Fluke: Or, I Know Why the Winged Whale Sings

Fluke: Or, I Know Why the Winged Whale Sings

4.1 166
by Christopher Moore

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Just why do humpback whales sing? That's the question that has marine behavioral biologist Nate Quinn and his crew poking, charting, recording, and photographing very big, wet, gray marine mammals. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: Bite me.

Trouble is, Nate's


Just why do humpback whales sing? That's the question that has marine behavioral biologist Nate Quinn and his crew poking, charting, recording, and photographing very big, wet, gray marine mammals. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: Bite me.

Trouble is, Nate's beginning to wonder if he hasn't spent just a little too much time in the sun. 'Cause no one else on his team saw a thing -- not his longtime partner, Clay Demodocus; not their saucy young research assistant; not even the spliff-puffing white-boy Rastaman Kona (né Preston Applebaum). But later, when a roll of film returns from the lab missing the crucial tail shot -- and his research facility is trashed -- Nate realizes something very fishy indeed is going on.

By turns witty, irreverent, fascinating, puzzling, and surprising, Fluke is Christopher Moore at his outrageous best.

Editorial Reviews

The New York Times
For all his paranoia-fueled plotting, which escalates to the level of a threat to virtually everything on the planet, Mr. Moore takes his whales seriously. His Author's Notes at the end of the book address conservation issues and suggest ways the reader can help. — Janet Maslin
The Washington Post
Moore is probably the funniest writer of comic fantasy novels working today. — Paul Di Filippo
Publishers Weekly
From Jonah to Pinocchio, men have dreamed of stowing away alive in the bellies of whales. Nate Quinn experiences this doubtful honor in Moore's outrageous new novel (after Lamb). Nate studies whales, operating a small research unit in Lahaina in Maui along with Clay Demodocus, a famous undersea photographer, and two seasonal hires: Amy Earheart, supposedly a grad student from Woods Hole Institute, and Kona, a dreadlocked Hawaiian stoner. When Nate spots a humpback whale with "Bite Me" tattooed on a tail fluke, mysterious disasters start to strike. Then Nate, out with Amy, is swallowed by the tattooed humpback. Technically, this is impossible, nature having created narrow throats for humpback whales, but the tattooed one is a living ship, a simulacrum of a humpback run by a crew of humans and "whaley boys"-human/ whale cross breeds. Nate learns that they were designed by the Goo. (The Goo is a giant, intelligent organism that evolved undersea billions of years ago and has lately been spying on humans with fleets of false whales.) The whale ships dock in Gooville, an underwater city populated by supposedly drowned humans and horny whaley boys on shore leave. The place is run by the "Colonel," Nate's old teacher, "Growl" Ryder. Nate runs into Amy and helps foil the Colonel's mad plan to destroy the Goo. Meanwhile, Clay and Kona plan to come to Nate's rescue. Moore is endlessly inventive in his description of the rubbery, watery world of Goo, and his characters are perfectly calibrated, part credible human beings and part clever caricatures. This cetacean picaresque is no fluke-it is a sure winner. (June) Forecast: Moore's wacky fantasia may not be for everyone, but Morrow is ensuring that it reach the maximum number of readers possible, with a 16-city author tour and a major ad/promo campaign. Cult classic? Could be. Copyright 2003 Reed Business Information.
Library Journal
Ever since introducing us to a salt-munching genie a decade ago (Practical Demonkeeping), Moore has been a little offplumb. Here, in the second part of Fluke, he presents an organic, macrobiotic cosmos called "Goo," located some 600 feet below ocean surface off the coast of Chile, populated by "whaley-boys" (don't ask), historical personages and researchers captured when they start to figure out the "meaning" of whale song. In Part 1, we meet some such researchers who meet with one calamity after another until their leader is captured by a "whale-ship" (looks like a whale, acts like a whale, isn't a whale) when he starts to crack code and is taken to "Gootown," where he finds a long-believed-dead former professor changed into the megalomaniac "Colonel" who believes the world headed for a war of Genes (the "Goo") and Memes (the rest of us) and wants his Goo fiefdom destroyed. World-saving (two worlds, really) is in order. Sound complicated? Yes, but this is still one funny sociopolitical-scientific-cultural fable. For most popular collections.-Robert E. Brown, Minoa Lib., NY Copyright 2003 Reed Business Information.
Kirkus Reviews
The culture of cetacean research is cheerfully lampooned in this antic seventh novel from the Tom Robbins/Douglas Adams-like author of Lamb (2002) and other gag-filled romps. The setting is the coast of Maui, where marine biologist Nathan Quinn, his associate Clay Demodocus, and lissome research assistant Amy Earhart are studying the "songs" of humpback whales. The tone is breezy, and the plot quickly fishtails into agreeable absurdity. Rude invective is detected on the thrashing flukes of a frequently sighted specimen. "Old Broad" resident Elizabeth Robinson claims to communicate with whales (one requests a pastrami-on-rye sandwich). "Ersatz Hawaiian" boathand "Kona" is jailed (after Quinn's office is vandalized), and narrowly escapes the amorous attentions of a gigantic Samoan detainee. So it goes. Clay and Amy become disconnected from their boat during a dive and are feared lost. Nathan is "eaten by a giant whale ship," reluctantly bonds with a super-race of piscatorial mutants, meets "the mysterious overlord of an undersea city," and eventually learns-from a radically transformed old acquaintance-what all the singing is really about. Few readers will be surprised to learn that all this is (rather stagily) thematically related to the integrity of the ecosystem and the punishments nature is storing up for humans who have slaughtered whales and otherwise traduced the natural order. Moore is far from at his best when thus veering into sermon mode, but he's a facile, entertaining writer, and has infectious fun hacking away at such targets as Canadian hockey violence, "whale huggers," the US Navy's shortsighted appropriation of oceanic resources for covert tests and experiments, cetaceansexual peccadilloes, supertankers, and a whole lot more. Smooth as a pi-a colada, and just about as substantial. Still: let Moore be Moore, and he will show you a good time. Agent: Nicholas Ellison/Nicholas Ellison Agency. Author tour

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By Christopher Moore


Copyright © 2007 Christopher Moore
All right reserved.

ISBN: 9780061252976

Chapter One

Big and Wet.
Next Question?

Amy called the whale punkin.

He was fifty feet long, wider than a city bus, and weighed eighty thousand pounds. One well-placed slap of his great tail would reduce the boat to fiberglass splinters and its occupants to red stains drifting in the blue Hawaiian waters. Amy leaned over the side of the boat and lowered the hydrophone down on the whale. "Good morning, punkin," she said.

Nathan Quinn shook his head and tried not to upchuck from the cuteness of it, of her, while surreptitiously sneaking a look at her bottom and feeling a little sleazy about it. Science can be complex. Nate was a scientist. Amy was a scientist, too, but she looked fantastic in a pair of khaki hiking shorts, scientifically speaking.

Below, the whale sang on, the boat vibrated with each note. The stainless rail at the bow began to buzz. Nate could feel the deeper notes resonate in his rib cage. The whale was into a section of the song they called the "green" themes, a long series of whoops that sounded like an ambulance driving through pudding. A less trained listener might have thought that the whale was rejoicing, celebrating, shouting howdy to the world to let everyone and everything know that he was alive and feeling good, butNate was a trained listener, perhaps the most trained listener in the world, and to his expert ears the whale was saying -- Well, he had no idea what in the hell the whale was saying, did he? That's why they were out there floating in that sapphire channel off Maui in a small speedboat, sloshing their breakfasts around at seven in the morning: No one knew why the humpbacks sang. Nate had been listening to them, observing them, photographing them, and poking them with sticks for twenty-five years, and he still had no idea why, exactly, they sang.

"He's into his ribbits," Amy said, identifying a section of the whale's song that usually came right before the animal was about to surface. The scientific term for this noise was "ribbits" because that's what they sounded like. Science can be simple.

Nate peeked over the side and looked at the whale that was suspended head down in the water about fifty feet below them. His flukes and pectoral fins were white and described a crystal-blue chevron in the deep blue water. So still was the great beast that he might have been floating in space, the last beacon of some long-dead space-traveling race -- except that he was making croaky noises that would have sounded more appropriate coming out of a two-inch tree frog than the archaic remnant of a superrace. Nate smiled. He liked ribbits. The whale flicked his tail once and shot out of Nate's field of vision.

"He's coming up," Nate said.

Amy tore off her headphones and picked up the motorized Nikon with the three-hundred-millimeter lens. Nate quickly pulled up the hydrophone, allowing the wet cord to spool into a coil at his feet, then turned to the console and started the engine.

Then they waited.

There was a blast of air from behind them and they both spun around to see the column of water vapor hanging in the air, but it was far, perhaps three hundred meters behind them -- too far away to be their whale. That was the problem with the channel between Maui and Lanai where they worked: There were so many whales that you often had a hard time distinguishing the one you were studying from the hundreds of others. The abundance of animals was a both a blessing and a curse.

"That our guy?" Amy asked. All the singers were guys. As far as they knew anyway. The DNA tests had proven that.


There was another blow to their left, this one much closer. Nate could see the white flukes or blades of his tail under the water, even from a hundred meters away. Amy hit the stop button on her watch. Nate pushed the throttle forward and they were off. Amy braced a knee against the console to steady herself, keeping the camera pointed toward the whale as the boat bounced along. He would blow three, maybe four times, then fluke and dive. Amy had to be ready when the whale dove to get a clear shot of his flukes so he could be identified and cataloged. When they were within thirty yards of the whale, Nate backed the throttle down and held them in position. The whale blew again, and they were close enough to catch some of the mist. There was none of the dead fish and massive morning-mouth smell that they would have encountered in Alaska. Humpbacks didn't feed while they were in Hawaii.

The whale fluked and Amy fired off two quick frames with the Nikon.

"Good boy," Amy said to the whale. She hit the lap timer button on her watch.

Nate cut the engine and the speedboat settled into the gentle swell. He threw the hydrophone overboard, then hit the record button on the recorder that was bungee-corded to the console. Amy set the camera on the seat in front of the console, then snatched their notebook out of a waterproof pouch.

"He's right on sixteen minutes," Amy said, checking the time and recording it in the notebook. She wrote the time and the frame numbers of the film she had just shot. Nate read her the footage number off the recorder, then the longitude and latitude from the portable GPS (global positioning system) device. She put down the notebook, and they listened. They weren't right on top of the whale as they had been before, but they could hear him singing through the recorder's speaker. Nate put on the headphones and sat back to listen.

That's how field research was. Moments of frantic activity followed by long periods of waiting ...


Excerpted from Fluke by Christopher Moore Copyright © 2007 by Christopher Moore. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Christopher Moore is the author of fourteen previous novels, including Lamb, The Stupidest Angel, Fool, Sacré Bleu, A Dirty Job, and The Serpent of Venice.

Brief Biography

Hawaii and San Francisco, California
Date of Birth:
August 5, 1958
Place of Birth:
Toledo, Ohio

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Fluke 4.1 out of 5 based on 0 ratings. 166 reviews.
Anonymous More than 1 year ago
I am a huge christopher moore fan, but this book takes the cake! It is not a typical Moore novel, its better! The charactors are vivid and the ideas are unique. He really creates a world my imagination can live in!
wookietim More than 1 year ago
I have read a few books by moore... not because I sought him out specifically but because his books tend to intersect with my interests. And every time I'm glad I read the book. This one is no different. It starts out slow but by roughly the one third point it has its tendrils around you and forces you to hold onto it until the end. Well worth reading : funny, thoughtful, intelligent and most importantly another solid read out of the author.
Anonymous More than 1 year ago
This books starts off great- the characters are cute and the language is funny, but then it gets into some serious science fiction. Entertaining, but odd. Nearly gave it up half way through but stuck it out hoping it would make more sense at the end...
Anonymous More than 1 year ago
This book was simply terrible. The humor was lame, the characters were annoying and the plot was too stupid for words. Save yourself and PASS!!!
magric More than 1 year ago
I loved this incredibly imaginative and very funny book when it first came out, and bought it again (Nook version this time) to read on vacation in Hawaii, where Fluke and the whaley boys lurked (In fact, I'm on Kauai, where Christopher Moore once lived.) Just as happened on the first read, I started to dread finishing the book by the time I was halfway through, and am just as sad now that it's done--I really miss Kona and the entire wacky team! What incredible yarns Moore weaves, with even some actual education on the side! Now re-reading Island of the Sequined Love Nun.... long live Christopher Moore!!!
DeDeFlowers More than 1 year ago
I love Christopher Moore. He is definitely in my top five. However, this book was not very good. The characters were very underdeveloped and he humor wasn't even that funny. It was kind of sad. Everything else by him is like an A+, but Fluke is probably like a D.
Guest More than 1 year ago
I wasn't prepared for what I undertook. The switch half way through the story caught me off guard, but once I accepted it (kind of like accepting your dead) it flowed and continued to be damn entertaining. Ah, Kona. I love Kona. I live in Hawaii and Kona thus holds a very special place this snowy biscuit's heart. Ire.
MyndiL More than 1 year ago
I stayed confused for the majority, if not the entirety of this book. That's not to say that I wasn't entertained. The very ideas brought forth in this book were intriguing all the while perplexing. I found myself wanting to read more, not necessarily with an urgency, but at least with a persistent curiosity as to what the heck was going on. This book was chosen for my Book Club to read because it's listed as comedy. I didn't find the book to be overtly funny though. There were a couple of very amusing parts, but I would have classified it more as a mystery and possibly even a paranormal mystery at that. I find it hard to give any details without posting spoilers, which I hate to do, so I'll just say that if you like to read books that get you thinking and keep you scratching your head, or if you have any interest in sea creatures, you will likely enjoy this book.
Anonymous More than 1 year ago
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I've liked everything he's written.
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Can i join?
Anonymous More than 1 year ago
Christopher Moore is my favorite author. All his books are amazing
Anonymous More than 1 year ago
Not his best
Anonymous More than 1 year ago
Anonymous More than 1 year ago
This book is one of the most ridiculous pieces of fiction I've ever read... Such a fun read.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
I've read it and listened to it and loved it both times. The characters were funny and endearing and I miss them enough to go back and re-read this story again and again. Christopher Moore is clever and creative (and if you listen to it, Bill Irwin does a perfect job with each character). The fun never ends, and we get some great information on whales and marine biology at the same time. "Cool runnings, brah."
Anonymous More than 1 year ago
I read another review said to just take a chance on the book. It was only $1.99, so I thought,"why not.?" I am glad I did. I have never read Christopher Moore but I really like his writing style. It's subtle yet hilarious wihout seeming contrived. And the story was really great! I can honestly say I have never read anything like it. The characters are interesting and easy to stick with. The story takes some crazy twists so that it ends in a lace you could NEVER have predicted. Toward the end I kept thinking, "how does someone even imagine this!?" But you know what, it was good and I'd read it again. Really- take a chance on this book!
anchan More than 1 year ago
I wasn't expecting the things as they happened. I guess it is Sci-Fi, I'm not a fan of it but this was an OK book.
Anonymous More than 1 year ago