Five good stories, easy to read, put down, pick up without missing clues
Henning Mankell's Pyramid and Four Other Kurt Wallander Mysteries . . . Henning Mankell is Swedish and has-who would have guessed it-created a Swedish detective in Kurt Wallander. Sweden is a very different country culturally and politically from the U.S. and its policing is different in some respects, similar in others. That gives these short stories and their central character, a police detective, extra dimensions that add interest to each of the different plots. Putting these mysteries together as they are is, to me, almost a stroke of editing genius. These mysteries were written at different times, some have run in newspapers, two have not seen the light of day until this book was published. (Mankell, in his foreword, sets the tone for the stories in the book. Please don't miss it.) Mankell wrote Wallander's First Case long after the others, in response to readers who expressed interest in knowing some back story of Kurt Wallander and how he got to be who he is. The stories, all with good plots and intriguing mysteries, are an easy read; Mankell's style, at least in these mysteries, consists mainly of short sentences, and he wastes few words on long expository or descriptive passages. Each of the stories is very different and also vary greatly in length. Pyramid is the longest, The Man with the Mask the shortest. This is a series-in-a-book, and each story neatly follows the other in an almost novelistic manner. Mankell uses this technique to show the reader how Kurt Wallander evolves from a young cop (Wallander's First Case) on his first job to a full-fledged detective (Pyramid) with 20 years experience to his credit. Each of the five stories grows Wallander, in age, in wisdom, and in his professional life as a respected but generally insecure finder of clues, solver of puzzles. As he works his way through each crime in each story, in the back of his mind there is always some elusive, worrying "thing" that he can't quite grasp and that he believes could be important. We also see the evolution, for better or worse, of Wallander's painful and awkward relationship with his father, his falling into and out of love-and marriage-with Mona, and his deep love for their daughter. He keeps himself to himself, and his generally somber outlook on life reflects the countryside and the climate. Apparently the insecurity that Wallander manifests is not unusual in the Swedish population. Here is how Mankell, who gave life and personality to Wallander, says it: "It was only after I had written the eighth and final installment in the series about Kurt Wallander that I thought of the subtitle I had always sought but never found. When everything, or at least most of it, was over I understood that the subtitle naturally had to be 'Novels about the Swedish Anxiety.'" But whether Wallander is riddled with "Swedish Anxiety" or just the anxiety that in our troubled world today afflicts all of us, unless we are living in a cave somewhere, he makes an interesting detective and these are interesting stories. The plots and the crimes are inventive and have unusual elements and odd twists and characters that kept me-and of course Kurt Wallander-wondering until the last paragraph. An interesting read. Because it's made up of short and connected mysteries featuring the same detective, it's an easy book to read awhile, put down and pick up again, without losing any plot points. Read it, and listen up! Do not neglect the foreword.
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