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The Liberated Bride

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Overview

Yochanan Rivlin, a professor at Haifa University, is a man of boundless and often naïve curiosity. His wife, Hagit, a district judge, is tolerant of almost everything but her husband's faults and prevarications. Frequent arguments aside, they are a well-adjusted couple with two grown sons.
When one of Rivlin's students-a young Arab bride from a village in the Galilee-is assigned to help with his research in recent Algerian history, a two-pronged mystery develops. As they probe ...

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The Liberated Bride

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Overview

Yochanan Rivlin, a professor at Haifa University, is a man of boundless and often naïve curiosity. His wife, Hagit, a district judge, is tolerant of almost everything but her husband's faults and prevarications. Frequent arguments aside, they are a well-adjusted couple with two grown sons.
When one of Rivlin's students-a young Arab bride from a village in the Galilee-is assigned to help with his research in recent Algerian history, a two-pronged mystery develops. As they probe the causes of the bloody Algerian civil war, Rivlin also becomes obsessed with his son's failed marriage.
Rivlin's search leads to a number of improbable escapades. In this comedy of manners, at once deeply serious and highly entertaining, Yehoshua brilliantly portrays characters from disparate sectors of Israeli life, united above all by a very human desire for, and fear of, the truth in politics and life.

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Editorial Reviews

From the Publisher
PRAISE FOR THE LIBERATED BRIDE
"Yehoshua, the most daring of the major Israeli writers, tells a simple story about a region that complicates all it touches . . . [and] remains, somehow, hopeful."-The New Yorker
"The Liberated Bride is a magnificent, often comic, and humanely inexorable journey among Israel's Jews and their secret and denied sharers: the Arabs. . . .Yehoshua, who is 70 and a dove, has written a novel that incarnates the message to extraordinary literary effect." -The New York Times Book Review
The New Yorker
The three brides at the center of this gentle novel all refuse to do what Yochanan Rivlin, an aging Israeli professor of Near Eastern studies, wishes them to do. Samaher, a depressed Palestinian graduate student who is newly married, won’t finish her seminar paper; Galya, soon to be a mother, won’t tell him why she divorced his son; and Rivlin’s wife, Hagit, a district judge, won’t let him worry himself to death about it. Yehoshua, the most daring of the major Israeli writers, tells a simple story about a region that complicates all it touches. As Rivlin’s obsession with his son’s failed marriage grows, he also finds himself drawn into the world of his Palestinian student. The juxtaposition of a failed marriage and the turmoil of Israeli society suggests pointed political commentary, but Yehoshua’s portrait of the hesitant courtship between the two peoples—sometimes tender and generous, sometimes grotesque and calamitous—remains, somehow, hopeful.
The New York Times
The Liberated Bride is a magnificent, often comic, and humanely inexorable journey among Israel's Jews and their secret and denied sharers: its Arabs … Yehoshua has written a darkly scintillant comedy, centered around Rivlin's obsessive pilgrimage; a comedy that occasionally gestures at tragedy without trying to summon it. At the same time, the author involves him in a different journey, equally brilliant and more astonishing. — Richard Eder
Library Journal
Yohannon Rivlin is a senior professor at Haifa University, an engaging scholar who travels in both the Jewish and the Arab worlds. At the opening, he attends the wedding of a talented female graduate student (an Arab from Galilee), which sets him wondering (he does so easily) about the curiously failed marriage of his son. Visiting his ailing mentor in the hospital, he learns of the death of his son's former father-in-law, causing him to renew ties to that family. As the mystery of the failed marriage deepens, Rivlin comes by a valuable cache of papers shedding light on his research area, Algerian history. He enlists the help of the new bride, whose marriage has question marks of its own, in translating and sorting the papers. The title word liberated is both ironic and informative (new bride, ex-bride, and so on), and a high point of the book is the interplay between Rivlin and his wife, Hagit, a judge. This is a great read from one of Israel's premier authors, by turns profoundly funny and simply profound-there's a deep understanding of interpersonal relationships regardless of geography. Strongly recommended for all fiction collections. [Previewed in Prepub Alert, LJ 7/03.]-Robert E. Brown, Minoa Lib., NY Copyright 2003 Reed Business Information.
Kirkus Reviews
A multilayered story from the fine Israeli novelist (Returning Lost Loves, 2001, etc.) mixes the personal and political as a historian seeks explanations for two seemingly disconnected events: his son’s divorce and an outbreak of violence in Algeria. The setting is post-Intifada Israel, the protagonist Rivlin, a middle-aged professor of Oriental Studies at the University of Haifa. His wife Hagit is a judge, and the couple have two sons, Tsakhi, an army officer, and Ofer, who moved to Paris after his wife, Galya, abruptly divorced him. Rivlin, convinced that in private lives as in public events there must be "signs, early warnings, by which a serious scholar looking unflinchingly at the present could unlock the past," is engaged in two missions. One involves turning to the literature of the past to find the cause of Algeria’s troubles, and the other, to finding the cause of Ofer’s sudden divorce. As he conducts the first search, Rivlin becomes involved with the family of student Samaher, whose wedding he and Hagit attend. Samaher is mysteriously ill, and cannot attend classes, but wants her degree, so Rivlin asks her to translate some Algerian writings, written under French rule. Her cousin Rashid acts as her courier. A mysterious, almost mythical figure, Rashid takes Rivlin into the Palestinian territories, where Rivlin finds his understanding of Arab culture deepening. But his personal search is more frustrating. Visiting the Jerusalem hotel Galya’s family owns, he learns that her father has just died. Something happened in that hotel that caused the divorce, and, while Rivlin searches for the truth, he recalls his own past, attends a provocative Palestinian literary festival, and learnsthat Galya, who remarried, is pregnant. Rivlin is heartsore about the divorce, but some ease comes to him when a conscience-stricken Galya visits, ready to confide. Historical causes are less easily discerned as Arab-Israeli tensions grow worse. A splendidly realized search for the causes of ruptures that rend families and nations: both timely and timeless.
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Product Details

  • ISBN-13: 9780156030168
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 10/28/2004
  • Edition description: Reprint
  • Pages: 576
  • Sales rank: 703,664
  • Product dimensions: 5.25 (w) x 8.00 (h) x 1.28 (d)

Meet the Author

A. B. YEHOSHUA is one of Israel's preeminent writers. His novels include A Journey to the End of the Millenium , The Liberated Bride , and A Woman in Jerusalem , which was awarded the Los Angeles Times Book Prize in 2007. He lives in Haifa.

An author, journalist, and internationally reknowned, awarding-winning translator, Hillel Halkin has translated several novels from Hebrew into English.

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Read an Excerpt

PART I

A Village Wedding

HAD HE KNOWN that on this evening, on the hill where the village held its celebrations, an evening suffused by the scent of a fig tree bent over the table like another, venerable guest, he would again be struck-but powerfully-by a sense of failure and missed opportunity, he might have more decisively made his excuses to Samaher, his annoyingly ambitious M.A. student, who, not content with sending him an invitation by mail and then repeating it to his face, had gone and chartered a minibus, after first urging the new department head to make sure the faculty attended her wedding. It wasn't just for her sake, she said. It would be a gesture to all the university's Arab students, without whom-the cheek of it!-the department would count for nothing.

His wife, Hagit, who knew all too well how weddings had depressed him in recent years, had warned against it. "Why do you need the aggravation?" she had asked. "But they're Arabs," he'd answered mildly, with the innocence of a man pursuing an academic interest. "As opposed to what?" she had wanted to know. "Human beings?" "On the contrary...on the contrary..." he had tried defending himself, at a loss to explain how Arabs, although not among the many objects of his envy, could be more human than anyone else.

Yet the snake of envy, his companion of many years, had slithered after him here too, to the little village of Mansura high up in the Galilee, near the Lebanese border. It had lain coiled in the incense of the glowing grilled lamb and writhed to the Oriental music that, despite its sobbing grace notes, secretly aspired to the savage disco beat of a Jewish wedding party-and now, as the student bride presented him not with the seminar paper she was a year late in finishing, but with her groom, it injected its venom.

Many hands had done their best to beautify Samaher, causing him to wonder for a moment whether he was looking at the same woman who had taken nearly all of his courses for the past five years. High heels and a swept-up hairdo had made her taller, and her usually restless eyes, chronically resentful when not anxiously scheming-the eyes of an active member of the Arab Student Committee-were smiling and relaxed. She was also without her glasses, and her eyes were heavily made up with a kohl so unusually tinted that he suspected it of having been smuggled across the border from Lebanon. A bright rouge masked the pimples that wandered as a rule from her cheeks to her throat and back again, and her long wedding gown bestowed a harmony, if only for a single night, on a figure not known for its sartorial coordination. Brimming with pride at having enticed him, the most senior and eminent of her teachers, to honor her and all Araby with his presence, she extended a hand quivering with excitement to his wife.

"So this is the teacher who's so annoyed at you," laughed the groom, pumping his hand in what could have been either an acknowledgment of Samaher's flightiness or a warning that she now had a protector. It was the same young man-taken by Rivlin for a maintenance worker rather than a future husband-who had stood every day last winter in the corridor outside the classroom waiting for their seminar to end. As if to atone for an error of which he alone was aware, he rose from his seat and congratulated the new husband cordially. Yet even as he did so, the cruel fate of his son, the young husband rebuffed, stung him sharply. So strong was the surge of resentment and jealousy that he at once sought out his wife-who, however, was laughing gaily at some remark. Such sentiments, although by rights she should have shared them, were unknown to her. Her glance, when he finally caught it, conveyed not so much sympathy as vague reassurance, plus a warning that he had better not get into one of his bad moods among all these people trying so hard to be hospitable.

It was being slowly spun out, Samaher's wedding, on the twilight of a bashful summer night, to the friendly warmth of young Arabs, many of them students from his and other departments at the university, who had gathered in their little autonomous kingdom, the borders of which were being drawn, stealthily but steadily, amid the pinkening hills of the Galilee. Now, telling a bearded young qadi in a gray cloak that she didn't want her Jewish guests to feel deprived, the bride asked him to repeat a shortened version of the wedding ceremony-which, they were surprised to hear, had already taken place in the bosom of her family a few days previously. It was an opportunity to still the wailing music, leaving the hill so shrouded in silence that the distant boom of an artillery shell fired across the border in Lebanon sounded like part of the reenacted rite.

2.

AS THE EVENING deepened and the music resumed its beat, and little lanterns were hung from grapevines trellised above tables spread with colorful piles of appetizers that were followed by copper trays of juicy, red-hot lamb, he was overcome by regret, not so much for having accepted Samaher's invitation as for having willingly surrendered his freedom of movement for the convenience of a prearranged ride. Two hours had passed, and none of the faculty showed the slightest sign of wanting to depart-least of all their organizer, Ephraim Akri. He was the new department head, a swarthy Orientalist who, though forced by the religious scruples proclaimed by the skullcap he wore to forage carefully through the little plates in search of kosher morsels, was so full of high spirits that he demanded-whether as a gesture to his hosts or as a boast of his own fluency-that even his Jewish colleagues speak to him only in Arabic. In fact, they were as taken with the bucolic atmosphere as he was. Hagit, always quick to adjust, was genially absorbed in the conversation around her, following it with interest and laughter and occasionally making a remark, or even uttering a single word, that was sure to leave an indelible impression.

Fated to spend more time at the wedding than he had intended, he decided to go for a walk-the sooner the better, before any more of the tender meat with which his plate kept being piled metamorphosed into his own flesh. He ambled over to the sweetly smoking spit to inspect the remains of the incandescent lamb, then joined a line of guests waiting by the rickety door of a makeshift outhouse. A nattily dressed young man, introducing himself as a construction worker who had labored on the professor's new duplex apartment in Haifa, tried escorting him to the head of the line. Before they could reach it, however, Samaher, who had been keeping him under surveillance, came to rescue him from the indignity of queuing up for an outdoor toilet by leading him to more dignified facilities.

"We live right near here, Professor Rivlin," she cajoled him, as if his presence at her wedding would be incomplete without a home visit. Before he knew it he was being led by the bride, hobbling on her unaccustomed high heels, past houses and courtyards and down a dark, narrow dirt lane. Her wedding gown showed signs of disarray, and its lace ruff, which had slipped from her slender shoulders, smelled faintly of fresh perspiration. In the pale moonlight, the polished nails of her hands and feet looked like large drops of blood. Barely two years ago, he recalled with amusement, this same vivacious young lady had had an attack of religion and sat sternly through his seminars in a long-sleeved black dress and large kerchief. It had been only a passing phase, however.

A horse whinnied. Once again he felt the ache of that other, wasted wedding that had come to naught. It made him want to rebuke his student guide.

"It embarrasses me, Samaher, to hear you tell people that I'm angry at you without your also explaining why."

She stopped in her tracks, blushing with pleasure. "But how can you say that, Professor? You're wrong. I not only explain why you're angry, I tell them you're right."

She studied his face and added with a smile:

"But so am I."

"You are?" he marveled bitterly. "How can you be right, too?"

"I can be right because how could I finish a seminar paper with a sick grandmother to take care of? And then, on top of it all, this wedding."

"That's enough excuses, Samaher," he said, loath to give this devious Arabic-studies major standing beside him in a wedding gown the chance to extort a new postponement.

Her smile brightened even more, as if she not only had been granted a postponement but had also been offered course credits for her wedding. Taking hold of his arm, she steered him with dexterous confidence toward an iron gate blocked by a large black horse.

Samaher scolded the horse in Arabic. When this made no impression on it, she seized it by its bridle and in her wedding gown, high heels and all, wrestled it out of the way. The battle was quickly over and left Rivlin struck by her determination. Raising her head proudly, she pulled the horse after them into the yard, shut the gate, put on her glasses after extracting them from a previously hidden case, and led him up the heavy, dark stone steps of her home.

He now found himself at another celebration, this one for women only. Squeezed together, in bright dresses, they sat on pillowed divans in a large guest room whose walls were covered with photographs of ancient elders wearing fezzes. A few old crones in a corner were puffing on glass narghiles. A younger, heavily adorned woman hurried over to him with a smile. "Professor Rivlin!" she exclaimed. This was Afifa, Samaher's mother, who long ago-back in the nineteen-seventies-had been a first-year undergraduate in the Near Eastern Studies Department. She had taken an introductory survey course of his and might have gone on to get a B.A. as her daughter would, had she not broken off her studies to have her.

"You know," Rivlin told the handsome woman, "it's not too late for you to go back to school. We'll readmit you. You can continue from where you left off."

She replied with an embarrassed laugh, as if he had made her an intimate proposition. Dismissing with a charmingly sinuous gesture the possibility of recovering lost time, she took possession of him from her daughter and led him to a large, spotless bathroom where he was given, as if he had come not just to relieve himself but also to take a leisurely bath, two fresh towels and a new bar of soap.

There was no lock or latch on the door. Quite apart from not wishing to worry his wife by his disappearance, this was sufficient reason for leaving the bathroom's contents uninspected, despite the opportunity afforded him to learn more about the private side of Arab life. He urinated in silence, washed his hands and face, took a large green comb from a shelf, rinsed it carefully, and ran it through his silver curls. Then, picking up a small bottle, he studied its Arabic label until satisfied that he understood it, and daubed a few drops from it on his forehead to sweeten the relentless bitterness assailing him.

The bride had returned to the wedding party on the hill without waiting for him, leaving her friendly mother to guard the bathroom door. It was an appropriate moment, he thought, to pay a sick call on Samaher's grandmother.

"Sick?" Afifa was startled. "Who told you she's sick?"

"But of course she is. The poor woman is bedridden." He deliberately mimicked Samaher's manner of speech.

"But who told you? She's not sick at all!" Triumphantly, Afifa pointed to a gaily dressed old woman puffing heartily on a narghile with her friends. Samaher's grandmother smiled back with a mouth full of smoke.

And yet, he decided, as Afifa-fearful he wouldn't find his way back by himself-went off to look for an escort, you didn't upbraid a lying bride on her wedding night. Samaher's mother returned with the bride's grandfather, a sturdy, taciturn old man in a gray satin robe and white kaffiyeh who stood waiting by the gate with his head bowed respectfully. Noticing the horse in the yard, he commanded it to join them. The three of them walked back up the lane, the solemn grandfather in the middle as he gallantly struggled to understand the Arabic of the Jewish professor.

The lit-up dance floor was now crowded with youngsters gyrating to the music. The Oriental wail had been replaced by Western tom-toms. From afar, Rivlin cast a yearning glance at his wife. She was where he had left her, seated beneath the fig tree, with her slender legs stretched in front of her, intent on the conversation. As always, especially in moments of distress, he was aware of how perfectly true and unquestioning was his old, faithful love for this woman, who was now engaged in tempting with a pack of cigarettes two departmental secretaries who had attached themselves to her. He knew that from now on, whenever they saw him, they would remember to send their special regards, coupled with words of admiration, to this woman whom they had just met, who sometimes said to him only half-jokingly:

"You're a lucky man! Luckier than you deserve to be."

3.

"YOU'RE FEELING BETTER."

It was a statement of fact, not a question, uttered with the precision with which she always diagnosed his moods. "You needn't be ashamed to admit that you're having a good time like the rest of us."

Admitting enjoyment, however, did not come easily to him-certainly not at a wedding, even an Arab one. Instead, omitting his visit to Samaher's bathroom-an episode that might strike his colleagues as unintelligibly bizarre-he began to relate with an odd relish his encounter with their old student Afifa. His proposal to reinstate her in the department met with cautionary remarks from the two secretaries. He should not, they warned him, arouse false Arab hopes. The Law of Return did not apply to abandoned studies. Afifa would have to start again from scratch.

"Sit down," his wife said good-naturedly. "Standing will get you nowhere."

She was right. It was pointless to hope that remaining forlornly on his feet might persuade anyone to set out for home. The refusal of their Arab hosts to be insulted by a premature departure was only part of the reason. The Jews, too, had lost all sense of time and of the long ride back to Haifa still ahead of them. Basking in the Oriental languor of the spring night, they were awaiting a final course of homemade ice cream. It did not escape him that his wife-for whom dessert, especially if it promised to be exceptional, was the raison d'être of every meal-had become the secret ringleader of a sweet-toothed conspiracy.

"I wish you'd sit down," she chided him again. "Stop making us nervous. You're not the driver. No one is leaving this wonderful wedding without dessert."

He sat, forced to yield to the popular demand for ice cream while attempting to follow, above the pounding of the rock music, an argument between the department head and some of the Arab students. Tensely but politely, the latter were listening to Akri's heated exposition of a theme that pained them despite its delivery in flawless Arabic-namely, that ever since the Arab world had been conquered by the Ottomans in the sixteenth century, Arab intellectuals had failed to confront the inner dysfunction of their society. Rivlin knew well that Akri, a Jew of Middle Eastern origin, was gracious to his Arab students, whose weddings he attended and whose language he went out of his way to speak, although less from admiration for their culture than from despair of it. Not that he had an aversion to Arabs. He felt no contempt or disdain for them. He simply had arrived at what he believed to be a scholarly conclusion: that they could never understand-let alone respect, desire, or implement-the idea of freedom. This was a theory, which Akri supported with an odd and astonishing assortment of facts morbidly assembled from the gamut of Arab history, that Rivlin firmly rejected. It smacked to him of racism, and he scoffed vehemently at it whenever it was mentioned by his colleagues. And yet tonight, whether because it fed or was fed by his own gloomy associations, he, too, felt Akri's despair, felt it to the point of paralysis. He sat there silently, one hand on the shoulder of his wife as she awaited her dessert.

The Arab students from the department, however, having listened respectfully to a man who was both their guest and their academic senior executive, were running out of patience, especially since they had been joined by other students who neither knew Akri nor needed to defer to him. Akri, continuing to deride the Arabs' history in an impeccable display of their language, was now surrounded by a shocked circle of listeners. The prospect of a row hung in the soft, mild air and threatened to spoil the gesture of their coming. Just as Rivlin, a full professor, was about to pull rank on Akri and nip the quarrel in the bud, there was a flurry of excitement. A chilled, glittering serving bowl was placed on the table while crystal dishes and golden spoons were handed out. How, Rivlin wondered as he tasted his first spoonful of the ice cream, could this remote little village, a bastion of chickens and donkeys, have produced such a magnificent last course, so lavishly creative in its flavors and deliciously chewy in its texture that he had to keep an eye on his ravenous wife, who had put on not a little weight in recent years? Not that this bothered him. He liked her company in any shape or form.

© A. B. Yehoshua and Ha-Kibbutz Ha-Me'uhad Press 2001
English translation copyright © 2003 by Hillel Halkin

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.

Requests for permission to make copies of any part of the work should be mailed to the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

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  • Anonymous

    Posted April 2, 2004

    Mystery and Intrigue in the Land of Israel

    In his latest novel, 'The Liberated Bride', the Israeli author, A.B. Yehoshua, weaves a tapestry of mystery and intrigue set against a background of Arab and Israeli relations. The character, Professor Yochanen Rivlin, is investigating the cause of his son's divorce of five years ago along with research into the reasons for the Algerian uprising of the early 1900's. A professor of Near Eastern studies at the University of Haifa, Rivlin suffers writer's block in his latest book on Arabs in North Africa. He is distracted by the wedding of his graduate student, Samahar, an Arab,which he attends reluctantly with his wife, Haggit, in an Arab village near the Lebanese border, as the ceremony reminds him of his son's failed marriage. The death of his son's former father-in-law opens up the secret of the one-year union of Ofer and Galya again when he visits the site of their wedding in a hotel in Jerusalem. A chance killing of a colleague in a bus bombing leads him to a trove of Arab stories and legends which stimulates his interest in his own writings. He asks Samahar to translate the stories in return for granting her a graduate degree. Rivlin's travels to the Arab sections of Israel, including the old city of Ramallah, form the most exotic parts of the novel. The parables that he uncovers, especially one of a snake and a hyena who keep each other from starving, makes one wonder which countries they stand for in that strife-torn area of the Middle East. Rivlin finds catharsis in his search for personal answers while the larger issues remain unsolved. But the rich texture of the novel with its cast of Israeli and Arab characters both entice and delight the reader.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 2, 2009

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