- Shopping Bag ( 0 items )
-
All (8) from $8.23
-
New (8) from $8.23
| Doc Watson | Primary Artist, Primary Artist, Banjo, Guitar, Vocals |
| Floyd Cramer | Piano |
| Buddy Spicher | Fiddle |
| Don Stover | Banjo |
| Grady Martin | Guitar, Spanish Dobro |
| Shot Jackson | Dobro |
| Buddy Harman | Drums |
| Merle Watson | Guitar |
| Victor Battista | Bass |
| Doc Watson | Adaptation |
| W.C. Handy | Composer |
| Cliff Carlisle | Composer |
| David Bennett | Composer |
| Mel Foree | Composer |
| Jack Lothrop | Producer |
| Chauncey Gray | Composer |
| Bert Lown | Composer |
| Jules Halfant | Art Direction |
| George Norton | Composer |
| Traditional | Composer |
| Frederick Hamm | Composer |
Editorial Reviews
All Music Guide - Bruce Eder
The early and mid-1960s were good for Doc Watson in folk circles, but by the end of the decade, the folk boom was fading, and he gravitated back toward country audiences even Joan Baez was cutting records in Nashville. This pleasant but unexceptional album was one result. Watson does genially sung, beautifully played covers of songs by Roy Acuff "Streamline Cannonball", Jimmie Rodgers "Peach Pickin' Time In Georgia", A.P. Carter "I'm Thinking Tonight of My Blue Eyes", and even Blind Boy Fuller "Step It Up and Go", scattered among a handful of original and traditional numbers. The playing is more impressive than the arrangements, which have that trademark Nashville ...