The Scarecrow (Jack McEvoy Series #2)

by Michael Connelly

Overview

FROM THE #1 BESTSELLING AUTHOR OF THE BOSCH SERIES AND THE LINCOLN LAWYER SERIES

"An addictive read that, once it grabs you in those first few pages, won't let go of you."—Boston Globe

Forced out of the Los Angeles Times amid the latest budget cuts, newspaperman Jack McEvoy decides to go out with a bang, using his final days at the paper to write the definitive murder story of his career.

He focuses on Alonzo Winslow, a sixteen-year-old drug dealer in jail after confessing to a brutal murder. But as he delves into the story, Jack realizes that Winslow's so-called confession is bogus. The kid might actually be innocent.

Jack is soon running with his biggest story since The Poet made his career years ago. He is tracking a killer who operates completely below police radar-and with perfect knowledge of any move against him. Including Jack's.

Product Details

ISBN-13:	9781478948292
Publisher:	Little, Brown and Company
Publication date:	09/25/2018
Series:	Jack McEvoy Series , #2
Edition description:	Reprint
Pages:	576
Product dimensions:	5.10(w) x 7.80(h) x 1.70(d)

About the Author

Michael Connelly is the author of thirty-one novels, including #1 New York Times bestsellers The Late Show and Two Kinds of Truth. Connelly is a former newspaper reporter who has won numerous awards for his journalism and his novels and is the executive producer of Bosch, starring Titus Welliver. He spends his time in California and Florida.

Hometown:

Sarasota, Florida

Date of Birth:

July 21, 1956

Place of Birth:

Philadelphia, Pennsylvania

Education:

B.A. in Journalism, University of Florida, 1980

Website:

http://www.michaelconnelly.com

Editorial Reviews

"Connelly is such a master of the genre... For over two decades, he has been brilliantly updating and enlarging the possibilities of the classic L.A. hard-boiled novel."—Washington Post

"A Connelly novel is a thing of cool beauty."
—Chicago Tribune

"[Michael Connelly] continues to amaze with his consistent skill and sizzle."
—Cleveland Plain Dealer

"Connelly continues to discover new depths to his character and new stories to tell that reveal those depths in always compelling ways."—Booklist (starred review)

"Michael Connelly is the master of the universe in which he lives, and that is the sphere of crime thrillers. This man is so good at what he does."—Huffington Post

From the Publisher

Jack McEvoy, the driving force of Michael Connelly's 2002 The Poet, is back. Times have not been good for this street-savvy crime journalist. Forced into an upcoming buyout by the struggling Los Angeles Times, he's determined to go out with a bang and a Pulitzer. He's certain that his ticket for fame is Alonzo Winslow, a teenage drug dealer trying to scrape his way out of a homicide and rape indictment. Eager to show how society spawned this killer, McEvoy starts probing more deeply into the case, beginning with Winslow's repudiated confession. The more he finds, the more he's convinced that the real killer is still out there.

Sure, the human serial killer grabs the headlines for most of this exquisitely plotted story: He's a standard-issue sicko who murders women and cleverly stages the crime so that an innocent man takes the rap. But the most inspired feature of The Scarecrow is that it's also a meditation on the consequences of the death of print journalism…With its ingenious story line and the twisted brilliance of the creeps involved, The Scarecrow holds its own with its predecessor, which was a breakthrough novel for Connelly.
—The Washington Post

Maureen Corrigan

The Scarecrow, a return to form for Mr. Connelly and his sharpest book since The Lincoln Lawyer, pivots energetically among its subplots, often returning affectionately to the newspaper world.
—The New York Times

Janet Maslin

Connelly, who has the nerve and timing of a whole SWAT team, gives Jack two weeks to find the creep who's been raping and killing attractive long-legged women and dumping their remains in car trunks—if his young replacement doesn't beat him to the story.
—The New York Times Book Review

Marilyn Stasio

Downsized from the Los Angeles Times, crime reporter Jack McEvoy decides to ride one last big story to the moon. There's no mystery about who suffocated stripper Denise Babbit and stuffed her corpse into the trunk of her car, since Alonzo Winslow, 16, confessed to the murder after the LAPD found his fingerprint on the car's mirror. But when Alonzo's mother-or maybe it's his grandmother, or both-nags just-fired Jack to look into the case, he quickly realizes that Alonzo's confession isn't a confession at all. And Angela Cook, the twinkie barracuda Jack's been asked to groom as his replacement, alerts him to the earlier murder of Las Vegas showgirl Sharon Oglevy that has all the earmarks of this one, even though her ex-husband's already locked up for it. Clearly there's a serial killer at work, and clearly, though Jack doesn't realize it, it's Wesley Carver, a computer-security expert whose ability to track everyone on earth through cyberspace makes him uniquely sensitive to who might be on his case, and uniquely empowered to neutralize them. After losing his bank balance and his credit cards to identity theft, however, Jack is rescued by Rachel Walling, the FBI agent whose torrid affair with him enlivened his last big story (The Poet, 1996). The ensuing cat-and-mouse game, duly played out in chapters alternately presented from the viewpoints of Jack and Carver, is accomplished but not especially suspenseful for readers who've seen it before. Despite his cyber-powers, Carver isn't an especially scary villain, nor does Jack shine as a sleuth. But Connelly (The Brass Verdict, 2008, etc.), who's nothing if not professional, keeps the twists coming and provides column-inches of backgroundexpertise-perhaps more than the story needs-on the hard business of hard news and a realistic preview of Jack's likely fate. Middling among the distinguished author's score of thrillers. New fans hooked by this one will be happy to know that his backlist is even richer. Author tour to Washington, D.C., Chicago, New York, Boston, Philadelphia, Atlanta, Ft. Lauderdale, Fla., Nashville

Kirkus Reviews

This guy writes commercial fiction so well, he's going to end up on the "literature" shelves along with Poe if he plays his cards right, and here's one reader who hopes he does.

Los Angeles Times on The Poet

Showcases Connelly's powerful storytelling...one terrific novel.

Houston Chronicle on The Poet

Pulse-pounding...Connelly is one of those masters of structure who can keep driving the story forward, paragraph by paragraph, in runaway-locomotive style.

USA Today on The Poet

Infernally ingenious...an irresistibly readable thriller.

New York Times on The Poet

Connelly nails the death-of-newspapers theme…One of Connelly’s very best.”

Booklist (starred review)

With its ingenious story line and the twisted brilliance of the creeps involved, The Scarecrow holds its own with its predecessor.”

Washington Post

Narrator Peter Giles delivers the crisp and compelling copy with a deadpan tone and a pace that advances like Patton through Italy. Scenes involving the stalking of McEvoy and Walling raise hairs at the back of the listener's neck. Great characters and a satisfying ending cement Connelly's place as one of the best crime novelists working today.

AudioFile

Connelly has the nerve and timing of a whole SWAT team.

New York Times Book Review

High-grade entertainment.

Boston Globe

Ingenious...twisted brilliance.

Washington Post

Crime fiction at its best.

Miami Herald

A return to form for Mr. Connelly and his sharpest book since The Lincoln Lawyer.”

New York Times

L.A. TIMES crime reporter Jack McEvoy reflects the current state of the newspaper business as he fantasizes about freeing a convict who’s not guilty and capturing a vicious serial killer two weeks before he's laid-off. Narrator Peter Giles delivers the crisp and compelling copy with a deadpan tone and a pace that advances like Patton through Italy. Working again with FBI agent Rachel Walling, with whom he worked on a serial killer case in THE POET, McEvoy is a strong character who shows a soft side when he falls in love with Wallling. Scenes involving the stalking of McEvoy and Walling raise hairs at the back of the listener's neck. Great characters and a satisfying ending cement Connelly’s place as one of the best crime novelists working today. R.O. Winner of AudioFile Earphones Award © AudioFile 2009, Portland, Maine

APRIL 2009 - AudioFile