Doomsday Book

( 144 )

Overview

For Kivrin, preparing an on-site study of one of the deadliest eras in humanity's history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing an alibi for a woman traveling alone. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received.

But a crisis strangely linking past and future strands Kivrin in a bygone age as her ...

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Overview

For Kivrin, preparing an on-site study of one of the deadliest eras in humanity's history was as simple as receiving inoculations against the diseases of the fourteenth century and inventing an alibi for a woman traveling alone. For her instructors in the twenty-first century, it meant painstaking calculations and careful monitoring of the rendezvous location where Kivrin would be received.

But a crisis strangely linking past and future strands Kivrin in a bygone age as her fellows try desperately to rescue her. In a time of superstition and fear, Kivrin — barely of age herself — finds she has become an unlikely angel of hope during one of history's darkest hours.

Five years in the writing by one of science fiction's most honored authors, Doomsday Book is a storytelling triumph. Connie Willis draws upon her understanding of the universalities of human nature to explore the ageless issues of evil, suffering and the indomitable will of the human spirit.

For nearly a decade, Willis has dazzled readers with her short fiction. Her first novel, Lincoln's Dreams, received unanimous high praise and won the John W. Campbell Award. Now she pens a sensational work about human struggle and redemption set in the time of the Black Plague.

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Editorial Reviews

From the Publisher
"A stunning novel that encompasses both suffering and hope.... The best work yet from one of science fiction's best writers."
The Denver Post

"Splendid work — brutal, gripping and genuinely harrowing, the product of diligent research, fine writing and well-honed instincts, that should appeal far beyond the normal science-fiction constituency."
Kirkus Reviews (starred review)

"The world of 1348 burns in the mind's eye, and every character alive that year is a fully recognized being.... It becomes possible to feel...that Connie Willis did, in fact, over the five years Doomsday Book took her to write, open a window to another world, and that she saw something there."
The Washington Post Book World

Publishers Weekly - Publisher's Weekly
This new book by Hugo- and Nebula-award-winning author Willis ( Lincoln's Dreams ) is an intelligent and satisfying blend of classic science fiction and historical reconstruction. Kivrin, a history student at Oxford in 2048, travels back in time to a 14th-century English village, despite a host of misgivings on the part of her unofficial tutor. When the technician responsible for the procedure falls prey to a 21st-century epidemic, he accidentally sends Kivrin back not to 1320 but to 1348--right into the path of the Black Death. Unaware at first of the error, Kivrin becomes deeply involved in the life of the family that takes her in. But before long she learns the truth and comes face to face with the horrible, unending suffering of the plague that would wipe out half the population of Europe. Meanwhile, back in the future, modern science shows itself infinitely superior in its response to epidemics, but human nature evidences no similar evolution, and scapegoating is still alive and well in a campaign against ``infected foreigners.''p. 204 This book finds villains and heroes in all ages, and love, too, which Kivrin hears in the revealing and quietly touching deathbed confession of a village priest. (June)
Library Journal
A time-traveling history student is trapped in the Middle Ages, dangerously close to the onset of the Black Plague. Her rescuers in 21st-century Oxford battle their own deadly epidemic to reach her in time. The author of Lincoln's Dreams ( LJ 4/15/87) balances two storylines with exquisite skill as she depicts a pair of closely knit communities--each facing an unknown and frightening enemy. Willis uses the language of time travel and advanced technologies to speak of human concerns, finding parallels that transcend time in the hopes, struggles, and fears of her modern and medieval characters. The clarity and consistency of her writing, as well as her deft storytelling ability, place her among this decade's most promising writers. A priority purchase.
Kirkus Reviews
Second solo novel (following Lincoln's Dreams, 1987) from an author best known for her strong stories (the collection Fire Watch, etc.). In the Oxford of Christmas, 2054, time travel is a well- established tool of historical research. Kivrin Engles has labored diligently to acquire the language and practical skills necessary to survive in the 14th century—for her destination is Christmas, 1320. Nearby, an archeological dig is uncovering artifacts from the same period. But problems beset the "drop": Kivrin's schedule is advanced by Gilchrist, the professor in charge (he's more concerned with his reputation than the safety of his researchers) before her immunizations (irritatingly called "inoculations" by Willis) can take full effect; and the technician in charge of the time- calculations, Badri, falls mysteriously ill just as the drop goes ahead. Dunworthy, Kivrin's academic mentor and friend, his place usurped by Gilchrist, suspects something has gone wrong—but the delirious Badri can provide only forbidding hints. Soon a full- blown influenza epidemic is raging. Meanwhile, in the 14th century, Kivrin overcomes initial obstacles (she comes down with the flu; her mental translator doesn't work) to become absorbed in the life and people of a tiny village—in particular she admires Roche, the priest, a simple and illiterate Anglo-Saxon despised by the local Norman aristocracy. But as an enigmatic "blue sickness" takes hold in the village, Kivrin realizes that she's not in 1320 but 1348—the year bubonic plague ravaged England. Soon, the entire village lies dying, nursed only by Kivrin and the saintly Roche, who, ironically, thinks she's a saint sent by God to restorethe faith. Meantime, up in the 21st century, Badri hovers near death; Dunworthy, desperately worried about Kivrin, himself succumbs; plague dominates both centuries. Solid characters, crisp, almost perfect detail, and excellent subplots that maintain the tension at an almost unendurable level. Splendid work—brutal, gripping, and genuinely harrowing, the product of diligent research, fine writing, and well-honed instincts, that should appeal far beyond the usual science-fiction constituency.
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Product Details

  • ISBN-13: 9780553562736
  • Publisher: Random House Publishing Group
  • Publication date: 8/28/1993
  • Format: Mass Market Paperback
  • Edition description: Reprint
  • Pages: 592
  • Sales rank: 116,251
  • Product dimensions: 4.20 (w) x 6.86 (h) x 1.29 (d)

Meet the Author

Connie Willis has won six Nebula Awards (more than any other science fiction writer), six Hugo Awards, and for her first novel, Lincoln's Dreams, John W. Campbell Memorial Award. Her novel Doomsday Book won both the Nebula and Hugo Awards, and her first short-story collection, Fire Watch, was a New York Times Notable Book. Her other works include To Say Nothing of the Dog, Bellwether, Impossible Things, Remake, Uncharted Territory and Miracle and Other Christmas Stories. Ms. Willis lives in Greeley, Colorado, with her family and is hard at work on her next novel, Passage.

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Read an Excerpt

Mr. Dunworthy opened the door to the laboratory and his spectacles promptly steamed up.

"Am I too late?" he said, yanking them off and squinting at Mary.

"Shut the door," she said. "I can't hear you over the sound of those ghastly carols."

Dunworthy closed the door, but it didn't completely shut out the sound of "O Come, All Ye Faithful" wafting in from the quad. "Am I too late?" he said again.

Mary shook her head. "All you've missed is Gilchrist's speech." She leaned back in her chair to let Dunworthy squeeze past her into the narrow observation area. She had taken off her coat and wool hat and set them on the only other chair, along with a large shopping bag full of parcels. Her gray hair was in disarray, as if she had tried to fluff it up after taking her hat off. "A very long speech about Mediaeval's maiden voyage in time," she said, "and the college of Brasenose taking its rightful place as the jewel in history's crown. Is it still raining?"

"Yes," he said, wiping his spectacles on his muffler. He hooked the wire rims over his ears and went up to the thin-glass partition to look at the net. In the center of the laboratory was a smashed-up wagon surrounded by overturned trunks and wooden boxes. Above them hung the protective shields of the net, draped like a gauzy parachute.

Kivrin's tutor Latimer, looking older and even more infirm than usual, was standing next to one of the trunks. Montoya was standing over by the console wearing jeans and a terrorist jacket and looking impatiently at the digital on her wrist. Badri was sitting in front of the console, typing something in and frowning at the display screens.

"Where's Kivrin?" Dunworthy said.

"I haven't seen her," Mary said. "Do come and sit down. The drop isn't scheduled till noon, and I doubt very much that they'll get her off by then. Particularly if Gilchrist makes another speech."

She draped her coat over the back of her own chair and set the shopping bag full of parcels on the floor by her feet. "I do hope this doesn't go all day. I must pick up my great-nephew Colin at the Underground station at three. He's coming in on the tube."

She rummaged in her shopping bag. "My niece Deirdre is off to Kent for the holidays and asked me to look after him. I do hope it doesn't rain the entire time he's here," she said, still rummaging. "He's twelve, a nice boy, very bright, though he has the most wretched vocabulary. Everything is either necrotic or apocalyptic. And Deirdre allows him entirely too many sweets."

She continued to dig through the contents of the shopping bag. "I got this for him for Christmas." She hauled up a narrow red-and-green-striped box. "I'd hoped to get the rest of my shopping done before I came here, but it was pouring rain and I can only tolerate that ghastly digital carillon music on the High Street for brief intervals."

She opened the box and folded back the tissue. "I've no idea what twelve-year-old boys are wearing these days, but mufflers are timeless, don't you think, James? James?"

He turned from where he had been staring blindly at the display screens. "What?"

"I said, mufflers are always an appropriate Christmas gift for boys, don't you think?"

He looked at the muffler she was holding up for his inspection. It was of dark gray plaid wool. He would not have been caught dead in it when he was a boy, and that had been fifty years ago. "Yes," he said, and turned back to the thin-glass.

"What is it, James? Is something wrong?"

Latimer picked up a small brass-bound casket, and then looked vaguely around, as if he had forgotten what he intended to do with it. Montoya glanced impatiently at her digital.

"Where's Gilchrist?" Dunworthy said.

"He went through there," Mary said, pointing at a door on the far side of the net. "He orated on Mediaeval's place in history, talked to Kivrin for a bit, the tech ran some tests, and then Gilchrist and Kivrin went through that door. I assume he's still in there with her, getting her ready."

"Getting her ready," Dunworthy muttered.

"James, do come and sit down, and tell me what's wrong," she said, jamming the muffler back in its box and stuffing it into the shopping bag, "and where you've been? I expected you to be here when I arrived. After all, Kivrin's your favorite pupil."

"I was trying to reach the Head of the History Faculty," Dunworthy said, looking at the display screens.

"Basingame? I thought he was off somewhere on Christmas vac."

"He is, and Gilchrist maneuvered to be appointed Acting Head in his absence so he could get the Middle Ages opened to time travel. He rescinded the blanket ranking of ten and arbitrarily assigned rankings to each century. Do you know what he assigned the 1300s? A six. A six! If Basingame had been here, he'd never have allowed it. But the man's nowhere to be found." He looked hopefully at Mary. "You don't know where he is, do you?"

"No," she said. "Somewhere in Scotland, I think."

"Somewhere in Scotland," he said bitterly. "And meanwhile, Gilchrist is sending Kivrin into a century which is clearly a ten, a century which had scrofula and the plague and burned Joan of Arc at the stake."

He looked at Badri, who was speaking into the console's ear now. "You said Badri ran tests. What were they? A coordinates check? A field projection?"

"I don't know." She waved vaguely at the screens, with their constantly changing matrices and columns of figures. "I'm only a doctor, not a net technician. I thought I recognized the technician. He's from Balliol, isn't he?"

Dunworthy nodded. "He's the best tech Balliol has," he said, watching Badri, who was tapping the console's keys one at a time, his eyes on the changing readouts. "All of New College's techs were gone for the vac. Gilchrist was planning to use a first-year apprentice who'd never run a manned drop. A first-year apprentice for a remote! I talked him into using Badri. If I can't stop this drop, at least I can see that it's run by a competent tech."

Badri frowned at the screen, pulled a meter out of his pocket, and started toward the wagon.

"Badri!" Dunworthy called.

Badri gave no indication he'd heard. He walked around the perimeter of the boxes and trunks, looking at the meter. He moved one of the boxes slightly to the left.

"He can't hear you," Mary said.

"Badri!" he shouted. "I need to speak to you."

Mary had stood up. "He can't hear you, James," she said. "The partition's soundproofed."

Badri said something to Latimer, who was still holding the brass-bound casket. Latimer looked bewildered. Badri took the casket from him and set it down on the chalked mark.

Dunworthy looked around for a microphone. He couldn't see one. "How were you able to hear Gilchrist's speech?" he asked Mary.

"Gilchrist pressed a button on the inside there," she said, pointing at a wall panel next to the net.

Badri had sat down in front of the console again and was speaking into the ear. The net shields began to lower into place. Badri said something else, and they rose to where they'd been.

"I told Badri to recheck everything, the net, the apprentice's calculations, everything," he said, "and to abort the drop immediately if he found any errors, no matter what Gilchrist said."

"But surely Gilchrist wouldn't jeopardize Kivrin's safety," Mary protested. "He told me he'd taken every precaution—"

"Every precaution! He hasn't run recon tests or parameter checks. We did two years of unmanneds in Twentieth Century before we sent anyone through. He hasn't done any. Badri told him he should delay the drop until he could do at least one, and instead he moved the drop up two days. The man's a complete incompetent."

"But he explained why the drop had to be today," Mary said. "In his speech. He said the contemps in the 1300s paid no attention to dates, except planting and harvesting times and church holy days. He said the concentration of holy days was greatest around Christmas, and that was why Mediaeval had decided to send Kivrin now, so she could use the Advent holy days to determine her temporal location and ensure her being at the drop site on the twenty-eighth of December."

"His sending her now has nothing to do with Advent or holy days," he said, watching Badri. He was back to tapping one key at a time and frowning. "He could send her next week and use Epiphany for the rendezvous date. He could run unmanneds for six months and then send her lapse-time. Gilchrist is sending her now because Basingame's off on holiday and isn't here to stop him."

"Oh, dear," Mary said. "I rather thought he was rushing it myself When I told him how long I needed Kivrin in Infirmary, he tried to talk me out of it. I had to explain that her inoculations needed time to take effect."

"A rendezvous on the twenty-eighth of December," Dunworthy said bitterly. "Do you realize what holy day that is? The Feast of the Slaughter of the Innocents. Which, in light of how this drop is being run, may be entirely appropriate."

"Why can't you stop it?" Mary said. "You can forbid Kivrin to go, can't you? You're her tutor."

"No," he said. "I'm not. She's a student at Brasenose. Latimer's her tutor." He waved his hand in the direction of Latimer, who had picked up the brass-bound casket again and was peering absentmindedly into it. "She came to Balliol and asked me to tutor her unofficially."

He turned and stared blindly at the thin-glass. "I told her then that she couldn't go."

Kivrin had come to see him when she was a first-year student. "I want to go to the Middle Ages," she had said. She wasn't even a meter and a half tall, and her fair hair was in braids. She hadn't looked old enough to cross the street by herself.

"You can't," he had said, his first mistake. He should have sent her back to Mediaeval, told her she would have to take the matter up with her tutor. "The Middle Ages are closed. They have a ranking of ten."

"A blanket ten," Kivrin said, "which Mr. Gilchrist says they don't deserve. He says that ranking would never hold up under a year-by-year analysis. It's based on the contemps' mortality rate, which was largely due to bad nutrition and no med support. The ranking wouldn't be nearly as high for an historian who'd been inoculated against disease. Mr. Gilchrist plans to ask the History Faculty to reevaluate the ranking and open part of the fourteenth century."

"I cannot conceive of the History Faculty opening a century that had not only the Black Death and cholera, but the Hundred Years War," Dunworthy said.

"But they might, and if they do, I want to go."

"It's impossible," he said. "Even if it were opened, Mediaeval wouldn't send a woman. An unaccompanied woman was unheard of in the fourteenth century. Only women of the lowest class went about alone, and they were fair game for any man or beast who happened along. Women of the nobility and even the emerging middle class were constantly attended by their fathers or their husbands or their servants, usually all three, and even if you weren't a woman, you're an undergraduate. The fourteenth century is far too dangerous for Mediaeval to consider sending an undergraduate. They would send an experienced historian."

"It's no more dangerous than the twentieth century," Kivrin said. "Mustard gas and automobile crashes and pinpoints. At least no one's going to drop a bomb on me. And who's an experienced mediaeval historian? Nobody has on-site experience, and your twentieth-century historians here at Balliol don't know anything about the Middle Ages. Nobody knows anything. There are scarcely any records, except for parish registers and tax rolls, and nobody knows what their lives were like at all. That's why I want to go. I want to find out about them, how they lived, what they were like. Won't you please help me?"

He finally said, "I'm afraid you'll have to speak with Mediaeval about that," but it was too late.

"I've already talked to them," she said. "They don't know anything about the Middle Ages either. I mean, anything practical. Mr. Latimer's teaching me Middle English, but it's all pronomial inflections and vowel shifts. He hasn't taught me to say anything.

"I need to know the language and the customs," she said, leaning over Dunworthy's desk, "and the money and table manners and things. Did you know they didn't use plates? They used flat loaves of bread called manchets, and when they finished eating their meat, they broke them into pieces and ate them. I need someone to teach me things like that, so I won't make mistakes."

"I'm a twentieth-century historian, not a mediaevalist. I haven't studied the Middle Ages in forty years."

"But you know the sorts of things I need to know. I can look them up and learn them, if you'll just tell me what they are."

"What about Gilchrist?" he said, even though he considered Gilchrist a self-important fool.

"He's working on the reranking and hasn't any time."

And what good will the reranking do if he has no historians to send? Dunworthy thought. "What about the visiting American professor, Montoya? She's working on a mediaeval dig out near Witney, isn't she? She should know something about the customs."

"Ms. Montoya hasn't any time either; she's so busy trying to recruit people to work on the Skendgate dig. Don't you see? They're all useless. You're the only one who can help me."

He should have said, "Nevertheless, they are members of Brasenose's faculty, and I am not," but instead he had been maliciously delighted to hear her tell him what he had thought all along, that Latimer was a doddering old man and Montoya a frustrated archaeologist, that Gilchrist was incapable of training historians. He had been eager to use her to show Mediaeval how it should be done.

"We'll have you augmented with an interpreter," he had said. "And I want you to learn Church Latin, Norman French, and Old German, in addition to Mr. Latimer's Middle English," and she had immediately pulled a pencil and an exercise book from her pocket and begun making a list.

"You'll need practical experience in farming — milking a cow, gathering eggs, vegetable gardening," he'd said, ticking them off on his fingers. "Your hair isn't long enough. You'll need to take cortixidils. You'll need to learn to spin, with a spindle, not a spinning wheel. The spinning wheel wasn't invented yet. And you'll need to learn to ride a horse."

He had stopped, finally coming to his senses. "Do you know what you need to learn?" he had said, watching her, earnestly bent over the list she was scribbling, her braids dangling over her shoulders. "How to treat open sores and infected wounds, how to prepare a child's body for burial, how to dig a grave. The mortality rate will still be worth a ten, even if Gilchrist somehow succeeds in getting the ranking changed. The average life expectancy in 1300 was thirty-eight. You have no business going there."

Kivrin had looked up, her pencil poised above the paper. "Where should I go to look at dead bodies?" she had said earnestly. "The morgue? Or should I ask Dr. Ahrens in Infirmary?"

"I told her she couldn't go," Dunworthy said, still staring unseeing at the glass, "but she wouldn't listen."

"I know," Mary said. "She wouldn't listen to me either."

Dunworthy sat down stiffly next to her. The rain and all the chasing after Basingame had aggravated his arthritis. He still had his overcoat on. He struggled out of it and unwound the muffler from around his neck.

"I wanted to cauterize her nose for her," Mary said. "I told her the smells of the fourteenth century could be completely incapacitating, that we're simply not used to excrement and bad meat and decomposition in this day and age. I told her nausea would interfere significantly with her ability to function."

"But she wouldn't listen," Dunworthy said.

"No."

"I tried to explain to her that the Middle Ages were dangerous and Gilchrist wasn't taking sufficient precautions, and she told me I was worrying over nothing."

"Perhaps we are," Mary said. "After all, it's Badri who's running the drop, not Gilchrist, and you said he'd abort if there was any problem."

"Yes," he said, watching Badri through the glass. He was typing again, one key at a time, his eyes on the screens. Badri was not only Balliol's best tech, but the University's. And he had run dozens of remotes.

"And Kivrin's well prepared," Mary said. "You've tutored her, and I've spent the last month in Infirmary getting her physically ready. She's protected against cholera and typhoid and anything else that was extant in 1320, which, by the way, the plague you are so worried over wasn't. There were no cases in England until the Black Death reached there in 1348. I've removed her appendix and augmented her immune system. I've given her full-spectrum antivirals and a short course in mediaeval medicine. And she's done a good deal of work on her own. She was studying medicinal herbs while she was in Infirmary."

"I know," Dunworthy said. She had spent the last Christmas vac memorizing masses in Latin and learning to weave and embroider, and he had taught her everything he could think of. But was it enough to protect her from being trampled by a horse, or raped by a drunken knight on his way home from the Crusades? They were still burning people at the stake in 1320. There was no inoculation to protect her from that or from someone seeing her come through and deciding she was a witch.

He looked back through the thin-glass. Latimer picked the trunk up for the third time and set it back down. Montoya looked at her watch again. The tech punched the keys and frowned.

"I should have refused to tutor her," he said. "I only did it to show Gilchrist up for the incompetent he is."

"Nonsense," Mary said. "You did it because she's Kivrin. She's you all over again — bright, resourceful, determined."

"I was never that foolhardy."

"Of course you were. I can remember a time when you couldn't wait to rush off to the London Blitz and have bombs dropped on your head. And I seem to remember a certain incident involving the old Bodleian—"

The prep-room door flared open, and Kivrin and Gilchrist came into the room, Kivrin holding her long skirts up as she stepped over the scattered boxes. She was wearing the white rabbit-fur-lined cloak and the bright blue kirtle she had come to show him yesterday. She had told him the cloak was hand-woven. It looked like an old wool blanket someone had draped over her shoulders, and the kirtle's sleeves were too long. They nearly covered her hands. Her long, fair hair was held back by a fillet and fell loosely onto her shoulders. She still didn't look old enough to cross the street by herself.

Dunworthy stood up, ready to pound on the glass again as soon as she looked in his direction, but she stopped midway into the clutter, her face still half-averted from him, looked down at the marks on the floor, stepped forward a little, and arranged her dragging skirts around her.

Gilchrist went over to Badri, said something to him, and picked up a carryboard that was lying on top of the console. He began checking items off with a brisk poke of the light pen.

Kivrin said something to him and pointed at the brass-bound casket. Montoya straightened impatiently up from leaning over Badri's shoulder, and came over to where Kivrin was standing, shaking her head. Kivrin said something else, more firmly, and Montoya knelt down and moved the trunk over next to the wagon.

Gilchrist checked another item off his list. He said something to Latimer, and Latimer went and got a flat metal box and handed it to Gilchrist. Gilchrist said something to Kivrin, and she brought her flattened hands together in front of her chest. She bent her head over them and began speaking.

"Is he having her practice praying?" Dunworthy said. "That will be useful, since God's help may be the only help she gets on this drop."

"They're checking the implant," Mary said.

"What implant?"

"A special chip corder so she can record her field work. Most of the contemps can't read or write, so I implanted an ear and an A-to-D in one wrist and a memory in the other. She activates it by pressing the pads of her palms together. When she's speaking into it, it looks like she's praying. The chips have a 2.5-gigabyte capacity, so she'll be able to record her observations for the full two and a half weeks."

"You should have implanted a locator as well so she could call for help."

Gilchrist was messing with the flat metal box. He shook his head and then moved Kivrin's folded hands up a little higher. The too-long sleeve fell back. Her hand was cut. A thin brown line of dried blood ran down the cut.

"Something's wrong," Dunworthy said, turning toward Mary. "She's hurt."

Kivrin was talking into her hands again. Gi}christ nodded. Kivrin looked at him, saw Dunworthy, and flashed him a delighted smile. Her temple was bloody, too. Her hair under the fillet was matted with it. Gilchrist looked up, saw Dunworthy, and hurried toward the thin-glass partition, looking irritated.

"She hasn't even gone yet, and they've already let her be injured!" Dunworthy pounded on the glass.

Gilchrist walked over to the wall panel, pressed a key, and then came over and stood in front of Dunworthy. "Mr. Dunworthy," he said. He nodded at Mary. "Dr. Ahrens. I'm so pleased you decided to come see Kivrin off." He put the faintest emphasis on the last three words, so that they sounded like a threat.

"What's happened to Kivrin?" Dunworthy said.

"Happened?" Gilchrist said, sounding surprised. "I don't know what you mean."

Kivrin had started over to the partition, holding up the skirt of her kirtle with a bloody hand. There was a reddish bruise on her cheek.

"I want to speak to her," Dunworthy said.

"I'm afraid there isn't time," Gilchrist said. "We have a schedule to keep to."

"I demand to speak to her."

Gilchrist pursed his lips and two white lines appeared on either side of his nose. "May I remind you, Mr. Dunworthy," he said coldly, "that this drop is Brasenose's, not Balliol's. I of course appreciate the assistance you have given in loaning us your tech, and I respect your many years of experience as an historian, but I assure you I have everything well in hand."

"Then why is your historian injured before she's even left?"

"Oh, Mr. Dunworthy, I'm so glad you came," Kivrin said, coming up to the glass. "I was afraid I wouldn't be able to say good-bye to you. Isn't this exciting?"

Exciting. "You're bleeding," Dunworthy said. "What's gone wrong?"

"Nothing," Kivrin said, touching her temple gingerly and then looking at her fingers. "It's part of the costume." She looked past him at Mary. "Dr. Ahrens, you came, too. I'm so glad."

Mary had stood up, still holding her shopping bag. "I want to see your antiviral inoculation," she said. "Have you had any other reaction besides the swelling? Any itching?"

"It's all right, Dr. Ahrens," Kivrin said. She held the sleeve back and then let it fall again before Mary could possibly have had a good look at the underside of her arm. There was another reddish bruise on Kivrin's forearm, already beginning to turn black and blue.

"It would seem to be more to the point to ask her why she's bleeding," Dunworthy said.

"It's part of the costume. I told you, I'm Isabel de Beauvrier, and I'm supposed to have been waylaid by robbers while traveling," Kivrin said. She turned and gestured at the boxes and smashed wagon. "My things were stolen, and I was left for dead. I got the idea from you, Mr. Dunworthy," she said reproachfully.

"I certainly never suggested that you start out bloody and beaten," Dunworthy said.

"Stage blood was impractical," Gilchrist said. "Probability couldn't give us statistically significant odds that no one would tend her wound."

"And it never occurred to you to dupe a realistic wound? You knocked her on the head instead?" Dunworthy said angrily.

"Mr. Dunworthy, may I remind you—"

"That this is Brasenose's project, not Balliol's? You're bloody right it isn't. If it were Twentieth Century's, we'd be trying to protect the historian from injury, not inflicting it on her ourselves. I want to speak to Badri. I want to know if he's rechecked the apprentice's calculations."

Gilchrist's lips pursed. "Mr. Dunworthy, Mr. Chaudhuri may be your net technician, but this is my drop. I assure you we have considered every possible contingency—"

"It's just a nick," Kivrin said. "It doesn't even hurt. I'm all right, really. Please don't get upset, Mr. Dunworthy. The idea of being injured was mine. I remembered what you said about how a woman in the Middle Ages was so vulnerable, and I thought it would be a good idea if I looked more vulnerable than I was."

It would be impossible for you to look more vulnerable than you are, Dunworthy thought.

"If I pretend to be unconscious, then I can overhear what people are saying about me, and they won't ask a lot of questions about who I am, because it will be obvious that—"

"It's time for you to get into position," Gilchrist said moving threateningly over to the wall panel.

"I'm coming," Kivrin said, not budging.

"We're ready to set the net."

"I know," she said firmly. "I'll be there as soon as I've told Mr. Dunworthy and Dr. Ahrens good-bye."

Gilchrist nodded curtly and walked back into the debris. Latimer asked him something, and he snapped an answer.

"What does getting into position entail?" Dunworthy asked. "Having him take a cosh to you because Probability's told him there's a statistical possibility someone won't believe you're truly unconscious?"

"It involves lying down and closing my eyes," Kivrin said, grinning. "Don't worry."

"There's no reason you can't wait until tomorrow and at least give Badri time to run a parameter check," Dunworthy said.

"I want to see that inoculation again," Mary said.

"Will you two stop fretting?" Kivrin said. "My inoculation doesn't itch, the cut doesn't hurt, Badri's spent all morning running checks I know you're worried about me, but please don't be. The drop's on the main road from Oxford to Bath only two miles from Skendgate. If no one comes along, I'll walk into the village and tell them I've been attacked by robbers. After I've determined my location so I can find the drop again. She put her hand up to the glass. "I just want to thank you both for everything you've done. I've wanted to go to the Middle Ages more than anything, and now I'm actually going."

"You're likely to experience headache and fatigue after the drop," Mary said. "They're a normal side effect of the time lag."

Gilchrist came back over to the thin-glass. "It's time for you to get into position," he said.

"I've got to go," she said, gathering up her heavy skirts. "Thank you both so much. I wouldn't be going if it weren't for you two helping me."

"Good-bye," Mary said.

"Be careful," Dunworthy said.

"I will," Kivrin said, but Gilchrist had already pressed the wall panel, and Dunworthy couldn't hear her. She smiled, held up her hand in a little wave, and went over to the smashed wagon.

Mary sat back down and began rummaging through the shopping bag for a handkerchief. Gilchrist was reading off items from the carryboard. Kivrin nodded at each one, and he ticked them off with the light pen.

"What if she gets blood poisoning from that cut on her temple?" Dunworthy said, still standing at the glass.

"She won't get blood poisoning," Mary said. "I enhanced her immune system." She blew her nose.

Kivrin was arguing with Gilchrist about something. The white lines along his nose were sharply defined. She shook her head, and after a minute he checked off the next item with an abrupt, angry motion.

Gilchrist and the rest of Mediaeval might be incompetent, but Kivrin wasn't. She had learned Middle English and Church Latin and Anglo-Saxon. She had memorized the Latin masses and taught herself to embroider and milk a cow. She had come up with an identity and a rationale for being alone on the road between Oxford and Bath, and she had the interpreter and augmented stem cells and no appendix.

"She'll do swimmingly," Dunworthy said, "which will only serve to convince Gilchrist Mediaeval's methods aren't slipshod and dangerous."

Gilchrist walked over to the console and handed the carryboard to Badri. Kivrin folded her hands again, closer to her face this time, her mouth nearly touching them, and began to speak into them.

Mary came closer and stood beside Dunworthy, clutching her handkerchief. "When I was nineteen — which was, oh, Lord, forty years ago, it doesn't seem that long — my sister and I traveled all over Egypt," she said. "It was during the Pandemic. Quarantines were being slapped on all about us, and the Israelis were shooting Americans on sight, but we didn't care. I don't think it even occurred to us that we might be in danger, that we might catch it or be mistaken for Americans. We wanted to see the Pyramids."

Kivrin had stopped praying. Badri left his console and came over to where she was standing. He spoke to her for several minutes, the frown never leaving his face. She knelt and then lay down on her side next to the wagon, turning so she was on her back with one arm flung over her head and her skirts tangled about her legs. The tech arranged her skirts, pulled out the light measure, and paced around her, walked back to the console, and spoke into the ear. Kivrin lay quite still, the blood on her forehead almost black under the light.

"Oh, dear, she looks so young," Mary said.

Badri spoke into the ear, glared at the results on the screen, went back to Kivrin. He stepped over her, straddling her legs, and bent down to adjust her sleeve. He took a measurement, moved her arm so it was across her face as if warding off a blow from her attackers, measured again.

"Did you see the Pyramids?" Dunworthy said.

"What?" Mary said.

"When you were in Egypt. When you went tearing about the Middle East oblivious to danger. Did you manage to see the Pyramids?"

"No. Cairo was put under quarantine the day we landed." She looked at Kivrin, lying there on the floor. "But we saw the Valley of the Kings."

Badri moved Kivrin's arm a fraction of an inch, stood frowning at her for a moment, and then went back to the console. Gilchrist and Latimer followed him. Montoya stepped back to make room for all of them around the screen. Badri spoke into the console's ear, and the semitransparent shields began to lower into place, covering Kivrin like a veil.

"We were glad we went," Mary said. "We came home without a scratch."

The shields touched the ground, draped a little like Kivrin's too-long skirts, stopped.

"Be careful," Dunworthy whispered. Mary took hold of his hand.

Latimer and Gilchrist huddled in front of the screen, watching the sudden explosion of numbers. Montoya glanced at her digital. Badri leaned forward and opened the net. The air inside the shields glittered with sudden condensation.

"Don't go," Dunworthy said.

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Customer Reviews

Average Rating 4.5
( 144 )
Rating Distribution

5 Star

(93)

4 Star

(29)

3 Star

(11)

2 Star

(7)

1 Star

(4)

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See All Sort by: Showing 1 – 20 of 144 Customer Reviews
  • Anonymous

    Posted November 15, 2008

    Good book but...

    *Spoiler* <BR/><BR/>It's an awesome book, well writen and everything but... WHAT THE F***!?!?!? She meets a nice group of people and interacts with them throughout most of the book, and then they slowly, horribly, one after another, DIE! Even the adorable little five year old who you just cant help but love. Considering the premis of the book and when and where it takes place I wouldn't normaly have a problem with this, but the overview said, and I quote "Kivrin -- barely of age herself -- finds she has become an unlikely angel of hope during one of history's darkest hours." "Angel of hope"?? What hope!? They all die!! That is extremely misleading. With a phrase like that on the back I thought she might help them ward off the plague or nurse the few who caught it back to health or something. I thought she might make a differance and actually HELP someone. Instead she tries in vain to help while watching them all die. I wouldnt have read the book if I had known it didnt have a happy or bittersweet or even somewhat sad ending, but a HORRIFICLY SAD ending. If you can overlook that then overall the rest is very good. Recommended.

    6 out of 16 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted September 1, 2012

    Great Book

    It takes a while to get into this book, but it is a real look into the middle ages, not a fairy tale. I had more of a problem with the present, or futuristic part of the book. While the characters were charming, it seemed more like the seventies instead of 2054. The fact that there was time travel was the only thing that made it seem futuristic. When you finally start to realize what is happening, you can't put it down.

    4 out of 4 people found this review helpful.

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  • Posted December 23, 2011

    more from this reviewer

    Loved it even though it was depressing

    In this book, set in the not-too-distant future, historians from Oxford University have a time machine which they use to study history firsthand (a number of Willis' other books are set in this same world). A young historian named Kivrin goes back to the Middle Ages and things begin to go wrong. A mysterious plague rages through Oxford while she is trapped in medieval England during a plague.

    The parts of the story taking place in Oxford have some humorous elements thanks to a few ridiculous (but believable) characters and Willis' witty narrative style, but the parts of the story set in Medieval England are pretty unremittingly dark...I loved it even though it was depressing!

    4 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 25, 2013

    Great story

    The way Connie Willis blends the story of the "present" and "past" in this book is not only brilliant, it keeps you on edge while also playing with your emotions. Definitely recommend.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 16, 2012

    Loved It

    I had to read this for a college lit class and it quickly became my favorite book. 15 years and many books later, it is still my all-time favorite book.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 4, 2012

    Good but slow beginning

    Overall I liked the story, but it took a while for it to gain momentum.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 13, 2003

    Wonderful book

    I read Doomsday on the recommendation of my 16-year daughter, who insists that it is the best book she has ever read. I wouldn't go that far, but it is exceptionally good! I think it's classified as Sci-Fi but don't let that scare you off -- it's not the typical Sci-Fi kind of thing.

    1 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 13, 2014

    I enjoyed the characters BUT...

    The story wasn't all that interesting to me. I kept expecting something big to happen and it never did. I knew what was going to happen long before it did.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 1, 2014

    READ THIS BOOK ! NOW

    DEserves ten stars! Don't waste time reading reviews when you could be engrossed in this stupendous well crafted well written wonderful story! Sit down,get comfy and get lost in this book, best read I 've had in ages-

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 27, 2013

    Different type of story

    Interesting story but slow moving with too much extemporaneous information.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 29, 2013

    Amazing

    I absolutely loved this story. Couldnt put it down

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 8, 2013

    Almost lost Good

    Would have given 4 stars but i almost gave up on it in the middle- got a bit tedious but improv

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 22, 2013

    The Best I Ever Read.

    Will read this book again and again.

    Was this review helpful? Yes  No   Report this review
  • Posted January 10, 2013

    One of my absolute favorite books. I have read all of Connie Wil

    One of my absolute favorite books. I have read all of Connie Willis's books, and I do love her sense of humor combined with her detailed sense of place and time. I believe she is the best author to write of time travel.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted September 3, 2012

    Willis is a genius

    I have yet to read anything less than a five star novel out of connie willis. Her eriting never goes in the direction I expect and I love that about her.

    This is a home run in every respect. I cannot recommend it highly enough. Read it read it read it.

    Was this review helpful? Yes  No   Report this review
  • Posted August 27, 2012

    more from this reviewer

    This book is as much historical fiction as science fiction. The

    This book is as much historical fiction as science fiction. The science
    is made believable and the characters are utterly human and believable.
    It would be easy to believe we were reading the journal of a forebear or
    historical figure. Connie Willis accurately foresaw the not too distant
    capabilities of technology in Kivrin’s corder” (her interpreter and
    recording device). Willis’ attention to linguistics reminds us of what
    most authors of historical fiction ignore – that were we really able to
    encounter people of the distant past we would be unable to understand
    the language even if it is supposedly our own. We are threatened by
    pandemics today (e.g., swine flu, bird flu, flesh eating bacteria, etc.)
    as Connie Willis presents us with a pandemic in London as a time
    traveler, Kivrin, encounters the ravages of the black death in
    fourteenth century England. The characters in the story are similar to
    those we encounter in our real lives. Gilchrist, the temporary Head of
    the History Faculty, may be typical of the arrogant ass that we work for
    that knows just enough to be dangerous. Professor Dunworthy and Dr.
    Mary Ahrens could be our grandparents. The magnitude of the mortality
    rate and whether the black death killed a fourth or a third or half of
    Europe in the fourteenth century is argued today. Connie Willis
    introduces us to a non romantic and non academic portrait of starving
    peasants living in hovels and facing the terror of what they believed to
    be the end of the world amid loved ones and friends disfigured with
    monstrous black buboes and vomiting away their lives blood. The plot
    takes a bit longer to set up than some might like, but once it comes
    together we are drawn into it and not released until the dramatic and
    poignant finish.

    Was this review helpful? Yes  No   Report this review
  • Posted July 19, 2012

    Highly Recommended

    I first read Connie Willis' short story collection 'Firewatch' in the 1980's. I remembered it vividly and when a friend told me she was reading a Connie Willis book a couple of months ago I immediately asked which one. I should not have been surprised (but I was busy in the 80's) that Connie Willis went on to write many more books. Dooms Day Book returns to the Firewatch world and does a wonderful job of telling a compelling story about the 1400 Century as well as the world of the time traveling historians. I was riveted and have purchased the others in the 'series'.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 5, 2012

    Anon

    I loved this book! I have never read a book by this author and I'm glad to have discovered her. I generally dislike books that alternate between one storyline and another, but both storylines in this book kept me engaged. I couldnt put it down and read into the night!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 20, 2012

    A PERFECT GROWN UP SCI FI READ!

    Loved it, was engrossed in it, was moved by it--Well-written and terrific, terrrific fun. Plausible time travel and nicely done science prophesy. Loved the characters and quirks. Must have!

    Was this review helpful? Yes  No   Report this review
  • Posted February 18, 2012

    Highly Recommended

    An excellent read; unabashedly honest and realistic. I felt as if I were participating in the story, and it was a frightening, exciting educating journey. I'll never think about the Middle Ages and the Black Death again without a little shiver. I could barely put this book down!

    Was this review helpful? Yes  No   Report this review
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