The Third Gate

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This item will be available on June 12, 2012.

Overview

Under the direction of famed explorer Porter Stone, an archaeological team is secretly attempting to locate the tomb of an ancient pharaoh who was unlike any other in history. Stone believes he has found the burial chamber of King Narmer, the near mythical god- king who united upper and lower Egypt in 3200 B.C., and the archaeologist has reason to believe that the greatest prize of all—Narmer’s crown—might be buried with him. No crown of an Egyptian king has ever been discovered, and Narmer’s is the elusive “double” crown of the two Egypts, supposedly pos­sessed of awesome powers.

The dig itself is located in one of the most forbidding places on ...

See more details below

Overview

Under the direction of famed explorer Porter Stone, an archaeological team is secretly attempting to locate the tomb of an ancient pharaoh who was unlike any other in history. Stone believes he has found the burial chamber of King Narmer, the near mythical god- king who united upper and lower Egypt in 3200 B.C., and the archaeologist has reason to believe that the greatest prize of all—Narmer’s crown—might be buried with him. No crown of an Egyptian king has ever been discovered, and Narmer’s is the elusive “double” crown of the two Egypts, supposedly pos­sessed of awesome powers.

The dig itself is located in one of the most forbidding places on earth—the Sudd, a nearly  impassable swamp in north­ern Sudan. Amid the nightmarish, disorienting tangle of mud and dead vegetation, a series of harrowing and inexpli­cable occurrences are causing people on the expedition to fear a centuries- old curse. With a monumental discovery in reach, Professor Jeremy Logan is brought onto the project to investigate. What he finds will raise new questions . . . and alarm.

In the hands of master storyteller Lincoln Child, The Third Gate breaks new ground and introduces a fascinating new protagonist to the thriller world.

Editorial Reviews

Publishers Weekly
Bestseller Child (Terminal Freeze) more than succeeds in making a mummy’s curse terrifying in this superb supernatural thriller. Yale medieval history professor Jeremy Logan has such a reputation as a professional “enigmalogist” (someone who investigates ghosts and mythic creatures) that wealthy treasure hunter Porter Stone recruits Logan to assist his team with a dangerous excavation in Egypt. Stone believes he’s found the location of the tomb of Narmer, a legendary pharaoh, but it’s in the forbidding area known as the Sudd, a huge inaccessible swamp. Stone’s expedition has been plagued by a series of bizarre events, from equipment failure to the disappearance of 200 pounds of meat, occurrences that may be the result of a warning Narmer inscribed in stone of the fate awaiting those who violate his final resting place. Child evokes fear through understatement, and his characters are much more than the paper-thin puppets of similarly themed novels. Readers will hope to see more of Logan in a sequel. Agent: Eric Simonoff, William Morris Endeavor. (June)
Library Journal
Famous treasure hunter Porter Stone is on the hunt in the most unlikely place in the world. The Sudd, a forsaken wasteland that is neither land nor water south of the Egyptian border, may be the final resting place of Narmer, the king/pharaoh who united the kingdoms of Upper and Lower Egypt nearly 5000 years ago. Narmer's curse over his tomb is particularly vicious, and when strange occurrences begin to appear to match the curse, Porter's crew of archaeologists, engineers, and scientists is spooked. Enigmalogist Jeremy Logan must separate truth from legend, true danger from bizarre and paranormal phenomena, before the crew can find and enter Narmer's tomb. VERDICT Child (4Terminal Freeze) has written a fast-paced, twisty archaeological adventure tale that is well researched and tightly constructed to grab readers and leave them gasping for breath. [See Prepub Alert, 12/12/11.]—Cynde Suite, Bartow Cty. Lib. Syst., Cartersville, GA
Kirkus Reviews
When setting out to investigate Near-Death Experiences, it's best to employ an "enigmalogist." In Child's (Terminal Freeze, 2009, etc.) latest adventure, Dr. Jeremy Logan, Yale professor of Medieval History, has the right resumé, and his new client, H. Porter Stone, provides the enigma. Stone is the James Cameron of treasure hunters, and his current dig seeks the "holy grail of Egyptology," the secrets of the tomb (cursed, no doubt) of Narmer, the Pharaoh who united Egypt and became its first God-King. Logan is the man for the job, having exorcised ghosts and discovered links to legendary treasures around the globe, and thus he has Stone's respect and support. That means Logan is soon ensconced atop the Sudd, a vast primeval swamp beyond the far southern reaches of the Nile. There, Stone has constructed a fabulous floating exploratory complex, attempting to burrow 45 feet through a near-impenetrable mishmash of muddy water, "mire, and silt, and particulate matter, and foul decay as old as the oldest tomb," to find the three chambers of Narmer's legendary tomb. There are assorted characters in play, none beyond stock, including Jennifer Rush, wife of the head of the Center for Transmortality Studies. Ethan Rush is Logan's former classmate and his contact on this escapade. Jennifer was returned from post-car crash dead after 14 minutes, apparently equipped to indulge a representation of the soul of Queen Niethotep, Narmer's devious and ambitious consort. Niethotep speaks through Jennifer to apply the requisite curse. Stone and company defiantly access the funeral chambers, the quest for knowledge and fame outweighing superstition. There are drownings, deaths, methane explosions, and repercussions between Stone, the techno-types and the obligatory attractive young female Egyptologist. Ample gadgetry, New Age soul-shifting, and pyrotechnics sufficient to employ a stable of stuntmen when brought to film: Child's newest is the sort of thing to delight all those who got wrapped up in The Mummy. Think, a Dan Brown-ian adventure amongst Pharaohs ready with a pocket full of curses.

Product Details

  • ISBN-13: 9780385531382
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 6/12/2012
  • Pages: 320
  • Sales rank: 332
  • Product dimensions: 6.37 (w) x 9.50 (h) x 1.21 (d)

Meet the Author

Lincoln Child
Lincoln Child

LINCOLN CHILD is the New York Times best-selling author of Terminal Freeze, Deep Storm, Death Match, and Utopia, as well as coauthor, with Douglas Preston, of numerous New York Times best sellers, most recently Fever Dream. He lives with his wife and daughter in Morristown, New Jersey.

Biography

Born in Westport, CT, in 1958, Lincoln Child grew up with a consuming interest in writing. (On his website, he acknowledges several short stories from his youth and two "exquisitely embarrassing" novels penned in high school -- and currently kept under lock and key!) He graduated from Carleton College in Minnesota with a degree in English. In 1979, he moved to New York to pursue a career in publishing and was hired by St. Martin's Press as an editorial assistant. By 1984, he had worked his way up to full editor.

It was around this time that Child met Douglas Preston, a writer employed by the American Museum of Natural History. Author and editor bonded while working together on the nonfiction book Dinosaurs in the Attic; and when the project ended, Preston treated Child to a private midnight tour of the AMNH. The excursion proved fateful: Exploring the deserted corridors and darkened nooks and crannies of the museum, Child turned to Preston and said, "This would make the perfect setting for a thriller!" Although the book would not see print until 1995, the idea for Relic was born that night, cementing a friendship and launching a unique cross-country writing partnership.

Child left St. Martin's in 1987 to went to work for MetLife as a systems analyst. Shortly after the publication of Relic, he resigned his position to become a full-time writer. Subsequent collaborations with Preston have produced an intriguing string of interconnected novels that are less a series than what the authors call a "pangea." The books are self-contained, but the stories take place in the same universe and they share events and characters -- including many introduced in Relic. Readers obviously enjoy this cross-pollination, since the Preston-Child thrillers turn up regularly on the bestseller charts.

In 2002, Child released his first solo novel, Utopia, the story of a futuristic amusement park held hostage by a group of techno-terrorists. Other solo works have followed, blending cutting-edge science and high-octane thrills. Preston, too, has produced fiction and nonfiction on his own, and the two men continue their successful collaborations. It's an arrangement that suits both writers to a tee.

Good To Know

While at St. Martin's, Lincoln Child assembled several collections of ghost and horror stories. He also founded the company's mass-market horror division.

On his website, Child lists the following among his interests: pre-1950s literature and poetry; post-1950s popular fiction; playing the piano, various MIDI instruments, and the 5-string banjo; English and American history; motorcycles; architecture; classical music, early jazz, blues, and R&B; exotic parrots; esoteric programming languages; mountain hiking; bow ties; Italian suits; fedoras; archaeology; and multiplayer deathmatching.

In our interview Child shared some fun and fascinating personal anecdotes.

"I try to write about things, places, events, and phenomena I know about personally. That helps make the novels more genuine. My grandmother, Nora Kubie, who was herself a published novelist, always gave me that advice. And it's probably the best I've received, or for that matter given. I even try to make use of my personal eccentricities and quirks. I hate subways, for example, and in such works as Reliquary I tried to instill -- or at least convey -- that groundless but persistent fear."

"My first job out of college was as an editorial assistant in a New York publishing house. Being an editorial assistant is the purgatory would-be editors must endure before they can ascend the ladder and begin acquiring books on their own. I spent a year filing paperwork, writing copy, and typing rejection letters."

"For me, writing never gets easier. It's always hard work. It doesn't matter how many words you wrote the day before, or how many novels you've completed in the last decade: every day you start fresh again with that same blank page, or that same blank screen. As long as the work, and the finished product, remains fresh and important to a writer -- and the day it stops being important to me is the day I'll lay down my pen -- said writer can never allow himself to coast, or go soft, or recycle old material, or take the easy way out."

"I like exotic parrots, motorcycles, wine from Pauillac, playing the piano and the banjo, the poetry of John Keats, the music of Fats Waller, collecting old books and new guitars, computer FPS and RPG games, and preparing dishes like caneton a l'Orange and desserts like soufflé au chocolat."

Read an Excerpt

The Third Gate

A Novel
By Lincoln Child

Doubleday

Copyright © 2012 Lincoln Child
All right reserved.

ISBN: 9780385531382

1

Three Years Later

Growing up in Westport, currently teaching at Yale, Jeremy Logan thought himself familiar with his home state of Connecticut. But the stretch through which he now drove was a revelation. Heading east from Groton—­following the e-­mailed directions—­he’d turned onto US 1 and then, just past Stonington, onto US 1 Alternate. Hugging the gray Atlantic coastline, he’d passed Wequetequock, rolled over a bridge that looked as old as New England itself, then turned sharply right onto a well-­paved but unmarked road. Quite abruptly, the minimalls and tourist motels fell away behind. He passed a sleepy cove in which lobster boats bobbed at anchor, and then entered an equally sleepy hamlet. And yet it was a real village, a working village, with a general store and a tackle shop and an Episcopal church with a steeple three sizes too large, and gray-­shingled houses with trim picket fences painted white. There were no hulking SUVs, no out-­of-­state plates; and the scattering of people sitting on benches or leaning out of front windows waved to him as he passed. The April sunlight was strong, and the sea air had a clean, fresh bite to it. A signboard hanging from the doorframe of the post office informed him he was in Pevensey Point, population 182. Something about the place reminded him irresistibly of Herman Melville.

“Karen,” he said, “if you’d seen this place, you’d never have made us buy that summer cottage in Hyannis.”

Although his wife had died of cancer years ago, Logan still allowed himself to converse with her now and then. Of course it was usually—­though not always—­more monologue than conversation. At first, he’d been sure to do it only when he was certain not to be overheard. But then—­as what had started as a kind of intellectual hobby for him turned increasingly into a profession—­he no longer bothered to be so discreet. These days, judging by what he did for a living, people expected him to be a little strange.

Two miles beyond the town, precisely as the directions indicated, a narrow lane led off to the right. Taking it, Logan found himself in a sandy forest of thin scrub pine that soon gave way to tawny dunes. The dunes ended at a metal bridge leading to a low, broad island jutting out into Fishers Island Sound. Even from this distance, Logan could see there were at least a dozen structures on the island, all built of the same reddish-­brown stone. At the center were three large five-­story buildings that resembled dormitories, arranged in parallel, like dominos. At the far end of the island, partly concealed by the various structures, was an empty airstrip. And beyond everything lay the ocean and the dark green line of Rhode Island.

Logan drove the final mile, stopping at a gatehouse before the bridge. He showed the printed e-­mail to the guard inside, who smiled and waved him through. A single sign beside the gatehouse, expensive looking but unobtrusive, read simply cts.

He crossed the bridge, passed an outlying structure, and pulled into a parking lot. It was surprisingly large: there were at least a hundred cars and space for as many more. Nosing into one of the spots, he killed the engine. But instead of exiting, he paused to read the e-­mail once again.

Jeremy,

I’m pleased—­and relieved—­to hear of your acceptance. I also appreciate your being flexible, since as I mentioned earlier there’s no way yet to know how long your investigation will take. In any case you’ll receive a minimum of two weeks’ compensation, at the rate you specified. I’m sorry I can’t give you more details at this point, but you’re probably used to that. And I have to tell you I can’t wait to see you again after all this time.

Directions to the Center are below. I’ll be waiting for you on the morning of the 18th. Any time between ten and noon will be fine. One other thing: once you’re on board with the project, you might find it hard to get calls out with any degree of certainty, so please be sure you’ve cleared your decks before you arrive. Looking forward to the 18th!

Best,

E. R.

Logan glanced at his watch: eleven thirty. He turned the note over once in his hands. You might find it hard to get calls out with any degree of certainty. Why was that? Perhaps cell phone towers had never made it beyond picturesque Pevensey Point? Nevertheless, what the e-­mail said was true: he was “used to that.” He pulled a duffel bag from the passenger seat, slipped the note into it, and got out of the car.

Located in one of the central dormitory-­like buildings, Reception was an understated space that reminded Logan of a hospital or clinic: a half-­dozen empty chairs, tables with magazines and journals, a sprinkling of anonymous-­looking oil paintings on beige walls, and a single desk occupied by a woman in her mid-­thirties. The letters CTS were set into the wall behind her, once again with no indication of what they might stand for.

Logan gave his name to the woman, who in response looked at him with a mixture of curiosity and uneasiness. He took a seat in one of the vacant chairs, expecting a protracted wait. But no sooner had he picked up a recent issue of Harvard Medical Review than a door across from the receptionist opened and Ethan Rush emerged.

“Jeremy,” Rush said, smiling broadly and extending his hand. “Thank you so much for coming.”

“Ethan,” Logan replied, shaking the proffered hand. “Nice to see you again.”

He hadn’t seen Rush since their days at Johns Hopkins twenty years before, when he’d been doing graduate studies and Rush had been attending the medical school. But the man who stood before him retained a remarkable youthfulness. Only a fine tracery of lines at the corners of his eyes bore testament to the passage of years. And yet in the simple act of shaking the man’s hand, Logan had received two very clear impressions from Rush: a shattering, life-­changing event and an unswerving, almost obsessive, devotion to a cause.

Dr. Rush glanced around the reception area. “You brought your luggage?”

“It’s in my trunk.”

“Give me the keys, I’ll see that somebody retrieves it for you.”

“It’s a Lotus Elan S four.”

Rush whistled. “The roadster? What year?”

“Nineteen sixty-­eight.”

“Very nice. I’ll make sure they treat it with kid gloves.”

Logan dug into his pocket and handed the keys to Rush, who in turn gave them to the receptionist with some whispered instructions. Then he turned and motioned Logan to follow him through the open doorway.

Taking an elevator to the top floor, Rush led the way down a long hallway that smelled faintly of cleaning fluid and chemicals. The resemblance to a hospital grew stronger—­and yet it seemed to be a hospital without patients; the few people they passed were dressed in street clothes, ambulatory, and obviously healthy. Logan peered curiously into the open doorways as they walked by. He saw conference rooms, a large, empty lecture hall with seats for at least a hundred, laboratories bristling with equipment, what appeared to be a reference library full of paperbound journals and dedicated terminals. More strangely, he noticed several apparently identical rooms, each containing a single, narrow bed with literally dozens—­if not hundreds—­of wires leading to nearby monitoring instruments. Other doors were closed, their small windows covered by privacy curtains. A group of men and women in white lab coats passed them in the hallway. They glanced at Logan, nodded to Rush.

Stopping before a door marked director, Rush opened it and beckoned Logan through an anteroom housing two secretaries and a profusion of bookcases into a private office beyond. It was tastefully decorated, as minimalist as the outer office was crowded. Three of the walls held spare postmodernist paintings in cool blues and grays; the fourth wall appeared to be entirely of glass, covered at the moment by blinds.

In the center of the room was a teakwood table, polished to a brilliant gleam and flanked by two leather chairs. Rush took one and ushered Logan toward the other.

“Can I offer you anything?” the director asked. “Coffee, tea, soda?”

Logan shook his head.

Rush crossed one leg over the other. “Jeremy, I have to be frank. I wasn’t sure you’d be willing to take on this assignment, given how busy you are . . . and how closemouthed I was concerning the particulars.”

“You weren’t sure—­even given the fee I charged?”

Rush smiled. “It’s true—­your fee is certainly healthy. But then your, ah, work has become somewhat high profile recently.” He hesitated. “What is it you call your profession again?”

“I’m an enigmalogist.”

“Right. An enigmalogist.” Rush glanced curiously at Logan. “And it’s true you were able to document the existence of the Loch Ness monster?”

“You’d have to take that up with my client for that particular assignment, the University of Edinburgh.”

“Serves me right for asking.” Rush paused. “Speaking of universities, you are a professor, aren’t you?”

“Medieval history. At Yale.”

“And what do they think of your other profession at Yale?”

“High visibility is never a problem. It helps guarantee a large admissions pool.” Logan glanced around the office. He’d often found that new clients preferred to talk about his past accomplishments. It postponed discussion of their own problems.

“I remember those . . . investigations you did at the Peabody Institute and the Applied Physics Lab back in school,” Rush said. “Who would have thought they’d lead you to this?”

“Not me, certainly.” Logan shifted in his seat. “So. Care to tell me just what CTS stands for? Nothing around here seems to give any clue.”

“We do keep our cards pretty close to our vest. Center for Transmortality Studies.”

“Transmortality Studies,” Logan repeated.

Rush nodded. “I founded CTS two years ago.”

Logan glanced at him in surprise. “You founded the Center?”

Rush took a deep breath. A grim look came over his face. “You see, Jeremy, it’s like this. Just over three years ago, I was working an ER shift when my wife, Jennifer, was brought in by paramedics. She’d been in a terrible accident and was completely unresponsive. We tried everything—­heart massage, paddles—­but it was hopeless. It was the worst moment of my life. There I was, not only unable to save my own wife . . . but I was expected to pronounce her dead, as well.”

Logan shook his head in sympathy.

“Except that I didn’t. I couldn’t bring myself to do it. Against the advice of the assisting doctors I continued heroic measures.” He leaned forward. “And, Jeremy—­she pulled through. I finally revived her, fourteen minutes after all brain function had ceased.”

“How?”

Continues...

Excerpted from The Third Gate by Lincoln Child Copyright © 2012 by Lincoln Child. Excerpted by permission of Doubleday, a division of Random House, Inc.
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