Exileby Allan Folsom
The last time Maureen O'Donnell saw Ann Harris, Ann was sitting in her office in the Glasgow Women's Shelter nursing two broken ribs and smelling of a long binge on cheap drink. Two weeks later Ann's mutilated body is found, washed up by the Thames. Maureen and her friend Leslie
The stunning new novel from the John Creasey Prize-winning author of Garnethill.
The last time Maureen O'Donnell saw Ann Harris, Ann was sitting in her office in the Glasgow Women's Shelter nursing two broken ribs and smelling of a long binge on cheap drink. Two weeks later Ann's mutilated body is found, washed up by the Thames. Maureen and her friend Leslie are the only people who seem worried about these events, and Leslie isn't telling what she knows. Maureen travels to London where she quickly finds herself embroiled in a seedy world of deceit and violence. Alone and threatened in a strange city, she must act fast to piece together Ann Harris's last hours and days - and to save herself from Ann's fate.
“High–octane thriller writing with an almost visceral impact.” Publishers Weekly on The Exile
"A heart-thumping, stay-up-late novel . . . Wild, unputdownable . . . Brilliant.” Los Angeles Times Book Review on The Day After Tomorrow
“Fast-paced, exciting adventure . . . With a sturdy hero and a despicably clever villain, the novel grabs readers from the opening scenes and rarely lets them loose. It does exactly what it set out to do: deliver breathless excitement.” Booklist on The Exile
“Folsom can flat-out write an action scene.” Kirkus Reviews on The Exile
“Folsom returns with another winner. . . . Unexpected twists and catastrophe on a global scale . . . Folsom should have another best seller on his hands.” Library Journal on The Exile
"Makes The Da Vinci Code look like J. K. Rowling. The Exile is even better than The Day After Tomorrow.” David Hagberg, USA Today bestselling author
“Hold on tight--from the first scene Folsom spins a tale of page-turning suspense.” W.E.B. Griffin
“Once you start The Exile, forget sleep. Its fierce, complex suspense is fast as a 9 mm slug and tight as a hangman's noose.” Stephen Coonts
“More twists and turns than a strand of DNA.” William Peter Blatty, bestselling author of The Exorcist, on The Exile
“You only have to read the explosive opening to know you're in the hands of a natural storyteller.” Andrew Klavan on The Exile
“Folsom is an enthusiastic storyteller with a talent for vivid characterization on a big canvas.” Chicago Tribune on Day of Confession
"The Exile starts out like gangbusters and quickly engages the reader.” Denver Post
“A masterful epic, The Exile has the sweep and power of The DaVinci Code---a global enigma of world-shattering proportions and a blistering pace that will singe your trembling fingers!” Douglas Preston, New York Times bestselling author of The Codex
“A sweeping novel, crossing California, France, Switzerland, and England as a young California cop takes on a criminal mastermind.” Barbara D'Amato, Edgar Award winning author of Death of A Thousand Cuts on The Exile
“You only have to read the explosive opening to know you’re in the hands of a natural storyteller. What sets Folsom apart is the expert handling of a large and varied cast of characters, and the imaginative sweep of a tale that goes from the mean streets of LA to dazzling centers of international power.” Andrew Klavan, Edgar Award-winning author of Don't Say a Word and True Crime on The Exile
“Folsom's most moving novel to date . . . also his bloodiest.” Bookpage on The Exile"
“You only have to read the explosive opening to know your in the hands of a natural storyteller. What sets Folsom apart is the expert handling of a large and varied cast of characters, and the imaginative sweep of a tale that goes from the mean streets of LA to dazzling centers of international power.” Andrew Klavan, Edgar Award-winning author of Don't Say a Word and True Crime on The Exile
“Folsom returns with another winner. . . . Unexpected twists and catastrophe on a global scale . . . Folsom should have another best seller on his hands.” Library Journal on The Exile
“Folsom's most moving novel to date . . . also his bloodiest.” Bookpage on The Exile
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By ALLAN FOLSOM
A TOM DOHERTY ASSOCIATES BOOKCopyright © 2004 Allan Folsom
All right reserved.
Chapter OnePART 1 LOS ANGELES
TWENTY YEARS LATER.
Amtrak Station, the desert community of Barstow, California. Tuesday, March 12, 4:20 A.M.
John Barron crossed toward the train alone in the cool of the desert night. He stopped at car number 39002 of the Amtrak Superliner Southwest Chief, waiting as a mustachioed conductor helped an elderly man with bottle-thick glasses up the steps. Then he boarded the train himself.
Inside, in the dim light, the conductor wished him good morning and punched his ticket, pointing him past sleeping passengers toward his seat two-thirds of the way down the car. Twenty seconds later he put his small carry-on bag into the overhead rack and sat down in the aisle seat beside an attractive young woman in sweatshirt and tight jeans curled up against the window, asleep.
Barron glanced at her, then settled back, his eyes more or less on the car door through which he had entered. A half minute later he saw Marty Valparaiso come on board, give the conductor his ticket, and take a seat just inside the front door. Several moments passed, and he heard a blast of train whistle. The conductor closed the door, and the Chief began to move. In no time the lights of the desert city gave way to the pitch-black of open land. Barron heard the whine of diesel engines as the train picked up speed. He tried to picture what it might look like from above, the kind of aerial shot you might see in a movie-of a giant, half-mile-long, twenty-seven-car snake, gliding west through the predawn desert darkness toward Los Angeles.
Raymond had been dozing when the passengers carne oil. At first he'd thought there were only two-an older man with thick glasses and an uneasy step, and a dark-haired young man in jeans and windbreaker who carried a small athletic bag. The older man had taken a window seat down and across the aisle from him; the younger man had walked past him to put his bag into the overhead rack a dozen rows behind. It was then the last passenger had come on board. He was slim and wiry, probably in his late thirties or early forties, and dressed in a sport coat and slacks. He'd given the conductor a ticket, had it punched, and then taken a seat just inside the door.
Under ordinary circumstances Raymond wouldn't have given it further thought, but these were not ordinary circumstances. Little more than thirty-six hours earlier he had shot two people to death in the back room of a tailor shop on Pearson Street in Chicago and very shortly afterward boarded the Chief for Los Angeles.
It was a train trip that had been unplanned, but a surprise ice storm had closed Chicago's airports and forced him to take the train instead of flying directly to Los Angeles. The delay was unfortunate but he'd had no choice, and ever since things had gone without incident, that was until they stopped in Barstow and the two men had come on hoard.
Of course, there was the chance they were nothing more than everyday early morning commuters on their way to jobs in Los Angeles, but it didn't fee] likely. It was their physical manner, the way they moved and held themselves, the way they had taken up positions on either side of him, one in the aisle seat by the front door, the other in the dark behind. In effect they had boxed him in, making it impossible for him to go one way or the other without encountering one of them.
Raymond took a breath and glanced at the big, ruddy-faced man in the rumpled jacket dozing in the window seat next to him. He was Frank Miller, a fortyish, somewhat overweight, divorced paper-products salesman from L.A. who wore an obvious hairpiece and hated to fly. Across the narrow table, Bill and Vivian Woods from Madison, Wisconsin, a fifty-something couple on their way to a California vacation, slept in seats facing him. They were strangers who had become friends and traveling companions almost from the moment the train left Chicago and Miller approached him as he stood alone in the lounge car drinking a cup of coffee, saying he was looking for a fourth for poker and asked if he'd like to join them. For Raymond it was perfect, and he'd agreed at once, seeing it as a way to blend in with the other passengers in the unlikely event someone had seen him leave the tailor shop and the police had put out a bulletin for someone of his description traveling alone.
From somewhere in the distance came two long wails of train whistle. A third came seconds later. Raymond looked toward the front of the car. The wiry man in the aisle seat sat motionless, his head back, as if he, like most everyone else, were dozing.
The ice storm and resulting train trip were troublesome enough by themselves, another kink in a series of meticulously planned events gone wrong. In the past four days he had been in San Francisco, Mexico City, then Chicago, arriving there via Dallas. In both San Francisco and Mexico City he had gone after vital information, failed to find it, killed the person or persons involved, and immediately moved on. The same maddening thing had played out in Chicago. Where he should have been able to extract information there had been none. So he'd had to move on to his last planned stop in the Americas, which was Los Angeles, or rather Beverly Hills. There, he was certain he would have no trouble whatsoever in garnering the information he needed before killing the man who had it. The trouble was time. Today was Tuesday, March 12. Because of the ice storm he was already more than a day late on what had originally been a precision schedule and one that, even now, needed to see him arrive in London no later than noon tomorrow. Still, while that was frustrating, he realized things had only been delayed and nonetheless remained workable. All he needed was for the next few hours to go off without a hitch. But now he wasn't so sure that was going to happen.
* * *
Cautiously, Raymond leaned back and glanced to his valise in the luggage rack above him. Inside was his U.S. passport, a first class British Airways ticket for London, the .40 caliber Sturm Ruger automatic he'd used in the Chicago murders, and two extra eleven-round clips of ammunition. He'd been bold enough to carry them past the sharp-eyed antiterrorist security detachments patrolling the station and take them onto the train in Chicago, but now he wondered if he should have brought them at all. The guns he'd used in the San Francisco and Mexico City murders he'd had sent in plain wrapped packages for pickup at Mailboxes Inc. stores where he'd earlier had accounts opened and where he had a numbered box with a key. In San Francisco he'd collected the gun, used it, then dropped it into San Francisco Bay, along with the body of the man he had killed. In Mexico City there had been a problem finding the package and he'd had to wait nearly an hour until the manager was called and the package found, He had another gun at a Mailboxes Inc. in Beverly Hills, but with his schedule already stretched to breaking because of the need to take the train and with the problem in Mexico City fresh in his mind, he'd decided to take the chance and keep the Ruger with him and not risk another foul-up that could further delay his getting to London.
Another distant blast of train whistle, and once again Raymond glanced toward the man dozing near the front door. He watched him for a moment and then looked up at the valise on the rack above him and decided to take the chance. Simply get up, take the bag down, and open it as if he were looking for something inside. Then, in the dim light, carefully slide the Ruger under his sweater and put the bag back. He was about to do just that when he saw Vivian Woods watching him. She smiled when he looked at her. It was a smile not of politeness or the acknowledgment of a fellow traveler awake as she was in the early morning, but of sexual longing, and it was hardly unfamiliar. At thirty-three, Raymond was hard-body slim and rock-star handsome, with blond hair and large blue-green eyes accentuating a face that was delicate, even aristocratic. Moreover, he was soft-spoken and extremely well mannered. To women of nearly any age the combination was deadly. They looked at him carefully and often and with the same kind of yearning Vivian Woods showed now, as if in an instant they would run away with him to anywhere he wanted. And once there, do anything he asked.
Raymond smiled gently in response and closed his eyes as if to sleep, but knowing she would continue to study him. It was flattering, but a vigilance that, at the moment, was most unwelcome, because it made it impossible for him to stand up and take possession of the gun.
AMTRAK STATION, SAN BERNARDINO, CALIFORNIA. 6:25 A.M.
John Barron watched the string of early commuters come onto the train. Some clutched briefcases or laptop computers; others, paper coffee cups. Here and there someone talked on a cell phone. Most looked as if they were still half asleep.
Several minutes more and the conductor closed the door. Another moment and the train whistle sounded, the car gave a slight jerk, and the Chief began to move. As it did, the young woman in the seat beside Barron stirred and then went back to sleep.
Barron glanced at her and then down the aisle toward the line of passengers still waiting to find seats. He was impatient. Since first light he'd wanted to get up and walk past where the cardplayers were sitting and try to get a glimpse of their man. If he was their man. But it wasn't the tactic, so he stayed where he was and instead watched a four- or five-year-old clutching a teddy bear toddle by. A handsome blond woman followed, and Barron assumed she was his mother. As they passed he glimpsed Marty Valparaiso in his seat by the door. He was dozing, or pretending to. Barron felt sweat on his upper lip and realized his palms were wet as well. He was nervous and didn't like it. Of all the things to be, nervous was not one of them.
Now the last of the new commuters walked past looking for a seat. He was tall and athletic, dressed in a dark business suit and carrying a briefcase. He looked like an eager young executive. He wasn't. His name was Jimmy Halliday, and he was the third of six plainclothes detectives assigned to take the cardplayer into custody when the Chief reached Union Station in Los Angeles at 8:40 A.M.
Barron sat back and looked out the window past the sleeping girl, trying to shake off his nervousness. It was the job of the detectives on the train to verify that the cardplayer was indeed the man wanted by the Chicago police. If so, they were to follow him if he got off the train before it reached L.A. or, if he stayed on board, as they suspected he would because his ticket was straight through to Los Angeles, to follow him off when it arrived. The idea was to sandwich him between themselves and the three other plainclothes detectives waiting on the platform at Union Station and quickly take him into custody.
In theory the concept was simple. Do nothing until the last second and then close the vise with as little risk to the public as possible. The trouble was, their man was an unusually perceptive, emotionally explosive, and excessively violent killer. What might happen if he sensed they were on the train and took action inside it, none of them wanted to guess. But it was why they'd boarded separately and had deliberately kept a low profile.
They-Barron, Valparaiso, and Halliday, and the three waiting at Union Station-were homicide detectives, members of the Los Angeles Police Department's 5-2 Squad, the famed hundred-year-old "special situations" section that was now part of the Robbery-Homicide Division. Of the three riding in car 39002, Valparaiso was oldest at forty-two. The father of three teenage girls, he'd been in the 5-2 for sixteen years. Halliday was thirty-one, had five-year-old twins and a newly pregnant wife, and had been in the squad for eight years. John Barron was the baby, twenty-six and unmarried. He'd been on the squad for a week.
Reason enough for him to have sweat on his palms and upper lip, and why the young girl sleeping next to him, the toddler with the teddy bear, and everyone else in the car made him nervous. This was his first potential live-fire situation in the 5-2, and their man, if he turned out to be their man, was hugely dangerous. If something happened and he missed a cue, if he screwed up in any way and people got hurt or killed-
He didn't want to think about it. Instead he looked at his watch. It was 6:40, two hours exactly before they were to arrive at Union Station.
Raymond had seen the tall man in the dark suit come on board, too. Confident, smiling, briefcase in hand, looking like a young businessman ready for a new day. But, like the men who had boarded the Chief in Barstow, his presence was too keen, too studied, too authoritative.
Raymond watched him as he passed, then turned casually to see him stop two-thirds of the way down the car to let a woman settle her toddler in a seat, then he continued on and went out the door at the far end of the car just as Bill Woods came through it the other way, smiling as he always did and balancing four cups of coffee on a cardboard tray.
Vivian Woods smiled as her husband set the tray on the card table and slid into his seat beside her. Immediately she took the coffee cups and handed them around, purposefully trying to keep her attention from Raymond. She turned sympathetically to Frank Miller instead.
"Are you feeling better, Frank? You look a little better."
by Raymond's count the salesman had been back and forth to the toilet three times in the last two hours, waking them all to some degree each time he left or came back.
"I'm better, thanks." Miller forced a smile. "Something I ate, I guess. What do you say we play a few hands before we hit L.A.?"
Just then the conductor passed. "Good morning," he said to Raymond as he went by.
"Good morning," Raymond said absently, then turned as Bill Woods picked up a deck of cards from the table in front of him. "You want to deal, Ray?"
Raymond smiled easily. "Why not?"
LOS ANGELES, UNION STATION. 7:10 A.M.
Commander Arnold McClatchy drove his unmarked light blue Ford through a dusty construction zone and stopped at a secluded graveled parking area just across a chain-link fence from track 12, where the Southwest Chief would come in. Less than a minute later, a second unmarked Ford with detectives Roosevelt Lee and Len Polchak inside pulled up beside him.
Excerpted from THE EXILE by ALLAN FOLSOM Copyright © 2004 by Allan Folsom. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Meet the Author
ALLAN FOLSOM is the New York Times bestselling author of The Day After Tomorrow and The Day of Confession. He lives in California.
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i thoroughly enjoyed his other books, but this one is about 400 pages too long. a long but easy read with a far-fetched plot and too many unnecessary explanations by the author. his writing style this time is very simplistic. will try again on this next one.
I just finished this book. It was 690 pages of the most ridiculous c**p I have ever read. I take that partly back. The first 200 pages or so are interesting, but when the action switches from LA to Part 2: Europe, and then Part 3: Russia, well, that's when the wheels came off the wagon. I mean, come on, this book was dumbfoundingly nuts: changed identities, people who are "killed" who really aren't, the sister who goes from catatonic state to about to marry the ********* (I won't tell in case you want to read it). The whole thing is just way beyond belief. So why did I continue ? Who knows. Save yourself a chunk of time and don't buy this book. Then at the end there is an Acknowledgements page. The author's final praise is for Robert Gottlieb "who manged to keep me directed and on keel." What ? Mr. Gottlib, if your efforts managed to keep the author "directed and on keel" I hate to think what this book would have been without your efforts. Maybe aliens ?
I thought this book would never end and there were no surprises.
I don't know why some peoples' hearts would pound when reading this book, unless it is from frustration, or anger over trying to get through with it. The overall idea of intrigue involving a new tsar is fine. Folsom ruins it with a typical psycho killer on the loose story. The plot line of his sister being traumatized was completey ridiculous. Is there a law that says the first woman the good guy meets has to be the sexiest woman in the world and falls in love with him,instantly? Yes. Allan Folsom should be sent to Folsome,or just exiled from the author business.
Allan Folsom tells a very quick paced, intriguing tale of a very perceptive and gifted man who has been and continues to be placed in rather difficult circumstances. The characters are well developed and the plot carries you along until the end. It is a great book to curl up with in the evening, but give yourself plenty of time to finish it because you will have a hard time putting it down once you get started.
Allan Folsom has returned with an excellent novel with twists, turns and a great story line. Although this book is 700 pages, it is well worth the time to allow yourself to get to know the characters, their lives and to root for them as the story unfolds.
Having read the first two novels in one sweeping breathtake, I found myself again having a sleepless night going on to the rollercoasterride I anticipated. How disappointing that after the first 200 (very readable) pages the novel stalls becoming more and more predictable and I am very sorry to say this, by times utterly stupid. I'm prepared to wait another few years to give Folsom another go, but after having read the last line I was really disappointed.
From the first few pages, author Allan Folsom spins a tale of international intrigue and conspiracy, that builds page-turning suspense. Very entertaining read & highly recommended.
Hold on, hold on for a gripping page turner ride. Where is this going? What is happening? How will this end! Take the day off from work to read it. If you don't, you will be up all night! A master story from a brilliant story teller!
If I had to say one thing wrong with this book, The Author goes over the facts once to often. Even though a terrfic read. Fred r.........
Great story for mystery lovers. It has all the ingredients; love, mystery, suspense, enigmatic characters. A real page turner and nail biter. From page one I was glued to the book. Having read all of his previous books I became an avid fan of Mr. Fulsome and waited with baited breath for this novel, it was well worth the wait. Now I'm waiting for the next one. Fulsome's a talented writer comparable to some of the best like DeMille, Richard North Patterson, Deaver, Katzenbach Crais, Vince Flynn, Freidman, Dan Brown, etc. Welcome to the 'great mystery writers' club.....
a thriller that you can't put down..never read 700 pages so fast. chapter after chapter exillerationg intrigue and excitement...best thriller i have read this year.
A thriller that will keep you turning pages, twist and turns and many surprises.
With this absolutely incredible page-turner, Allan Folsom will be assured of yet another well deserved bestseller spot! I was riveted to THE EXILE...I wanted to speed read but found that it was just so well written that it dictated more respect for each and every word. The twists and turns in this book will delight and shock you!!! I sincerely hope that the publishers will pull out all stops with an aggressive advertising campaign so that everyone learns about this phenomenal book immediately!!! I look forward to the next John Barron thriller and hope that it is forthcoming!!!