Cadillac Jukebox (Dave Robicheaux Series #9)

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Overview

When a man imprisoned for killing a black civil rights leader protests his innocence before Dave Robicheaux, the Louisiana detective finds himself pressured by the state's new governor and his seductive wife to stay away from the case. Reprint."

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Overview

When a man imprisoned for killing a black civil rights leader protests his innocence before Dave Robicheaux, the Louisiana detective finds himself pressured by the state's new governor and his seductive wife to stay away from the case. Reprint."

Editorial Reviews

Elizabeth Pincus

A prince of the non sequitur, crime novelist James Lee Burke weaves fragments of dialogue into a poetry of machismo, as if real standup guys can't be bothered with the mundane etiquette of conversation. The effect is one of lucid beauty, a staccato shorthand owing equal debt to Hemingway and Hammett. In Cadillac Jukebox, Burke's quixotic detective Dave Robicheaux is hellbent on retribution, so caution is more expendable than usual. When his superior in the New Iberia Sheriff's Office orders him to Mexico to look up "a priest in some shithole down in the interior," Robicheaux asks, "We have money for this?" The reply: "Bring me a sombrero."

Offsetting such terse interaction is Burke's luxurious prose. Sending Robicheaux on a slow drive through that dead nowhere zone south of the border, Burke writes, "The sun rose higher in an empty cobalt sky. We crossed a flat plain with sloughs and reeds by the roadside and stone mountains razored against the horizon and Indian families who seemed to have walked enormous distances from no visible site in order to beg by the road. . . We passed an abandoned iron works dotted with broken windows, and went through villages where the streets were no more than crushed rock and the doors to all the houses were painted either green or blue."

Like his contemporary Walter Mosley, Burke is invigorating the crime fiction series at a time when many of the genre's heavy hitters -- Grafton, Parker -- have grown lazy and stale. Cadillac Jukebox is Burke's ninth outing with Robicheaux, a survivor of Vietnam, the bottle and more than a few personal tragedies. Here Robicheaux stumbles into a bloody mess involving mobbed-up denizens of the Louisiana bayou, the 30-year-old murder of a cherished civil rights leader, a long-ago betrayal of teenage love and an oily southern liberal with his eye on the governor's office. If Robicheaux's honor is sketched a tad too preciously, at least his interior life is of equal weight to the chaos raining around him. Robicheaux is a moral force as rugged as they come, even or especially when the proverbial quest for justice falls short of its goal. -- Salon

Publishers Weekly
PW gave a starred review to this story of revenge, ambition and blackmail, the ninth Dave Robicheaux mystery. (Aug.)
Library Journal
Is Dave Robicheaux mellowing with old age? Burke's latest addition to his popular series featuring the bayou detective (e.g., Burning Angel, Hyperion, 1995) is a formulaic romp with all the elements fans have come to expect: A convoluted plot fueled by violent but excruciatingly polite characters, racial sins of the past that bedevil the residents of the New South, wonderful dialog with occasional indecipherable street slang, and numerous descriptions of mouth-watering Cajun food. Robicheaux, who here suspects that the alleged killer of a revered Civil Rights figure is innocent, is opposed on all fronts, most aggressively by a liberal candidate for governer of Louisiana and the candidate's sexy but dangerous wife. Robicheaux is strangely low-key, however, and readers who expect the traditional violent outburst wherein Robicheaux kicks the stuffing out of some deserving creep will be puzzled by his seemingly minor role in the action. An anticlimactic ending further diminishes the novel's appeal. Still, Burke has built a huge fan base and larger public libraries should probably stock a copy. [Previewed in Prepub Alert, LJ 4/1/95.]Mark Annichiarico, "Library Journal"
Bill Ott
"I think I've learned not to grieve on the world's ways, at least not when spring is at hand." That is the last sentence a regular reader of James Lee Burke's masterful Dave Robicheaux novels would expect to hear from the mouth of the series' Cajun police detective hero. After all, the central theme in all the novels in the series up to this point has been Robicheaux's obstinate, heroic, yet arrogant insistence on not only grieving but violently rejecting the world's ways. The tension in these novels has always come from Robicheaux's determined adherence, in the face of overwhelming external pressure, to the simple pleasures of the Cajun way of life--food, family, close contact with the elemental rhythms of the southern Louisiana bayou. In fact, that tension was so inevitable, so finally predictable, that the previous installment or two, while as technically accomplished as any of their predecessors, had begun to seem somehow diminished. That all changes here, as Robicheaux, faced again with a crime that has far-reaching personal and symbolic meaning, must accept the erosion of his world and thereby learn to cherish the transitory moments that memory and human connection continue to offer him It all starts with the escape from prison of a white-trash dirt farmer convicted of killing a black civil-rights activist. The ensuing reverberations affect everything from Louisiana gubernatorial politics to Robicheaux's marriage, but at the heart of the conflict is the detective's battle with his own personal demons: Will this case offer yet another opportunity to lose control, to jeopardize loved ones in an effort to take a stand against onrushing modernity? The answer is yes and no, but in that refreshing ambiguity--hopeful yet melancholic--lies a remarkable rebirth for a series that, unlike so many others, has managed to absorb commercial success without sacrificing quality.

Product Details

  • ISBN-13: 9780786889181
  • Publisher: Hyperion
  • Publication date: 8/28/1997
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 464
  • Sales rank: 111,054
  • Series: Dave Robicheaux Series , #9

Meet the Author

James Lee Burke
James Lee Burke
James Lee Burke was struggling through some lean times as a novelist -- he had published only one book in 15 years -- when a friend and fellow writer suggested he take a stab at crime fiction. The result was The Neon Rain, the first book in his successful Dave Robicheaux books. With a complex moral protagonist and a lush writing style, the series evokes the heady environment of the Louisiana bayou country.

Biography

In November 1999, The Atlantic Monthly -- under the headline, "Soft Boiled: Detectives Aren't What They Used to Be" -- noted an odd turn of events in the crime fiction genre: the strong-and-silent hero was on the wane, replaced instead by a bunch of chatty Cathys. "The 1990s detective can't shut up about anything. It's hard to go even a few pages without being assaulted by a confession of inner feelings." As an example, it offered James Lee Burke's Louisiana detective Dave Robicheaux, who "was in Vietnam 'in the early days of the war,' and this has left him with a sizable reservoir of musings about personal anger, which he taps frequently."

But put the aromatherapy away. Robicheaux -- Burke's best-known character and the launch of his financial success as a writer -- is no sensitive New Age guy. He's a police detective who holds his own on the mean streets of New Orleans, who faces the perils of alcoholism every day, and who supplements his work policing the Louisiana parish of New Iberia with running his bait shop on the bayou. Ropy with muscle, he can take -- and, if necessary -- throw a punch with the best of them.

Robicheaux is one of the stars of a series that started with The Neon Rain and continued with such titles as Heaven's Prisoners (turned into a 1996 movie with Alec Baldwin and Kelly Lynch), In the Electric Mist with the Confederate Dead and A Stained White Radiance. The other star is the Louisiana swamp country itself, which shimmers to life at the touch of Burke's pen. The smell of brackish water all but wafts off the page.

And in Robicheaux, Burke has created a complicated and often conflicted protagonist driven by a fierce moral code. "There is a pronounced streak of poetry in Mr. Burke's prose," The New York Times wrote in 1988. "He has the knack of combining action with reflection; he has pity for the human condition, and even his villains can have some sympathetic and redeeming qualities."

Like Robicheaux, Burke himself is a recovering alcoholic. He contributes his teenage drinking to his poor academic standing in high school, and it dogged him throughout much of his career as a writer. Even when he was sober for five years, he has said he still suffered from the same problems as an alcoholic and didn't truly find sanctuary until he joined a 12-step group.

His early days as a writer, in the 1960s, were marked by critical success that he thought meant he was on his way. But after his third novel met with so-so reviews, he only published one book for the next 15 years, supporting his family with an assortment of jobs -- teaching, social work, pipefitting. One novel, The Lost-Get Back Boogie, went unpublished for nearly a decade and was rejected roughly 100 times before finally being picked up by Louisiana State University Press. (It was nominated for a Pulitzer Prize.)

Burke credits LSU Press for resurrecting his career. Three years later, when the third Robicheaux novel, Black Cherry Blues, was published, Burke was beginning to reach a wider audience. After the ninth, he launched a new crime series, this one featuring Texas Ranger-turned-lawyer Billy Bob Holland. Despite the shift from the swamps of Louisiana to the dusty streets of Deaf Smith, Texas, much is the same in Burke's new franchise. "The themes that stalk Dave Robicheaux through the swamps in James Lee Burke's Louisiana mysteries -- the arrogance of wealth, the corruption of power and the price a man must pay for the sins of his past -- trail Burke's new series hero, a country lawyer named Billy Bob Holland, out to Texas hill country," The New York Times wrote in a 1999 review of the second book in the series, Heartwood.

He now has a readership for both Robicheaux and Holland. But he has been careful not to take it for granted. In 1996, even after he had three straight books on The New York Times bestsellers list and was building a second home in New Iberia -- to match his house in Missoula -- Burke was vigilant about not letting the mantle of success rest too comfortably on his shoulders.

"By the time I was 35, I had three books published. I thought I was home free," he told People. "But that was vanity. I went a dozen years without selling a book. I couldn't sell ice water in hell."

Good To Know

When Burke is writing, he's typing blind. "I don't think up the stories," he told Publishers Weekly in 1992. "I'm convinced they're already written in the unconscious. My work is simply a day-to-day discovery. I never see more than two scenes around the corner and I don't know a book's ending until the last pages."

His college English papers earned him a string of D-minuses until he talked to his professor about what was wrong. "She said, 'Your spelling is an assault upon the eyeballs. Your penmanship makes me wish the Phoenicians had not developed the alphabet. But I couldn't give you an F because you have so much heart,'" he said in a 1996 interview with People. "Every Saturday I went with her and rewrote the essay for the week. I got a B and made the dean's list. (She) changed my life."

The 1993 publication of Two for Texas marked Burke's return to bookshelves after 11 years. Unable to sell a book after Lay Down My Sword and Shield, Burke finally broke the bad luck streak with his historical novel about the Texas Revolution of 1835. Kris Kristofferson starred in the 1998 TV movie adaptation, which aired on TNT.

    1. Hometown:
      New Iberia, Louisiana and Missoula, Montana
    1. Date of Birth:
      December 5, 1936
    2. Place of Birth:
      Houston, Texas
    1. Education:
      B.A., University of Missouri, 1959; M.A., University of Missouri, 1960
    2. Website:

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  • Anonymous

    Posted May 28, 2009

    I Also Recommend:

    Great book

    If you've never read the Dave Robicheaux detective series, you need to start. I started with the first in the series and ready for number 10. Burke has developed such a wonderfully flawed character in Robicheaux - he's human and we can all see ourselves at times through him. Burke's writing style is prose - you read a description of what's taking place, and you're there. And Dave's friend Clete is a "piece of work", but his character grows on you with each book. Read Burke....he's wonderful.

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