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The Cloud Pavilion (Sano Ichiro Series #14)
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The Cloud Pavilion (Sano Ichiro Series #14)

4.1 17
by Laura Joh Rowland

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Japan, 1701. A terrified woman is brutally attacked amid a swirling storm of clouds. Meanwhile, at Edo Castle, samurai detective turned chamberlain, Sano Ichiro, is suspicious of his old rival, Yanagisawa, who has been oddly cooperative since returning from exile. But just as Yanagisawa's true motives begin to emerge, Sano's estranged uncle comes to him for


Japan, 1701. A terrified woman is brutally attacked amid a swirling storm of clouds. Meanwhile, at Edo Castle, samurai detective turned chamberlain, Sano Ichiro, is suspicious of his old rival, Yanagisawa, who has been oddly cooperative since returning from exile. But just as Yanagisawa's true motives begin to emerge, Sano's estranged uncle comes to him for help: His daughter has disappeared, and he begs Sano and his wife, Reiko—who once suffered through the kidnapping of their own son—to find her before it is too late.

Publishers Weekly calls Laura Joh Rowland's The Cloud Pavilion "One of the best mysteries of the year."

Editorial Reviews

From the Publisher

“One of the best mysteries of the year.” —Publishers Weekly

“Rowland has a painter's eye for the minutiae of court life, as well as a politician's ear for intrigue.” —The New York Times Book Review

“Entertaining. . . . . Rowland creates a well-crafted portrait of an exotic place and time.” —The Times-Picayune on The Cloud Pavilion

“An exercise in pure entertainment . . . [The Fire Kimono] takes us to an exotic time and place and overwhelms us with intrigue, romance, adventure, and frequent bloodshed.” —The Washington Post

“Demonstrating an impressive level of sustained excellence, Rowland's mysteries set in seventeenth-century Japan form one of the best recent series in the genre.” —Publishers Weekly (starred review) on The Snow Empress

Publishers Weekly
In Rowland's masterful 14th historical to feature Sano Ichiro, a year has passed since the events chronicled in 2008's The Fire Kimono, but the calm that has prevailed since the shogun made Sano and his archrival, Yanagisawa Yoshiyasu, co-chamberlains is about to be shattered. Maj. Kumazawa Hiroyuki, Sano's estranged uncle, comes to him for help after the major's 33-year-old daughter, Chiyo, disappears. The detective-turned-politician manages to find Chiyo, but not before she has been violated. The search for her assailant becomes more complicated once word reaches Sano that Chiyo was the third in a series of victims, following an elderly nun and a powerful gangster's teenage daughter. Established fans will be pleased by how Rowland has developed Sano's son, Masahiro, along with other secondary characters they have become attached to, while newcomers should find the people, plot and early 18th-century Japanese setting hard to resist. (Nov.)
Library Journal
In 1701 Japan, a young wife and mother is raped and left on the streets of Edo. Chamberlain Sano Ichiro (The Fire Kimono) is asked by his uncle to find the person responsible. The fact that Ichiro's mother was declared dead by her family when she married his father just adds to the antagonism Ichiro feels toward his uncle, and he must also keep a sharp eye on his mortal enemy, Yanagisawa, who is gaining in political strength and readying himself to destroy Ichiro. VERDICT With her 14th series historical, Rowland continues to turn out beautifully plotted, suspenseful mysteries. Recommend this to fans of I.J. Parker's Japanese feudal mysteries. [See Prepub Mystery, LJ 7/09.]
Kirkus Reviews
Multiple crimes challenge Chamberlain Sano Ichiro, along with the return of a bitter rival. It's 1701 and Sano has risen steadily from the position of Most Honorable Investigator to right hand of Japan's supreme dictator Tokugawa Tsunayoshi. At a battle game designed to entertain the shogun and his court, as well as to quell the restlessness of inactive warriors, "General" Sano defeats a masked opposing general who reveals himself as Yanagisawa Yoshiyasu, Sano's former nemesis and predecessor as chamberlain. He's returned from exile an apparently changed man, a prodigal son warmly welcomed by the shogun. But Sano has doubts, almost immediately confirmed in scenes with Yanagisawa and his devoted son Yoritomo. Despite past grievances, Sano's estranged uncle, Major Kumazawa, appeals for help in locating his missing daughter Chiyo. Riding to the temple where she was last seen, Sano soon finds Chiyo and learns that she's been raped. He is hot to find the culprit, but Kumazawa wants to keep the crime secret. Sano's wife Reiko, who got a taste for detective work in her husband's last outing (The Cloud Pavillon, 2009, etc.), is anxious to test her skills again. More crimes follow when Sano's probe takes him to Edo's dangerous criminal underworld, but an even greater challenge is keeping control of those around him, all with clashing agendas. Gracefully written and replete with historical detail, more character-driven and linearly plotted than most of its 13 predecessors, this is a fine entry point for series newbies.

Product Details

St. Martin's Press
Publication date:
Sano Ichiro Series , #14
Edition description:
First Edition
Sales rank:
Product dimensions:
5.40(w) x 8.20(h) x 0.70(d)

Read an Excerpt

The Cloud Pavilion

By Laura Joh Rowland

St. Martin's Press

Copyright © 2009 Laura Joh Rowland
All rights reserved.
ISBN: 978-0-312-37949-0


Conch trumpets blared a battle cry. War drums boomed. On the opposite banks of a small lake stood two generals clad in leather armor and metal helmets. They waved their war fans and shouted the command.


Two armies of mounted troops plunged into the lake and charged. Chamberlain Sano Ichir rode at the forefront of his yelling, whooping comrades. Water splashed his armor as his horse galloped toward the onrushing enemy legion. He and his army drew their swords while their mounts swam into the deep middle of the lake. The opposition met them, swords waving, lances aimed. On shore the generals barked orders to stay in ranks, but in the lake it was utter chaos.

Soldiers hacked wildly at one another with their swords and lances. The noise of wooden weapons battering armor and metal deafened Sano. As he fought, he sat in his saddle waist-deep in water that was filthy with mud and manure. His army's mounts buffeted his horse, rammed his legs. Sano thanked the gods for iron shin guards. He swatted his opponent, knocking the man off his mount. A rider armed with a lance charged at Sano. Sano whacked the lance with his sword. Unbalanced, the rider toppled into the lake. Cheers and applause resounded.

The audience was crowded in stands alongside the artificial lake and leaning out of windows in the covered corridors that topped the walls which enclosed the Edo Castle martial arts practice grounds. Spectators laughed as they egged on the armies, enjoying the tournament.

But Sano and everyone else who competed in them knew that these tournaments were almost as dangerous as real battles. Somebody always got hurt. Sometimes players were killed. Audiences enjoyed that the best. It was the most exciting part of the game.

The lake grew crowded with men who'd fallen in. They frantically swam, trying to avoid being kicked or crushed by the horses. Fighters howled in genuine pain from the blows dealt by the blunt yet heavy wooden weapons. Sano took a whack on his shoulder and knew he'd have a big bruise tomorrow. As he parried his opponent's strikes, he thought that perhaps, at his age of forty-three years, he was too old for tournaments. But it was his duty to participate for as long as he could.

"Stop!" cried a shrill, reedy voice.

The battle suddenly halted. Men reined in their horses and froze as if turned to stone. Sano sat with his sword crossed against his opponent's. In the lake, men treaded water. Blades hovered, suspended in the act of striking.

"Hold that pose!" the shogun called from inside a pavilion that stood on a rise near one end of the lake.

Thunder grumbled, and a drizzly rain began to fall from the misty gray summer sky, but nobody dared move.

Tokugawa Tsunayoshi, the supreme dictator of Japan, knelt at a table spread with paper, inkstones, and jars that held brushes and water. He wore a smock over his silk robes, and the cylindrical black cap of his rank. He squinted at the battle scene, then sketched rapidly with his brush. An admirer of all forms of art, he dabbled in painting, and equestrian scenes were among his favorite subjects. Sano had seen his work and thought it not bad, certainly better than his leadership over Japan.

"That's enough," the shogun called. "Continue!"

The battle resumed with increased gusto. Soldiers swung, blades whacked, more riders fell. Sano fought with less care for martial arts technique than determination to avoid a ludicrous accidental death. He had to admit that tournaments were rather fun, in addition to serving purposes even more important than entertaining his lord.

Edo, the capital of the Tokugawa regime, was a city populated by more than a million people, some hundred thousand of them samurai. That equaled too many armed men with not enough to do during a peacetime that had lasted almost a century with only minor interruptions. There hadn't been a battle since Lord Matsudaira had defeated his rival, Yanagisawa Yoshiyasu, seven years ago. A conflict had then flared up between Lord Matsudaira and Sano, but had ended with Lord Matsudaira's ritual suicide last spring. Now the troops were restless.

Tournaments not only occupied the samurai class and offered it a chance to improve martial arts skills that had declined. They burned off energy that would otherwise be applied to brawling, starting insurrections, and generally causing trouble.

A bell clanged, signaling the battle's end, not a moment too soon for Sano. He and his army rode, swam, and trudged to one side of the lake while the enemy forces retreated to the other. The judge counted the men who hadn't fallen in the water, then announced, "Team Number One is the winner."

The men on Sano's side cheered, as did the audience. The opposition looked disgruntled. Sano urged his horse up the bank, then jumped out of the saddle. He slipped on the mud and would have fallen, but a strong hand gripped his arm. He turned to see who'd caught him. It was a tall samurai in a black armor tunic with red lacings. The samurai took off his helmet. Sano beheld the handsome face of Yanagisawa, his onetime foe.

"Many thanks," Sano said.

"It was my pleasure," Yanagisawa said.

He and Sano had a long, bitter history. Yanagisawa had been chamberlain when Sano had entered the shogun's service twelve years ago. Yanagisawa had once viewed Sano as a rival, had schemed to destroy him. A murder investigation on which they'd been forced to collaborate had resulted in a truce, and later his conflict with Lord Matsudaira had taken Yanagisawa's attention off Sano. Lord Matsudaira had capped his victory by exiling Yanagisawa to Hachijo Island. But Yanagisawa had escaped and sneaked back to Edo, where he'd operated behind the scenes, stealing allies from Sano and Lord Matsudaira, pitting them against each other, and engineering Lord Matsudaira's downfall. Last spring Sano had forced Yanagisawa out of hiding. Yanagisawa had made a triumphant comeback that coincided with Lord Matsudaira's suicide.

With Lord Matsudaira dead, the game was once again between Sano and Yanagisawa. They'd done unforgivable things to each other, and Sano had expected Yanagisawa to renew his attacks with a vengeance. Sano had braced himself for the fight of his life.

It hadn't come.

Now Yanagisawa smiled in the same friendly fashion with which he'd treated Sano since a few days after he'd made his reappearance on the political scene. He smoothed his hair, which had grown back since he'd shaved his head to disguise himself as a priest while in hiding. It was too short to tie in the customary samurai topknot, but thick and glossy and black even though he and Sano were the same age and Sano's hair had begun turning gray.

"You fought a good battle," Yanagisawa said.

Sano listened for nuances of hostility in Yanagisawa's tone but heard none. "So did you."

Yanagisawa laughed. "We slaughtered those poor bastards."

Not once had he lifted a hand to harm Sano. For over a year he and Sano had coexisted in a peace that Sano hadn't thought possible. Not that Sano minded a reprieve from feuding and assassination attempts, but their pleasant camaraderie felt all wrong, like the sun shining at midnight.

He and Yanagisawa took their places at the head of their rowdy, cheering army. The judge said to them, "Your team wins the top prize for equestrian combat in water—a barrel of the best sake for each man. I commend your excellent coaching."

"Isn't it a good thing we're on the same side now?" Yanagisawa said to Sano.

"Indeed," Sano said with feigned enthusiasm.

Yanagisawa was up to something. Sano knew.

So did everybody else. Sano had overheard their colleagues in the government speculating about what Yanagisawa had in store for him and taking bets as to when Yanagisawa would make his first move.

The shogun came hurrying up to them. He was thin, frail, and looked a decade older than his fifty-five years. A servant held an umbrella over his head, protecting him from the drizzle. "Ahh, Sano-san, Yanagisawa-san!" he exclaimed. Delight animated his weak, aristocratic features. "Congratulations on your, ahh, victory!"

Sano and Yanagisawa bowed and made modest disclaimers. Yanagisawa didn't try to hog the credit or make Sano look bad, as he would have in the past. Sano didn't trust this radical change in behavior.

"You make such a good team," the shogun said. "I think I, ahh, made the right decision when I appointed both of you as my chamberlains."

They shared the post of chamberlain and second-in-command to the shogun. That honor, which had first belonged solely to Yanagisawa, had passed to Sano when Yanagisawa had been exiled. When Yanagisawa returned, he'd expected to regain the post, and Sano had been ready to fight to keep it. But the shogun, always loath to exercise his judgment, had been unable to choose which one of them he preferred and made the unprecedented move of splitting the job between two men.

Two men whose antagonism could wreak havoc in the government and tear Japan apart.

Some said it was the most foolish decision ever made by this dictator not known for wisdom. Nobody thought the partnership between Sano and Yanagisawa would last a day without a blowup. But it had defied the odds.

Sano had expected Yanagisawa to oppose everything he did, to undermine his standing with the shogun, to try to turn every powerful man inside and outside the regime against him and run him out of office. But Yanagisawa had cooperated fully and, to all appearances, gladly with Sano. Together they'd overseen the huge, complicated machine of the bakufu—Japan's military government—with smooth, startling efficiency.

Yanagisawa lifted his eyebrow at Sano. "Imagine all the good we could have accomplished years ago if we'd been working together."

Instead of you trying to kill me and me trying to fend you off, Sano thought. "Two heads are better than one," he said out loud.

"Yes, yes," the shogun agreed happily.

Because he hated and feared conflict, he was glad to see his two dearest friends getting along so well. He didn't know they'd ever been enemies or had once vied for control of his regime, which was tantamount to treason. He was astoundingly oblivious to what went on around him, and Sano and Yanagisawa enforced a conspiracy of silence to keep the shogun ignorant.

Often Sano suspected the shogun knew the truth perfectly well, but acknowledging it would require him to take action for which he hadn't the stomach.

"Well, the fun's over," Yanagisawa said. "It's back to business for us, Honorable Chamberlain Sano."

"Yes, Honorable Chamberlain Yanagisawa," Sano said.

Although his former enemy's words were spoken with no trace of a threat, Sano searched them for hidden meanings. He knew the game between him and Yanagisawa was still on, and he was at a serious disadvantage.

Sano's spies hadn't managed to dig up a single clue as to what Yanagisawa was plotting. To all appearances, Yanagisawa had decided that it was better to join forces with Sano instead of risking his neck again. Yanagisawa had reportedly told his allies among the top officials and the daimyo —feudal lords who governed Japan's provinces—that he wasn't interested in fighting Sano anymore. And he'd not tried to recruit Sano's allies to his side.

Yanagisawa had changed the rules of the game, but Sano didn't know what they were. He felt like a blind samurai heading into battle. He could only wait, a sitting target.

The audience departed; the armies dispersed. Waterlogged troops trudged off to drink, celebrate, commiserate, or bathe. Grooms took charge of the horses. The shogun climbed into his palanquin, and his bearers carried him toward the palace. Yanagisawa looked past Sano and said, "I believe there's someone who would like your attention."

Sano turned. He saw, some thirty paces away, an elderly samurai waiting alone beside the stands, watching him. Recognition jolted Sano. Into his heart crept a cold sensation of dread.


Sano stood perfectly still as the samurai walked across the martial arts ground toward him. Everyone else receded to the edges of his awareness. Sano felt as if he and the samurai were alone on the muddy, trampled field. He suppressed an irrational urge to draw his sword. Its blade was wooden, and this encounter wasn't a duel.

Then again, perhaps it was.

The samurai stopped a few paces from Sano. He was in his sixties, his physique lean but strong, his shoulders held squarely rigid. He wore a metal helmet, and a leather armor tunic with the Tokugawa triple-hollyhock-leaf crest embossed on its breastplate over a silk robe and trousers striped in dark gray and black. An insignia on his helmet showed that he held the rank of major in the army. His forehead was severely creased, as if from too much frowning. Harsh lines bracketed his tight mouth.

"Good day," he said, bowing. "Please permit me to introduce myself." His deep voice had a faint quaver of old age and an oddly familiar ring. "I am Kumazawa Hiroyuki."

"I know," Sano said.

He'd never met Major Kumazawa face-to-face; they'd never spoken. But he'd observed the man from a distance and knew everything about him that the official government records, and Sano's own spies, could tell. In Sano's desk was a dossier on the entire Kumazawa clan. Sano had compiled it after a murder investigation that had revealed secret facts about his own background.

His parents had led him to believe that his mother came from humble peasant stock. Not until last spring, when she'd been accused of a crime hidden in her past, had Sano learned the truth: Her kin were high-ranking Tokugawa vassals. They'd disowned her because of a mistake she'd made when she was a girl, and she'd never seen them again.

Now Sano felt a flame of anger heat his blood. Major Kumazawa was the head of the clan that had treated Sano's mother so cruelly. Sano said, "Do you know who I am?"

Major Kumazawa didn't pretend to misunderstand, didn't give the obvious answer that everybody knew the famous Chamberlain Sano. "Yes. You are the son of my younger sister Etsuko." He spoke as if the words tasted bad. "That makes you my nephew."

It was just as Sano had suspected: Although he had long been ignorant of his connection with the Kumazawa, they had been aware that their blood ran in his veins. They must have kept track of his mother and her son through the years; they must have followed his career.

The flame of Sano's anger grew. The Kumazawa had spied on him and never deigned to seek his acquaintance. That casting off his mother and refusing to recognize her offspring was what any high-society family would have done under the circumstances did not appease Sano. He was insulted that his uncle should treat him with such disdain. He also experienced other emotions he hadn't expected.

Since learning about his new relatives, he had intended to get in touch with them, but kept putting it off. He was busy running the government and advising the shogun; he didn't have time. Or so he'd told himself. But he'd entertained secret fantasies about summoning his uncle to his mansion and impressing him with how well he had done without any help from their clan. The fantasies shamed Sano; he knew they were childish. Now, here he was, face-to-face with his uncle, soaked with water polluted by horse dung. He felt less like the shogun's second-in-command than an outcast.

"I don't suppose you approached me in order to inquire about my mother," he said in his coldest, most formal tone.

"No," Major Kumazawa said, equally cold. "But I will ask. How is she?"

"Quite well." No thanks to you, Sano thought. "She was widowed eleven years ago, when my father died." My father was the ronin—the lowly masterless samurai—that your family forced her to marry, to get her off your hands. "But she remarried last fall." To the man with whom she had an illicit affair, the results of which caused your clan to disown her. "She and her new husband are living in Yamato."

The murder investigation had re united Sano's mother with the onetime monk she'd fallen in love with as a girl. Loving him still, she'd happily given up her home and her old life in Edo to join him in the village where he'd settled.

"So I've heard," said Major Kumazawa. "Of course, I'm not responsible for what became of your mother."


Excerpted from The Cloud Pavilion by Laura Joh Rowland. Copyright © 2009 Laura Joh Rowland. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Laura Joh Rowland is the author of thirteen previous Sano Ichiro thrillers, including The Fire Kimono that was named one of the Wall Street Journal's Five Best Historical Mystery Novels.

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The Cloud Pavilion (Sano Ichiro Series #14) 4.2 out of 5 based on 0 ratings. 17 reviews.
Anonymous More than 1 year ago
I love this author and have read all 14 Sano Ichiro books, feudal Japan is so interesting with great description of their culture and customs and always great plots. Keep giving us more!!!!
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Sensitivemuse More than 1 year ago
The plot was good, and I admit I was wondering what in the world Yanagisawa is upto as he's always constantly plotting and neverending in his plot to get rid of Sano. Although it is getting somewhat stale and repetitive for the last several books and I'm wondering if there's anything new to this. At least the mystery case is new and different from previous cases. It's the same format, with Sano dealing with personal issues while trying to solve the case at the same time. It surprised me that this time the shogun did not threaten with his usual death threat when Sano wasn't doing his job "right". However, lo and behold, the shogun threatens him later in the book (which induced eye rolling on my part, as it is tending to get extremely formulaic by now). However, I still enjoy reading the well written historical descriptions of feudal Japan and its social mores and customs. It is interesting to read and I could picture the setting clearly in my head while reading. This is what I like the most about reading these books. The political intrigue was still there and I used to like reading about it in the past, this time however it was subtle and I kept on guessing what was going to happen. It was a nice little surprise once I read Yanagisawa's vile little plot (and here I thought he couldn't get any worse). Regarding the mystery, it was all right to read. Although it wasn't as exciting as I thought it would be. The suspects weren't that great to begin with, and I felt myself not really guessing who was the perpetrator. There wasn't much to it and when it was solved, there was a great big climax which I did enjoy reading as I did sympathize with these women who were violated and then horribly ostracized and treated as if they were the ones at fault by their own families and friends. It offered them closure, and it was a good way of ending the mystery. The political intrigue however just got started and just got really interesting however, it was at the end of the novel and I was stuck pulling my hair as to what was going to happen now to Sano and his family. What really annoys me in this series lately is Hirata. I'm not into this mystic martial arts thing and it all makes him sound like he's superman. However I find that he doesn't do much with the plot and only continues to be annoying with using his powers. Although the introduction of the "mystery ninja" who's stalking Hirata got my interest, it wasn't enough to make me accept this mystic martial arts plot. I still prefer the "old" Hirata before he became a martial arts master. Overall, a long time fan isn't missing much in terms of mystery but the political intrigue packs a huge punch at the end. I'd say read it just because you've probably read the previous 13 books before. Those new to Sano Ichiro may or may not like this one however if you ask me, try reading The Concubine's Tattoo (which is my personal favorite).
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Rowland has done it again. She has brought forth characters that both challenge and inspire the reader. She is a super writer. I have all her works at this time.
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Thomas_Wier More than 1 year ago
The on-going battle between Sano and Yanagisawa has never been so riveting! Each one, poised and ready to strike, are many times within such close proximity that you can feel the horrific tension between them. Ms. Rowland has gifted us with a worthy inclusion to the Sano Ichiro saga, pushing our hero even further into the web of conspiracy and murder than he ever thought he would travel. I am amazed, as always, by the lush, descriptive prose that Ms. Rowland has shared with us, a voice that carries us back to days of Tokugawa Tsunayoshi with true period authenticity. A truly great read, and a dynamic addition to the Sano saga, indeed!
harstan More than 1 year ago
In Edo in 1701, though some time has passed, Chamberlain Sano Ichiro reels from what happened last year that dishonored his family (see THE FIRE KIMONO). He knows he is fortunate to still have his position still and his beloved wife Reiko always at his side. Still Sano hurts with the betrayal, but vows to do his job with honor in support of his liege Japan's supreme dictator Tokugawa Tsunayoshi. During a war scenario tournament to occupy the soldiers who have seen no action lately, Sano defeats his masked opponent, former Chamberlain Yanagisawa Yoshiyasu, who the shogun has welcomed home from exile, an allegedly changed person. Sano does not trust his adversary further than he can throw him as he believes Yanagisawa and his most loyal son Yoritomo plot mischief. However, Sano has no time to consider what his enemy plans when his estranged uncle Major Kumazawa pleads with his nephew and Reiko to find his missing daughter Chiyo last seen at a nearby temple. Sano locates his cousin who was raped but his uncle wants to conceal the dishonor rather than pursue the culprit. Still with Reiko at his side they follow clues to the deadly criminal element inside of Edo while his fears of Yanagisawa's scheming come to bear against Sano with the shogun angry at him. The latest Sano Japanese historical mystery is a super entry as the readers feels as if we have been transported back in time and place due to the rich background. As with the previous entry, the story line is driven by the cast especially Sano's extended family members who have been estrange for decades and of course his nastiest rival. Fans will appreciate THE CLOUD PAVILION as once again it is family matters that drive the hero and his intrepid wife. Harriet Klausner