Positing that bullies only act that way because they're lonely, O'Neill (Loud Emily, 1998) puts seemingly meek, new classmate Katie Sue up against aggressive Mean Jean, swaggering boss of the playground. Knowing but one way to deal with challengers ("she'd push 'em and smoosh 'em/ lollapaloosh 'em, / hammer 'em, slammer 'em/ kitz and kajammer 'em . . ."), Mean Jean roughly tries to set Katie Sue straight on the pecking order. But Katie Sue stands up to her with a cheeky, "How DID you get to be so bossy?" and pulls out a jump rope, inviting Mean Jean to jump along. Presto change-o, a friendship is born. Huliska-Beith's (The Book of Bad Ideas, 2000, etc.) rubbery-limbed figures, rolling perspectives, and neon-bright colors reflect the text's informality as well as its frenzied energy. Though the suggested strategy works far more easily her than it would in real life, young readers will be caught up by Katie Sue's engaging, fizzy exuberance.
--Kirkus Reviews, Dec. 15th, 2001
A schoolyard bully is enlightened by the new kid in class in this lively story about the power of kindness and friendship. "Mean jean was Recess Queen/ and nobody said any different," the tale begins. Each day at recess, Mean Jean blasts through the playground--and her cowering classmates--so that she can kick, swing and bounce before anyone else. No one dare cross her path: "She'd push 'cm and smoosh 'em, lollapaloosh 'em." But when tiny Katie Sue, a new student, arrives, all bets are off. Unaware of the playground hierarchy, the new girl enthusiastically kicks, swings and bounces before the Recess Queen gets the chance. Her role usurped, Mean jean moves toward a meltdown, until Katie Sue makes her an offer she finds difficult to refuse: an invitation to play together. O'Neill's (Loud Emily) text brims with fun-to-say phrases that fit a rollicking rhythm, and her assessment of recess dynamics feels authentic. Huliska-Beith's. (The Book of Bad Ideas) memorable Jean busts out of the pages, all sneer, bluster and freckles. Swirling perspectives in the gouache-and-collage artwork provide a sense of movement and largesse. And humorous details, such as steam coming from Mean Jean's ears, or her bouncing another child like a ball, playfully convey the underlying drama of the situation.
--Publishers Weekly, Jan. 21st 2001
Mean Jean is the recess queen. No one dares touch a ball, swing a bat, or slip down the slide until she says so. Until, that is, the day that Katie Sue shows up at school. Told in a rollicking rhyme, the story offers a lighthearted look at a serious topic in schools and on playgrounds everywhere-the bully. Katie Sue puts Mean Jean in her place in a surprisingly easy way-simply by being too new to know any better. In a nice twist, when confronted by Mean Jean, instead of backing away, the newcomer invites her to play. Thus she is transformed into a likable character at the end of the story, now surrounded by friends on the blacktop rather than foes. Both the text and the art are smart, sassy, and energetic. Rendered in collage and acrylics in vibrant shades of fuchsia, lime green, and azure blue, the illustrations showcase Mean Jean as an over-the-top cartoon character who is frenetic and effervescent. The text effectively dips, swirls, and slants around the action of the art, further marrying the two. This queen would make a perfect pair with another infamous female tyrant, the title character in Barbara Bottner's Bootsie Barker Bites (Putnam, 1992).--School Library Journal, March 2002
Mean Jean the Recess queen is really a bully: “Nobody swung until Mean Jean swung. Nobody kicked until Mean Jean kicked. Nobody bounced until Mean Jean bounced." That is, not until the arrival of teeny new girl Katie Sue, who doesn't scare easy. When Mean jean tries to set the record straight, “Katie Sue talked back! Just as sassy as could be, she said 'How DID you get so bossy?" Mean Jean chas