A Novel Seduction

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Overview


From the old steel mills of Pittsburgh to the picturesque hills of Scotland, romance novels save the day in RITA Award–winning author Gwyn Cready’s fun and sensuous take on literature and modern-day love.

When snobbish book critic Ellery Sharpe screws up at Vanity Place magazine, her boss assigns her the ultimate punishment: write an ode to romance novels, a genre she considers the literary equivalent of word search puzzles. To make matters worse, he hires her sexy former party boy ex, Axel Mackenzie, to shoot the photos. Axel really wants the project to succeed. For one, the magazine will double his fee if he convinces strong-willed Ellery to write a story no woman can resist. Besides, getting Ellery to fall for romance novels might be just the push she needs to believe people can change . . . even him. At his sister’s advice, Axel gives Ellery a copy of Kiltlander, a much-adored romance whose warrior hero is utterly irresistible. To her dismay, Ellery finds herself secretly falling in love with the story—and with Axel, who’s drawing his own lessons from the book’s compelling hero. With her carefully crafted image of herself crumbling and her dream job on the line, will Ellery risk it all to make the leap from tight-lipped literati to happily-ever-after heroine?

Editorial Reviews

Publishers Weekly
Cready (Aching for Always) whips up a delightfully original and humorous contemporary romp with a metafictional twist. Strait-laced literary editor Ellory Sharpe is horrified when her temperamental boss orders her to write an ode to romance novels. Even worse, the assignment reunites her with photographer Axel Mackenzie, an old flame. Ellory must learn to praise a genre she hates while navigating around her boss’s secret affair with the romance world’s current darling; a hostile competitor for her dream job; and her increasingly passionate relationship with Axel. But as she continues her international journey to understand the allure of romance novels, she is stunned to discover the intelligence beneath the revealing covers and the quick camaraderie of romance fans. Peppered with laugh-out-loud dialogue, hysterical antics, and plenty of colorful secondary characters, this yarn is an absolute crowd-pleaser. (Nov.)

Product Details

  • ISBN-13: 9781451612646
  • Publisher: Pocket Star
  • Publication date: 10/25/2011
  • Format: Mass Market Paperback
  • Pages: 384
  • Sales rank: 295,644
  • Product dimensions: 4.10 (w) x 6.70 (h) x 1.20 (d)

Meet the Author


GWYN CREADY is the recipient of the 2009 RITA Award for Best Paranormal Romance and the author of Tumbling Through Time, Seducing Mr. Darcy, Flirting with Forever and Aching for Always. She has been called "the master of time travel romance." A Novel Seduction is her first foray into contemporary romance as well as men in kilts, and she found both eminently satisfying. She lives in Pittsburgh with her family.

Read an Excerpt


CHAPTER ONE

Offices of Vanity Place magazine, Manhattan

“Cripes, Axel,” Kate, the photography editor, said. “You look like you slept in the street.”

Sleep? Now, there was a novel prospect. Axel Mackenzie scratched the bristle on his cheek, then stretched his aching neck. Did the floor of an abandoned warehouse count? He was getting too old for this kind of life. What would really hit the spot was an ice-cold Hard Hat beer. For a number of reasons, including the fact that even the most liberal-minded New York City bar didn’t open for a good three hours, the idea was a nonstarter. He took a sip of the magazine’s thick, strong coffee and made a noncommittal noise.

Kate shook her head, frowned at a missing button on his thoroughly wrinkled shirt and looked down at her own scuffed Nikes. “And it’s not exactly like we set the bar real high around here, either.” She scanned his proofs as he stuffed his shirt into his jeans. “Lucky for you, you’re good.”

“Ah, if I had a dollar for every time an editor’s said that to me.”

“I notice you didn’t say ‘woman.’ ”

“I notice you didn’t say ‘great.’ ”

Buhl Martin Black, Vanity Place’s Humpty Dumpty– esque publisher, burst into view at the far end of the office-lined hallway, gripping the latest issue of his magazine, cheeks puffed in fury. With his body angled toward his destination like some sort of fleshy road sign and his short legs pumping furiously to keep up with his head, he looked like a character in some cartoon.

Axel instinctively tucked himself out of sight against the cubicle wall. On the other hand, Kate, whose desk was directly in the line of fire, clutched the corners like a spectator in one of those fifties atomic bomb films, waiting for the blast.

But Black roared by without a word. He passed his admin, flew into his office and slammed the door.

Two long, terrified beats later, Axel watched as one head after another rose slowly along the wall of cubicles and gazed wordlessly at the others. Yeesh. There were many reasons he preferred freelancing to full-time employment, but avoiding intraoffice hissy fits was definitely one of them.

He had worked with Kate for years, and if there was one thing he knew, it was she was always the professional. She buzzed her wheelchair to life and swung it around her desk. “If you don’t mind, I think I’d better see what’s going on.”

“Yeah, yeah, go ahead.” She disappeared, and Axel grabbed the current issue of Vanity Place. A moment later his phone vibrated. He flipped it open and stood, like the others, to take in the battlefield beyond the low wall.

“Mackenzie here.”

“Dammit, where’s my money?”

Axel kicked himself for not checking the caller ID before he answered. His buddy Brendan was selling his microbrewery, and Axel wanted it. Unfortunately, Axel’s bank account didn’t seem nearly as supportive of the idea as Axel.

“C’mon.” Axel lowered his voice. “You know I’m good for it. I’ve sent you almost all of it.” Kate wheeled not into Black’s office but into the office of Phil Peck, the managing editor and the man most likely to have some insight into his publisher’s dark mood. Phil jumped up to close the door behind her.

“‘Almost,’ Axel. ‘Almost,’ ” Brendan said. “I got a guy here who’s got the whole thing. He’s waving a check at me.”

Brendan had run the microbrewery in Pittsburgh as a hobby. Sadly, the beer had tasted that way. Now Brendan’s ten-year marriage was going bust, and he needed every spare dollar. Axel had liquidated everything he owned to buy his pal out. Microbrewing was his dream.

“C’mon, Brendan. I’m what? Ten short?”

“Ten? Try twenty-three.”

Twenty-three? Axel winced. “Look. Give me another month—”

“A week. I’ll give you a week.”

The sound of something hitting the wall in Black’s office—something large and made of glass—blasted the quiet of the office. Then the lever on the publisher’s door jiggled, and every head, including Axel’s, ducked. But the door remained closed.

“A week?” Axel said under his breath. “This is your college roommate here. Gimme two at least.”

“Not sure you want to harken back to those days, my friend. You wrecked my car, stiffed me on two months’ rent, and I’m still not entirely sure if you made a pass at Tracy the night of our engagement dinner.”

“In retrospect, you’ll admit, probably not a bad thing—”

“A week, Axel.”

The line went dead and so did most of Axel’s hopes. But before he could consider next steps, the greatest set of legs he’d ever seen—as familiar to him as his favorite camera—emerged from a conference room. Ellery Sharpe, the owner of the legs, was talking to some overwhelmed junior editor. Axel could tell the poor schmuck was an underling by the Martha Stewart finger she wagged in his direction as she spoke.

The pair parted, and Ellery bent to get a drink at a fountain. Her dark ponytail shone against the softness of the pale blue sweater, picking up the ebony of her pumps, and he found himself entranced with the way her cream-colored fringed wool skirt made it look as if she were wrapped in a Hudson’s Bay blanket, a situation in which she had been in his bed on more than one occasion. She straightened, unaware he was watching, and started down an adjacent hallway.

Pssst. Pittsburgh.”

She swung around as if she’d been hit with a spitball.

His doctor would have called it an unconscious death wish—which is what he had called a lot of Axel’s former habits—but God, he’d forgotten the fire that could blaze in those eyes, the same stunning violet as what had once been his favorite recreational drug.

She marched toward him, looking left and right to see if anyone had overheard. “I told you never to call me that.”

“You told me a lot of things. A friendly heads-up: If I were you, I’d consider a long walk to the cafeteria.”

Her gaze narrowed. “Why?”

“Black,” he said. “Something’s up with him. Something bad.”

She shrugged, the thick sable hair flipping over her shoulder like the tail of an irritated cat. “Not my problem. I’m heading to the Art Department to look at layouts. Now, if you’ll excuse me…”

He gave a theatrical bow and waved her on, but after two steps, perhaps feeling the prickle of something she didn’t like, she stopped and turned. He dropped his eyes, but it was too late. She’d caught him gazing dreamily at the swaying fringe.

“Hudson’s Bay,” he explained, heat rushing up his neck.

She rolled her eyes. “Canadians.”

With a sigh, he dropped into the chair, returning to the more prosaic parts of his day. A week, Brenden had said, though he might as well have said an hour. Axel had already short-leased his apartment for the month to a visiting couple from Osaka to try to scrape up more cash and was crashing on friends’ couches when he could and warehouse floors when he couldn’t. His leg bounced anxiously. All he had left to hock was his camera, and he wasn’t quite ready for that.

Damn. He would have given his left eye for a smoke, a Seconal and about three quick beers, but he settled for a hard rub through his hair. He picked up the magazine and, as always, flipped immediately to the book review section and scanned the lead story. Vanity Place won the award for the most pretentious thing going. He felt like he needed to apologize for dropping out of grad school whenever he read something in it, and that was often no more than the table of contents. But this review—a beautifully constructed Stinger missile aimed at the recent memoir of Bettina Moore, head of Pierrot Enterprises, the world’s most successful romance novel publishing company, and the darling of the publishing world—carried razor-edged pomposity about as far as it could go.

Moore’s estimation of her impact on American culture is as overstated as her dress on the book’s cover. If romance novels are, as Moore says, “candy conversation hearts that speak to the soul of a woman,” let’s hope future instructive aphorisms include “There’s more plot in the phone book,” “Romance Novels: Publishing’s Answer to Farmville” and “Get a Library Card!”

Axel shook his head. Incisive prose was one of Ellery Sharpe’s gifts. But he hated to see her use it as a weapon of mass destruction. What had happened to that starry-eyed twenty-two-year-old who was going to revolutionize journalism with her own biweekly rag; who had convinced him to work for her for free when he had national offers pouring in; and whose fierce pride in her hometown had caused him in a semidrunken glow to nickname her “Pittsburgh”?

Kate wheeled in behind him. “Sorry, Axel. Bit of a firestorm. Where were we? Oh, right, the photo proofs.” She pulled up to the monitor and hit PAGE DOWN a couple times. “These are fantastic.”

She’d upgraded them from “good.” About time. “Right. What’s next?”

“Hmmm.” She punched up the project list.

“I’m looking for something fast,” he said. “Fast and lucrative.”

She lifted a brow. “How about a shot of Sasquatch?”

“Will it pay twenty-three grand?”

She snorted. “Sure. If you get him having a beer with Jimmy Hoffa. Seriously, though. I’ve got a John Irving shoot I’d love you for.”

“Is it soon? Is there travel?” He thought of the per diems he could pocket in addition to his fee.

“Yes to both. It was supposed to be next month, but his schedule changed and he wants to do it this week. Ellery’s finalizing the date.”

Axel’s dreams of a quick payoff sputtered like a rapidly deflating balloon. “Ellery’s writing the article?”

“She is the head of the literary section here.”

“Yeah, um…” He gave Kate a polite but regretful shake.

She angled her head. “What? You two don’t click?”

He remembered when his relationship with Ellery imploded five years ago, after which he had given up and split for New York, and imagined himself as Sylvester the cat, listening to the click, click, click of the bomb Tweety has slipped into his catnip canary. “Oh, no, we definitely click. It’s like a freakin’ click fest when we’re together. We just, um… do our best work with others.”

“Is that so?”

Kate gave him a piercing look, but he hadn’t spent thirty-six years with four older sisters without developing strong self-preservation strategies. He kept his face blank.

Kate went back to her screen. “Well, other than that I’ve got—”

Black’s muffled voice shook the room. “Yes, Phil,” he shouted, “I mean now! Find her and get her in here!” This was followed by the sound of a phone being slammed into its cradle and perhaps through the desktop.

“I take it,” Axel said, “there’s a problem.”

“Sixth sense of yours?”

“What can I say? Years of experience.”

“Yeah, well, Black’s not too happy about the article Ellery wrote on Bettina Moore,” Katie said.

Axel cast a quick, concerned glance down the corridor, where he’d spotted the legs. Pittsburgh’s grand ambitions would be imperiled. Technically, he should have no interest in what happened to her one way or another, but even after all these years he hated to see her get into trouble. “Why not? Does Black’s wife love romance novels or something?”

“I don’t think Black’s wife loves anything about Bettina Moore.”

“The article was a little harsh, I suppose, but nothing out of the ordinary for this place.” He gave Kate a “Gimme a break” look.

She met his eyes. “‘Publishing’s answer to Farmville’?”

“Okay, okay, it was cruel. But you guys don’t exactly encourage writers to use kid gloves.”

Kate sighed. “Black doesn’t see it that way. Not on this one.”

So Pittsburgh would get a slap on the wrist. She’d live. Black could be quite vindictive if he chose, but it didn’t seem like he had a real beef here.

“Why didn’t he quash the article?” Axel had had more than one project end up dumped in the circular file for no better reason that some suit upstairs didn’t like the story.

“He was out of town when it was turned in.”

Axel scratched his ribs. “You snooze, you lose.”

“Only he wasn’t snoozing.”

Axel stopped. “Oh?”

Kate looked to see if anyone was close and lowered her voice. “Black was supposed to be at a publishing summit in London.”

“‘Plugged In: The Future of Publishing’?” Everyone who was anyone was supposed to be going to that. An old colleague, Barry, had mentioned it to him when they’d run into each other a few weeks ago.

“Nope, that’s later this week. This was a magazine editor summit, but the point is, Phil has it from a very well-placed source that Black was actually spending a long weekend with someone he shouldn’t have been.”

“And this makes our most reverend publisher suddenly sensitive to condescending writing?” Hell, if that’s all it took to get this place to pull its head out of its ass, Axel wished Black had discovered the delights of adultery a long time ago.

“That someone was Bettina Moore.”

Axel leapt to his feet to see if he could stop Ellery, only to spot her waving a cheery hello to Phil Peck as she joined him outside Black’s office, unaware she was waltzing into certain annihilation. “Oh, shit.”

“A conversation heart for the ages.”

© 2011 Gwyn Cready

Interviews & Essays

"Why I Write" by Gwyn Cready

The question I am most often asked when I give talks is "What made you want to become a writer?" This is followed almost immediately by, "Did you always want to be a writer?" I have to admit I dread these questions these questions a little for the answer invariably changes what had been a lively, fun discussion to something more somber.

I began to write—and still write—to honor the memory of my dead sister. She was 31 and I was 35 when she passed away. She died without warning, and I never got a chance to say good-bye.

She and I couldn't have been more different. She was an artsy type—a poet and photographer who wore gypsy skirts, thumb rings and patchouli perfume. I have an MBA in marketing and spent 25 years working in corporate America. The only ring I dealt with was the ring of the telephone. We weren't close in age or in temperament growing up, but as we drew closer to our thirties, the differences between us diminished.

One of our last conversations was about a book my friend, Leslie, had given me, a book called Outlander. I loved it—not in a way you love a new pair of boots or even a yummy red velvet cupcake. I LOVED IT. I couldn't put the darned thing down. And I wanted her to read it, especially since the heroine's name was Claire and my sister's was, too.

She never got the chance. She died when her throat swelled shut in an attack brought on by an extremely rare disease called hereditary angioedema.

Claire's death devastated me. She was my only sister, and I'd already survived the death of my mother when I was eleven. There are undoubtedly worse things to go through in life—abuse or the loss of a child comes to mind—but I wouldn't wish the life- upending double-wallop I went through on anybody.

I'd already named my daughter after my mother and my son after my father (I have a very generous husband), and those were the grandest tributes within my power to give. If I'd been planning to have a third child, I would have simply named the baby Claire (or Clarence) and been done with it. Unfortunately, I didn't want to have another child.

I decided that the next most enduring tribute would be to create a piece of art that I would dedicate to my sister. Since the only talent I have that even approaches artistic is writing, I decided I would try to write a book. And since Diana Gabaldon, the author of Outlander, had made me fall in love with romance novels, a love story was the sort of book I settled on trying.

Within a month of Claire's death, I began to write. That was May, 1997. My first book, Tumbling Through Time, was published in January, 2008. It took almost eleven years from the time I began writing until I could open a cover and read the words that told me I'd finally fulfilled my mission.

For my sister, Claire, who would have laughed.

And she would have laughed. Her no-nonsense sister, Gwyn, writing steamy romance novels? Heck, she would have howled.

I'm a full-time writer now, writing my seventh book, and I thank Claire often for the gift she's given me. My life is immeasurably better, and not just because I'm a writer. My life is immeasurably better because Claire was my sister.

Customer Reviews

Average Rating 3.5
( 6 )

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Sort by: Showing all of 6 Customer Reviews
  • Posted October 24, 2011

    more from this reviewer

    Fun & Witty!

    Gwyn Cready's A Novel Seduction is a fun and witty read. I found myself enthralled with Ellery's character. After screwing up an assignment for Vanity Place magazine, Ellery is assigned to write an ode to romance novels, a subject she rather not touch with a ten foot pole. To make matters worse she's forced to work side by side with her steamy ex, Axel Mackenzie. I found the characters within the novel were actually my favorite part about the book. Cready does a fantastic job with her writing and it seems quite obvious that A Novel Seduction itself, is an ode to romance novels in particular Outlander by Diana Gabaldon. A Novel Seduction is not only a great book for romance readers but for readers who have yet to jump into the celestial world of romance. At times, it's hard to describe why we love romance novels so much and Cready does a fantastic job explaining it. If you're ready for a fun, witty read than I highly recommend this one! The characters are charming and the dialogue will keep you smiling the whole way through.

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  • Posted October 19, 2011

    more from this reviewer

    Everything but the kitchen sink...

    ***original extended review posted at Romancing Rakes***

    From the moment I read this: "Romance Novels: Publishing's Answer to Farmville", I fell in love with this book. Ellery Sharpe is a bookish snob. She thinks romance books are utter drivel and trash but after ripping the head of the most successful romance publishing company Bettina Moore a new one, her editor isn't too happy (as in he's sleeping with her. Men!).

    This book is not only an ode to Diana Gabaldon's OUTLANDER but to the romance genre in general.

    It is like the kitchen sink of romance books. Almost everything you find in your categorized romance books, you'll find it in this one. This book has everything: opposite personalities, the bff there for the comic relief, the sister who helps and doesn't hinder the story, the slimy asshat of a guy bent on winning no matter the cost, the whiny mean girl, a road trip (okay, country hopping), a hero who has a secret which the heroine assumes the worst, a heroine who has a secret which cost her the man she loved, a story of second chances, a secret baby, men in kilts, a rowdy bar, readers split into Team [insert character name here] or Team [insert opposing character name here] (you know which books I'm talking about), hilarious secondary characters and the list goes on and on.

    Now I finally want to crack the spine on OUTLANDER er, at least pull it up on the Kindle, to see what I'm missing. Yes, Gwyn Cready has made me see the light. Gwyn Cready's writing is sharp, witty, entertaining, laugh-out-loud until you cry and slightly pee in your pants funny (not that I'm admitting to the last part), very refreshing and pegs the thoughts of non-romance book readers that I know. The interaction between Ellery and Axel is explosive yet sweet and fun. The banter between the two had me snorting and getting weird looks from strangers. (I swear I have got to stop reading romance books in public.) It was quite the journey watching Ellery go from romance book skeptic to slightly confused as to why she's got feelings about Jemmie and Cara to fully embracing the genre. Would it be blasphemous to say that this book is my KILTLANDER?


    ***book provided by Ayelet Gruenspecht from Pocket Books for review***

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  • Posted September 15, 2011

    more from this reviewer

    With the contemporary's metafiction anchor, Gwyn Cready provides a wonderfully jocular Novel Seduction

    In Manhattan, Vanity Place magazine publisher Martin Black rages at critic Ellery Sharpe for her scathing incoming missile review of Bettina Moor's memoir and the romance novels her Pierrot Enterprises publishes. Fuming Martin orders his prim and proper literary editor Ellory to write an ode to romance novels. She can handle the candy for the masses assignment except that Black orders her to work with photographer Axel Mackenzie; five years ago they heated Pittsburgh before their relationship ended.

    Ellery must learn to praise romance not to bury romance if she wants to keep her position as her boss is secretly trysting with her potential successor; while Axel gets double his fee if he succeeds at her doing so. As he relies on his sister for guidance, Axel shows her first hand what romance is by copying the heroics of the lead male of the book Kitlander. Ellery begins to realize the novels she loathed contain strong intelligent themes as she concludes if you want to study relationships read a romance.

    With the contemporary's metafiction anchor, Gwyn Cready provides a wonderfully jocular Novel Seduction. The lead pair are fun to follow as he tries to be a romantic hero while she soon holds out for a hero. The amusing story line is fast-paced with plenty of loud laughter moments as beer, kilts and romance converge in New York, Pittsburgh, and Scotland.

    Harriet Klausner

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    Posted November 29, 2011

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    Posted March 9, 2012

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    Posted September 30, 2011

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