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Literary Lapses
     

Literary Lapses

by Stephen Leacock
 

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The humour, irony, and wit of Stephen Leacock have never been shown to better advantage than in Literary Lapses, his first collection of comic writings. Within its pages are such classic stories as the man who is seized by fear as he opens a bank account; the awful case of the young man who dies because he cannot tell a lie; the astonishing tale of the baby who

Overview

The humour, irony, and wit of Stephen Leacock have never been shown to better advantage than in Literary Lapses, his first collection of comic writings. Within its pages are such classic stories as the man who is seized by fear as he opens a bank account; the awful case of the young man who dies because he cannot tell a lie; the astonishing tale of the baby who ate thirteen Christmas dinners, and many other tales that have become part of the world's comic literature.

When Literary Lapses first appeared in 1910, it was an instant critical and popular success. Within a few years of its publication, Leacock was acknowledged as the English-speaking world’s most beloved humourist.

Product Details

ISBN-13:
9781533378354
Publisher:
CreateSpace Publishing
Publication date:
05/23/2016
Pages:
154
Product dimensions:
6.00(w) x 9.00(h) x 0.33(d)

Read an Excerpt

“Now, ladies and gentlemen,” said the conjurer, “having shown you that the cloth is absolutely empty, I will proceed to take from it a bowl of goldfish. Presto!”

All around the hall people were saying, “Oh, how wonderful! How does he do it?”

But the Quick Man on the front seat said in a big whisper to the people near him. “He — had — it — up — his — sleeve.”

Then the people nodded brightly at the Quick Man and said, “Oh, of course”; and everybody whispered round the hall. “He — had — it — up — his — sleeve.”

“My next trick,” said the conjurer, “is the famous Hindostanee rings. You will notice that the rings are apparently separate; at a blow they all join (clang. clang, clang) — Presto!”

There was a general buzz of stupefaction till the Quick Man was heard to whisper. “He — must — have — had — another — lot — up — his — sleeve.”

Again everybody nodded and whispered. “The — rings — were — up — his — sleeve.”

The brow of the conjurer was clouded with a gathering frown.

“I will now,” he continued, “show you a most amusing trick by which I am enabled to take any number of eggs from a hat. Will some gentleman kindly lend me his hat? Ah. Thank you — Presto!”

He extracted seventeen eggs, and for thirty-five seconds the audience began to think that he was wonderful.

Then the Quick Man whispered along the front bench, “He — has — a — hen — up — his — sleeve.” and all the people whispered it on. “He — has — a — lot — of — hens — up — his — sleeve.”

The egg trick was ruined.

It went on like that all through. It transpired from the whispers of the Quick Man that the conjurer must have concealed up his sleeve, in addition to the rings, hens, and fish, several packs of cards, a loaf of bread, a doll’s cradle, a live guinea-pig, a fifty-cent piece, and a rocking-chair.

The reputation of the conjurer was rapidly sinking below zero. At the close of the evening he rallied for a final effort.

“Ladies and gentlemen,” he said. “I will present to you, in conclusion, the famous Japanese trick recently invented by the natives of Tipperary. Will you. Sir,” he continued, turning toward the Quick Man, “will you kindly hand me your gold watch?”

It was passed to him.

“Have I your permission to put it into this mortar and pound it to pieces?” he asked savagely.

The Quick Man nodded and smiled.

The conjurer threw the watch into the mortar and grasped a sledge hammer from the table. There was a sound of violent smashing. “He’s — slipped — it — up — his — sleeve,” whispered the Quick Man.

“Now, sir,” continued the conjurer, “will you allow me to take your handkerchief and punch holes in it? Thank you. You see, ladies and gentlemen, there is no deception, the holes are visible to the eye.”

The face of the Quick Man beamed. This time the real mystery of the thing fascinated him.

“And now, sir, will you kindly pass me your silk hat and allow me to dance on it? Thank you.”

The conjurer made a few rapid passes with his feet and exhibited the hat crushed beyond recognition.

“And will you now, sir, take off your celluloid collar and permit me to bum it in the candle? Thank you, sir. And will you allow me to smash your spectacles for you with my hammer? Thank you.”

By this time the features of the Quick Man were assuming a puzzled expression. “This thing beats me,” he whispered, “I don’t see through it a bit.”

There was a great hush upon the audience. Then the conjurer drew himself up to his full height and, with a withering look at the Quick Man, he concluded:

“Ladies and gentlemen, you will observe that I have, with this gentleman’s permission, broken his watch, burnt his collar, smashed his spectacles, and danced on his hat. If he will give me the further permission to paint green stripes on his overcoat, or to tie his suspenders in a knot, I shall be delighted to entertain you. If not, the performance is at an end.”

And amid a glorious burst of music from the orchestra the curtain fell, and the audience dispersed, convinced that there are some tricks, at any rate, that are not done up the conjurer’s sleeve.

Meet the Author

Stephen P. H Butler Leacock, (1869 - 1944) was a Canadian teacher, political scientist, writer and humorist. Between the years 1910 and 1925, he was the most widely read English-speaking author in the world. He is known for his light humor along with criticisms of people's follies. The Stephen Leacock Memorial Medal for Humor was named in his honor.

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