would slap him, but it didn’t bother her, not really.

Her hips were womanly wide, but with her height she remained sleek, especially

when prone, like now. She stood a little over six feet to his five-nine. His fingers

grazed her fine brown navel hairs. Her eyes gleamed under heavy lids, glassy and

black as mountain ponds at midnight.

It was a beginning, and he was a man who loved beginnings more than

middles or endings.

“Come,” Jo said. Or maybe Con, half of his name.

“Hm?”

“. . . not ready.”

“Not what?” His hand found the elastic rim of her waistband, then moved

into the open front of his boxer shorts on her.

“. . . about behbee,” she murmured.

“What, Baby?”

Not baby. Uppercase, Baby. A nickname he used.

“. . . owin me the behbee…be-ah-eye,” she mumbled, which sounded like

was going to be all right.

“Of course,” he said, like it was his idea too. He had no idea.

“. . . bee woul’ go a father.”

We should go farther.

He pushed one, then two fingers lower to her mound, but her legs were

crossed and he swerved off course, touching only her thigh. Just her thigh, but

soft was soft and his excitement ratcheted up another notch.

“-not ready,” she squeaked, rolling away.

Shit. Might not have been sleeping before, but was now. Snoring too.

Weird, he thought. Had she done this before? With the eyes open and the

talking?

Should he let her sleep or try one more time?

Yes . . . no. He kissed her goodnight and rolled to his back, allowing the

fan to push warm summer air over his fading, obedient hard-on. His mind

dropped into that lower gear, the one that is not yet sleep but somehow dreaming

already.

In the half-dream he was in the house, beside her, finding the wetness and

sliding in not for the first time but as if they had been moving this way for

minutes or an hour. He was all corded muscle and arched away, feeling her soak

him in her own undulations. The movement was soothing, almost non-sexual,

like being rocked in a crib.

Her grip on him strengthened and clenched, pushing back with legs and

ass, drawing his ejaculate out in a sudden burst that ended too quickly, leaving

him weak and sleepy all over again.

Drifting . . .

Until the dream, the same one or some new post-coital version, was split

by the sound of crying. His body twitched itself awake, and he knew these were

not Jo’s tears. This was the noise a newborn makes after sucking in its first

violent breath as it enters this violent world. It was a sound that had skipped

mewling and launched straight into wailing, and it was coming from behind a

wall or far away.

Faintly, under the baby’s hacking shriek, there arose another sound. This

one did sound like a woman, and he imagined the infant’s mother, or the

midwife, perhaps. This older cry in the dark was a trailing scream, as if

something was pulling her away from her child and down a long corridor that

narrowed to nothing.

Panicked, he rolled over to shake Jo—why hasn’t she woken up and

grabbed me?—and felt the cool stirring of air as she lifted off the bed. He could

see only blackness, and with the drone of the fan he could not hear her feet

padding on the wood floor. A flash of her silhouette in the doorway left a retinal

echo, but the room was too dark to grasp any details. If he saw her at all, she was

gone now.

To the bathroom, he thought. There she goes, carrying my seed. The

semi-sleep-molestation and abrupt ending made him wince with guilt, but he did

not seek her out in the ensuing silence. Exhausted from the day of unpacking

(and tossed dream sex), Conrad decided the crying was but a fragment of the

dream, a lingering scene planted by her words.

“. . . the behbee, the behbee . . .”

The crying returned once, quieter and farther away, until like a passing

thunderstorm it faded to nothing.

He hovered on the edge of sleep.

Something’s wrong.

He sat up and rubbed his eyes. She had not returned.

“Jo?”

She did not answer.

“Jo,” he said, louder. “Baby, you okay?”

His eyes adjusted to the dark. The dogs were standing at the master

bedroom door facing the hall, whining, tails stiff like the hairs on their shoulders.

Conrad flattened his body and counted to ten. It’s rational, he told himself.

When something so unexplainable and real (the dogs made it real) as a crying

baby in your childless home wakes you, it is normal to ignore it and go back to

sleep. So back he went, as deep as a man can go, until he forgot the all about the

crying sounds and her cold departure, her absolute absence.

Even when, in the morning, waking to a half-empty bed, he padded

downstairs and found her where he’d left her before he stepped out for a smoke at

dusk, sleeping on the sofa.

Alone.

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Meet the Author

Christopher Ransom is a native of Boulder, Colorado, who has lived in New York and Los Angeles. He now resides with his wife and three rescued dogs in a 142-year-old former birthing house in Mineral Point, Wisconsin.

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Birthing House 2.4 out of 5 based on 0 ratings. 63 reviews.
Sensitivemuse More than 1 year ago
Oh my. Where to start. There were plenty of parts where the hair on the back of my neck stood to one end. It hit me by surprise too. (If any of you have read it, remember the popsicle doll part? argh!) I had the misfortune of reading that part at night right before bedtime. So, there is plenty of horror and suspense. The thing is, although the horror parts are very well written and enough to keep you on the edge of your seat, the storyline and characters don't really give the story substance or depth. I didn't really like Conrad, or Joanna. Conrad hasn't grown up yet and still acts like an 18 year old teenager who still on raging hormone syndrome. Joanna doesn't help much with things either as she appears to be whiny, selfish, and acts like a B-movie diva. Despite the book's great horror moments, Conrad ruins it all with his Lolita moments with Nadia, his constant thoughts about not getting any "action", and his immaturity just has no boundaries. It can be quite eye rolling and very tedious. What also bugs me, are some moments where things are mentioned, and then are just forgotten. Like the snakes Conrad has as a hobby. One of them undergoes a miraculous conception.....and....that's it. Then you have that strange family that used to live in the house before Conrad. They had children - not very normal children. Bad things had happened to them while in that house. Nadia used to babysit the kids. Then they moved out. Hrm. It's these kinds of details that needed explaining to make the plot and story more enjoyable and thus, more comprehensible. Now here's the part that really bugged me. There was one single chapter dedicated to how he and and old ex girlfriend spent the night together making love. It was descriptive. It was long. It was very detailed. At that point I thought to myself "Why would you write a chapter all about that, and why should I care?" I actually skipped ahead. I found it unnecessary and didn't add anything to the story. So they had sex. Whatever. If I wanted detail and the dirt I'd get myself an erotic novel. I believe it's not needed here. The ending was all right. It was something I did rather expect out of a horror novel. Although it did leave me feeling rather as if there should have been a lot more to it. Nevertheless it did succeed in getting me scared in certain parts of the book. It was too bad it fell short in other areas, and the chapter I mentioned above just nearly killed the book for me. Overall, if you don't mind these shortfalls and just want to read it for the thrills, go right on ahead. The horror moments of the book do deserve credit.
CharminKB More than 1 year ago
This was a HUGE disappointment! After reading the description that this book would "keep you up at night" I was excited only to be completely let down!! I'm not even sure what happened in the end....the entire book seemed like many random thoughts pushed together. Sadly, I recommended this to my mom before I read it and she wasted her money too!! Sorry - just did not deliver.
Integrity_Consultants More than 1 year ago
I really enjoyed this book. It started fast and strong and finished at nearly the same pace. I appreciated that the author allowed us to learn about this house and its inhabitants as the characters did, choosing not to spoon feed a lengthy back story before beginning the current story. I am most thankful to those authors who don't underestimate the intelligence of their readers, and Mr. Ransom seems to have that quality in spades. I finished this haunted and possessed journey in two sittings, each before bed, and enjoyed every minute of my time with the characters. Kudos to the author for putting a unique spin on an old tale for those of us who just simply can't get enough of our haunted houses, possessions, ghosts, and paranormal horror.
Anonymous More than 1 year ago
Glad I borrowed it from the library instead of buying it! Started off okay, seemed a little promising sometime around 1/3 into the book, but then lost its way. Ended up feeling like a really bad, cheesy made-for-tv movie. Don't waste your time, not at all a good ghost story.
Gram948 More than 1 year ago
The premise of the book sounds very intriguing. What a disappointment. Read the first 100 pages and tossed it aside. Who cares. Characters are whiney, story line is stupid w/o any real suspense and the writing is like a 6th grade school boy's. The picture of the house on the cover is nice though.
grumpydan More than 1 year ago
"The Birthing House" by Christopher Ransom had grabbed my interest by the premise of a scary story, but falls flat. This book did not frighten or excite me in anyway. The birthing house is a Victorian mansion in Wisconsin that was once a birthing house and now seems to be haunted where new owner Conrad Harrison purchases without consulting his wife in Los Angeles. Although they move into the house, his wife soon leaves for a new job and Conrad stays behind. Why? I don't know and I don't care. Some chapters worked but mostly not. I did not leave the book with chills running through me but with much disappointment.
terrylazar More than 1 year ago
The Birthing House is Christopher Ransom's first book and it should be his last. One of the worst novels I have ever read. Was the Jo in the tub the real Jo or the ghost of Jo? What happened to Nadia's baby? What happened to everyone? The entire novel was a waste of my time and money. If you are intent on reading this book, get it from the library, you will be glad you did.
Anonymous More than 1 year ago
I was really into this book from page one. However about 15 pages toward the end, I completely lost interest and I found the ending to be very ridiculous.
Anonymous More than 1 year ago
Perplexing and scary
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Loved it! One of my favorite books. Hard to put down.
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