A la orilla del Támesis, y en una réplica de un palacio veneciano construido en 1830, se halla la editorial Peverell Press, una austera empresa familiar que un joven francés, emprendedor y ambicioso, se ha propuesto relanzar con todos los recursos del marketing y la comunicación modernos. El joven manager será asesinado y hallado en uno de los locales de la propia editorial. Se especula sobre los motivos del asesinato: la amplitud y naturaleza de los proyectos de reestructuración y las amenazas que ha inflingido ...
A la orilla del Támesis, y en una réplica de un palacio veneciano construido en 1830, se halla la editorial Peverell Press, una austera empresa familiar que un joven francés, emprendedor y ambicioso, se ha propuesto relanzar con todos los recursos del marketing y la comunicación modernos. El joven manager será asesinado y hallado en uno de los locales de la propia editorial. Se especula sobre los motivos del asesinato: la amplitud y naturaleza de los proyectos de reestructuración y las amenazas que ha inflingido a determinados trabajadores. Lo único cierto que el detective-poeta Adam Dlagliesh no cuenta con más información que ésta. La investigación será delicada en un ambiente donde descubre las ambiciones por parte de algunos autores, las turbias estrategias financieras, y los romances donde las insospechadas intrigas amorosas le llevarán a nuevas pistas.
With morality-conscious mysteries that do not linger on gore, P. D. James is a sort of anti-Lecter. Her tales are told in the whodunit tradition that prizes character, restraint and the slow unraveling of both a mystery and a social niche.
Few writers have left so indelible an impression on crime fiction as P. D. (Phyllis Dorothy) James, an author whose elegant, bestselling novels have found an appreciative audience among readers and critics alike. James's intricately plotted books are filled with macabre events and shocking twists and turns, yet they are so beautifully written and morally complex that they cannot be dismissed as mere murder mysteries...although, in James's view, there's nothing "mere" about mysteries!
In James's native Britain (home of Wilkie Collins, Graham Greene, and the redoubtable Agatha Christie), the mystery is a time-honored form that has never been considered inferior. James explained her feelings in a 1998 interview with Salon.com: "It isn't easy to make this division and say: That's genre fiction and it's useless, and this is the so-called straight novel and we take it seriously. Novels are either good novels or they're not good novels, and that is the dividing line for me."
Although she always wanted to be a novelist, James came to writing relatively late in life. Her formal schooling ended at 16, when she went to work to help out her cash-strapped parents. In 1941 she married a doctor assigned to the Royal Army Medical Corps. He returned from WWII with a severe mental illness that lasted until his death in 1964, necessitating that James become the family breadwinner. She worked in hospital administration and then in various departments of the British Civil Service until her retirement in 1979. (Her experience navigating the labyrinthine corridors of government bureaucracies has provided a believable backdrop for many of her books.)
James's first novel, Cover Her Face, was published in 1962. An immediate success, it introduced the first of her two longtime series protagonists -- Adam Dalgleish, a police inspector in Scotland Yard and a published poet. Her second recurring character, a young private detective named Cordelia Gray, debuted in 1972's An Unsuitable Job for a Woman. Both Dalgliesh and Cordelia went on to star in a string of international bestsellers.
James has only occasionally departed from her series, most notably for the standalone mystery Innocent Blood (1980) and the dystopian sci-fi classic Children of Men (1992), which was turned into an Oscar-nominated film. In 2000, she published a slender "fragment of autobiography" called A Time to Be Earnest, described by The New York Time Book Review as " deeply moving, and all too short."
Good To Know
In television mini-series that have aired in the U.S. on PBS, British actors Roy Marsden and Martin Shaw have portrayed Adam Dalgliesh and Helen Baxendale has starred as Cordelia Gray.
James explained the essence of a murder mystery in a 2004 essay for Britain's Guardian: "E. M. Forster has written, 'The king died and then the queen died is a story. The king died and the queen died of grief is a plot. The queen died and no one knew why until they discovered it was of grief is a mystery, a form capable of high development.' To that I would add: the queen died and everyone thought it was of grief until they discovered the puncture wound in her throat. That is a murder mystery and, in my view, it too is capable of high development. "
In 1983, James was awarded the OBE. In 1991 she was made a Life Peer (Baroness James of Holland Park).