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#1)","productType","Paperback","9780063440012","description","In this exclusive authorized edition from the Queen of Mystery comes the first Miss Marple mystery wherein a dead body in a clergyman’s study proves to the indomitable sleuth that no place, holy or otherwise, is a sanctuary from homicide—now with a stunning new look and special foreword by Lucy Foley.Miss Marple encounters a compelling murder mystery in the sleepy little village of St. Mary Mead, where under the seemingly peaceful exterior of an English country village lurks intrigue, guilt, deception and death.Colonel Protheroe, local magistrate and overbearing land-owner is the most detested man in the village. Everyone—even in the vicar—wishes he were dead. And very soon he is--shot in the head in the vicar's own study. Faced with a surfeit of suspects, only the inscrutable Miss Marple can unravel the tangled web of clues that will lead to the unmasking of the killer.","descriptionHtml","

In this exclusive authorized edition from the Queen of Mystery comes the first Miss Marple mystery wherein a dead body in a clergyman’s study proves to the indomitable sleuth that no place, holy or otherwise, is a sanctuary from homicide—now with a stunning new look and special foreword by Lucy Foley.

Miss Marple encounters a compelling murder mystery in the sleepy little village of St. Mary Mead, where under the seemingly peaceful exterior of an English country village lurks intrigue, guilt, deception and death.

Colonel Protheroe, local magistrate and overbearing land-owner is the most detested man in the village. Everyone—even in the vicar—wishes he were dead. And very soon he is--shot in the head in the vicar's own study. Faced with a surfeit of suspects, only the inscrutable Miss Marple can unravel the tangled web of clues that will lead to the unmasking of the killer.

","featuredImage",{"_41":1932,"_54":1933,"_56":1934,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/47636970045681","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780063440012_p0.jpg?v=1765253422",1331,2000,"altText","priceRange",{"_1939":1940},"minVariantPrice",{"_1941":1942,"_1943":1944},"amount","18.99","currencyCode","USD","availableForSale","compareAtPriceRange",{"_1939":1948,"_1950":1951},{"_1941":1949,"_1943":1944},"0.0","maxVariantPrice",{"_1941":1949,"_1943":1944},"variants",{"_1954":1955},"nodes",[1956],{"_41":1957,"_1945":59,"_1958":59,"_1959":-5,"_707":1960,"_1961":1962,"_1963":1964,"_1965":1966,"_1971":1925,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46229931000049","requiresShipping","compareAtPrice",{"_41":1932,"_54":1933,"_1936":-5,"_56":1934,"_50":1935},"price",{"_1941":1942,"_1943":1944},"product",{"_72":1922,"_825":1925},"selectedOptions",[1967],{"_796":1968,"_1969":1970},"Title","value","Default Title","sku","unitPrice","webPromotions","ean",{"_1969":1925},"parentFormat",{"_1969":1924},"generalProperties","metafields",[1981,1988,1992,1995,1998,-5,2000,2004,2008,2012,2016,-5,-5,2020,-5,2022,2026,2031],{"_41":1982,"_1983":1984,"_1985":1986,"_1969":1987},"gid://shopify/Metafield/39044103307505","namespace","bnb","key","keyContributor","[{\"contributorId\":170686,\"fullName\":\"Agatha Christie\",\"jobName\":\"Author\",\"sequenceNumber\":1},{\"contributorId\":499981,\"fullName\":\"Lucy Foley\",\"jobName\":\"Foreword by\",\"sequenceNumber\":2}]",{"_41":1989,"_1983":1984,"_1985":1990,"_1969":1991},"gid://shopify/Metafield/39044103733489","seriesTitle","Miss Marple Series",{"_41":1993,"_1983":1984,"_1985":1994,"_1969":889},"gid://shopify/Metafield/39044103897329","seriesNumber",{"_41":1996,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/39044104356081","parentSecondaryFormat",{"_41":1999,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/39044102619377",{"_41":2001,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/39044104552689","formatId","121",{"_41":2005,"_1983":1984,"_1985":2006,"_1969":2007},"gid://shopify/Metafield/39044106682609","commentary","[{\"id\":\"118589362T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"

“Agatha Christie taught me two things: that plotting mysteries was an art, and that a woman detective could be as strong a character as a male detective.” - Charles Todd, New York Times bestselling author of the Ian Rutledge mysteries and Bess Crawford mysteries

\\\"The Murder at the Vicarage was my gateway drug into crime fiction at the age of nine and I've never regretted the addiction!\\\" - Val McDermid, award-winning author of the Tony Hill and Carol Jordan series

“When she really hits her stride, as she does here, Agatha Christie is hard to surpass.” - Saturday Review of Literature

\"},{\"id\":\"118589364T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"

Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She died in 1976, after a prolific career spanning six decades.

Lucy Foley is a #1 Sunday Times, Irish Times and New York Times bestselling author. More than 10 million copies of her books are in print worldwide, and several are currently being adapted for the screen. She is a Waterstones Thriller of the Month author, a three-time nominee at the British Book Awards, and The Guest List was a Reese’s Book Club selection and winner of the Goodreads Choice Award for Mystery Thriller. As a life-long Agatha Christie fan, Lucy has drawn immeasurable inspiration from the Queen of Crime. She was one of 12 writers to contribute to Marple, a collection of short stories featuring the beloved detective. And in Murder at the Grand Alpine Hotel, she was inspired to transport Miss Marple – her favorite Christie creation – to the glamorous post-war setting of the Swiss Alps, in a mystery that feels gloriously escapist yet utterly relevant to our times.

\"},{\"id\":\"74378250T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She died in 1976, after a prolific career spanning six decades.

Lucy Foley studied English Literature at Durham University and University College London and worked for several years as a fiction editor in the publishing industry. She is the author of seven novels, including The Midnight Feast, The Paris Apartment, The Guest List, and The Hunting Party. She lives in England.

\"},{\"id\":\"130227121T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"3\",\"text\":\"

Lucy Foley is a #1 Sunday Times, Irish Times and New York Times bestselling author. More than 10 million copies of her books are in print worldwide, and several are currently being adapted for the screen. She is a Waterstones Thriller of the Month author, a three-time nominee at the British Book Awards, and The Guest List was a Reese's Book Club selection and winner of the Goodreads Choice Award for Mystery Thriller. As a life-long Agatha Christie fan, Lucy has drawn immeasurable inspiration from the Queen of Crime. She was one of 12 writers to contribute to Marple, a collection of short stories featuring the beloved detective. And in Murder at the Grand Alpine Hotel, she was inspired to transport Miss Marple - her favorite Christie creation - to the glamorous post-war setting of the Swiss Alps, in a mystery that feels gloriously escapist yet utterly relevant to our times.

\"},{\"id\":\"74378247T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"4\",\"text\":\"

Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She died in 1976, after a prolific career spanning six decades.

\"},{\"id\":\"108670224T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"5\",\"text\":\"

\"}]",{"_41":2009,"_1983":1984,"_1985":2010,"_1969":2011},"gid://shopify/Metafield/39044105961713","seoKeywords","The-Murder-at-the-Vicarage/Agatha-Christie",{"_41":2013,"_1983":1984,"_1985":2014,"_1969":2015},"gid://shopify/Metafield/39044101964017","workId","1100153967",{"_41":2017,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39044104192241","skuType","book",{"_41":2021,"_1983":1984,"_1985":1974,"_1969":1925},"gid://shopify/Metafield/39044099080433",{"_41":2023,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39044104749297","isEligibleForFreeShipping","true",{"_41":2027,"_1983":2028,"_1985":2029,"_1969":2030},"gid://shopify/Metafield/88212995571953","reviews","rating","{\"scale_min\":\"1.0\",\"scale_max\":\"5.0\",\"value\":\"3.3\"}",{"_41":2032,"_1983":2028,"_1985":2033,"_1969":897},"gid://shopify/Metafield/88212995539185","rating_count",{"_1919":1920,"_41":2035,"_72":2036,"_1923":1924,"_825":2037,"_1926":2038,"_1928":2039,"_1930":2040,"_1937":2044,"_1945":59,"_1946":2046,"_1952":2049,"_1973":-5,"_1974":2058,"_1976":2059,"_1978":-5,"_1979":2060},"gid://shopify/Product/8833486913777","The Body in the Library (Miss Marple Series #2)","9780063214019","Now with a beautiful new series look, the iconic Miss Marple must investigate the case of a girlfound dead in Agatha Christie’s classicmystery.It’s seven in the morning. The Bantrys wake to find the body of a young woman in their library. She is wearing an evening dress and heavy makeup, which is now smeared across her cheeks. But who is she? How did she get there? And what is the connection with another dead girl, whose charred remains are later discovered in an abandoned quarry?The respectable Bantrys invite Miss Marple into their home to investigate. Amid rumors of scandal, she baits a clever trap to catch a ruthless killer.","

Now with a beautiful new series look, the iconic Miss Marple must investigate the case of a girl
found dead in Agatha Christie’s classic
mystery.

It’s seven in the morning. The Bantrys wake to find the body of a young woman in their library. She is wearing an evening dress and heavy makeup, which is now smeared across her cheeks. But who is she? How did she get there? And what is the connection with another dead girl, whose charred remains are later discovered in an abandoned quarry?

The respectable Bantrys invite Miss Marple into their home to investigate. Amid rumors of scandal, she baits a clever trap to catch a ruthless killer.

",{"_41":2041,"_54":2042,"_56":2043,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/47635628032241","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780063214019_p0.jpg?v=1784307110",1375,{"_1939":2045},{"_1941":1942,"_1943":1944},{"_1939":2047,"_1950":2048},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":2050},[2051],{"_41":2052,"_1945":59,"_1958":59,"_1959":-5,"_707":2053,"_1961":2054,"_1963":2055,"_1965":2056,"_1971":2037,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46229370962161",{"_41":2041,"_54":2042,"_1936":-5,"_56":2043,"_50":1935},{"_1941":1942,"_1943":1944},{"_72":2036,"_825":2037},[2057],{"_796":1968,"_1969":1970},{"_1969":2037},{"_1969":1924},[2061,2064,2066,2069,2071,-5,2073,2075,2078,2081,2084,-5,-5,2086,-5,2088,2090,2093],{"_41":2062,"_1983":1984,"_1985":1986,"_1969":2063},"gid://shopify/Metafield/39020537577713","[{\"contributorId\":170686,\"fullName\":\"Agatha Christie\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":2065,"_1983":1984,"_1985":1990,"_1969":1991},"gid://shopify/Metafield/39020537741553",{"_41":2067,"_1983":1984,"_1985":1994,"_1969":2068},"gid://shopify/Metafield/39020537807089","2",{"_41":2070,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/39020538102001",{"_41":2072,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/39020537348337",{"_41":2074,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/39020538167537",{"_41":2076,"_1983":1984,"_1985":2006,"_1969":2077},"gid://shopify/Metafield/39020539478257","[{\"id\":\"74357718T\",\"type\":\"Excerpt\",\"linkText\":\"Read an Excerpt\",\"typeId\":\"1005\",\"abbr\":\"EXC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"

Chapter One

Mrs. Bantry was dreaming. Her sweet peas had just taken a First at the flower show. The vicar, dressed in cassock and surplice, was giving out the prizes in church. His wife wandered past, dressed in a bathing suit, but, as is the blessed habit of dreams, this fact did not arouse, the disapproval of the parish in the way it would assuredly have done in real life.

Mrs. Bantry was enjoying her dream a good deal. She usually did enjoy those early-morning dreams that were terminated by the arrival of tea. Somewhere in her inner consciousness was an awareness of the usual noises of the household. The rattle of the curtain rings on the stairs as the housemaid drew them, the noises of the second housemaid's dustpan and brush in the passage outside. In the distance the heavy noise of the front-door bolt being drawn back.

Another day was beginning. In the meantime she must extract as much pleasure as possible from the flower show, for already its dreamlike quality was becoming apparent.

Below her was the noise of the big wooden shutters in the drawing room being opened. She heard it, yet did not hear it. For quite half an hour longer the usual household noises would go on, discreet, subdued, not disturbing because they were so familiar. They would culminate in a swift, controlled sound of footsteps along the passage, the rustle of a print dress, the subdued chink of tea things as the tray was deposited on the table outside, then the soft knock and the entry of Mary to draw the curtains.

In her sleep Mrs. Bantry frowned. Something disturbing was penetrating through the dream state, something out of its time. Footsteps alongthe passage, footsteps that were too hurried and too soon. Her ears listened unconsciously for the chink of china, but there was no chink of china.

The knock came at the door. Automatically, from the depths of her dream, Mrs. Bantry said, \\\"Come in.\\\" The door opened; now there would be the chink of curtain rings as the curtains were drawn back.

But there was no chink of curtain rings. Out of the dim green light Mary's voice came, breathless, hysterical. \\\"Oh, ma'am, oh, ma'am, there's a body in the library! \\\"

And then, with a hysterical burst of sobs, she rushed out of the room again.

Mrs. Bantry sat up in bed.

Either her dream had taken a very odd turn or else--or else Mary had really rushed into the room and had said--incredibly fantastic!--that there was a body in the library.

\\\"Impossible,\\\" said Mrs. Bantry to herself. \\\"I must have been dreaming.\\\"

But even as she said it, she felt more and more certain that she had not been dreaming; that Mary, her superior self-controlled Mary, had actually uttered those fantastic words.

Mrs. Bantry reflected a minute and then applied an urgent conjugal elbow to her sleeping spouse. \\\"Arthur, Arthur, wake up.\\\"

Colonel Bantry grunted, muttered and rolled over on his side.

\\\"Wake up, Arthur. Did you hear what she said?\\\"

\\\"Very likely,\\\" said Colonel Bantry indistinctly. \\\"I quite agree with you, Dolly,\\\" and promptly went to sleep again.

Mrs. Bantry shook him. \\\"You've got to listen. Mary came in and said that there was a body in the library.\\\"

\\\"Eh, what?\\\"

\\\"A body in the library.\\\"

\\\"Who said so?\\\"

\\\"Mary.\\\"

Colonel Bantry collected his scattered faculties and proceeded to deal with the situation. He said, \\\"Nonsense, old girl! You've been dreaming.\\\"

\\\"No, I haven't. I thought so, too, at first. But I haven't. She really came in and said so.\\\"

\\\"Mary came in and said there was a body in the library?\\\"

\\\"Yes.\\\"

\\\"But there couldn't be,\\\" said Colonel Bantry.

\\\"No-no, I suppose not,\\\" said Mrs. Bantry doubtfully. Rallying, she went on, \\\"But then why did Mary say there was?\\\"

\\\"She can't have.\\\"

\\\"She did.\\\"

\\\"You must have imagined it.\\\"

\\\"I didn't imagine it.\\\"

Colonel Bantry was by now thoroughly awake and prepared to deal with the situation on its merits. He said kindly, \\\"You've been dreaming, Dolly. It's that detective story you were reading--The Clue of the Broken Match. You know, Lord Edgbaston finds a beautiful blonde dead on the library hearthrug. Bodies are always being found in libraries in books. I've never known a case in real life.\\\"

\\\"Perhaps you will now,\\\" said Mrs. Bantry. \\\"Anyway, Arthur, you've got to get up and see.\\\"

\\\"But really, Dolly, it must have been a dream. Dreams often do seem wonderfully vivid when you first wake up. You feel quite sure they're true.\\\"

\\\"I was having quite a different sort of dream about a flower show and the vicar's wife in a bathing dress--something like that.\\\" Mrs. Bantry jumped out of bed and pulled back the curtains. The light of a fine autumn day flooded the room.

\\\"I did not dream it,\\\" said Mrs. Bantry firmly. \\\"Get up at once, Arthur, and go downstairs and see about it.\\\"

\\\"You want me to go downstairs and ask if there's a body in the library? I shall look a fool.\\\"

\\\"You needn't ask anything,\\\" said Mrs. Bantry. \\\"if there is a body--and of course it's just possible that Mary's gone mad and thinks she sees things that aren't there--well, somebody will tell you soon enough. You won't have to say a word.\\\"

Grumbling, Colonel Bantry wrapped himself in his dressing gown and left the room. He went along the passage and down the staircase. At the foot of it was a little knot of huddled servants; some of them were sobbing.

The butler stepped forward impressively. \\\"I'm glad you have come, sir. I have directed that nothing should be done until you came. Will it be in order for me to ring up the police, sir?\\\"

\\\"Ring 'em up about what?\\\"

\"},{\"id\":\"118565003T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"

“Genuine old-crusted Christie.” - Time magazine

“Professional detectives are no match for elderly spinsters… it is hard not to be impressed.” - Times Literary Supplement (London)

“One of the most ingeniously contrived of all her murder stories.” - Birmingham Post

“Agatha Christie has made it awfully hard for the rest of us, because whenever we think of a clever twist—she’s already done it.” - Elizabeth Peters, New York Times bestselling author of the Amelia Peabody novels

\"},{\"id\":\"79293032T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

There’s never a bad time for an Agatha Christie novel. And, lucky for us, the Christie estate is reissuing all the Miss Marple titles in a yearlong program. Jane Marple isn’t a detective by profession — however, we’re none the wiser because of her ability to always crack the case!

\"},{\"id\":\"118565006T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"

\"},{\"id\":\"74357724T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She died in 1976, after a prolific career spanning six decades.

\"},{\"id\":\"18541849T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"3\",\"text\":\"

\"},{\"id\":\"108698799T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"4\",\"text\":\"

\"},{\"id\":\"74357722T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"5\",\"text\":\"Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She died in 1976.

\"}]",{"_41":2079,"_1983":1984,"_1985":2010,"_1969":2080},"gid://shopify/Metafield/39020538986737","The-Body-in-the-Library/Agatha-Christie",{"_41":2082,"_1983":1984,"_1985":2014,"_1969":2083},"gid://shopify/Metafield/39020537184497","1100151621",{"_41":2085,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39020538003697",{"_41":2087,"_1983":1984,"_1985":1974,"_1969":2037},"gid://shopify/Metafield/39020536135921",{"_41":2089,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39020538265841",{"_41":2091,"_1983":2028,"_1985":2029,"_1969":2092},"gid://shopify/Metafield/72754782339313","{\"scale_min\":\"1.0\",\"scale_max\":\"5.0\",\"value\":\"4.3\"}",{"_41":2094,"_1983":2028,"_1985":2033,"_1969":2095},"gid://shopify/Metafield/72754782306545","9",{"_1919":1920,"_41":2097,"_72":2098,"_1923":1924,"_825":2099,"_1926":2100,"_1928":2101,"_1930":2102,"_1937":2107,"_1945":59,"_1946":2109,"_1952":2112,"_1973":-5,"_1974":2121,"_1976":2122,"_1978":-5,"_1979":2123},"gid://shopify/Product/8833487077617","The Moving Finger (Miss Marple Series #3)","9780063214033","Now with a beautiful new series look, a classic mystery from the Queen of Crime in which the indomitable Miss Marple exposes a small town’s shameful secrets.Lymstock is a town with more than its share of scandalous secrets—a town where even a sudden outbreak of anonymous hate mail causes only a minor stir.But all that changes when one of the recipients, Mrs. Symmington, commits suicide. Her final note says “I can’t go on,” but Miss Marple questions the coroner’s verdict of suicide. Soon nobody is sure of anyone—as secrets stop being shameful and start becoming deadly.","

Now with a beautiful new series look, a classic mystery from the Queen of Crime in which the indomitable Miss Marple exposes a small town’s shameful secrets.

Lymstock is a town with more than its share of scandalous secrets—a town where even a sudden outbreak of anonymous hate mail causes only a minor stir.

But all that changes when one of the recipients, Mrs. Symmington, commits suicide. Her final note says “I can’t go on,” but Miss Marple questions the coroner’s verdict of suicide.

Soon nobody is sure of anyone—as secrets stop being shameful and start becoming deadly.

",{"_41":2103,"_54":2104,"_56":2105,"_50":2106,"_1936":-5},"gid://shopify/ProductImage/47634703876337","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780063214033_p0.jpg?v=1765249801",899,1356,{"_1939":2108},{"_1941":1942,"_1943":1944},{"_1939":2110,"_1950":2111},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":2113},[2114],{"_41":2115,"_1945":59,"_1958":59,"_1959":-5,"_707":2116,"_1961":2117,"_1963":2118,"_1965":2119,"_1971":2099,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46229371158769",{"_41":2103,"_54":2104,"_1936":-5,"_56":2105,"_50":2106},{"_1941":1942,"_1943":1944},{"_72":2098,"_825":2099},[2120],{"_796":1968,"_1969":1970},{"_1969":2099},{"_1969":1924},[2124,2126,2128,2131,2133,-5,2135,2137,2140,2143,2146,-5,-5,2148,-5,2150,2152,2155],{"_41":2125,"_1983":1984,"_1985":1986,"_1969":2063},"gid://shopify/Metafield/39020548751601",{"_41":2127,"_1983":1984,"_1985":1990,"_1969":1991},"gid://shopify/Metafield/39020549374193",{"_41":2129,"_1983":1984,"_1985":1994,"_1969":2130},"gid://shopify/Metafield/39020549570801","3",{"_41":2132,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/39020550226161",{"_41":2134,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/39020547899633",{"_41":2136,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/39020550422769",{"_41":2138,"_1983":1984,"_1985":2006,"_1969":2139},"gid://shopify/Metafield/39020553109745","[{\"id\":\"118565242T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"

“Beyond all doubt the puzzle in The Moving Finger is fit for experts.” - The Times (London)

“Agatha Christie is in a class by herself. For those of us who write mysteries, there’s no better muse, and for those of us who read them, no deeper pleasure.” - Mary Jane Clark, New York Times bestselling author

\"},{\"id\":\"131616631T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

When a small town is shaken by a slew of scandalous secrets from an anonymous writer, Miss Marple is called to investigate an apparent suicide.

\"},{\"id\":\"118565244T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"

\"},{\"id\":\"74588266T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She died in 1976, after a prolific career spanning six decades.

\"},{\"id\":\"76231130T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"3\",\"text\":\"

\"},{\"id\":\"110889456T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"4\",\"text\":\"

\"}]",{"_41":2141,"_1983":1984,"_1985":2010,"_1969":2142},"gid://shopify/Metafield/39020552290545","The-Moving-Finger/Agatha-Christie",{"_41":2144,"_1983":1984,"_1985":2014,"_1969":2145},"gid://shopify/Metafield/39020547408113","1100152659",{"_41":2147,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39020550029553",{"_41":2149,"_1983":1984,"_1985":1974,"_1969":2099},"gid://shopify/Metafield/39020545278193",{"_41":2151,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39020550586609",{"_41":2153,"_1983":2028,"_1985":2029,"_1969":2154},"gid://shopify/Metafield/72734906417393","{\"scale_min\":\"1.0\",\"scale_max\":\"5.0\",\"value\":\"3.0\"}",{"_41":2156,"_1983":2028,"_1985":2033,"_1969":889},"gid://shopify/Metafield/72734906384625",{"_1919":1920,"_41":2158,"_72":2159,"_1923":1924,"_825":2160,"_1926":2161,"_1928":2162,"_1930":2163,"_1937":2166,"_1945":59,"_1946":2168,"_1952":2171,"_1973":-5,"_1974":2180,"_1976":2181,"_1978":-5,"_1979":2182},"gid://shopify/Product/8833487536369","A Murder Is Announced (Miss Marple Series #4)","9780063214040","Now with a beautiful new series look, Christie’s classic mystery in which a murder is announced in a small-town newspaper advertisement—and Miss Marple must unravel the fiendish puzzle when a crime does indeed occur.The villagers of Chipping Cleghorn are agog with curiosity when the Gazette advertises “A murder is announced and will take place on Friday, October 29th, at Little Paddocks at 6.30 p.m.”A childish practical joke? Or a spiteful hoax? Unable to resist the mysterious invitation, the locals arrive at Little Paddocks at the appointed time when, without warning, the lights go out and a gun is fired. When they come back on, a gruesome scene is revealed. An impossible crime? It’s up to Miss Marple to get the scoop and make sure the killer doesn’t bury the lead.","

Now with a beautiful new series look, Christie’s classic mystery in which a murder is announced in a small-town newspaper advertisement—and Miss Marple must unravel the fiendish puzzle when a crime does indeed occur.

The villagers of Chipping Cleghorn are agog with curiosity when the Gazette advertises “A murder is announced and will take place on Friday, October 29th, at Little Paddocks at 6.30 p.m.”

A childish practical joke? Or a spiteful hoax? Unable to resist the mysterious invitation, the locals arrive at Little Paddocks at the appointed time when, without warning, the lights go out and a gun is fired. When they come back on, a gruesome scene is revealed.

An impossible crime? It’s up to Miss Marple to get the scoop and make sure the killer doesn’t bury the lead.

",{"_41":2164,"_54":2165,"_56":2043,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/47635419463921","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780063214040_p0.jpg?v=1765250963",{"_1939":2167},{"_1941":1942,"_1943":1944},{"_1939":2169,"_1950":2170},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":2172},[2173],{"_41":2174,"_1945":59,"_1958":59,"_1959":-5,"_707":2175,"_1961":2176,"_1963":2177,"_1965":2178,"_1971":2160,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46229371650289",{"_41":2164,"_54":2165,"_1936":-5,"_56":2043,"_50":1935},{"_1941":1942,"_1943":1944},{"_72":2159,"_825":2160},[2179],{"_796":1968,"_1969":1970},{"_1969":2160},{"_1969":1924},[2183,2185,2187,2190,2192,-5,2194,2196,2199,2202,2205,-5,-5,2207,-5,2209,2211,2214],{"_41":2184,"_1983":1984,"_1985":1986,"_1969":2063},"gid://shopify/Metafield/39020572868849",{"_41":2186,"_1983":1984,"_1985":1990,"_1969":1991},"gid://shopify/Metafield/39020573262065",{"_41":2188,"_1983":1984,"_1985":1994,"_1969":2189},"gid://shopify/Metafield/39020573425905","4",{"_41":2191,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/39020573851889",{"_41":2193,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/39020572344561",{"_41":2195,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/39020573982961",{"_41":2197,"_1983":1984,"_1985":2006,"_1969":2198},"gid://shopify/Metafield/39020575457521","[{\"id\":\"118565431T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"

“A super-smooth Christie—three neat murders in an English village, [and] an assortment of her famous red herrings, all beautifully marinated.” - New York Times

“Establishes firmly her claim to the throne of detection. The plot is as ingenious as ever…the dialogue both wise and witty; while the suspense is maintained very skilfully until the final revelation.” - A. A. Milne

“Agatha Christie gave readers the world over a vivid sense of English life, especially in her depiction of the small village where nothing happen—until, of course, a murder is discovered.” - Jacqueline Winspear, New York Times bestselling author of the Maisie Dobbs novels

\"},{\"id\":\"131616632T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

Miss Marple arrives at Chipping Cleghorn to unravel a fiendish puzzle when a murderer declares his crimes in the local newspaper. Is it a practical joke or a prank? Miss Marple is the only one who can find out the truth.

\"},{\"id\":\"118565433T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"

\"},{\"id\":\"17957627T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"

\"},{\"id\":\"70714026T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"3\",\"text\":\"Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She died in 1976, after a prolific career spanning six decades.

\"},{\"id\":\"74588267T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"4\",\"text\":\"Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She died in 1976, after a prolific career spanning six decades.

\"},{\"id\":\"76231131T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"5\",\"text\":\"

\"},{\"id\":\"94282467T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"6\",\"text\":\"

\"}]",{"_41":2200,"_1983":1984,"_1985":2010,"_1969":2201},"gid://shopify/Metafield/39020574900465","A-Murder-Is-Announced/Agatha-Christie",{"_41":2203,"_1983":1984,"_1985":2014,"_1969":2204},"gid://shopify/Metafield/39020571918577","1100154012",{"_41":2206,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39020573720817",{"_41":2208,"_1983":1984,"_1985":1974,"_1969":2160},"gid://shopify/Metafield/39020569723121",{"_41":2210,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39020574114033",{"_41":2212,"_1983":2028,"_1985":2029,"_1969":2213},"gid://shopify/Metafield/80617062498545","{\"scale_min\":\"1.0\",\"scale_max\":\"5.0\",\"value\":\"5.0\"}",{"_41":2215,"_1983":2028,"_1985":2033,"_1969":2189},"gid://shopify/Metafield/80617062465777",{"_1919":1920,"_41":2217,"_72":2218,"_1923":1924,"_825":2219,"_1926":2220,"_1928":2221,"_1930":2222,"_1937":2226,"_1945":59,"_1946":2228,"_1952":2231,"_1973":-5,"_1974":2240,"_1976":2241,"_1978":-5,"_1979":2242},"gid://shopify/Product/8833487667441","They Do It with Mirrors (Miss Marple Series #5)","9780063214057","Now with a beautiful new series look, the indomitable Miss Marple investigates some rather deadly doings at a rehabilitation center for delinquents.Miss Marple senses danger when she visits a friend living in Stoneygates, a rehabilitation center for delinquents. Her fears are confirmed when someone shoots at the administrator. Although he is not injured, a mysterious visitor is less fortunate—shot dead simultaneously in another part of the building.Pure coincidence? Miss Marple thinks not, and must use all her cunning to solve the riddle of the stranger’s visit … and his murder.","

Now with a beautiful new series look, the indomitable Miss Marple investigates some rather deadly doings at a rehabilitation center for delinquents.

Miss Marple senses danger when she visits a friend living in Stoneygates, a rehabilitation center for delinquents. Her fears are confirmed when someone shoots at the administrator. Although he is not injured, a mysterious visitor is less fortunate—shot dead simultaneously in another part of the building.

Pure coincidence? Miss Marple thinks not, and must use all her cunning to solve the riddle of the stranger’s visit … and his murder.

",{"_41":2223,"_54":2224,"_56":2225,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/47634479775985","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780063214057_p0.jpg?v=1765249544",1328,{"_1939":2227},{"_1941":1942,"_1943":1944},{"_1939":2229,"_1950":2230},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":2232},[2233],{"_41":2234,"_1945":59,"_1958":59,"_1959":-5,"_707":2235,"_1961":2236,"_1963":2237,"_1965":2238,"_1971":2219,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46229371748593",{"_41":2223,"_54":2224,"_1936":-5,"_56":2225,"_50":1935},{"_1941":1942,"_1943":1944},{"_72":2218,"_825":2219},[2239],{"_796":1968,"_1969":1970},{"_1969":2219},{"_1969":1924},[2243,2245,2247,2249,2251,-5,2253,2255,2258,2261,2264,-5,-5,2266,-5,2268,2270,2272],{"_41":2244,"_1983":1984,"_1985":1986,"_1969":2063},"gid://shopify/Metafield/39020579127537",{"_41":2246,"_1983":1984,"_1985":1990,"_1969":1991},"gid://shopify/Metafield/39020579619057",{"_41":2248,"_1983":1984,"_1985":1994,"_1969":891},"gid://shopify/Metafield/39020579815665",{"_41":2250,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/39020580339953",{"_41":2252,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/39020578603249",{"_41":2254,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/39020580536561",{"_41":2256,"_1983":1984,"_1985":2006,"_1969":2257},"gid://shopify/Metafield/39020582895857","[{\"id\":\"118453904T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"

“No one on either side of the Atlantic does it better.” - New York Times

“Brilliant.” - The Guardian

“I’ve always preferred her Jane Marple books, and find them infinitely rereadable; it hardly matters if I remember who did it.” - Lawrence Block, New York Times bestselling author

\"},{\"id\":\"131616633T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

As Miss Marple visits a friend at a rehabilitation center, she knowingly stumbles upon a perplexing murder. Was this all a coincidence or part of something more sinister? Only Miss Marple can get to the bottom of this one.

\"},{\"id\":\"118453905T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"

\"},{\"id\":\"74433963T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She died in 1976, after a prolific career spanning six decades.

\"},{\"id\":\"76240944T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"3\",\"text\":\"Agatha Christie is the most widely published author of all time, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She died in 1976, after a prolific career spanning six decades.

\"},{\"id\":\"18149123T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"4\",\"text\":\"

\"},{\"id\":\"111372196T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"5\",\"text\":\"

\"}]",{"_41":2259,"_1983":1984,"_1985":2010,"_1969":2260},"gid://shopify/Metafield/39020582011121","They-Do-It-with-Mirrors/Agatha-Christie",{"_41":2262,"_1983":1984,"_1985":2014,"_1969":2263},"gid://shopify/Metafield/39020578210033","1100155429",{"_41":2265,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39020580143345",{"_41":2267,"_1983":1984,"_1985":1974,"_1969":2219},"gid://shopify/Metafield/39020576440561",{"_41":2269,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39020580700401",{"_41":2271,"_1983":2028,"_1985":2029,"_1969":2213},"gid://shopify/Metafield/81769879208177",{"_41":2273,"_1983":2028,"_1985":2033,"_1969":2130},"gid://shopify/Metafield/81769879175409",{"_26":75,"_76":10,"_54":2275},"https://www.barnesandnoble.com/blog/where-to-start-agatha-christies-miss-marple","Where to Start Agatha Christie's Miss Marple",{"_33":2278,"_26":1068,"_1058":2279,"_72":2591},"e3ceb12b392e",{"_1061":2280,"_1070":220,"_1463":1464,"_1465":1466,"_105":-5,"_54":2589},[2281,2339,2403,2468,2532],{"_1919":1920,"_41":2282,"_72":2283,"_1923":1924,"_825":2284,"_1926":2285,"_1928":2286,"_1930":2287,"_1937":2291,"_1945":59,"_1946":2294,"_1952":2297,"_1973":-5,"_1974":2306,"_1976":2307,"_1978":-5,"_1979":2308},"gid://shopify/Product/9404942680305","The October Film Haunt: A Novel","9781250333711","WINNER OF THE BRAM STOKER AWARD FOR BEST FIRST NOVELOne of the Best Horror Novels of the Year by Vulture * Geek Rage/ Strange Library * Cinema ChordsMacabre Daily's #1 Horror Novel of 2025Horror Movie meets the scope and emotion of Stephen King in this heart-pounding, magnetic tour de force novel, destined to become an instant classic, about a woman pulled into a cult horror film that is determined to have a sequel, by critically acclaimed author Michael Wehunt.Ten years ago, Jorie Stroud was the rising star of the October Film Haunt, a trio of horror enthusiasts who camped out at the filming locations of their favorite scary movies, sharing their love through their popular blog. But after a night in the graveyard from Proof of Demons-perhaps the most chilling cult film ever made, directed by the enigmatic Hélène Enriquez-everything unraveled.Now, Jorie has built an isolated life with her young son in Vermont. In the devastating wake of her viral, truth-stretching Proof of Demons blog entry-hysteria, internet backlash, and the death of a young woman-Jorie has put it all, along with her intense love for the horror genre, behind her.Until a videotape arrives in the mail. Jorie fears someone might be filming her. And the \"Rickies\"-Enriquez obsessives who would do anything for the reclusive director-begin to cross lines in disturbing ways. It seems Hélène Enriquez is making a new kind of sequel...and Jorie is her final girl.As the dangers grow even more unexpected and strange, Jorie must search for answers before the proof of the movie's title finds her and takes everything she loves.This riveting and layered horror novel unleashes supernatural terror in a world where truth can be manipulated, and nothing is as it seems. Beautiful and horrifying, with an unforgettable cast of characters, The October Film Haunt will shock and delight readers all the way to its breathless final page.\"So unique and steeped in 21st century paranoia and dread you won't be able to read this alone at night.\" - Paul Tremblay\"The horror in here is palpable, but the writing itself is just as scary: How can one pen have this many good lines in it?\" - Stephen Graham Jones","

WINNER OF THE BRAM STOKER AWARD FOR BEST FIRST NOVEL

One of the Best Horror Novels of the Year by Vulture * Geek Rage/ Strange Library * Cinema Chords

Macabre Daily's #1 Horror Novel of 2025

Horror Movie meets the scope and emotion of Stephen King in this heart-pounding, magnetic tour de force novel, destined to become an instant classic, about a woman pulled into a cult horror film that is determined to have a sequel, by critically acclaimed author Michael Wehunt.

Ten years ago, Jorie Stroud was the rising star of the October Film Haunt, a trio of horror enthusiasts who camped out at the filming locations of their favorite scary movies, sharing their love through their popular blog. But after a night in the graveyard from Proof of Demons-perhaps the most chilling cult film ever made, directed by the enigmatic Hélène Enriquez-everything unraveled.

Now, Jorie has built an isolated life with her young son in Vermont. In the devastating wake of her viral, truth-stretching Proof of Demons blog entry-hysteria, internet backlash, and the death of a young woman-Jorie has put it all, along with her intense love for the horror genre, behind her.

Until a videotape arrives in the mail. Jorie fears someone might be filming her. And the \"Rickies\"-Enriquez obsessives who would do anything for the reclusive director-begin to cross lines in disturbing ways. It seems Hélène Enriquez is making a new kind of sequel...and Jorie is her final girl.

As the dangers grow even more unexpected and strange, Jorie must search for answers before the proof of the movie's title finds her and takes everything she loves.

This riveting and layered horror novel unleashes supernatural terror in a world where truth can be manipulated, and nothing is as it seems. Beautiful and horrifying, with an unforgettable cast of characters, The October Film Haunt will shock and delight readers all the way to its breathless final page.

\"So unique and steeped in 21st century paranoia and dread you won't be able to read this alone at night.\" - Paul Tremblay

\"The horror in here is palpable, but the writing itself is just as scary: How can one pen have this many good lines in it?\" - Stephen Graham Jones

",{"_41":2288,"_54":2289,"_56":2290,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/47694679998705","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9781250333711_p0.jpg?v=1766444788",1303,{"_1939":2292},{"_1941":2293,"_1943":1944},"19.0",{"_1939":2295,"_1950":2296},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":2298},[2299],{"_41":2300,"_1945":59,"_1958":59,"_1959":-5,"_707":2301,"_1961":2302,"_1963":2303,"_1965":2304,"_1971":2284,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/47560838938865",{"_41":2288,"_54":2289,"_1936":-5,"_56":2290,"_50":1935},{"_1941":2293,"_1943":1944},{"_72":2283,"_825":2284},[2305],{"_796":1968,"_1969":1970},{"_1969":2284},{"_1969":1924},[2309,-5,-5,2312,2314,-5,2316,2318,2321,2324,2327,-5,-5,2329,-5,2331,2333,2336],{"_41":2310,"_1983":1984,"_1985":1986,"_1969":2311},"gid://shopify/Metafield/74375779352817","[{\"contributorId\":15322646,\"fullName\":\"Michael Wehunt\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":2313,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/74375779549425",{"_41":2315,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/74375779188977",{"_41":2317,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/74375779582193",{"_41":2319,"_1983":1984,"_1985":2006,"_1969":2320},"gid://shopify/Metafield/74409056403697","[{\"id\":\"114664991T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"

\\\"Wehunt is one of the most dynamic voices in horror... a cosmic fusion of William Faulkner's gothic with modern sensibilities.\\\" -Booklist (starred review)

\\\"The horror in here is palpable, and timely, and sticky, but the writing itself is just as scary: How can one pen have this many good lines in it?\\\" -Stephen Graham Jones, New York Times bestselling author of I Was a Teenage Slasher and Don't Fear the Reaper

\\\"Michael Wehunt's rabbit punch of a novel is as beautifully written as it is affecting.\\\" -Paul Tremblay, New York Times bestselling author of Horror Movie and A Head Full of Ghosts

\\\"This is an extraordinary book, carried by an unsettling baritone hum, not dissimilar to the whir of a VCR that should never have been plugged in to begin with.\\\" -Josh Malerman, New York Times bestselling author of Bird Box and Incidents Around the House

\\\"Haunting, clever, and flat-out scary. I plan to read it again to figure out how Wehunt pulled it off.\\\" -Richard Chizmar, New York Times bestselling author of Chasing the Boogeyman and Memorials

\\\"Will dig a hole in you, plant roots, and grow.\\\" -Nick Cutter, bestselling author of The Queen and The Troop

\\\"Intelligent, emotional, and very very scary. One of the best books I've read in years.\\\" -Adam Cesare, USA Today bestselling author of Influencer and Clown in a Cornfield

\\\"Feels like a cursed tape you're not sure you should've watched, but can't bring yourself to stop.\\\" -Nat Cassidy, author of When the Wolf Comes Home and Nestlings

\\\"Infused with atmospheric, seeping dread that slowly creeps down your spine, this is a captivating story not to be missed.\\\" -CG Drews, #1 New York Times Bestselling author of Don't Let The Forest In

\\\"Deftly pairs emotional heft with nightmare fuel against the eerie backdrop of a cult horror film.\\\" -Craig DiLouie, author of How to Make a Horror Movie and Survive

\\\"A masterpiece of miasma. Imagine The Truman Show helmed by Wes Craven.\\\" -Clay McLeod Chapman, author of Wake Up and Open Your Eyes

\\\"Each page sighs with the terrifying promise of dread, the soft whispers of legends and mythologies aching to be exposed.\\\" -Eric LaRocca, author of Things Have Gotten Worse Since We Last Spoke

\\\"A smart, genre-savvy book that gets very, very weird.\\\" -Brian Evenson, author of Good Night, Sleep Tight and Songs for the Unravelling the World

\\\"A love letter to horror... I have never read anything quite like this novel, and I don't think I will again.\\\" -Kristi DeMeester, Georgia Author of the Year Finalist and author of Dark Sisters and Such a Pretty Smile

\\\"A masterful work by a horror writer whose talents I want the world to know and love-and fear.\\\" -Andy Davidson, author of The Hollow Kind

\\\"Smart, gripping, and utterly terrifying, this book will make you rethink your relationship with both the camera and social media.\\\" -Wendy N. Wagner, author of The Deer Kings

\\\"This is a terrifying novel. There are sequences and images that have invaded my sleep and my daydreams. Read, but beware.\\\" -Alison Rumfitt, author of Brainwyrms and Tell Me I'm Worthless

\\\"An eerie and savage work of meta-horror made all the more effective for the delicacy of its psychological portrayals.\\\" -Nathan Ballingrud, author of Crypt of the Moon Spider and The Strange

\\\"Wehunt blurs reality and fiction, confounds any expectations, and makes you feel like you're participating in a dark ritual with each turned page.\\\" -Vulture

\\\"Wehunt's chilling, spot-on imagery and descriptive prose are what really sell this ambitious concept...a layered slow-burn that speaks of obsession, fandom and the lethal itch to know the truth.\\\" -Fangoria

\\\"A chilling and cerebral descent into obsession, grief, and the viral power of belief.\\\" -Horror Junkies

\\\"A strong contender for the epic horror novel of the 2020s.\\\" -Geek Rage/Strange Library

\\\"A twisted nightmare fit for the 21st century...will delight hardcore horror fans with its heavy dread, innovative prose, and delightful dialogue.\\\" -Shelf Awareness

\\\"A love letter to horror films and creatives...damnably haunting and wicked as hell.\\\" -FanFiAddict

\\\"A metafictional reliquary-a haunted artifact masquerading as a novel, or perhaps the other way around. It is not a book to be read so much as inhabited. You do not finish it; you leave it. And when you do, the world outside is slightly less intact.\\\" -The Dark Forest

\\\"Simply excellent.\\\" -JamReads

\\\"Wehunt knows how to get under your skin.\\\" -Book Reporter

\\\"Wehunt has crafted something rare: a horror novel that frightens on multiple registers-viscerally, psychologically, and existentially.\\\" -The Bookish Elf

\\\"Terrifying perfection.\\\" -Macabre Daily

\\\"Downright chilling...[a] monumental novel.\\\" -Camera Macabre

\\\"Blending psychological, supernatural, and conspiracy horror into an engaging, unsettling trip through fandom and its adjacent obsession...as suspenseful as it is thought-provoking.\\\" -GeekDad

\"},{\"id\":\"131389536T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"2\",\"text\":\"

\\\"Wehunt is one of the most dynamic voices in horror... a cosmic fusion of William Faulkner's gothic with modern sensibilities.\\\" --Booklist (starred review)

\\\"The horror in here is palpable, and timely, and sticky, but the writing itself is just as scary: How can one pen have this many good lines in it?\\\" --Stephen Graham Jones, New York Times bestselling author of I Was a Teenage Slasher and Don't Fear the Reaper

\\\"Michael Wehunt's rabbit punch of a novel is as beautifully written as it is affecting.\\\" --Paul Tremblay, New York Times bestselling author of Horror Movie and A Head Full of Ghosts

\\\"This is an extraordinary book, carried by an unsettling baritone hum, not dissimilar to the whir of a VCR that should never have been plugged in to begin with.\\\" --Josh Malerman, New York Times bestselling author of Bird Box and Incidents Around the House

\\\"Haunting, clever, and flat-out scary. I plan to read it again to figure out how Wehunt pulled it off.\\\" --Richard Chizmar, New York Times bestselling author of Chasing the Boogeyman and Memorials

\\\"Will dig a hole in you, plant roots, and grow.\\\" --Nick Cutter, bestselling author of The Queen and The Troop

\\\"Intelligent, emotional, and very very scary. One of the best books I've read in years.\\\" --Adam Cesare, USA Today bestselling author of Influencer and Clown in a Cornfield

\\\"Feels like a cursed tape you're not sure you should've watched, but can't bring yourself to stop.\\\" --Nat Cassidy, author of When the Wolf Comes Home and Nestlings

\\\"Infused with atmospheric, seeping dread that slowly creeps down your spine, this is a captivating story not to be missed.\\\" --CG Drews, #1 New York Times Bestselling author of Don't Let The Forest In

\\\"Deftly pairs emotional heft with nightmare fuel against the eerie backdrop of a cult horror film.\\\" --Craig DiLouie, author of How to Make a Horror Movie and Survive

\\\"A masterpiece of miasma. Imagine The Truman Show helmed by Wes Craven.\\\" --Clay McLeod Chapman, author of Wake Up and Open Your Eyes

\\\"Each page sighs with the terrifying promise of dread, the soft whispers of legends and mythologies aching to be exposed.\\\" --Eric LaRocca, author of Things Have Gotten Worse Since We Last Spoke

\\\"A smart, genre-savvy book that gets very, very weird.\\\" --Brian Evenson, author of Good Night, Sleep Tight and Songs for the Unravelling the World

\\\"A love letter to horror... I have never read anything quite like this novel, and I don't think I will again.\\\" --Kristi DeMeester, Georgia Author of the Year Finalist and author of Dark Sisters and Such a Pretty Smile

\\\"A masterful work by a horror writer whose talents I want the world to know and love--and fear.\\\" --Andy Davidson, author of The Hollow Kind

\\\"Smart, gripping, and utterly terrifying, this book will make you rethink your relationship with both the camera and social media.\\\" --Wendy N. Wagner, author of The Deer Kings

\\\"This is a terrifying novel. There are sequences and images that have invaded my sleep and my daydreams. Read, but beware.\\\" --Alison Rumfitt, author of Brainwyrms and Tell Me I'm Worthless

\\\"An eerie and savage work of meta-horror made all the more effective for the delicacy of its psychological portrayals.\\\" --Nathan Ballingrud, author of Crypt of the Moon Spider and The Strange

\\\"Wehunt blurs reality and fiction, confounds any expectations, and makes you feel like you're participating in a dark ritual with each turned page.\\\" --Vulture

\\\"Wehunt's chilling, spot-on imagery and descriptive prose are what really sell this ambitious concept...a layered slow-burn that speaks of obsession, fandom and the lethal itch to know the truth.\\\" --Fangoria

\\\"A chilling and cerebral descent into obsession, grief, and the viral power of belief.\\\" --Horror Junkies

\\\"A strong contender for the epic horror novel of the 2020s.\\\" --Geek Rage/Strange Library

\\\"A twisted nightmare fit for the 21st century...will delight hardcore horror fans with its heavy dread, innovative prose, and delightful dialogue.\\\" --Shelf Awareness

\\\"A love letter to horror films and creatives...damnably haunting and wicked as hell.\\\" --FanFiAddict

\\\"A metafictional reliquary--a haunted artifact masquerading as a novel, or perhaps the other way around. It is not a book to be read so much as inhabited. You do not finish it; you leave it. And when you do, the world outside is slightly less intact.\\\" --The Dark Forest

\\\"Simply excellent.\\\" --JamReads

\\\"Wehunt knows how to get under your skin.\\\" --Book Reporter

\\\"Wehunt has crafted something rare: a horror novel that frightens on multiple registers--viscerally, psychologically, and existentially.\\\" --The Bookish Elf

\\\"Terrifying perfection.\\\" --Macabre Daily

\\\"Downright chilling...[a] monumental novel.\\\" --Camera Macabre

\\\"Blending psychological, supernatural, and conspiracy horror into an engaging, unsettling trip through fandom and its adjacent obsession...as suspenseful as it is thought-provoking.\\\" --GeekDad

\"},{\"id\":\"127743838T\",\"type\":\"Award Note\",\"linkText\":\"Award Note\",\"typeId\":\"1036\",\"abbr\":\"REV\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"3\",\"text\":\"2026 Bram Stoker Awards - Winner, Winner
\"},{\"id\":\"114964279T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

Both a chilling tale and a thought-provoking examination of what it means to be a cult classic, The October Film Haunt is a wild and unexpected ride into the world of horror movies and the fans who take it too far.

\"},{\"id\":\"120600032T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"

MICHAEL WEHUNT has been a finalist for multiple Shirley Jackson Awards and was shortlisted for the International Association for the Fantastic in the Arts' Crawford Award. In Spain, his stories have garnered nominations for the Premio Ignotus and Premio Amaltea, winning the latter. He haunts the woods outside Atlanta with his partner and their dog. Together, they hold the horrors at bay.

\"},{\"id\":\"114664992T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"

\"},{\"id\":\"112592876T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"3\",\"text\":\"MICHAEL WEHUNT has been a finalist for multiple Shirley Jackson Awards and was shortlisted for the International Association for the Fantastic in the Arts' Crawford Award. In Spain, his stories have garnered nominations for the Premio Ignotus and Premio Amaltea, winning the latter. He haunts the woods outside Atlanta with his partner and their dog. Together, they hold the horrors at bay.\"}]",{"_41":2322,"_1983":1984,"_1985":2010,"_1969":2323},"gid://shopify/Metafield/74375779844337","The-October-Film-Haunt/Michael-Wehunt",{"_41":2325,"_1983":1984,"_1985":2014,"_1969":2326},"gid://shopify/Metafield/74375779057905","1146657385",{"_41":2328,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/74375779516657",{"_41":2330,"_1983":1984,"_1985":1974,"_1969":2284},"gid://shopify/Metafield/74375778042097",{"_41":2332,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/74375779614961",{"_41":2334,"_1983":2028,"_1985":2029,"_1969":2335},"gid://shopify/Metafield/83720033239281","{\"scale_min\":\"1.0\",\"scale_max\":\"5.0\",\"value\":\"3.8\"}",{"_41":2337,"_1983":2028,"_1985":2033,"_1969":2338},"gid://shopify/Metafield/83720033206513","27",{"_1919":1920,"_41":2340,"_72":2341,"_1923":2342,"_825":2343,"_1926":2344,"_1928":2345,"_1930":2346,"_1937":2350,"_1945":59,"_1946":2353,"_1952":2357,"_1973":2367,"_1974":2369,"_1976":2370,"_1978":-5,"_1979":2371},"gid://shopify/Product/9394795512049","Public Access Afterworld: A Novel","Hardcover","9780593978382","A mysterious realm on the other side of our screens. A dark force that draws victims into its static. The unlikely hero called to save them and herself from this electric hell. Public Access Afterworld is the profound, binge-all-night, headrush of a novel by the celebrated filmmaker of I Saw the TV Glow and Teenage Sex and Death at Camp Miasma\"Beautiful, funny, and scathing . . . I stayed up all night binge-reading.\"-SenLinYu\"Gave me a vertiginous thrill I haven't encountered since David Mitchell.\"-Torrey Peters\"Psychedelic horror of the first order.\"-Grady Hendrix\"Heart-wrenching, hilarious, visionary, and so damned smart, this novel is a major work by a major writer.\"-Paul Tremblay\"Utterly hypnotic.\"-Lev Grossman\"Dazzling and politically acute, Schoenbrun's debut announces a major literary voice.\"-Kirkus Reviews (starred review)\"A dazzling story . . . a great American novel.\"-Publishers Weekly (starred review)One of Publishers Weekly's 10 Most Anticipated Books * One of the Most Anticipated Books of the Year: Lit Hub, The Chicago Review of Books, The Bookseller, Reactor, Library Journal, and Debutiful Find the receiver. Make it real.At 5:35 p.m. on September 3, 1988, Dallas weatherman Ray \"Can You Say Sunshine\" Davino makes passing reference to Public Access Afterworld during a rambling monologue, right before he puts a gun to his head on live television and pulls the trigger.On June 12, 2009, David Sawyer and Erin Morrison, two lonely, TV-obsessed suburban teens who might be falling in love, gather in Erin's basement to watch TV's analog-to-digital transition. But in the static that follows, Erin witnesses surreal broadcasts from a pirate TV network called Public Access Afterworld, and their lives are changed forever.Seventeen years later, Bethany Peters toils through the night shift at megacorp GlobalVill's bleak Austin campus. A trans content moderator, she spends her evenings reviewing an endless stream of horrific videos. But then a young streamer begins to crop up in her feed calling out to Public Access Afterworld.But what is Public Access Afterworld?Spanning decades and realities, with an unforgettable ensemble of outcasts and nerds-especially the messy but wholly relatable Bethany, who must overcome paranoia and self-doubt to transform into a hero of our times-Public Access Afterworld will have you reading through the night and rooting for its characters to survive. A mesmerizing mash-up of speculative fiction, horror, and conspiracy, it marks the arrival of a major new force in contemporary fiction by a groundbreaking filmmaker who's been compared to David Lynch and Paul Thomas Anderson."," A mysterious realm on the other side of our screens. A dark force that draws victims into its static. The unlikely hero called to save them and herself from this electric hell. Public Access Afterworld is the profound, binge-all-night, headrush of a novel by the celebrated filmmaker of I Saw the TV Glow and Teenage Sex and Death at Camp Miasma

\"Beautiful, funny, and scathing . . . I stayed up all night binge-reading.\"-SenLinYu
\"Gave me a vertiginous thrill I haven't encountered since David Mitchell.\"-Torrey Peters
\"Psychedelic horror of the first order.\"-Grady Hendrix
\"Heart-wrenching, hilarious, visionary, and so damned smart, this novel is a major work by a major writer.\"-Paul Tremblay
\"Utterly hypnotic.\"-Lev Grossman
\"Dazzling and politically acute, Schoenbrun's debut announces a major literary voice.\"-Kirkus Reviews (starred review)
\"A dazzling story . . . a great American novel.\"-Publishers Weekly (starred review)

One of Publishers Weekly's 10 Most Anticipated Books * One of the Most Anticipated Books of the Year: Lit Hub, The Chicago Review of Books, The Bookseller, Reactor, Library Journal, and Debutiful

Find the receiver. Make it real.

At 5:35 p.m. on September 3, 1988, Dallas weatherman Ray \"Can You Say Sunshine\" Davino makes passing reference to Public Access Afterworld during a rambling monologue, right before he puts a gun to his head on live television and pulls the trigger.

On June 12, 2009, David Sawyer and Erin Morrison, two lonely, TV-obsessed suburban teens who might be falling in love, gather in Erin's basement to watch TV's analog-to-digital transition. But in the static that follows, Erin witnesses surreal broadcasts from a pirate TV network called Public Access Afterworld, and their lives are changed forever.

Seventeen years later, Bethany Peters toils through the night shift at megacorp GlobalVill's bleak Austin campus. A trans content moderator, she spends her evenings reviewing an endless stream of horrific videos. But then a young streamer begins to crop up in her feed calling out to Public Access Afterworld.

But what is Public Access Afterworld?

Spanning decades and realities, with an unforgettable ensemble of outcasts and nerds-especially the messy but wholly relatable Bethany, who must overcome paranoia and self-doubt to transform into a hero of our times-Public Access Afterworld will have you reading through the night and rooting for its characters to survive. A mesmerizing mash-up of speculative fiction, horror, and conspiracy, it marks the arrival of a major new force in contemporary fiction by a groundbreaking filmmaker who's been compared to David Lynch and Paul Thomas Anderson.",{"_41":2347,"_54":2348,"_56":2349,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/49392824877297","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780593978382_p0.jpg?v=1786075809",1315,{"_1939":2351},{"_1941":2352,"_1943":1944},"30.0",{"_1939":2354,"_1950":2356},{"_1941":2355,"_1943":1944},"33.0",{"_1941":2355,"_1943":1944},{"_1954":2358},[2359],{"_41":2360,"_1945":59,"_1958":59,"_1959":2361,"_707":2362,"_1961":2363,"_1963":2364,"_1965":2365,"_1971":2343,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/47277996900593",{"_1941":2355,"_1943":1944},{"_41":2347,"_54":2348,"_1936":-5,"_56":2349,"_50":1935},{"_1941":2352,"_1943":1944},{"_72":2341,"_825":2343},[2366],{"_796":1968,"_1969":1970},{"_1969":2368},"[\"BADGE - $3 OFF (p7877)\",\"Our Most Anticipated Books (p10162)\",\"Retail Price fixing (p261)\"]",{"_1969":2343},{"_1969":2342},[2372,-5,-5,2375,2377,-5,2379,2382,2385,2388,2391,-5,2393,2395,-5,2397,2399,2401],{"_41":2373,"_1983":1984,"_1985":1986,"_1969":2374},"gid://shopify/Metafield/74220795363569","[{\"contributorId\":31681133,\"fullName\":\"Jane Schoenbrun\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":2376,"_1983":1984,"_1985":1997,"_1969":2342},"gid://shopify/Metafield/74220795822321",{"_41":2378,"_1983":1984,"_1985":1976,"_1969":2342},"gid://shopify/Metafield/74220795068657",{"_41":2380,"_1983":1984,"_1985":2002,"_1969":2381},"gid://shopify/Metafield/74220795953393","118",{"_41":2383,"_1983":1984,"_1985":2006,"_1969":2384},"gid://shopify/Metafield/74220798083313","[{\"id\":\"119773040T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"\\\"Adroitly beautiful, funny, and scathing, Public Access Afterworld is a book from a talented storyteller with much to say, who's not afraid to say it.\\\"-SenLinYu, #1 New York Times bestselling author of Alchemised

\\\"A reality-warping epic about friendship, transformation, and the internet that stretches across decades and dimensions.\\\"-New York

\\\"Captivating.\\\"-Library Journal

\\\"A fever dream-esque love letter to television, the internet, science fiction, and nerds.\\\"-Reactor

\\\"Few artists are able to capture the disconnection, longing, and eeriness of the early internet age and the holes it created in our society [like Schoenbrun], and Public Access Afterworld continues that trend. It's like a creepypasta come to life, and I'm here for it.\\\"-Chicago Review of Books

\\\"The mastermind behind I Saw the TV Glow is releasing their debut novel, and I couldn't be more excited. This is one to pre-order without even reading the publicity copy to hype you up.\\\"-Debutiful

\\\"Psychedelic horror of the first order.\\\"-Grady Hendrix, New York Times bestselling author of Witchcraft for Wayward Girls

\\\"Gave me a vertiginous thrill I haven't encountered since David Mitchell . . . the kind of epic book that doesn't just warp reality on the page but goes on warping it when you look up-you read the novel and the world glints with secrets anew.\\\"-Torrey Peters, author of Stag Dance and Detransition, Baby

\\\"A thriller unlike any other . . . strange, urgent, utterly . . . hypnotic-once you start reading Public Access Afterworld, you won't stop.\\\"-Lev Grossman, #1 New York Times bestselling author of The Magicians

\\\"A riot in novel form by an author with an utterly singular, original vision . . . will leave you breathless and desperate for a sequel.\\\"-Kaliane Bradley, New York Times bestselling author of The Ministry of Time

\\\"Thrilling, heart-wrenching, hilarious, visionary, and so damned smart, this novel is a major work from a major talent.\\\"-Paul Tremblay, New York Times bestselling author of Dead but Dreaming of Electric Sheep

\\\"Schoenbrun, whose films We're All Going to the World's Fair and I Saw the TV Glow mark them as among the most original voices in independent cinema, brings their signature preoccupations to fiction with stunning ambition.\\\"-Kirkus Reviews, starred review

\\\"Such a compulsive read. Dark and glittering and full of static. Huzzah. Neon sign: So, so much fun.\\\"-Helen Macdonald, bestselling author of H Is for Hawk

\\\"This genre-bending epic about transition and connection has a cultish appeal sure to garner devoted fans. Think Stranger Things, Cloud Atlas or A Visit from the Goon Squad . . . [A] startlingly inventive fiction debut.\\\"-The Bookseller

\\\"A dazzling story . . . a great American novel.\\\"-Publishers Weekly, starred review

\\\"Following two basement teens who experience an extra-strange analog-to-digital transition-care of the pirate TV network that gives the novel its name-this one looks thrillingly original.\\\"-Literary Hub
\"},{\"id\":\"130259677T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"2\",\"text\":\"\\\"Adroitly beautiful, funny, and scathing, Public Access Afterworld is a book from a talented storyteller with much to say, who's not afraid to say it.\\\"--SenLinYu, #1 New York Times bestselling author of Alchemised

\\\"A reality-warping epic about friendship, transformation, and the internet that stretches across decades and dimensions.\\\"--New York

\\\"Captivating.\\\"--Library Journal

\\\"A fever dream-esque love letter to television, the internet, science fiction, and nerds.\\\"--Reactor

\\\"Few artists are able to capture the disconnection, longing, and eeriness of the early internet age and the holes it created in our society [like Schoenbrun], and Public Access Afterworld continues that trend. It's like a creepypasta come to life, and I'm here for it.\\\"--Chicago Review of Books

\\\"The mastermind behind I Saw the TV Glow is releasing their debut novel, and I couldn't be more excited. This is one to pre-order without even reading the publicity copy to hype you up.\\\"--Debutiful

\\\"Psychedelic horror of the first order.\\\"--Grady Hendrix, New York Times bestselling author of Witchcraft for Wayward Girls

\\\"Gave me a vertiginous thrill I haven't encountered since David Mitchell . . . the kind of epic book that doesn't just warp reality on the page but goes on warping it when you look up--you read the novel and the world glints with secrets anew.\\\"--Torrey Peters, author of Stag Dance and Detransition, Baby

\\\"A thriller unlike any other . . . strange, urgent, utterly . . . hypnotic--once you start reading Public Access Afterworld, you won't stop.\\\"--Lev Grossman, #1 New York Times bestselling author of The Magicians

\\\"A riot in novel form by an author with an utterly singular, original vision . . . will leave you breathless and desperate for a sequel.\\\"--Kaliane Bradley, New York Times bestselling author of The Ministry of Time

\\\"Thrilling, heart-wrenching, hilarious, visionary, and so damned smart, this novel is a major work from a major talent.\\\"--Paul Tremblay, New York Times bestselling author of Dead but Dreaming of Electric Sheep

\\\"Schoenbrun, whose films We're All Going to the World's Fair and I Saw the TV Glow mark them as among the most original voices in independent cinema, brings their signature preoccupations to fiction with stunning ambition.\\\"--Kirkus Reviews, starred review

\\\"Such a compulsive read. Dark and glittering and full of static. Huzzah. Neon sign: So, so much fun.\\\"--Helen Macdonald, bestselling author of H Is for Hawk

\\\"This genre-bending epic about transition and connection has a cultish appeal sure to garner devoted fans. Think Stranger Things, Cloud Atlas or A Visit from the Goon Squad . . . [A] startlingly inventive fiction debut.\\\"--The Bookseller

\\\"A dazzling story . . . a great American novel.\\\"--Publishers Weekly, starred review

\\\"Following two basement teens who experience an extra-strange analog-to-digital transition--care of the pirate TV network that gives the novel its name--this one looks thrillingly original.\\\"--Literary Hub
\"},{\"id\":\"125997626T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

What is Public Access Afterworld? It’s only been whispered about for decades. But when a content moderator discovers the horrific realm beyond the static, a harrowing mystery unfolds in this debut novel from the filmmaker behind I Saw the TV Glow.

\"},{\"id\":\"119773041T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"

Jane Schoenbrun is an award-winning filmmaker and writer. Their films include I Saw the TV Glow, We're All Going to the World's Fair, and Teenage Sex and Death at Camp Miasma starring Gillian Anderson and Hannah Einbinder. Public Access Afterworld is their first novel.

\"},{\"id\":\"132280745T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"

\"},{\"id\":\"125750494T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"3\",\"text\":\"

\"},{\"id\":\"132280528T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"4\",\"text\":\"

\"}]",{"_41":2386,"_1983":1984,"_1985":2010,"_1969":2387},"gid://shopify/Metafield/74220797034737","Public-Access-Afterworld/Jane-Schoenbrun",{"_41":2389,"_1983":1984,"_1985":2014,"_1969":2390},"gid://shopify/Metafield/74220794872049","1148854163",{"_41":2392,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/74220795658481",{"_41":2394,"_1983":1984,"_1985":1973,"_1969":2368},"gid://shopify/Metafield/78682491453681",{"_41":2396,"_1983":1984,"_1985":1974,"_1969":2343},"gid://shopify/Metafield/74220793463025",{"_41":2398,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/74220796117233",{"_41":2400,"_1983":2028,"_1985":2029,"_1969":2213},"gid://shopify/Metafield/81833787752689",{"_41":2402,"_1983":2028,"_1985":2033,"_1969":2068},"gid://shopify/Metafield/81833787719921",{"_1919":1920,"_41":2404,"_72":2405,"_1923":2406,"_825":2407,"_1926":2408,"_1928":2409,"_1930":2410,"_1937":2414,"_1945":59,"_1946":2417,"_1952":2420,"_1973":2430,"_1974":2432,"_1976":2433,"_1978":2434,"_1979":2436},"gid://shopify/Product/8849712808177","Home Is Where the Bodies Are (B&N Exclusive Edition)","BN Exclusive","9798228356115","This Barnes & Noble Exclusive Edition includes a special Author's Note describing the inspiration for the novel, as well as the author's own photos taken at actual locations described in the book.From New York Times bestselling author of The Perfect Marriage and You Shouldn't Have Come Here comes a chilling family thriller about the (sometimes literal) skeletons in the closet.After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm's length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn't been back to their small Wisconsin town since their father ran out on them seven years before.While going through their parent's belongings, the siblings stumble upon a collection of home videos and decide to revisit those happier memories. However, the nostalgia is cut short when one of the VHS tapes reveals a night back in 1999 that none of them have any recollection of. On screen, their father appears covered in blood. What follows is a dead body and a pact between their parents to get rid of it, before the video abruptly ends.Beth, Nicole, and Michael must now decide whether to leave the past in the past or uncover the dark secret their mother took to her grave.","

This Barnes & Noble Exclusive Edition includes a special Author's Note describing the inspiration for the novel, as well as the author's own photos taken at actual locations described in the book.

From New York Times bestselling author of The Perfect Marriage and You Shouldn't Have Come Here comes a chilling family thriller about the (sometimes literal) skeletons in the closet.

After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm's length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn't been back to their small Wisconsin town since their father ran out on them seven years before.

While going through their parent's belongings, the siblings stumble upon a collection of home videos and decide to revisit those happier memories. However, the nostalgia is cut short when one of the VHS tapes reveals a night back in 1999 that none of them have any recollection of. On screen, their father appears covered in blood. What follows is a dead body and a pact between their parents to get rid of it, before the video abruptly ends.

Beth, Nicole, and Michael must now decide whether to leave the past in the past or uncover the dark secret their mother took to her grave.

",{"_41":2411,"_54":2412,"_56":2413,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/47657725427953","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9798228356115_p0.jpg?v=1768972672",1249,{"_1939":2415},{"_1941":2416,"_1943":1944},"15.99",{"_1939":2418,"_1950":2419},{"_1941":1942,"_1943":1944},{"_1941":1942,"_1943":1944},{"_1954":2421},[2422],{"_41":2423,"_1945":59,"_1958":59,"_1959":2424,"_707":2425,"_1961":2426,"_1963":2427,"_1965":2428,"_1971":2407,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46247921746161",{"_1941":1942,"_1943":1944},{"_41":2411,"_54":2412,"_1936":-5,"_56":2413,"_50":1935},{"_1941":2416,"_1943":1944},{"_72":2405,"_825":2407},[2429],{"_796":1968,"_1969":1970},{"_1969":2431},"[\"Barnes & Noble Exclusives (p6314)\",\"BADGE - $3 OFF (p7877)\",\"Special Editions (p10264)\",\"Our Most Anticipated Books (p10162)\",\"Our Best Paperbacks (p10342)\",\"B|B&N Exclusive|#956F2D|#4C3E1B (p7920)\",\"Retail Price fixing (p261)\"]",{"_1969":2407},{"_1969":2406},{"_1969":2435},"[{\"Key\":\"formatChicletOverlay\",\"Value\":\"BN Exclusive\"}]",[2437,-5,-5,2440,2442,-5,2444,2446,2449,2452,2455,-5,2457,2459,-5,2461,2463,2465],{"_41":2438,"_1983":1984,"_1985":1986,"_1969":2439},"gid://shopify/Metafield/39807790153969","[{\"contributorId\":22420068,\"fullName\":\"Jeneva Rose\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":2441,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/72678553420017",{"_41":2443,"_1983":1984,"_1985":1976,"_1969":2406},"gid://shopify/Metafield/39807789596913",{"_41":2445,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/39807790547185",{"_41":2447,"_1983":1984,"_1985":2006,"_1969":2448},"gid://shopify/Metafield/72678553616625","[{\"id\":\"92434761T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

When the past unexpectedly comes back, it's up to three siblings to decide what happens next. This harrowing thriller is unique in premise, sharp in prose and rich in twists, turns and every other form of misdirection. With underlying themes of family and how our pasts define us, there are layers to peel back to get the full scope of the story.

\"},{\"id\":\"92032640T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"displayOrder\":\"1\",\"text\":\"Jeneva Rose is the New York Times bestselling author of several novels, including The Perfect Marriage, One of Us Is Dead, and You Shouldn’t Have Come Here. Her work has been translated into more than two dozen languages and optioned for film and television. Originally from Wisconsin, she currently lives in Chicago with her husband, Drew, and her stubborn English bulldog, Winston.

\"}]",{"_41":2450,"_1983":1984,"_1985":2010,"_1969":2451},"gid://shopify/Metafield/39807791759601","Home-Is-Where-the-Bodies-Are/Jeneva-Rose",{"_41":2453,"_1983":1984,"_1985":2014,"_1969":2454},"gid://shopify/Metafield/39807789236465","1143813811",{"_41":2456,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39807790448881",{"_41":2458,"_1983":1984,"_1985":1973,"_1969":2431},"gid://shopify/Metafield/39807792840945",{"_41":2460,"_1983":1984,"_1985":1974,"_1969":2407},"gid://shopify/Metafield/39807787008241",{"_41":2462,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39807790645489",{"_41":2464,"_1983":2028,"_1985":2029,"_1969":2092},"gid://shopify/Metafield/61183339036913",{"_41":2466,"_1983":2028,"_1985":2033,"_1969":2467},"gid://shopify/Metafield/61183339004145","48",{"_1919":1920,"_41":2469,"_72":2470,"_1923":1924,"_825":2471,"_1926":2472,"_1928":2473,"_1930":2474,"_1937":2478,"_1945":59,"_1946":2481,"_1952":2485,"_1973":2495,"_1974":2497,"_1976":2498,"_1978":-5,"_1979":2499},"gid://shopify/Product/8833296171249","Horror Movie: A Novel","9780063070028","A special limited paperback edition with stenciled artwork on the edges of the New York Times bestseller-a chilling twist on the \"cursed film\" genre from the author of The Pallbearers Club and The Cabin at the End of the World.In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious piece of found footage horror and a disturbing, art-house flick.The weird part? Only three of the film's scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.The man who played \"The Thin Kid\" is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur for the film's now unreliable narrator. But he's going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions-demons of the past be damned.But at what cost?This meta horror novel, Horror Movie, is an obsessive, psychologically chilling, and suspenseful feat of storytelling genius that builds inexorably to an unforgettable, mind-bending conclusion.","

A special limited paperback edition with stenciled artwork on the edges of the New York Times bestseller-a chilling twist on the \"cursed film\" genre from the author of The Pallbearers Club and The Cabin at the End of the World.

In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious piece of found footage horror and a disturbing, art-house flick.

The weird part? Only three of the film's scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot.

The man who played \"The Thin Kid\" is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur for the film's now unreliable narrator. But he's going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions-demons of the past be damned.

But at what cost?

This meta horror novel, Horror Movie, is an obsessive, psychologically chilling, and suspenseful feat of storytelling genius that builds inexorably to an unforgettable, mind-bending conclusion.

",{"_41":2475,"_54":2476,"_56":2477,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/47634018402545","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780063070028_p0.jpg?v=1768988795",1333,{"_1939":2479},{"_1941":2480,"_1943":1944},"14.99",{"_1939":2482,"_1950":2484},{"_1941":2483,"_1943":1944},"19.99",{"_1941":2483,"_1943":1944},{"_1954":2486},[2487],{"_41":2488,"_1945":59,"_1958":59,"_1959":2489,"_707":2490,"_1961":2491,"_1963":2492,"_1965":2493,"_1971":2471,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46229132017905",{"_1941":2483,"_1943":1944},{"_41":2475,"_54":2476,"_1936":-5,"_56":2477,"_50":1935},{"_1941":2480,"_1943":1944},{"_72":2470,"_825":2471},[2494],{"_796":1968,"_1969":1970},{"_1969":2496},"[\"BADGE - $5 OFF (p7876)\",\"Our Most Anticipated Books (p10162)\",\"Retail Price fixing (p261)\",\"Barnes & Noble Holiday Gift Guide (p5430)\",\"BADGE - 25% OFF (p7871)\"]",{"_1969":2471},{"_1969":1924},[2500,-5,-5,2503,2505,-5,2507,2509,2512,2515,2518,-5,2520,2522,-5,2524,2526,2529],{"_41":2501,"_1983":1984,"_1985":1986,"_1969":2502},"gid://shopify/Metafield/39011140763889","[{\"contributorId\":5168562,\"fullName\":\"Paul Tremblay\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":2504,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/39011142238449",{"_41":2506,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/39011139059953",{"_41":2508,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/39011142566129",{"_41":2510,"_1983":1984,"_1985":2006,"_1969":2511},"gid://shopify/Metafield/39011147874545","[{\"id\":\"114659593T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"

\\\"In Horror Movie, horror master Paul Tremblay plays with perception and reality, fiction and real life opens and swallows us whole. This nesting doll of a novel, a book that Judy Blume and Philip K. Dick might have jointly conceived, tests the limits of what a horror thriller can be, and it succeeds thrillingly.\\\" - Boston Globe

\\\"An enticing premise deftly spun by stellar horror author Paul Tremblay. Sardonic and genuinely startling, Horror Movie is a page-turner for any genre buff.\\\" - Entertainment Weekly

\\\"Balancing a terrifying cursed film with examinations of artistic creation, fandom, and truth, Tremblay's latest is smart and well-paced and will have broad appeal.\\\" - Library Journal (starred review)

\\\"Spooky, heavily atmospheric, and loaded with dread, Horror Movie digs deep into the feeling horror gives us to examine how art imitates life and the disturbing result when life imitates art. Tremblay's best work yet.\\\"

- Craig DiLouie, author of How to Make a Horror Movie and Survive

\\\"Horror Movie is strange and unsettling in the best way possible. . . . Tremblay's unique voice and chameleonic style have made him one of the leading voices in speculative fiction, and this is one of his best novels so far.\\\" - NPR

\\\"A fever dream about despair and regret that will stay with you long after the credits have rolled.\\\" - Kirkus Reviews

\\\"Tremblay is often (and rightfully) recognized as one of the great contemporary horror writers. . . . As I read Horror Movie, I found myself marveling at its high-wire act: The novel hopscotches deftly among three timelines, interspersed with scenes from the screenplay...It takes bravado and skill to layer overlapping narrative frames like this without sacrificing tension, but Horror Movie never once loses its momentum or its way. It's a smart book, smartly told, and should establish Tremblay as not just one of our great horror writers but one of our great fiction writers, full stop.\\\"

- New York Times

\\\"Tremblay raises the bar for the cursed film trope with a novel that cleverly breaks the fourth wall between imaginary horrors and their real-world repercussions. . . . Readers won't want to miss out.\\\" - Publishers Weekly (starred review)

\\\"Macabrely funny and incredibly smart, Horror Movie cements Tremblay's place as a master of horror. It encapsulates the unease of right now -- a runaway culture of self-reference with bloody hands. It's everything a horror novel ought to be: lean, mean, and genuinely scary.\\\" - Sarah Langan, author of Good Neighbors and A Better World

\\\"A profound, heart-wrenching, terrifyingly honest novel that's also a cinematic page-turner. Horror Movie zooms in on creation and consumption, integrity and ego, admiration and obsession, and how the desperate search for connection through art can be beautiful, or disastrous. This book is a gift and a curse.\\\" - Rachel Harrison, nationally bestselling author of Black Sheep

\\\"Paul Tremblay is one of the most terrifying horror writers of his generation and his new chiller, Horror Movie, is a reason for excitement.\\\" - Joe Hill, #1 New York Times bestselling author

\\\"Horror Movie is not only a haunting, unsettling, and utterly absorbing novel-it is also a twisted manifesto for art and the parts of ourselves we shed in order to create it. It messed with my head and I loved every minute of it.\\\"

- Clémence Michallon, internationally bestselling author of The Quiet Tenant

\\\"In the hands of Paul Tremblay the story of a lost movie becomes a reflection on fear, the monsters we all are, and an investigation of what is a 'horror novel.' It's bold, fearless, a bit sad, and very, very scary.\\\"

- Mariana Enriquez, author of Our Share of Night and Things We Lost in the Fire

\\\"Tremblay returns with a terrifying novel about the creation of art and its effect on all it touches. . . A suspenseful story that is marked by its relentless unease and disturbing revelations about the characters, yes, but also about the readers themselves. An immersive reading experience that will forever alter the way those who encounter it watch horror movies.\\\" - Booklist (starred review)

\\\"Paul Tremblay's Horror Movie is a brilliant piece about the masks we know about and the masks we don't, the ones we're forced to wear for a lifetime because of our depression and the things we create to make sense of terrible things. He captures the fugue of being young, of finding a bridge to immortality when you're invulnerable, of making mistakes you can't take back. It is intimately heartbreaking and beautifully written, and it's scary in a way that attaches itself to your shame and self-loathing and just starts eating away. It's extraordinary.\\\" - Walter Chaw, author of A Walter Hill Film

\\\"Uncertainty is Tremblay's stock-in-trade. Over the last decade, he has grown from hot new thing to horror icon without compromising on his uniquely inexplicable nightmares.\\\" - Esquire

\\\"A tremendous book―thought-provoking and terrifying, with tension that winds up like a chain. The Cabin at the End of the World is Tremblay's personal best. It's that good.\\\" - Stephen King

\\\"The Cabin at the End of the World... will shape your nightmares for months-that's pretty much guaranteed. That's what it's built for. And there's a very, very good chance you'll never get it out of your head again.\\\" - NPR

\\\"More than a dozen horror stories-weird, self-referential, expertly told. [The] quirkily magisterial title entry delivers a grim vision of hubris and collective apathy . . . It is all, frankly, riveting. . . . What seems to matter, in all these stories, aren't the specifics of a grisly end but the emotions they conjure, the way they tinge our own reality after we turn the page.\\\" - New York Times on The Beast You Are

\"},{\"id\":\"131721960T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"2\",\"text\":\"

\\\"An enticing premise deftly spun by stellar horror author Paul Tremblay. Sardonic and genuinely startling, Horror Movie is a page-turner for any genre buff.\\\" - Entertainment Weekly

- Craig DiLouie, author of How to Make a Horror Movie and Survive

\\\"A fever dream about despair and regret that will stay with you long after the credits have rolled.\\\" - Kirkus Reviews

- New York Times

\\\"Horror Movie is not only a haunting, unsettling, and utterly absorbing novel--it is also a twisted manifesto for art and the parts of ourselves we shed in order to create it. It messed with my head and I loved every minute of it.\\\"

- Clémence Michallon, internationally bestselling author of The Quiet Tenant

- Mariana Enriquez, author of Our Share of Night and Things We Lost in the Fire

\\\"Uncertainty is Tremblay's stock-in-trade. Over the last decade, he has grown from hot new thing to horror icon without compromising on his uniquely inexplicable nightmares.\\\" - Esquire

\\\"The Cabin at the End of the World... will shape your nightmares for months--that's pretty much guaranteed. That's what it's built for. And there's a very, very good chance you'll never get it out of your head again.\\\" - NPR

\\\"More than a dozen horror stories--weird, self-referential, expertly told. [The] quirkily magisterial title entry delivers a grim vision of hubris and collective apathy . . . It is all, frankly, riveting. . . . What seems to matter, in all these stories, aren't the specifics of a grisly end but the emotions they conjure, the way they tinge our own reality after we turn the page.\\\" - New York Times on The Beast You Are

\"},{\"id\":\"96502320T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

From horror maestro Paul Tremblay, Horror Movie is another shimmering story built on the precariousness of not knowing. Akin to "theater of the mind," it's an unsettling spiral into true terror.

\"},{\"id\":\"114659594T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"

Paul Tremblay is the multiple award-winning, critically acclaimed, New York Times bestselling author of eight previous novels (Horror Movie, The Pallbearers Club, Survivor Song, The Cabin at the End of the World, Disappearance at Devil's Rock, A Head Full of Ghosts, No Sleep Till Wonderland, and The Little Sleep); a middle-grade novel, Another; and two short fiction collections (The Beast You Are and Growing Things). He lives outside of Boston with his family.

\"},{\"id\":\"107664671T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"Paul Tremblay is the multiple award—winning, critically acclaimed, New York Times bestselling author of eight previous novels (Horror Movie, The Pallbearers Club, Survivor Song, The Cabin at the End of the World, Disappearance at Devil's Rock, A Head Full of Ghosts, No Sleep Till Wonderland, and The Little Sleep) and two short fiction collections (The Beast You Are and Growing Things). He lives outside of Boston with his family.

\"},{\"id\":\"118521797T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"3\",\"text\":\"

\"},{\"id\":\"91366869T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"4\",\"text\":\"Paul Tremblay is the multiple award—winning, critically acclaimed, New York Times bestselling author of eight previous novels (Horror Movie, The Pallbearers Club, Survivor Song, The Cabin at the End of the World, Disappearance at Devil's Rock, A Head Full of Ghosts, No Sleep Till Wonderland, and The Little Sleep) and two short fiction collections (The Beast You Are and Growing Things). He lives outside of Boston with his family.

\"},{\"id\":\"97998711T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"5\",\"text\":\"

Paul Tremblay has won the Bram Stoker, British Fantasy, Sheridan Le Fanu, and Massachusetts Book Awards and is the New York Times bestselling author of Horror Movie: A Novel, The Beast You Are, The Pallbearers Club, Survivor Song, Growing Things and Other Stories, Disappearance at Devil's Rock, A Head Full of Ghosts, and the crime novels The Little Sleep and No Sleep Till Wonderland. His novel The Cabin at the End of the World was adapted into the Universal Pictures film Knock at the Cabin.

His essays and short fiction have appeared in the New York Times, Boston Globe, Los Angeles Times, and numerous \\\"year's best\\\" anthologies. He lives outside of Boston, Massachusetts, with his family and has a master's degree in mathematics.

\"}]",{"_41":2513,"_1983":1984,"_1985":2010,"_1969":2514},"gid://shopify/Metafield/39011145810161","Horror-Movie/Paul-Tremblay",{"_41":2516,"_1983":1984,"_1985":2014,"_1969":2517},"gid://shopify/Metafield/39011137618161","1144117219",{"_41":2519,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39011141910769",{"_41":2521,"_1983":1984,"_1985":1973,"_1969":2496},"gid://shopify/Metafield/39011148595441",{"_41":2523,"_1983":1984,"_1985":1974,"_1969":2471},"gid://shopify/Metafield/39011130966257",{"_41":2525,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39011142992113",{"_41":2527,"_1983":2028,"_1985":2029,"_1969":2528},"gid://shopify/Metafield/63916922700017","{\"scale_min\":\"1.0\",\"scale_max\":\"5.0\",\"value\":\"3.4\"}",{"_41":2530,"_1983":2028,"_1985":2033,"_1969":2531},"gid://shopify/Metafield/63916922667249","23",{"_1919":1920,"_41":2533,"_72":2534,"_1923":1924,"_825":2535,"_1926":2536,"_1928":2537,"_1930":2538,"_1937":2542,"_1945":59,"_1946":2544,"_1952":2547,"_1973":-5,"_1974":2556,"_1976":2557,"_1978":-5,"_1979":2558},"gid://shopify/Product/8871421935857","Mister Magic: A Novel","9780593359280","NATIONAL BESTSELLER • Who is Mister Magic? Former child stars reunite to uncover the tragedy that ended their show—and discover the secret of its enigmatic host—in this “skin-crawling story of pop culture fandom and ‘90s nostalgia” (Melissa Albert, author of The Hazel Woods) from the author of Hide. “[A] propulsive, exciting, often genuinely scary, endlessly compelling mystery.”—Terry Miles, author of RabbitsA BEST BOOK OF THE YEAR: PopSugar, Polygon, Chicago Public Library, CrimeReadsThirty years after a tragic accident shut down production of the classic children’s program Mister Magic, the five surviving cast members have done their best to move on. But just as generations of cultishly devoted fans still cling to the lessons they learned from the show, the cast, known as the Circle of Friends, have spent their lives searching for the happiness they felt while they were on it. The friendship. The feeling of belonging. And the protection of Mister Magic. But with no surviving video of the show, no evidence of who directed or produced it, and no records of who—or what—the beloved host actually was, memories are all the former Circle of Friends has. Then a twist of fate brings the castmates back together at the remote desert filming compound that feels like it’s been waiting for them all this time. Even though they haven’t seen each other for years, they understand one another better than anyone has since. After all, they’re the only ones who hold the secret of that circle, the mystery of the magic man in his infinitely black cape, and, maybe, the answers to what really happened on that deadly last day. But as the Circle of Friends reclaim parts of their past, they begin to wonder: Are they here by choice, or have they been lured into a trap? Because magic never forgets the taste of your friendship. . . .","NATIONAL BESTSELLER • Who is Mister Magic? Former child stars reunite to uncover the tragedy that ended their show—and discover the secret of its enigmatic host—in this “skin-crawling story of pop culture fandom and ‘90s nostalgia” (Melissa Albert, author of The Hazel Woods) from the author of Hide.

“[A] propulsive, exciting, often genuinely scary, endlessly compelling mystery.”—Terry Miles, author of Rabbits

A BEST BOOK OF THE YEAR: PopSugar, Polygon, Chicago Public Library, CrimeReads

Thirty years after a tragic accident shut down production of the classic children’s program Mister Magic, the five surviving cast members have done their best to move on. But just as generations of cultishly devoted fans still cling to the lessons they learned from the show, the cast, known as the Circle of Friends, have spent their lives searching for the happiness they felt while they were on it. The friendship. The feeling of belonging. And the protection of Mister Magic.

But with no surviving video of the show, no evidence of who directed or produced it, and no records of who—or what—the beloved host actually was, memories are all the former Circle of Friends has.

Then a twist of fate brings the castmates back together at the remote desert filming compound that feels like it’s been waiting for them all this time. Even though they haven’t seen each other for years, they understand one another better than anyone has since.

After all, they’re the only ones who hold the secret of that circle, the mystery of the magic man in his infinitely black cape, and, maybe, the answers to what really happened on that deadly last day. But as the Circle of Friends reclaim parts of their past, they begin to wonder: Are they here by choice, or have they been lured into a trap?

Because magic never forgets the taste of your friendship. . . .",{"_41":2539,"_54":2540,"_56":2541,"_50":2106,"_1936":-5},"gid://shopify/ProductImage/47559852589297","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780593359280_p0.jpg?v=1768955718",903,{"_1939":2543},{"_1941":2293,"_1943":1944},{"_1939":2545,"_1950":2546},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":2548},[2549],{"_41":2550,"_1945":59,"_1958":59,"_1959":-5,"_707":2551,"_1961":2552,"_1963":2553,"_1965":2554,"_1971":2535,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46271911428337",{"_41":2539,"_54":2540,"_1936":-5,"_56":2541,"_50":2106},{"_1941":2293,"_1943":1944},{"_72":2534,"_825":2535},[2555],{"_796":1968,"_1969":1970},{"_1969":2535},{"_1969":1924},[2559,-5,-5,2562,2564,-5,2566,2568,2571,2574,2577,-5,-5,2579,-5,2581,2583,2586],{"_41":2560,"_1983":1984,"_1985":1986,"_1969":2561},"gid://shopify/Metafield/40859425046769","[{\"contributorId\":11580806,\"fullName\":\"Kiersten White\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":2563,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/40859425702129",{"_41":2565,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/40859424784625",{"_41":2567,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/40859425800433",{"_41":2569,"_1983":1984,"_1985":2006,"_1969":2570},"gid://shopify/Metafield/40859427864817","[{\"id\":\"121794020T\",\"type\":\"Excerpt\",\"linkText\":\"Read an Excerpt\",\"typeId\":\"1005\",\"abbr\":\"EXC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"One

The thing is, the doors were open that morning.

Val knows—she knows, she knows—that waking up to find both doors of their sagging cabin opened wide to the world is probably only because Dad wasn’t sleeping well, and that she should tie a bell to his foot before bed tonight. Just in case.

But.

An open door is an invitation, she whispers to herself. And she keeps the doors to their cabin firmly closed all the time. She’ll have one of the ranch hands rig up some sort of lock system, up high, where Dad won’t be able to reach it.

That’ll fix it. She can stop worrying.

She doesn’t, though. She worries through the morning riding lessons, worries through lunch with the camp full of awkwardly pubescing little delights, worries through the early-afternoon group activities, more riding, cleanup. All her favorite things—especially the cleanup, knowing parents are paying a small fortune so their daughters can spend the week doing the chores Val hates most—are eaten up by the worry.

By late afternoon she’s mostly shaken it off, though. Sometimes an open door is just an open door. It doesn’t have to mean anything.

One of the girls, Lola, freckled and sunburned and wonderful, raises her hand. “Miss Val?”

“You know where the bathroom is,” Val answers. “You don’t have to ask when you need to go.” It’s almost time for pickup, which means she needs to get Poppy from the goat pen. The other five dusty and happy and tired campers are here with Val, finishing up in the stables.

“No!” Lola giggles shyly. “It’s not that. Do you have any kids?”

An image flashes in Val’s mind. A girl, even younger than these, her brown hair forever fighting to escape messy pigtails, with eyes so blue they break her heart. Val smiles. “Not yet, but I know there’s one in my future.”

“How?” another camper, Hannah, asks, wrinkling her nose beneath smudged glasses. Val resists the impulse to clean them for her. Independence is part of what her camps promise, even if it means dirty glasses. Val’s been running the summer programs for Gloria’s Ranch since she was twenty, and they’re the absolute highlight of her whole year.

Val shrugs. “I’ve always known.”

“But aren’t you getting too old?”

Val lifts an eyebrow. Lola scowls and elbows Hannah, but Val shakes her head. “No, it’s okay to ask questions. Questions are how we get to know the world. And the answer is, I’m not too old. Not yet.”

Her heart ticks like a clock, but she still has time. Val’s belief in her blue-eyed girl is as solid as her belief in gravity. The when and the how are questions she doesn’t let herself ask. It’s easy not to ask questions. Take the question, put it behind a door. Close the door. Leave nothing open. She is aware of the hypocrisy of always encouraging her students to ask questions when she denies herself the same freedom, but there’s a whole door in her head just for the cognitive dissonance of Do what I say, not what I do.

“Do you have a boyfriend?” Lola blurts out, and suddenly this interrogation makes sense. Lola’s father finds excuses to linger at every drop-off and pickup.

“Only when I want to,” Val answers. “Sometimes I have a girlfriend.” Though boyfriend and girlfriend are generous terms for the relationships she allows herself to have.

Still, her answer has the desired effect of rapidly changing the subject as all the girls’ eyes go wide. Val can see the follow-up questions bubbling, but they don’t have time. She has to get to Poppy before—

“Damn it,” Val whispers under her breath. Poppy’s mother has already pulled up in a Mercedes SUV that has about as much functionality as the designer boots she sent Poppy in for the first day. And Poppy’s still in the goat pen instead of the stables.

Val claps her hands. “Okay! Last one out of their barn clothes has to muck out Stormy’s stall tomorrow!”

The girls shriek and dart away to remove the coveralls and boots Val gives them to protect the too-cute clothes their parents always have them wear. Val cuts across the dusty path to intercept Poppy’s mom before Poppy hears what’s about to happen.

“Hi,” Val says. She can’t recall the woman’s name. She never can with other adults. It’s hard to care.

The sunglasses come up, pushed onto carefully styled hair. “What’s Poppy doing in the goat pen?”

“She’s working with our baby goats, Luke and Leia, training them to—”

“I’m paying you for riding lessons!”

Parents always trot that out as leverage, but technically she isn’t paying Val at all. Val doesn’t get paid. She smiles politely. “You’re paying for a week of day camp at Gloria’s Ranch, which includes experiences with a variety of animals. And can include riding lessons, if the girls want that, which Poppy does not.”

“It’s not up to her! I want her to learn how to ride!”

Val resists the urge to smack the sunglasses off the woman’s head. “Poppy is spending a week outside building confidence with friends and animals. Do you want me to force her into a saddle and watch her have a panic attack? Because that’s not safe for Poppy or the horse.”

“But I’m paying—”

“No.” Val cuts her off. “Look at your daughter. Right now.”

Poppy’s perched on top of a bale of hay, expression intense with concentration as she balances next to a tiny baby goat. She gives a command, then jumps off and turns around expectantly. The goat follows. Poppy whoops in delighted triumph.

“But—” the mom says, her anger deflated in the face of Poppy’s elation.

“She’s afraid of horses. It’s a perfectly rational fear. Horses are terrifying creatures. Barrel chests and pin legs and have you seen their teeth?”

The woman raises a perfect eyebrow. “It sounds like you’re scared of them.”

“Oh, absolutely I am. I ignore it because I have to. But there’s no reason for Poppy to overcome this particular fear. No one needs to ride horses. She’s a remarkable little girl, and when she grows into a remarkable adult, she’ll remember how her mother listened to her and helped her find other things she was good at.”

The woman sighs out the last of her anger. “She does look happy.”

“And filthy.” Val wrinkles her nose. She’s not even pleased that she convinced this woman she was right. It was always going to go this way. When Val sets her mind to something, it happens.

The woman laughs, fully won over. “And filthy.”

“Poppy! Into the barn!” Val points and Poppy hops across the pen like a little goat herself.

“I really wanted to buy her cute riding clothes,” her mother says, wistful.

Sometimes Val forgets that adults are just children with both more and less autonomy. She smiles slyly and nudges the woman with her shoulder. “You know, we have riding classes for adults, too, and you’d look fabulous in a new riding outfit.”

Val’s rewarded with another laugh and a thoughtful glance toward the stables. The woman’s already picking out which horse is prettiest, probably imagining owning one herself. Good for business if she stables it here.

What would we do without you, Val? Gloria asks in her mind, and Val thinks back what she always does: You’ll never have to find out.

It tastes bitter today.\"},{\"id\":\"94997246T\",\"type\":\"Excerpt\",\"linkText\":\"Read an Excerpt\",\"typeId\":\"1005\",\"abbr\":\"EXC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"One

The thing is, the doors were open that morning.

Val knows—she knows, she knows—that waking up to find both doors of their sagging cabin opened wide to the world is probably only because Dad wasn’t sleeping well, and that she should tie a bell to his foot before bed tonight. Just in case.

But.

An open door is an invitation, she whispers to herself. And she keeps the doors to their cabin firmly closed all the time. She’ll have one of the ranch hands rig up some sort of lock system, up high, where Dad won’t be able to reach it.

That’ll fix it. She can stop worrying.

She doesn’t, though. She worries through the morning riding lessons, worries through lunch with the camp full of awkwardly pubescing little delights, worries through the early-afternoon group activities, more riding, cleanup. All her favorite things—especially the cleanup, knowing parents are paying a small fortune so their daughters can spend the week doing the chores Val hates most—are eaten up by the worry.

By late afternoon she’s mostly shaken it off, though. Sometimes an open door is just an open door. It doesn’t have to mean anything.

One of the girls, Lola, freckled and sunburned and wonderful, raises her hand. “Miss Val?”

“You know where the bathroom is,” Val answers. “You don’t have to ask when you need to go.” It’s almost time for pickup, which means she needs to get Poppy from the goat pen. The other five dusty and happy and tired campers are here with Val, finishing up in the stables.

“No!” Lola giggles shyly. “It’s not that. Do you have any kids?”

An image flashes in Val’s mind. A girl, even younger than these, her brown hair forever fighting to escape messy pigtails, with eyes so blue they break her heart. Val smiles. “Not yet, but I know there’s one in my future.”

“How?” another camper, Hannah, asks, wrinkling her nose beneath smudged glasses. Val resists the impulse to clean them for her. Independence is part of what her camps promise, even if it means dirty glasses. Val’s been running the summer programs for Gloria’s Ranch since she was twenty, and they’re the absolute highlight of her whole year.

Val shrugs. “I’ve always known.”

“But aren’t you getting too old?”

Val lifts an eyebrow. Lola scowls and elbows Hannah, but Val shakes her head. “No, it’s okay to ask questions. Questions are how we get to know the world. And the answer is, I’m not too old. Not yet.”

Her heart ticks like a clock, but she still has time. Val’s belief in her blue-eyed girl is as solid as her belief in gravity. The when and the how are questions she doesn’t let herself ask. It’s easy not to ask questions. Take the question, put it behind a door. Close the door. Leave nothing open. She is aware of the hypocrisy of always encouraging her students to ask questions when she denies herself the same freedom, but there’s a whole door in her head just for the cognitive dissonance of Do what I say, not what I do.

“Do you have a boyfriend?” Lola blurts out, and suddenly this interrogation makes sense. Lola’s father finds excuses to linger at every drop-off and pickup.

“Only when I want to,” Val answers. “Sometimes I have a girlfriend.” Though boyfriend and girlfriend are generous terms for the relationships she allows herself to have.

Still, her answer has the desired effect of rapidly changing the subject as all the girls’ eyes go wide. Val can see the follow-up questions bubbling, but they don’t have time. She has to get to Poppy before—

“Damn it,” Val whispers under her breath. Poppy’s mother has already pulled up in a Mercedes SUV that has about as much functionality as the designer boots she sent Poppy in for the first day. And Poppy’s still in the goat pen instead of the stables.

Val claps her hands. “Okay! Last one out of their barn clothes has to muck out Stormy’s stall tomorrow!”

The girls shriek and dart away to remove the coveralls and boots Val gives them to protect the too-cute clothes their parents always have them wear. Val cuts across the dusty path to intercept Poppy’s mom before Poppy hears what’s about to happen.

“Hi,” Val says. She can’t recall the woman’s name. She never can with other adults. It’s hard to care.

The sunglasses come up, pushed onto carefully styled hair. “What’s Poppy doing in the goat pen?”

“She’s working with our baby goats, Luke and Leia, training them to—”

“I’m paying you for riding lessons!”

Parents always trot that out as leverage, but technically she isn’t paying Val at all. Val doesn’t get paid. She smiles politely. “You’re paying for a week of day camp at Gloria’s Ranch, which includes experiences with a variety of animals. And can include riding lessons, if the girls want that, which Poppy does not.”

“It’s not up to her! I want her to learn how to ride!”

Val resists the urge to smack the sunglasses off the woman’s head. “Poppy is spending a week outside building confidence with friends and animals. Do you want me to force her into a saddle and watch her have a panic attack? Because that’s not safe for Poppy or the horse.”

“But I’m paying—”

“No.” Val cuts her off. “Look at your daughter. Right now.”

Poppy’s perched on top of a bale of hay, expression intense with concentration as she balances next to a tiny baby goat. She gives a command, then jumps off and turns around expectantly. The goat follows. Poppy whoops in delighted triumph.

“But—” the mom says, her anger deflated in the face of Poppy’s elation.

“She’s afraid of horses. It’s a perfectly rational fear. Horses are terrifying creatures. Barrel chests and pin legs and have you seen their teeth?”

The woman raises a perfect eyebrow. “It sounds like you’re scared of them.”

“Oh, absolutely I am. I ignore it because I have to. But there’s no reason for Poppy to overcome this particular fear. No one needs to ride horses. She’s a remarkable little girl, and when she grows into a remarkable adult, she’ll remember how her mother listened to her and helped her find other things she was good at.”

The woman sighs out the last of her anger. “She does look happy.”

“And filthy.” Val wrinkles her nose. She’s not even pleased that she convinced this woman she was right. It was always going to go this way. When Val sets her mind to something, it happens.

The woman laughs, fully won over. “And filthy.”

“Poppy! Into the barn!” Val points and Poppy hops across the pen like a little goat herself.

“I really wanted to buy her cute riding clothes,” her mother says, wistful.

Sometimes Val forgets that adults are just children with both more and less autonomy. She smiles slyly and nudges the woman with her shoulder. “You know, we have riding classes for adults, too, and you’d look fabulous in a new riding outfit.”

Val’s rewarded with another laugh and a thoughtful glance toward the stables. The woman’s already picking out which horse is prettiest, probably imagining owning one herself. Good for business if she stables it here.

What would we do without you, Val? Gloria asks in her mind, and Val thinks back what she always does: You’ll never have to find out.

It tastes bitter today.\"},{\"id\":\"90888134T\",\"type\":\"Excerpt\",\"linkText\":\"Read an Excerpt\",\"typeId\":\"1005\",\"abbr\":\"EXC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"3\",\"text\":\"One

The thing is, the doors were open that morning.

Val knows—she knows, she knows—that waking up to find both doors of their sagging cabin opened wide to the world is probably only because Dad wasn’t sleeping well, and that she should tie a bell to his foot before bed tonight. Just in case.

But.

An open door is an invitation, she whispers to herself. And she keeps the doors to their cabin firmly closed all the time. She’ll have one of the ranch hands rig up some sort of lock system, up high, where Dad won’t be able to reach it.

That’ll fix it. She can stop worrying.

She doesn’t, though. She worries through the morning riding lessons, worries through lunch with the camp full of awkwardly pubescing little delights, worries through the early-afternoon group activities, more riding, cleanup. All her favorite things—especially the cleanup, knowing parents are paying a small fortune so their daughters can spend the week doing the chores Val hates most—are eaten up by the worry.

By late afternoon she’s mostly shaken it off, though. Sometimes an open door is just an open door. It doesn’t have to mean anything.

One of the girls, Lola, freckled and sunburned and wonderful, raises her hand. “Miss Val?”

“You know where the bathroom is,” Val answers. “You don’t have to ask when you need to go.” It’s almost time for pickup, which means she needs to get Poppy from the goat pen. The other five dusty and happy and tired campers are here with Val, finishing up in the stables.

“No!” Lola giggles shyly. “It’s not that. Do you have any kids?”

An image flashes in Val’s mind. A girl, even younger than these, her brown hair forever fighting to escape messy pigtails, with eyes so blue they break her heart. Val smiles. “Not yet, but I know there’s one in my future.”

“How?” another camper, Hannah, asks, wrinkling her nose beneath smudged glasses. Val resists the impulse to clean them for her. Independence is part of what her camps promise, even if it means dirty glasses. Val’s been running the summer programs for Gloria’s Ranch since she was twenty, and they’re the absolute highlight of her whole year.

Val shrugs. “I’ve always known.”

“But aren’t you getting too old?”

Val lifts an eyebrow. Lola scowls and elbows Hannah, but Val shakes her head. “No, it’s okay to ask questions. Questions are how we get to know the world. And the answer is, I’m not too old. Not yet.”

Her heart ticks like a clock, but she still has time. Val’s belief in her blue-eyed girl is as solid as her belief in gravity. The when and the how are questions she doesn’t let herself ask. It’s easy not to ask questions. Take the question, put it behind a door. Close the door. Leave nothing open. She is aware of the hypocrisy of always encouraging her students to ask questions when she denies herself the same freedom, but there’s a whole door in her head just for the cognitive dissonance of Do what I say, not what I do.

“Do you have a boyfriend?” Lola blurts out, and suddenly this interrogation makes sense. Lola’s father finds excuses to linger at every drop-off and pickup.

“Only when I want to,” Val answers. “Sometimes I have a girlfriend.” Though boyfriend and girlfriend are generous terms for the relationships she allows herself to have.

Still, her answer has the desired effect of rapidly changing the subject as all the girls’ eyes go wide. Val can see the follow-up questions bubbling, but they don’t have time. She has to get to Poppy before—

“Damn it,” Val whispers under her breath. Poppy’s mother has already pulled up in a Mercedes SUV that has about as much functionality as the designer boots she sent Poppy in for the first day. And Poppy’s still in the goat pen instead of the stables.

Val claps her hands. “Okay! Last one out of their barn clothes has to muck out Stormy’s stall tomorrow!”

The girls shriek and dart away to remove the coveralls and boots Val gives them to protect the too-cute clothes their parents always have them wear. Val cuts across the dusty path to intercept Poppy’s mom before Poppy hears what’s about to happen.

“Hi,” Val says. She can’t recall the woman’s name. She never can with other adults. It’s hard to care.

The sunglasses come up, pushed onto carefully styled hair. “What’s Poppy doing in the goat pen?”

“She’s working with our baby goats, Luke and Leia, training them to—”

“I’m paying you for riding lessons!”

Parents always trot that out as leverage, but technically she isn’t paying Val at all. Val doesn’t get paid. She smiles politely. “You’re paying for a week of day camp at Gloria’s Ranch, which includes experiences with a variety of animals. And can include riding lessons, if the girls want that, which Poppy does not.”

“It’s not up to her! I want her to learn how to ride!”

Val resists the urge to smack the sunglasses off the woman’s head. “Poppy is spending a week outside building confidence with friends and animals. Do you want me to force her into a saddle and watch her have a panic attack? Because that’s not safe for Poppy or the horse.”

“But I’m paying—”

“No.” Val cuts her off. “Look at your daughter. Right now.”

Poppy’s perched on top of a bale of hay, expression intense with concentration as she balances next to a tiny baby goat. She gives a command, then jumps off and turns around expectantly. The goat follows. Poppy whoops in delighted triumph.

“But—” the mom says, her anger deflated in the face of Poppy’s elation.

“She’s afraid of horses. It’s a perfectly rational fear. Horses are terrifying creatures. Barrel chests and pin legs and have you seen their teeth?”

The woman raises a perfect eyebrow. “It sounds like you’re scared of them.”

“Oh, absolutely I am. I ignore it because I have to. But there’s no reason for Poppy to overcome this particular fear. No one needs to ride horses. She’s a remarkable little girl, and when she grows into a remarkable adult, she’ll remember how her mother listened to her and helped her find other things she was good at.”

The woman sighs out the last of her anger. “She does look happy.”

“And filthy.” Val wrinkles her nose. She’s not even pleased that she convinced this woman she was right. It was always going to go this way. When Val sets her mind to something, it happens.

The woman laughs, fully won over. “And filthy.”

“Poppy! Into the barn!” Val points and Poppy hops across the pen like a little goat herself.

“I really wanted to buy her cute riding clothes,” her mother says, wistful.

Sometimes Val forgets that adults are just children with both more and less autonomy. She smiles slyly and nudges the woman with her shoulder. “You know, we have riding classes for adults, too, and you’d look fabulous in a new riding outfit.”

Val’s rewarded with another laugh and a thoughtful glance toward the stables. The woman’s already picking out which horse is prettiest, probably imagining owning one herself. Good for business if she stables it here.

What would we do without you, Val? Gloria asks in her mind, and Val thinks back what she always does: You’ll never have to find out.

It tastes bitter today.\"},{\"id\":\"90410545T\",\"type\":\"Excerpt\",\"linkText\":\"Read an Excerpt\",\"typeId\":\"1005\",\"abbr\":\"EXC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"4\",\"text\":\"One

The thing is, the doors were open that morning.

Val knows—she knows, she knows—that waking up to find both doors of their sagging cabin opened wide to the world is probably only because Dad wasn’t sleeping well, and that she should tie a bell to his foot before bed tonight. Just in case.

But.

An open door is an invitation, she whispers to herself. And she keeps the doors to their cabin firmly closed all the time. She’ll have one of the ranch hands rig up some sort of lock system, up high, where Dad won’t be able to reach it.

That’ll fix it. She can stop worrying.

She doesn’t, though. She worries through the morning riding lessons, worries through lunch with the camp full of awkwardly pubescing little delights, worries through the early-afternoon group activities, more riding, cleanup. All her favorite things—especially the cleanup, knowing parents are paying a small fortune so their daughters can spend the week doing the chores Val hates most—are eaten up by the worry.

By late afternoon she’s mostly shaken it off, though. Sometimes an open door is just an open door. It doesn’t have to mean anything.

One of the girls, Lola, freckled and sunburned and wonderful, raises her hand. “Miss Val?”

“You know where the bathroom is,” Val answers. “You don’t have to ask when you need to go.” It’s almost time for pickup, which means she needs to get Poppy from the goat pen. The other five dusty and happy and tired campers are here with Val, finishing up in the stables.

“No!” Lola giggles shyly. “It’s not that. Do you have any kids?”

An image flashes in Val’s mind. A girl, even younger than these, her brown hair forever fighting to escape messy pigtails, with eyes so blue they break her heart. Val smiles. “Not yet, but I know there’s one in my future.”

“How?” another camper, Hannah, asks, wrinkling her nose beneath smudged glasses. Val resists the impulse to clean them for her. Independence is part of what her camps promise, even if it means dirty glasses. Val’s been running the summer programs for Gloria’s Ranch since she was twenty, and they’re the absolute highlight of her whole year.

Val shrugs. “I’ve always known.”

“But aren’t you getting too old?”

Val lifts an eyebrow. Lola scowls and elbows Hannah, but Val shakes her head. “No, it’s okay to ask questions. Questions are how we get to know the world. And the answer is, I’m not too old. Not yet.”

Her heart ticks like a clock, but she still has time. Val’s belief in her blue-eyed girl is as solid as her belief in gravity. The when and the how are questions she doesn’t let herself ask. It’s easy not to ask questions. Take the question, put it behind a door. Close the door. Leave nothing open. She is aware of the hypocrisy of always encouraging her students to ask questions when she denies herself the same freedom, but there’s a whole door in her head just for the cognitive dissonance of Do what I say, not what I do.

“Do you have a boyfriend?” Lola blurts out, and suddenly this interrogation makes sense. Lola’s father finds excuses to linger at every drop-off and pickup.

“Only when I want to,” Val answers. “Sometimes I have a girlfriend.” Though boyfriend and girlfriend are generous terms for the relationships she allows herself to have.

Still, her answer has the desired effect of rapidly changing the subject as all the girls’ eyes go wide. Val can see the follow-up questions bubbling, but they don’t have time. She has to get to Poppy before—

“Damn it,” Val whispers under her breath. Poppy’s mother has already pulled up in a Mercedes SUV that has about as much functionality as the designer boots she sent Poppy in for the first day. And Poppy’s still in the goat pen instead of the stables.

Val claps her hands. “Okay! Last one out of their barn clothes has to muck out Stormy’s stall tomorrow!”

The girls shriek and dart away to remove the coveralls and boots Val gives them to protect the too-cute clothes their parents always have them wear. Val cuts across the dusty path to intercept Poppy’s mom before Poppy hears what’s about to happen.

“Hi,” Val says. She can’t recall the woman’s name. She never can with other adults. It’s hard to care.

The sunglasses come up, pushed onto carefully styled hair. “What’s Poppy doing in the goat pen?”

“She’s working with our baby goats, Luke and Leia, training them to—”

“I’m paying you for riding lessons!”

Parents always trot that out as leverage, but technically she isn’t paying Val at all. Val doesn’t get paid. She smiles politely. “You’re paying for a week of day camp at Gloria’s Ranch, which includes experiences with a variety of animals. And can include riding lessons, if the girls want that, which Poppy does not.”

“It’s not up to her! I want her to learn how to ride!”

Val resists the urge to smack the sunglasses off the woman’s head. “Poppy is spending a week outside building confidence with friends and animals. Do you want me to force her into a saddle and watch her have a panic attack? Because that’s not safe for Poppy or the horse.”

“But I’m paying—”

“No.” Val cuts her off. “Look at your daughter. Right now.”

Poppy’s perched on top of a bale of hay, expression intense with concentration as she balances next to a tiny baby goat. She gives a command, then jumps off and turns around expectantly. The goat follows. Poppy whoops in delighted triumph.

“But—” the mom says, her anger deflated in the face of Poppy’s elation.

“She’s afraid of horses. It’s a perfectly rational fear. Horses are terrifying creatures. Barrel chests and pin legs and have you seen their teeth?”

The woman raises a perfect eyebrow. “It sounds like you’re scared of them.”

“Oh, absolutely I am. I ignore it because I have to. But there’s no reason for Poppy to overcome this particular fear. No one needs to ride horses. She’s a remarkable little girl, and when she grows into a remarkable adult, she’ll remember how her mother listened to her and helped her find other things she was good at.”

The woman sighs out the last of her anger. “She does look happy.”

“And filthy.” Val wrinkles her nose. She’s not even pleased that she convinced this woman she was right. It was always going to go this way. When Val sets her mind to something, it happens.

The woman laughs, fully won over. “And filthy.”

“Poppy! Into the barn!” Val points and Poppy hops across the pen like a little goat herself.

“I really wanted to buy her cute riding clothes,” her mother says, wistful.

Sometimes Val forgets that adults are just children with both more and less autonomy. She smiles slyly and nudges the woman with her shoulder. “You know, we have riding classes for adults, too, and you’d look fabulous in a new riding outfit.”

Val’s rewarded with another laugh and a thoughtful glance toward the stables. The woman’s already picking out which horse is prettiest, probably imagining owning one herself. Good for business if she stables it here.

What would we do without you, Val? Gloria asks in her mind, and Val thinks back what she always does: You’ll never have to find out.

It tastes bitter today.\"},{\"id\":\"121794021T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"“Mister Magic is a propulsive, exciting, often genuinely scary, endlessly compelling mystery. Imagine a trip through Twin Peaks by way of Stranger Things and Stephen King’s It.”—Terry Miles, author of Rabbits

“Kiersten White’s horror epic of cursed childhood media and stolen adolescence cuts to the poisoned quick of our nostalgia-obsessed modern age, and is expertly adapted for the graphic medium by Scott Peterson and the incredible team of Veronica and Andy Fish.”—James Tynion IV

“Mister Magic walks the twilit line between wonder and terror where all the best childhood games are played.”—Melissa Albert, New York Times bestselling author of The Hazel Wood

“Clever, compelling, and utterly chilling, Mister Magic: The Graphic Novelis equal parts childhood nostalgia and creeping nightmare!”—Cavan Scott, New York Times bestselling author

“It meets The Stepford Wives in this wildly compelling story that explores whether it’s possible to recapture the magic of childhood friendship and what happens when you discover the darkness hiding underneath your memories.”—Mallory O’Meara, Los Angeles Times bestselling author of The Lady from the Black Lagoon

“I found myself thoroughly drawn in by Mister Magic, a unique thriller with a compelling cast of characters whose past hides long-buried secrets.”—Karen Cleveland, New York Times bestselling author of Need to Know

“Few books I’ve read capture the wonder and terror of childhood as brilliantly as Mister Magic. Both creepy and profoundly nostalgic, it’s guaranteed to unsettle anyone who grew up with Barney & Friends, Sesame Street, or other children’s shows—or anyone who’s ever been a child. This book gave me nightmares in the best possible way.”—Ana Reyes, New York Times bestselling author of The House in the Pines

“Kiersten White gave me a serious case of the heebie-jeebies that I couldn’t shake, even long after I’d put this book down! The sense of dread starts off as a whisper and builds into a full-blown scream as pieces of the mystery surrounding Mister Magic fall into place in this terrifying novel.”—Amanda Jayatissa, author of You’re Invited

“The allure and untrustworthiness of memory and childhood experiences are deftly explored in this compelling and eerie slow burn. . . . This deeply personal and mesmerizing work from White is sure to please, especially readers with ’90s nostalgia.”—Library Journal

“In this frightening, nostalgic, and original plot, White explores themes of racism, homophobia, and sexism. Savvy readers will devour the subtext and ponder philosophical questions about reality.”—Booklist, starred review

“Both eerie and surprisingly heartwarming, White’s examination of the perils of nostalgia is sure to win fans.”—Publishers Weekly\"},{\"id\":\"91486982T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

Memory is a fascinating concept, and that fascination turns to terror thanks to Kiersten White’s Mister Magic, which tells the chilling story of a children’s TV program gone wrong. And underneath that terror is a bit of warmth not often found in the genre.

\"},{\"id\":\"89526083T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"Notes From Your Bookseller

Memory is a funny concept. Not in the “ha ha” way but in a truly frightening manner. (Nervous laughter). One that could only be captured by Kiersten White and elaborated by the elusive “Mr. Magic”.

\"},{\"id\":\"121794022T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"

Kiersten White is the New York Times bestselling, Bram Stoker Award–winning, and critically acclaimed author of many books, including The Dark Descent of Elizabeth Frankenstein, the And I Darken trilogy, the Slayer series, the Camelot Rising trilogy, and her adult debut, Hide. White lives with her family in San Diego, where they obsessively care for their deeply ambivalent tortoise, Kimberly.

\"},{\"id\":\"94998072T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"Kiersten White is the New York Times bestselling, Bram Stoker Award–winning, and critically acclaimed author of many books, including The Dark Descent of Elizabeth Frankenstein, the And I Darken trilogy, the Slayer series, the Camelot Rising trilogy, and her adult debut, Hide. White lives with her family in San Diego, where they obsessively care for their deeply ambivalent tortoise, Kimberly.\"},{\"id\":\"90888082T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"3\",\"text\":\"Kiersten White is the New York Times bestselling, Bram Stoker Award–winning, and critically acclaimed author of many books, including The Dark Descent of Elizabeth Frankenstein, the And I Darken trilogy, the Slayer series, the Camelot Rising trilogy, and her adult debut, Hide. White lives with her family in San Diego, where they obsessively care for their deeply ambivalent tortoise, Kimberly.\"},{\"id\":\"102580277T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"4\",\"text\":\"Kiersten White is the New York Times bestselling, Bram Stoker Award-winning, and critically acclaimed author of many books, including The Dark Descent of Elizabeth Frankenstein, the And I Darken trilogy, the Slayer series, the Camelot Rising trilogy, and her adult debut, Hide. White lives with her family in San Diego, where they obsessively care for their deeply ambivalent tortoise, Kimberly.\"},{\"id\":\"87052624T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"5\",\"text\":\"Kiersten White is the New York Times bestselling, Bram Stoker Award–winning, and critically acclaimed author of many books, including The Dark Descent of Elizabeth Frankenstein, the And I Darken trilogy, the Slayer series, the Camelot Rising trilogy, and her adult debut, Hide. White lives with her family in San Diego, where they obsessively care for their deeply ambivalent tortoise, Kimberly.\"}]",{"_41":2572,"_1983":1984,"_1985":2010,"_1969":2573},"gid://shopify/Metafield/40859427012849","Mister-Magic/Kiersten-White",{"_41":2575,"_1983":1984,"_1985":2014,"_1969":2576},"gid://shopify/Metafield/40859424686321","1142639624",{"_41":2578,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/40859425538289",{"_41":2580,"_1983":1984,"_1985":1974,"_1969":2535},"gid://shopify/Metafield/40859423736049",{"_41":2582,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/40859425964273",{"_41":2584,"_1983":2028,"_1985":2029,"_1969":2585},"gid://shopify/Metafield/60334471217393","{\"scale_min\":\"1.0\",\"scale_max\":\"5.0\",\"value\":\"4.0\"}",{"_41":2587,"_1983":2028,"_1985":2033,"_1969":2588},"gid://shopify/Metafield/60334471184625","37",{"_26":75,"_76":10,"_54":2590},"https://www.barnesandnoble.com/blog/the-best-analog-horror-stories-to-read-right-now","The Best Analog Horror Stories",{"_33":2593,"_26":1068,"_1058":2594,"_72":2891},"0c3208f87754",{"_1061":2595,"_1070":220,"_1463":1464,"_1465":1466,"_105":-5,"_54":2889},[2596,2647,2709,2769,2827],{"_1919":1920,"_41":2597,"_72":2598,"_1923":1924,"_825":2599,"_1926":2600,"_1928":2601,"_1930":2602,"_1937":2605,"_1945":59,"_1946":2608,"_1952":2611,"_1973":-5,"_1974":2620,"_1976":2621,"_1978":-5,"_1979":2622},"gid://shopify/Product/8878414266609","Aristotle's Way: How Ancient Wisdom Can Change Your Life","9780735220829","From renowned classicist Edith Hall, ARISTOTLE'S WAY is an examination of one of history's greatest philosophers, showing us how to lead happy, fulfilled, and meaningful livesAristotle was the first philosopher to inquire into subjective happiness, and he understood its essence better and more clearly than anyone since. According to Aristotle, happiness is not about well-being, but instead a lasting state of contentment, which should be the ultimate goal of human life. We become happy through finding a purpose, realizing our potential, and modifying our behavior to become the best version of ourselves. With these objectives in mind, Aristotle developed a humane program for becoming a happy person, which has stood the test of time, comprising much of what today we associate with the good life: meaning, creativity, and positivity. Most importantly, Aristotle understood happiness as available to the vast majority us, but only, crucially, if we decide to apply ourselves to its creationand he led by example. As Hall writes, \"If you believe that the goal of human life is to maximize happiness, then you are a budding Aristotelian.\"In expert yet vibrant modern language, Hall lays out the crux of Aristotle's thinking, mixing affecting autobiographical anecdotes with a deep wealth of classical learning. For Hall, whose own life has been greatly improved by her understanding of Aristotle, this is an intensely personal subject. She distills his ancient wisdom into ten practical and universal lessons to help us confront life's difficult and crucial moments, summarizing a lifetime of the most rarefied and brilliant scholarship.","From renowned classicist Edith Hall, ARISTOTLE'S WAY is an examination of one of history's greatest philosophers, showing us how to lead happy, fulfilled, and meaningful lives

Aristotle was the first philosopher to inquire into subjective happiness, and he understood its essence better and more clearly than anyone since. According to Aristotle, happiness is not about well-being, but instead a lasting state of contentment, which should be the ultimate goal of human life. We become happy through finding a purpose, realizing our potential, and modifying our behavior to become the best version of ourselves. With these objectives in mind, Aristotle developed a humane program for becoming a happy person, which has stood the test of time, comprising much of what today we associate with the good life: meaning, creativity, and positivity. Most importantly, Aristotle understood happiness as available to the vast majority us, but only, crucially, if we decide to apply ourselves to its creationand he led by example. As Hall writes, \"If you believe that the goal of human life is to maximize happiness, then you are a budding Aristotelian.\"

In expert yet vibrant modern language, Hall lays out the crux of Aristotle's thinking, mixing affecting autobiographical anecdotes with a deep wealth of classical learning. For Hall, whose own life has been greatly improved by her understanding of Aristotle, this is an intensely personal subject. She distills his ancient wisdom into ten practical and universal lessons to help us confront life's difficult and crucial moments, summarizing a lifetime of the most rarefied and brilliant scholarship.",{"_41":2603,"_54":2604,"_56":2349,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/47597344620785","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780735220829_p0.jpg?v=1765183313",{"_1939":2606},{"_1941":2607,"_1943":1944},"18.0",{"_1939":2609,"_1950":2610},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":2612},[2613],{"_41":2614,"_1945":59,"_1958":59,"_1959":-5,"_707":2615,"_1961":2616,"_1963":2617,"_1965":2618,"_1971":2599,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46279620591857",{"_41":2603,"_54":2604,"_1936":-5,"_56":2349,"_50":1935},{"_1941":2607,"_1943":1944},{"_72":2598,"_825":2599},[2619],{"_796":1968,"_1969":1970},{"_1969":2599},{"_1969":1924},[2623,-5,-5,2626,2628,-5,2630,2632,2635,2638,2641,-5,-5,2643,-5,2645,-5,-5],{"_41":2624,"_1983":1984,"_1985":1986,"_1969":2625},"gid://shopify/Metafield/41198434222321","[{\"contributorId\":436492,\"fullName\":\"Edith Hall\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":2627,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/41198434844913",{"_41":2629,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/41198433599729",{"_41":2631,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/41198435008753",{"_41":2633,"_1983":1984,"_1985":2006,"_1969":2634},"gid://shopify/Metafield/41198436942065","[{\"id\":\"75708551T\",\"type\":\"Excerpt\",\"linkText\":\"Read an Excerpt\",\"typeId\":\"1005\",\"abbr\":\"EXC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"Chapter 1

Happiness

At the beginning of Eudemian Ethics, Aristotle quotes a line of wisdom literature inscribed on an ancient stone on the sacred island of Delos. It proclaimed that the three best things in life are \\\"Justice, Health, and Achieving One's Desires.\\\" Aristotle trenchantly disagrees. According to him, the ultimate goal of human life is, simply, happiness, which means finding a purpose in order to realize your potential and working on your behavior to become the best version of yourself. You are your own moral agent, but act in an interconnected world where partnerships with other people are of great significance.

Aristotle's own teacher was Plato, himself the disciple of Socrates who famously said \\\"the unexamined life is not worth living.\\\" Aristotle regarded this is as somewhat harsh. He knew that many people-perhaps the majority-live intuitively and often unreflectively, but they enjoy great happiness, on \\\"autopilot\\\" as it were. He would have shifted the emphasis to practical activity and to the future, and his alternative motto might have been: \\\"the unplanned life is unlikely to be fully happy.\\\"

Aristotelian ethics put the individual in charge. As Abraham Lincoln saw, \\\"Most folks are about as happy as they make up their minds to be.\\\" Rather than working on autopilot, Aristotelian ethics put you as sole pilot at the full control panel. Other ethical systems place far less emphasis either on your individual moral agency or on your responsibilities toward others. Aristotelian ethics share the starting point of the moral agent with ethical egoism, associated with the early modern philosopher Bernard Mandeville (1670-1733), but nothing else. This system recommends that every individual consciously act so as to maximize their own self-interest. Imagine you are hosting a tea party for ten of your neighbors. You know that two are vegans. But vegan sandwiches are three times as expensive as ham sandwiches. If you buy two servings of vegan sandwiches, there will be less food all round for everybody. The egoist would ignore everyone else's needs and choose whether to cater for the vegans depending on her own personal eating habits. If she were not a vegan, then she would certainly not want her helping of ham sandwiches diminished by having to cater for anyone else's different preference. If she were a vegan, then she would ignore the deprivation suffered by all eight carnivores receiving smaller helpings and simply ensure that there was plenty of vegan food available for herself, and order a private extra serving.

Utilitarians, on the other hand, seek to maximize the happiness of the greatest number, thus focusing on consequences of actions: for utilitarians, a result involving eight happy carnivores completely trumps the accompanying problem of two miserable vegans. Utilitarianism gets difficult when the minorities are very large: a tea party with, say, four miserable vegans and only six happy carnivores would begin to feel decidedly unfestive. Followers of Immanuel Kant emphasize duties and obligations, asking whether there should be a universal and fixed law about the proportion of different kinds of sandwiches available at tea parties. Cultural relativists, on the other hand, have insisted that there is no such thing as a universal moral law. Everyone, they say, belongs to a group or groups which do have their own internal laws and customs. Across the planet, there are many cultures and communities which eat no pig products at all; there are others which cannot comprehend vegetarianism or even tea parties.

Aristotle would instead realize that the decision about the sandwiches could not be made abstractly in a vacuum. He would set aside time to think about the problem and make plans. He would look behind catering plans to make his intention conscious-if it is to make all ten neighbors feel welcomed and well fed, because that would make the whole community nicer for everyone to live in, conducing to individual and collective happiness, then his decision would need to maximize the possibility of that intention being fulfilled. There would be little point in offending even a minority of the guests. He would then consult interested persons, including the invitees and the caterers, to test the water on possible reactions. He would think about previous parties he had held or experienced, review precedents and very likely discover a way round the whole problem from looking at the history of tea parties-serving non-dairy cakes which everyone liked, for example, rather than the divisive sandwiches. He would also make sure that he personally enjoyed the types of cake he then chose, because unnecessary self-denial has no place in his philosophy of respect toward self and others.

Aristotle's ethical system is versatile, flexible and practical to implement in daily life. Most of the real-world psychological steps toward increasing contentment outlined by psychologist Sonja Lyubomirsky in The How of Happiness: A Practical Guide to Getting the Life You Want (2007) bear a startling resemblance to Aristotle's philosophical recommendations, and she indeed cites him with approval. His leitmotifs are working with the situation you find at hand, forethought, an unrelenting focus on intentions, flexibility, practical common sense, individual autonomy and the importance of consultation with others. The basic premise of Aristotle's notion of happiness is wonderfully simple and democratic: everyone can decide to be happy. After a certain amount of time, acting rightly becomes ingrained as a habit, so you feel good about yourself, and the resulting state of mind is one of eudaimonia, Aristotle's word for happiness.

This Aristotelian pursuit of eudaimonia is often attractive to agnostics and atheists, but is in fact compatible with any religion which emphasizes the individual's moral responsibility for their own actions and does not assume that frequent guidance, reward or punishment come from any external divine being. But since Aristotle himself did not believe that god interfered in the world or was interested in it in any way, his program for achieving happiness was a system in itself. The Aristotelian will not expect to find rules about tea parties in any sacred text. But she will not expect to be hit by god-sent retribution if her tea party goes badly wrong, either. Living in a competent and planned manner is something you elect to do to control your life and destiny. Since this control is traditionally assigned to a god or the gods, there is a sense in which it can make you \\\"godlike.\\\"

Eudaimonia, however, is not so simple to explain. The eu- prefix (pronounced like \\\"you\\\") means \\\"well\\\" or \\\"good\\\"; the daimonia element comes from a word with a whole range of meanings-divine being, divine power, guardian spirit, fortune or lot in life. So eudaimonia came to mean well-being or prosperity, which certainly includes contentment. But it is far more active than \\\"contentment.\\\" You \\\"do\\\" eudaimonia; it requires positive input. In fact, for Aristotle, happiness is activity (praxis). He points out that if it were an emotional disposition which some people are either born with or not, then it could be possessed by a man who spent his life asleep, \\\"living the life of a vegetable.\\\"

Aristotle's definition of happiness is not constituted by material prosperity of any kind either. A century earlier, another northern Greek thinker, Democritus, whom Aristotle admired, had talked about \\\"happiness of the soul,\\\" and had insisted that it definitely did not derive from the possession of livestock or gold. When Aristotle uses the word eudaimonia, he likewise means \\\"happiness of the soul,\\\" as experienced in the consciousness of the sentient human. According to him, life itself consists of having an active mind. Aristotle was convinced that most people get most of their pleasure from learning things and wondering about and at the world. Indeed, he regarded the attainment of an understanding of the world-not just academic knowledge, but understanding of any aspect of experience-as the actual goal of life itself.

If you believe that the goal of human life is to maximize happiness, then you are a budding Aristotelian. If the goal of human life is happiness, the way to achieve it is by thinking hard about how to Live Well, or being alive in the best way possible. This requires self-conscious habit, which Aristotle does not think other animals are capable of. The deceptively simple adverb \\\"well\\\" can mean \\\"competently\\\" in a practical sense, \\\"morally\\\" in terms of being kind, and \\\"fortunately\\\" or \\\"with felicity\\\" in terms of enjoying happiness and pleasant circumstances.

On 4 July 1776, the brand new United States Congress ratified the text of the Declaration of Independence drawn up by Thomas Jefferson. Its epoch-making first sentence reads: \\\"We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.\\\" It is well known that the ancient Roman Republic was a model for the Founding Fathers of America, but that telling phrase \\\"the pursuit of Happiness\\\" shows that Jefferson was immersed in the philosophy of Aristotle as well. Four years later the constitution of Massachusetts (1780) followed suit: government is instituted for the common good, \\\"for the protection, safety, prosperity, and happiness of the people.\\\"

Aristotle believed that the way we educate future citizens is crucial to whether they can fulfill their potential both as individuals and in communities. The 1787 Northwest Ordinance could not have sounded more Aristotelian when it stated that schools were necessary to \\\"good government and the happiness of mankind.\\\" Everyone in the world who lives in broad agreement with the principles that were espoused in the bright new dawn of American independence is, whether they know it or not, an Aristotelian committed to the project of human happiness.

The most famous statement by Aristotle-so famous that it was (inaccurately) quoted in an exchange between Pope Francis and Donald Trump in February 2016-is that man is a \\\"political animal\\\" (zoon politikon). Aristotle meant that man is distinguished from other animals by naturally tending toward gathering together to live in a large settled community, a polis, or city-state. Aristotle always arrives at definitions by making a series of distinctions, and in his Nicomachean Ethics he asks crucially: what are the distinctive features of the human being? Humans, like animals and plants, partake in the basic activity of living, obtaining nutrients and growing. If other animals and plants live, get nourishment and grow, then this is not distinctive to humanity. Animals, like humans, also have senses with which they discern the world around them and other creatures. So sentient life can't be the distinctive and definitive feature of being human, either. But no other living being shares \\\"the active life of the being that has reason.\\\" Humans do things, and are able to think before, during and after these activities. That is the human raison d'étre. If you, as a human being, don't fulfill your ability to act while exercising your rational faculties, then you are not fulfilling your potential.

Exercising your reason to Live Well means cultivating virtues and avoiding vices. Being a good person will make you happier. There is a reason why Frank Capra's feel-good fantasy It's a Wonderful Life (1946) is the most popular Christmas movie of all time: its message resonates so deeply with the generous and cooperative values most humans share. George Bailey, played by James Stewart, is a troubled philanthropic businessman, persecuted by a rapacious capitalist. He is planning suicide on Christmas Eve. A guardian angel, Clarence, arrives from heaven, and through flashbacks shows George episodes from his past life where he has unselfishly helped others; he has been a devoted family member and offered loans allowing the poor to buy their own houses. Clarence persuades George out of suicide by showing him an alternative version of history in which he had never existed, his family had been deprived of him and the poor had to live in slums. George sees that his \\\"wonderful life\\\" had connected him to other people by his efforts to support them. The movie is also Aristotelian in that it presents life as a project, a continuous arc, which is as wonderful as we choose to make it. However cheesy the film may now seem, it strikes an authentic emotional chord.

La Promesse (1996), by Belgian filmmakers Jean-Pierre and Luc Dardenne, eschews all sentimentality, showing how a young person on the brink of adulthood, and full moral agency, learns the gratification of goodness. At the beginning of the film Igor is only fifteen years old, a trainee mechanic, but he faces an extreme ethical challenge and succeeds in establishing moral independence from his unscrupulous father. The plot involves the accidental death of an illegal immigrant and Igor's father's insistence that Igor help to conceal it. Igor comes to moral maturity and a degree of serenity by assisting the bereaved family in the face of an unfeeling father, feelings of guilt, social vulnerability and fear of the law.

The emphasis on the connection between happiness and virtuous action is one of the fundamental differences between Aristotle's recipe for happiness and that of the other philosophies such as egoism, utilitarianism and Kantianism. In his Politics, to illustrate the difficulty of achieving happiness without trying to be a good person, Aristotle offers an extreme caricature of the vice-ridden and consequently miserable person:

Nobody would call a man ideally happy that has not got a particle of courage nor of self-control nor of decency nor sense, but is afraid of the flies that flutter by him, cannot refrain from any of the most outrageous actions in order to gratify a desire to eat or to drink, ruins his dearest friends for the sake of a penny, and also in matters of the intellect, similarly, is as senseless and mistaken as any infant or lunatic.

George Washington put the same virtue/happiness correlation differently in his 1789 inaugural speech, when he told his New York City audience that there is \\\"an indissoluble union between virtue and happiness.\\\"

Deciding to pursue happiness by Living Well means practicing \\\"virtue ethics\\\" or more simply \\\"Doing the Right Thing.\\\" Aristotle's virtues, likewise, are translated into portentous nouns like \\\"justice,\\\" which really just means treating other people fairly and decently. Virtue ethics have always attracted humanists, agnostics, atheists and skeptics precisely because they offer, to people who want to live contented, decent and constructive lives, a considered way in which to do so. Virtue ethics will help you approach decisions, morality, and the \\\"big questions\\\" about life and death, trusting in your own judgment and ability to look after yourself, your friends and your dependants. But the lack of idiomatic translations of the Greek has been one reason why Aristotle's sensible and effective program of pursuing happiness through deciding to Do the Right Thing has not become more widely understood among the general public. If people understood that personal happiness was down to their own conduct, then happiness, he wrote, would become \\\"more common because it would be possible for more people to share it.\\\" Aristotle goes so far as to say that, ideally, \\\"all humankind would be seen to be in agreement with the views that will be stated,\\\" but, failing that, they should sign up to at least part of the program entailed by virtue ethics, \\\"for everyone has something to contribute.\\\"\"},{\"id\":\"66667790T\",\"type\":\"Excerpt\",\"linkText\":\"Read an Excerpt\",\"typeId\":\"1005\",\"abbr\":\"EXC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"Chapter 1

Happiness

At the beginning of Eudemian Ethics, Aristotle quotes a line of wisdom literature inscribed on an ancient stone on the sacred island of Delos. It proclaimed that the three best things in life are \\\"Justice, Health, and Achieving One's Desires.\\\" Aristotle trenchantly disagrees. According to him, the ultimate goal of human life is, simply, happiness, which means finding a purpose in order to realize your potential and working on your behavior to become the best version of yourself. You are your own moral agent, but act in an interconnected world where partnerships with other people are of great significance.

Aristotle's own teacher was Plato, himself the disciple of Socrates who famously said \\\"the unexamined life is not worth living.\\\" Aristotle regarded this is as somewhat harsh. He knew that many people-perhaps the majority-live intuitively and often unreflectively, but they enjoy great happiness, on \\\"autopilot\\\" as it were. He would have shifted the emphasis to practical activity and to the future, and his alternative motto might have been: \\\"the unplanned life is unlikely to be fully happy.\\\"

Aristotelian ethics put the individual in charge. As Abraham Lincoln saw, \\\"Most folks are about as happy as they make up their minds to be.\\\" Rather than working on autopilot, Aristotelian ethics put you as sole pilot at the full control panel. Other ethical systems place far less emphasis either on your individual moral agency or on your responsibilities toward others. Aristotelian ethics share the starting point of the moral agent with ethical egoism, associated with the early modern philosopher Bernard Mandeville (1670-1733), but nothing else. This system recommends that every individual consciously act so as to maximize their own self-interest. Imagine you are hosting a tea party for ten of your neighbors. You know that two are vegans. But vegan sandwiches are three times as expensive as ham sandwiches. If you buy two servings of vegan sandwiches, there will be less food all round for everybody. The egoist would ignore everyone else's needs and choose whether to cater for the vegans depending on her own personal eating habits. If she were not a vegan, then she would certainly not want her helping of ham sandwiches diminished by having to cater for anyone else's different preference. If she were a vegan, then she would ignore the deprivation suffered by all eight carnivores receiving smaller helpings and simply ensure that there was plenty of vegan food available for herself, and order a private extra serving.

Utilitarians, on the other hand, seek to maximize the happiness of the greatest number, thus focusing on consequences of actions: for utilitarians, a result involving eight happy carnivores completely trumps the accompanying problem of two miserable vegans. Utilitarianism gets difficult when the minorities are very large: a tea party with, say, four miserable vegans and only six happy carnivores would begin to feel decidedly unfestive. Followers of Immanuel Kant emphasize duties and obligations, asking whether there should be a universal and fixed law about the proportion of different kinds of sandwiches available at tea parties. Cultural relativists, on the other hand, have insisted that there is no such thing as a universal moral law. Everyone, they say, belongs to a group or groups which do have their own internal laws and customs. Across the planet, there are many cultures and communities which eat no pig products at all; there are others which cannot comprehend vegetarianism or even tea parties.

Aristotle would instead realize that the decision about the sandwiches could not be made abstractly in a vacuum. He would set aside time to think about the problem and make plans. He would look behind catering plans to make his intention conscious-if it is to make all ten neighbors feel welcomed and well fed, because that would make the whole community nicer for everyone to live in, conducing to individual and collective happiness, then his decision would need to maximize the possibility of that intention being fulfilled. There would be little point in offending even a minority of the guests. He would then consult interested persons, including the invitees and the caterers, to test the water on possible reactions. He would think about previous parties he had held or experienced, review precedents and very likely discover a way round the whole problem from looking at the history of tea parties-serving non-dairy cakes which everyone liked, for example, rather than the divisive sandwiches. He would also make sure that he personally enjoyed the types of cake he then chose, because unnecessary self-denial has no place in his philosophy of respect toward self and others.

Aristotle's ethical system is versatile, flexible and practical to implement in daily life. Most of the real-world psychological steps toward increasing contentment outlined by psychologist Sonja Lyubomirsky in The How of Happiness: A Practical Guide to Getting the Life You Want (2007) bear a startling resemblance to Aristotle's philosophical recommendations, and she indeed cites him with approval. His leitmotifs are working with the situation you find at hand, forethought, an unrelenting focus on intentions, flexibility, practical common sense, individual autonomy and the importance of consultation with others. The basic premise of Aristotle's notion of happiness is wonderfully simple and democratic: everyone can decide to be happy. After a certain amount of time, acting rightly becomes ingrained as a habit, so you feel good about yourself, and the resulting state of mind is one of eudaimonia, Aristotle's word for happiness.

This Aristotelian pursuit of eudaimonia is often attractive to agnostics and atheists, but is in fact compatible with any religion which emphasizes the individual's moral responsibility for their own actions and does not assume that frequent guidance, reward or punishment come from any external divine being. But since Aristotle himself did not believe that god interfered in the world or was interested in it in any way, his program for achieving happiness was a system in itself. The Aristotelian will not expect to find rules about tea parties in any sacred text. But she will not expect to be hit by god-sent retribution if her tea party goes badly wrong, either. Living in a competent and planned manner is something you elect to do to control your life and destiny. Since this control is traditionally assigned to a god or the gods, there is a sense in which it can make you \\\"godlike.\\\"

Eudaimonia, however, is not so simple to explain. The eu- prefix (pronounced like \\\"you\\\") means \\\"well\\\" or \\\"good\\\"; the daimonia element comes from a word with a whole range of meanings-divine being, divine power, guardian spirit, fortune or lot in life. So eudaimonia came to mean well-being or prosperity, which certainly includes contentment. But it is far more active than \\\"contentment.\\\" You \\\"do\\\" eudaimonia; it requires positive input. In fact, for Aristotle, happiness is activity (praxis). He points out that if it were an emotional disposition which some people are either born with or not, then it could be possessed by a man who spent his life asleep, \\\"living the life of a vegetable.\\\"

Aristotle's definition of happiness is not constituted by material prosperity of any kind either. A century earlier, another northern Greek thinker, Democritus, whom Aristotle admired, had talked about \\\"happiness of the soul,\\\" and had insisted that it definitely did not derive from the possession of livestock or gold. When Aristotle uses the word eudaimonia, he likewise means \\\"happiness of the soul,\\\" as experienced in the consciousness of the sentient human. According to him, life itself consists of having an active mind. Aristotle was convinced that most people get most of their pleasure from learning things and wondering about and at the world. Indeed, he regarded the attainment of an understanding of the world-not just academic knowledge, but understanding of any aspect of experience-as the actual goal of life itself.

If you believe that the goal of human life is to maximize happiness, then you are a budding Aristotelian. If the goal of human life is happiness, the way to achieve it is by thinking hard about how to Live Well, or being alive in the best way possible. This requires self-conscious habit, which Aristotle does not think other animals are capable of. The deceptively simple adverb \\\"well\\\" can mean \\\"competently\\\" in a practical sense, \\\"morally\\\" in terms of being kind, and \\\"fortunately\\\" or \\\"with felicity\\\" in terms of enjoying happiness and pleasant circumstances.

On 4 July 1776, the brand new United States Congress ratified the text of the Declaration of Independence drawn up by Thomas Jefferson. Its epoch-making first sentence reads: \\\"We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.\\\" It is well known that the ancient Roman Republic was a model for the Founding Fathers of America, but that telling phrase \\\"the pursuit of Happiness\\\" shows that Jefferson was immersed in the philosophy of Aristotle as well. Four years later the constitution of Massachusetts (1780) followed suit: government is instituted for the common good, \\\"for the protection, safety, prosperity, and happiness of the people.\\\"

Aristotle believed that the way we educate future citizens is crucial to whether they can fulfill their potential both as individuals and in communities. The 1787 Northwest Ordinance could not have sounded more Aristotelian when it stated that schools were necessary to \\\"good government and the happiness of mankind.\\\" Everyone in the world who lives in broad agreement with the principles that were espoused in the bright new dawn of American independence is, whether they know it or not, an Aristotelian committed to the project of human happiness.

The most famous statement by Aristotle-so famous that it was (inaccurately) quoted in an exchange between Pope Francis and Donald Trump in February 2016-is that man is a \\\"political animal\\\" (zoon politikon). Aristotle meant that man is distinguished from other animals by naturally tending toward gathering together to live in a large settled community, a polis, or city-state. Aristotle always arrives at definitions by making a series of distinctions, and in his Nicomachean Ethics he asks crucially: what are the distinctive features of the human being? Humans, like animals and plants, partake in the basic activity of living, obtaining nutrients and growing. If other animals and plants live, get nourishment and grow, then this is not distinctive to humanity. Animals, like humans, also have senses with which they discern the world around them and other creatures. So sentient life can't be the distinctive and definitive feature of being human, either. But no other living being shares \\\"the active life of the being that has reason.\\\" Humans do things, and are able to think before, during and after these activities. That is the human raison d'?tre. If you, as a human being, don't fulfill your ability to act while exercising your rational faculties, then you are not fulfilling your potential.

Exercising your reason to Live Well means cultivating virtues and avoiding vices. Being a good person will make you happier. There is a reason why Frank Capra's feel-good fantasy It's a Wonderful Life (1946) is the most popular Christmas movie of all time: its message resonates so deeply with the generous and cooperative values most humans share. George Bailey, played by James Stewart, is a troubled philanthropic businessman, persecuted by a rapacious capitalist. He is planning suicide on Christmas Eve. A guardian angel, Clarence, arrives from heaven, and through flashbacks shows George episodes from his past life where he has unselfishly helped others; he has been a devoted family member and offered loans allowing the poor to buy their own houses. Clarence persuades George out of suicide by showing him an alternative version of history in which he had never existed, his family had been deprived of him and the poor had to live in slums. George sees that his \\\"wonderful life\\\" had connected him to other people by his efforts to support them. The movie is also Aristotelian in that it presents life as a project, a continuous arc, which is as wonderful as we choose to make it. However cheesy the film may now seem, it strikes an authentic emotional chord.

La Promesse (1996), by Belgian filmmakers Jean-Pierre and Luc Dardenne, eschews all sentimentality, showing how a young person on the brink of adulthood, and full moral agency, learns the gratification of goodness. At the beginning of the film Igor is only fifteen years old, a trainee mechanic, but he faces an extreme ethical challenge and succeeds in establishing moral independence from his unscrupulous father. The plot involves the accidental death of an illegal immigrant and Igor's father's insistence that Igor help to conceal it. Igor comes to moral maturity and a degree of serenity by assisting the bereaved family in the face of an unfeeling father, feelings of guilt, social vulnerability and fear of the law.

The emphasis on the connection between happiness and virtuous action is one of the fundamental differences between Aristotle's recipe for happiness and that of the other philosophies such as egoism, utilitarianism and Kantianism. In his Politics, to illustrate the difficulty of achieving happiness without trying to be a good person, Aristotle offers an extreme caricature of the vice-ridden and consequently miserable person:

Nobody would call a man ideally happy that has not got a particle of courage nor of self-control nor of decency nor sense, but is afraid of the flies that flutter by him, cannot refrain from any of the most outrageous actions in order to gratify a desire to eat or to drink, ruins his dearest friends for the sake of a penny, and also in matters of the intellect, similarly, is as senseless and mistaken as any infant or lunatic.

George Washington put the same virtue/happiness correlation differently in his 1789 inaugural speech, when he told his New York City audience that there is \\\"an indissoluble union between virtue and happiness.\\\"

Deciding to pursue happiness by Living Well means practicing \\\"virtue ethics\\\" or more simply \\\"Doing the Right Thing.\\\" Aristotle's virtues, likewise, are translated into portentous nouns like \\\"justice,\\\" which really just means treating other people fairly and decently. Virtue ethics have always attracted humanists, agnostics, atheists and skeptics precisely because they offer, to people who want to live contented, decent and constructive lives, a considered way in which to do so. Virtue ethics will help you approach decisions, morality, and the \\\"big questions\\\" about life and death, trusting in your own judgment and ability to look after yourself, your friends and your dependants. But the lack of idiomatic translations of the Greek has been one reason why Aristotle's sensible and effective program of pursuing happiness through deciding to Do the Right Thing has not become more widely understood among the general public. If people understood that personal happiness was down to their own conduct, then happiness, he wrote, would become \\\"more common because it would be possible for more people to share it.\\\" Aristotle goes so far as to say that, ideally, \\\"all humankind would be seen to be in agreement with the views that will be stated,\\\" but, failing that, they should sign up to at least part of the program entailed by virtue ethics, \\\"for everyone has something to contribute.\\\"\"},{\"id\":\"59512710T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":\"John Kaag\",\"sourceName\":\"The New York Times Book Review\",\"displayOrder\":\"1\",\"text\":\"There is a pernicious, but widely held, belief that turning over a new leaf always involves turning our worlds upside down, that living a happy, well-adjusted life entails acts of monkish discipline or heroic strength. The genre of self-help lives and dies on this fanaticism…In our culture, virtuous moderation and prudence rarely sell but, taking her cues from Aristotle, Hall offers a set of reasons to explain why they should. [Aristotle's Way] clears a rare middle way for her reader to pursue happiness, what the ancient Greeks called eudaimonia, usually translated as well-being or prosperity. This prosperity has nothing to do with the modern obsession with material success but rather \\\"finding a purpose in order to realize your potential and working on your behavior to become the best version of yourself.\\\" It sounds platitudinous enough, but it isn't, thanks to Hall's tight yet modest prose…Hall excels when she is at her most frank. For Aristotle, there is latitude when it comes to which endeavors merit our pursuit, but authenticity and self-knowledge are nonnegotiable.\"},{\"id\":\"75706774T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"Edith Hall is a professor in the Department of Classics and Ancient History at Durham University. She is the author of numerous books, including Aristotle's Way, the Ancient Greeks, and Me. She lives in Cambridgeshire, UK.\"},{\"id\":\"56038811T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"Edith Hall first encountered Aristotle when she was twenty, and he changed her life forever. Now one of Britain's foremost classicists, and a Professor at King's College London, she is the first woman to have won the Erasmus Medal of the European Academy. In 2017 she was awarded an Honorary Doctorate from Athens University, just a few streets away from Aristotle's own Lyceum. She is the author of several books, including Introducing the Ancient Greeks. She lives with her family in Cambridgeshire.\"}]",{"_41":2636,"_1983":1984,"_1985":2010,"_1969":2637},"gid://shopify/Metafield/41198436188401","Aristotles-Way/Edith-Hall",{"_41":2639,"_1983":1984,"_1985":2014,"_1969":2640},"gid://shopify/Metafield/41198433239281","1128615831",{"_41":2642,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/41198434681073",{"_41":2644,"_1983":1984,"_1985":1974,"_1969":2599},"gid://shopify/Metafield/41198431797489",{"_41":2646,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/41198435107057",{"_1919":1920,"_41":2648,"_72":2649,"_1923":1924,"_825":2650,"_1926":2651,"_1928":2652,"_1930":2653,"_1937":2658,"_1945":59,"_1946":2661,"_1952":2664,"_1973":2673,"_1974":2675,"_1976":2676,"_1978":-5,"_1979":2677},"gid://shopify/Product/8846704148721","The Odyssey: Translated by Emily Wilson","9780393356250","Homer’s great epic of a hero’s journey home—inspiration for the major motion picture by Christopher Nolan—in a bold, contemporary, and refreshingly readable translation.\"Wilson’s language is fresh, unpretentious and lean. . . . It is rare to find a translation that is at once so effortlessly easy to read and so rigorously considered.\" —Madeline Miller, author of CirceComposed at the rosy-fingered dawn of world literature almost three millennia ago, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty, and power; about marriage and family; about travelers, hospitality, and the yearning for home.This fresh, authoritative translation captures the beauty of this ancient poem as well as the drama of its narrative. Its characters are unforgettable, none more so than the “complicated” hero himself, a man of many disguises, many tricks, and many moods, who emerges in this version as a more fully rounded human being than ever before.Written in iambic pentameter verse and a vivid, contemporary idiom, Emily Wilson’s Odyssey sings with a voice that echoes the epic’s music, sailing along at Homer’s swift, smooth pace.A fascinating, informative introduction explores the Bronze Age milieu that produced the epic, the poem’s major themes, the controversies about its origins, and the unparalleled scope of its impact and influence. Maps drawn especially for this volume, a pronunciation glossary, and extensive notes and summaries of each book make this an Odyssey that will be treasured by a new generation of readers.","

Homer’s great epic of a hero’s journey home—inspiration for the major motion picture by Christopher Nolan—in a bold, contemporary, and refreshingly readable translation.

\"Wilson’s language is fresh, unpretentious and lean. . . . It is rare to find a translation that is at once so effortlessly easy to read and so rigorously considered.\" —Madeline Miller, author of Circe

Composed at the rosy-fingered dawn of world literature almost three millennia ago, The Odyssey is a poem about violence and the aftermath of war; about wealth, poverty, and power; about marriage and family; about travelers, hospitality, and the yearning for home.

This fresh, authoritative translation captures the beauty of this ancient poem as well as the drama of its narrative. Its characters are unforgettable, none more so than the “complicated” hero himself, a man of many disguises, many tricks, and many moods, who emerges in this version as a more fully rounded human being than ever before.

Written in iambic pentameter verse and a vivid, contemporary idiom, Emily Wilson’s Odyssey sings with a voice that echoes the epic’s music, sailing along at Homer’s swift, smooth pace.

A fascinating, informative introduction explores the Bronze Age milieu that produced the epic, the poem’s major themes, the controversies about its origins, and the unparalleled scope of its impact and influence. Maps drawn especially for this volume, a pronunciation glossary, and extensive notes and summaries of each book make this an Odyssey that will be treasured by a new generation of readers.

",{"_41":2654,"_54":2655,"_56":2656,"_50":2657,"_1936":-5},"gid://shopify/ProductImage/47499458117873","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780393356250_p0.jpg?v=1764986319",596,896,{"_1939":2659},{"_1941":2660,"_1943":1944},"18.95",{"_1939":2662,"_1950":2663},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":2665},[2666],{"_41":2667,"_1945":59,"_1958":59,"_1959":-5,"_707":2668,"_1961":2669,"_1963":2670,"_1965":2671,"_1971":2650,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46244689641713",{"_41":2654,"_54":2655,"_1936":-5,"_56":2656,"_50":2657},{"_1941":2660,"_1943":1944},{"_72":2649,"_825":2650},[2672],{"_796":1968,"_1969":1970},{"_1969":2674},"[\"High School & College (p9064)\",\"Page & Screen (p4180)\",\"Classroom Literature & Nonfiction (p5500)\",\"B|Bestseller|#007C6C (p7858)\",\"Recently Reviewed (p10276)\",\"The Books You've Always Meant to Read (p10565)\",\"BADGE - Best Seller (p7883)\"]",{"_1969":2650},{"_1969":1924},[2678,-5,-5,2681,2683,-5,2685,2687,2690,2693,2696,-5,2698,2700,-5,2702,2704,2707],{"_41":2679,"_1983":1984,"_1985":1986,"_1969":2680},"gid://shopify/Metafield/39660661047537","[{\"contributorId\":10988,\"fullName\":\"Homer\",\"jobName\":\"Author\",\"sequenceNumber\":1},{\"contributorId\":1909727,\"fullName\":\"Emily Wilson\",\"jobName\":\"Translator\",\"sequenceNumber\":2}]",{"_41":2682,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/39660661735665",{"_41":2684,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/39660660752625",{"_41":2686,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/39660661833969",{"_41":2688,"_1983":1984,"_1985":2006,"_1969":2689},"gid://shopify/Metafield/39660663374065","[{\"id\":\"114583242T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"\\\"A masterpiece of translation.\\\"- Rowan Williams, University of Cambridge

\\\"A revelation. Never have I been so aware at once of the beauty of the poetry, the physicality of Homer's world, and the moral ambiguity of those who inhabit it.\\\"- Susan Chira New York Times Book Review

\\\"Emily Wilson's crisp and musical version is a cultural landmark.... This translation will change the way the poem is read in English.\\\"- Charlotte Higgins Guardian

\\\"In the history of Odyssey translations, few have exerted such a cultural influence that they become 'classics' in their own right.... I predict that Emily Wilson will win a place in this roll-call of the most significant translations of the poem in history. She certainly deserves the honour.\\\"- Edith Hall Daily Telegraph

\\\"Emily Wilson has given us a staggeringly superior translation-true, poetic, lively and readable, and always closely engaged with the original Greek-that brings to life the fascinating variety of voices in Homer's great epic.\\\"- Richard F. Thomas, Harvard University

\\\"When I first read these lines..., I was floored. I'd never read an Odyssey that sounded like this. It had such directness, the lines feeling not as if they were being fed into iambic pentameter because of some strategic decision but because the meter was a natural mode for its speaker.\\\"- Wyatt Mason New York Times Magazine

\\\"In her powerful new translation, Emily Wilson... has chosen immediacy and naturalism over majestic formality. She preserves the musicality of Homer's poetry, opting for an iambic pentameter whose approachable storytelling tone invites us in, only to startle us with eruptions of beauty.... Wilson's transformation of such a familiar and foundational work is... astonishing.\\\"- Rebecca Newberger Goldstein Atlantic

\\\"Wilson's translation is a superb achievement and a striking departure from the tradition of Homeric translation into English.... There is no elaborate or antiquated diction, just a crispness and clear-headedness that will seem quite alien to anyone familiar with earlier versions.... Wilson has produced a wonderfully distinctive-and modern-version of the poem.\\\"- Henry Power Evening Standard

\\\"Irresistibly readable, Wilson's Odyssey turns Homeric epic into a poetic feast.\\\"- Froma Zeitlin, Princeton University

\\\"This translation is a marvel! Bold and timely and ever so exciting.... As majestic as literature gets.\\\"- Max Porter, author of Grief Is the Thing With Feathers\"},{\"id\":\"114583241T\",\"type\":\"Award Note\",\"linkText\":\"Award Note\",\"typeId\":\"1036\",\"abbr\":\"REV\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"2018 American Literary Translators Association National Translation Award, Short-listed
2018 New York Times Notable Selection, Commended
\"},{\"id\":\"131390838T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

For centuries, The Odyssey has enthralled readers with its unforgettable tale of adventure. Follow Odysseus and his crew as they outsmart a Cyclops, resist the Sirens' deadly song, and confront the mythical creatures that stand between them and home. Told in beautiful verse, this enduring epic invites you to embark on the legendary voyage back to Ithaca.

\"},{\"id\":\"131642525T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"Notes From Your Bookseller

\"},{\"id\":\"131642529T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"

HOMER’s identity is shrouded in mystery. Most scholars agree that an epic poet named Homer likely existed anywhere between 900 to 700 B.C.E. Legend, originating in antiquity, says that Homer was a blind bard from Ionia, but no account of Homer’s life can be verified. The Iliad and The Odyssey, the two epic poems attributed to Homer, which take place during the Trojan War and its aftermath, were derived from the oral storytelling tradition. Their method of composition—either by a single author or several bards working in tandem—remains unknown. The Homeric Poems are among the most significant narratives in the Greek and Western literary canon.

Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a fellow of the American Academy in Rome, a Guggenheim Fellow, and a MacArthur Fellow. In addition to Homer’s Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.

\"},{\"id\":\"66679341T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer’s Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.\"},{\"id\":\"132551002T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"3\",\"text\":\"

Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a fellow of the American Academy in Rome, a Guggenheim Fellow, and a MacArthur Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.

\"},{\"id\":\"114583245T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"4\",\"text\":\"

HOMER's identity is shrouded in mystery. Most scholars agree that an epic poet named Homer likely existed anywhere between 900 to 700 B.C.E. Legend, originating in antiquity, says that Homer was a blind bard from Ionia, but no account of Homer's life can be verified. The Iliad and The Odyssey, the two epic poems attributed to Homer, which take place during the Trojan War and its aftermath, were derived from the oral storytelling tradition. Their method of composition-either by a single author or several bards working in tandem-remains unknown. The Homeric Poems are among the most significant narratives in the Greek and Western literary canon.

Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a fellow of the American Academy in Rome, a Guggenheim Fellow, and a MacArthur Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.

\"},{\"id\":\"114583243T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"5\",\"text\":\"

Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a fellow of the American Academy in Rome, a Guggenheim Fellow, and a MacArthur Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.

\"},{\"id\":\"58365023T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"6\",\"text\":\"Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer’s Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.\"},{\"id\":\"108802238T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"7\",\"text\":\"Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.\"}]",{"_41":2691,"_1983":1984,"_1985":2010,"_1969":2692},"gid://shopify/Metafield/39660662915313","The-Odyssey/Homer",{"_41":2694,"_1983":1984,"_1985":2014,"_1969":2695},"gid://shopify/Metafield/39660660556017","1129773507",{"_41":2697,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39660661571825",{"_41":2699,"_1983":1984,"_1985":1973,"_1969":2674},"gid://shopify/Metafield/39660663537905",{"_41":2701,"_1983":1984,"_1985":1974,"_1969":2650},"gid://shopify/Metafield/39660659474673",{"_41":2703,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39660661932273",{"_41":2705,"_1983":2028,"_1985":2029,"_1969":2706},"gid://shopify/Metafield/64062113808625","{\"scale_min\":\"1.0\",\"scale_max\":\"5.0\",\"value\":\"4.2\"}",{"_41":2708,"_1983":2028,"_1985":2033,"_1969":893},"gid://shopify/Metafield/64062113775857",{"_1919":1920,"_41":2710,"_72":2711,"_1923":1924,"_825":2712,"_1926":2713,"_1928":2714,"_1930":2715,"_1937":2720,"_1945":59,"_1946":2722,"_1952":2725,"_1973":2734,"_1974":2736,"_1976":2737,"_1978":-5,"_1979":2738},"gid://shopify/Product/8833363902705","Pandora's Jar: Women in the Greek Myths","9780063139466","NEW YORK TIMES BESTSELLER\"Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!\"-Margaret Atwood, author of The Handmaid's TaleThe national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea.In the world of ancient Greece, the tellers of myths-historically men-have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil-like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world's suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.In Pandora's Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables on classical mythology, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays in this engaging feminist retelling, resurrecting them from a woman's perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus' mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris \"caused\" the Trojan war-a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce-getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn't always a monster, and had her hair turned to snakes as punishment for being raped.Pandora's Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women of Greek myth in the first place-and so eager to accept the stories we've been told? Mythology Retold: Discover why Pandora didn't have a box but a jar (far more likely to tip over), and how that simple mistranslation changed our view of the world's first woman. Feminist History: Explore how the stories of powerful figures were reshaped by the men who told them, turning characters like the monstrous Medusa into victims punished for being assaulted. Unique Angles on Classic Tales: See the women of myth in a new light, from the vilified Medea-reimagined as an ancient Beyoncé getting revenge-to Helen of Troy, whose choice of husband resulted in a somewhat uneven response. Accessible Classical Studies: Join a passionate classicist and comedian as she reveals the cleverness of Jocasta, the nuance of Clytemnestra, and the truth behind the formidable women we thought we knew.","

NEW YORK TIMES BESTSELLER

\"Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!\"-Margaret Atwood, author of The Handmaid's Tale

The national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea.

In the world of ancient Greece, the tellers of myths-historically men-have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil-like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world's suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

In Pandora's Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables on classical mythology, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays in this engaging feminist retelling, resurrecting them from a woman's perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus' mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris \"caused\" the Trojan war-a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce-getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn't always a monster, and had her hair turned to snakes as punishment for being raped.

Pandora's Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women of Greek myth in the first place-and so eager to accept the stories we've been told?

\nMythology Retold: Discover why Pandora didn't have a box but a jar (far more likely to tip over), and how that simple mistranslation changed our view of the world's first woman.
\nFeminist History: Explore how the stories of powerful figures were reshaped by the men who told them, turning characters like the monstrous Medusa into victims punished for being assaulted.
\nUnique Angles on Classic Tales: See the women of myth in a new light, from the vilified Medea-reimagined as an ancient Beyoncé getting revenge-to Helen of Troy, whose choice of husband resulted in a somewhat uneven response.
\nAccessible Classical Studies: Join a passionate classicist and comedian as she reveals the cleverness of Jocasta, the nuance of Clytemnestra, and the truth behind the formidable women we thought we knew.

",{"_41":2716,"_54":2717,"_56":2718,"_50":2719,"_1936":-5},"gid://shopify/ProductImage/47634749194481","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780063139466_p0.jpg?v=1768986910",1324,1996,{"_1939":2721},{"_1941":1942,"_1943":1944},{"_1939":2723,"_1950":2724},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":2726},[2727],{"_41":2728,"_1945":59,"_1958":59,"_1959":-5,"_707":2729,"_1961":2730,"_1963":2731,"_1965":2732,"_1971":2712,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46229218001137",{"_41":2716,"_54":2717,"_1936":-5,"_56":2718,"_50":2719},{"_1941":1942,"_1943":1944},{"_72":2711,"_825":2712},[2733],{"_796":1968,"_1969":1970},{"_1969":2735},"[\"Reimaginings & Retellings (p9713)\"]",{"_1969":2712},{"_1969":1924},[2739,-5,-5,2742,2744,-5,2746,2748,2751,2754,2757,-5,2759,2761,-5,2763,2765,2767],{"_41":2740,"_1983":1984,"_1985":1986,"_1969":2741},"gid://shopify/Metafield/39014531727601","[{\"contributorId\":11450841,\"fullName\":\"Natalie Haynes\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":2743,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/39014532088049",{"_41":2745,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/39014531498225",{"_41":2747,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/39014532153585",{"_41":2749,"_1983":1984,"_1985":2006,"_1969":2750},"gid://shopify/Metafield/39014533366001","[{\"id\":\"118511828T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"

\\\"Witty and frequently surprising.\\\" - Times Literary Supplement

\\\"Agile, rich, subversive, Pandora's Jar proves that the classics are far from dead, and keep evolving with us.\\\" - Mail on Sunday

\\\"Engaged, engaging and fun.\\\" - Herald

\\\"Packed with wry humor and scholarly insight, Pandora's Jar shines a new light on our oldest stories, illuminating its subjects in all their painful complexity.\\\" - Booklist

\\\"Classicist Haynes challenges common ideas about Greek mythology in this sharp corrective. . . . When she hits her stride and seamlessly blends historical, textual, and artistic analysis, her survey sings. Even those casually familiar with Greek mythology will find this enriching.\\\" - Publishers Weekly

\\\"Throughout, Haynes also notes that these often outlandish retellings and related tropes have become (flawed) inspirations for works of modern art, music, and film, including the original Star Trek series, an episode of The Simpsons, Pulp Fiction, and a music video by Beyoncé . . . Readers of all levels of knowledge are certain to be enthralled with her analysis and find her humor and wit captivating. A fun and informative addition to the ongoing consideration of ancient mythology.\\\" - Kirkus Reviews

\\\"A classicist revisits the tales of 10 mythological women from a female perspective, adding a new depth and nuance to the stories of Helen of Troy, Medea, Medusa and others.\\\" - New York Times

\\\"Impassioned and informed . . . When Haynes gets down to retelling the stories . . . and teasing out their distortions and elisions, the book flies.\\\" - Sunday Times (UK)

\\\"Natalie Haynes is beyond brilliant. Pandora's Jar is a treasure box of classical delights. Never has ancient misogyny been presented with so much wit and style.\\\" - Amanda Foreman, author of The World Made by Women

\\\"Beyoncé, Star Trek, Ray Harryhausen . . . the most enjoyable book about Greek myths you will ever read, absolutely brimming with subversive enthusiasm.\\\" - Mark Haddon, author of The Porpoise and The Curious Incident of the Dog in the Night-Time

\\\"Witty, erudite and subversive, this takes the women of Greek myth―the women who are sidelined, vilified, misunderstood or ignored―and puts them centre stage.\\\" - Samantha Ellis, author of How to Be a Heroine and Take Courage

\\\"Natalie Haynes is [Britain's] muse.\\\" - Adam Rutherford, author of How to Argue with a Racist

\\\"An erudite, funny and sometimes angry attempt to fill in the blank spaces.\\\" - Observer

\\\"Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!\\\" - Margaret Atwood, author of The Handmaid's Tale

\\\"A hugely enjoyable and witty book, which will appeal to admirers of novels such as Madeline Miller's Circe, Kamila Shamsie's Home Fire, and Haynes's own fiction.\\\" - The Guardian

\\\"Natalie Haynes is both a witty and an erudite guide. She wears her extensive learning lightly and deftly drags the Classics into the modern world. I loved it.\\\" - Kate Atkinson, author of Life After Life

\"},{\"id\":\"131721131T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"2\",\"text\":\"

\\\"Witty and frequently surprising.\\\" - Times Literary Supplement

\\\"Agile, rich, subversive, Pandora's Jar proves that the classics are far from dead, and keep evolving with us.\\\" - Mail on Sunday

\\\"Engaged, engaging and fun.\\\" - Herald

\\\"Packed with wry humor and scholarly insight, Pandora's Jar shines a new light on our oldest stories, illuminating its subjects in all their painful complexity.\\\" - Booklist

\\\"Impassioned and informed . . . When Haynes gets down to retelling the stories . . . and teasing out their distortions and elisions, the book flies.\\\" - Sunday Times (UK)

\\\"Natalie Haynes is [Britain's] muse.\\\" - Adam Rutherford, author of How to Argue with a Racist

\\\"An erudite, funny and sometimes angry attempt to fill in the blank spaces.\\\" - Observer

\\\"A hugely enjoyable and witty book, which will appeal to admirers of novels such as Madeline Miller's Circe, Kamila Shamsie's Home Fire, and Haynes's own fiction.\\\" - The Guardian

\"},{\"id\":\"83019226T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

From the author of A Thousand Ships comes a sharp and witty correction to the popularly known Greek myths. Centering on the women often villainized or pushed to the side, this book flips the narrative on its head, giving the women the same weight as the men in classic Greek myths. Natalie Haynes’ brilliant book makes readers question why they were so quick to accept the stories they’ve been told.

\"},{\"id\":\"118824084T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"

Natalie Haynes is the author of eight books, including the nonfiction work Pandora's Jar, which was a New York Times bestseller, and the novels A Thousand Ships, which was a national bestseller and short-listed for the 2020 Women's Prize for Fiction, and Stone Blind. She has written and recorded twelve series of Natalie Haynes Stands Up for the Classics for the BBC. Haynes has written for the Times, the Independent, The Guardian, and the Observer. She lives in London.

\"},{\"id\":\"76721265T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"Natalie Haynes is the author of eight books, including the nonfiction work Pandora’s Jar, which was a New York Times bestseller, and the novels A Thousand Ships, which was a national bestseller and short—listed for the 2020 Women’s Prize for Fiction, and Stone Blind. She has written and recorded eleven series of Natalie Haynes Stands Up for the Classics for the BBC. Haynes has written for the Times, the Independent, The Guardian, and the Observer. She lives in London.

\"},{\"id\":\"104839675T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"3\",\"text\":\"Natalie Haynes is the author of six books, including the nonfiction work Pandora’s Jar, which was a New York Times bestseller, and the novels A Thousand Ships, which was a national bestseller and short-listed for the 2020 Women’s Prize for Fiction, and Stone Blind. She has written and recorded nine series of Natalie Haynes Stands Up for the Classics for the BBC. Haynes has written for the Times, the Independent, the Guardian, and the Observer. She lives in London.

\"},{\"id\":\"108832122T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"4\",\"text\":\"

Natalie Haynes is the author of six books, including the nonfiction work Pandora's Jar, which was a New York Times bestseller, and the novels A Thousand Ships, which was a national bestseller and short-listed for the 2020 Women's Prize for Fiction, and Stone Blind. She has written and recorded nine series of Natalie Haynes Stands Up for the Classics for the BBC. Haynes has written for the Times, the Independent, the Guardian, and the Observer. She lives in London.

\"},{\"id\":\"118511830T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"5\",\"text\":\"

Natalie Haynes is the author of eight books, including the nonfiction work Pandora’s Jar, which was a New York Times bestseller, and the novels A Thousand Ships, which was a national bestseller and short-listed for the 2020 Women’s Prize for Fiction, and Stone Blind. She has written and recorded twelve series of Natalie Haynes Stands Up for the Classics for the BBC. Haynes has written for the Times, the Independent, The Guardian, and the Observer. She lives in London.

\"},{\"id\":\"76721167T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"6\",\"text\":\"Natalie Haynes is the author of eight books, including the nonfiction work Pandora’s Jar, which was a New York Times bestseller, and the novels A Thousand Ships, which was a national bestseller and short—listed for the 2020 Women’s Prize for Fiction, and Stone Blind. She has written and recorded eleven series of Natalie Haynes Stands Up for the Classics for the BBC. Haynes has written for the Times, the Independent, The Guardian, and the Observer. She lives in London.

\"}]",{"_41":2752,"_1983":1984,"_1985":2010,"_1969":2753},"gid://shopify/Metafield/39014532907249","Pandoras-Jar/Natalie-Haynes",{"_41":2755,"_1983":1984,"_1985":2014,"_1969":2756},"gid://shopify/Metafield/39014531268849","1139607604",{"_41":2758,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39014532022513",{"_41":2760,"_1983":1984,"_1985":1973,"_1969":2735},"gid://shopify/Metafield/39014533497073",{"_41":2762,"_1983":1984,"_1985":1974,"_1969":2712},"gid://shopify/Metafield/39014530023665",{"_41":2764,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39014532251889",{"_41":2766,"_1983":2028,"_1985":2029,"_1969":2092},"gid://shopify/Metafield/63924872380657",{"_41":2768,"_1983":2028,"_1985":2033,"_1969":2130},"gid://shopify/Metafield/63924872347889",{"_1919":1920,"_41":2770,"_72":2771,"_1923":1924,"_825":2772,"_1926":2773,"_1928":2774,"_1930":2775,"_1937":2779,"_1945":59,"_1946":2781,"_1952":2784,"_1973":2793,"_1974":2795,"_1976":2796,"_1978":-5,"_1979":2797},"gid://shopify/Product/8846725021937","The Iliad: Translated by Emily Wilson","9781324076148","\"Wilson's Iliad is clear and brisk, its iambic pentameter a zone of enchantment.\" -Ange Mlinko, London Review of Books The greatest literary landmark of antiquity masterfully rendered by the most celebrated translator of our time.When Emily Wilson's translation of The Odyssey appeared in 2017-revealing the ancient poem in a contemporary idiom that was \"fresh, unpretentious and lean\" (Madeline Miller, Washington Post)-critics lauded it as \"a revelation\" (Susan Chira, New York Times) and \"a cultural landmark\" (Charlotte Higgins, Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of Homer's other great epic-the most revered war poem of all time.The Iliad roars with the clamor of arms, the bellowing boasts of victors, the fury and grief of loss, and the anguished cries of dying men. It sings, too, of the sublime magnitude of the world-the fierce beauty of nature and the gods' grand schemes beyond the ken of mortals. In Wilson's hands, this thrilling, magical, and often horrifying tale now gallops at a pace befitting its legendary battle scenes, in crisp but resonant language that evokes the poem's deep pathos and reveals palpably real, even \"complicated,\" characters-both human and divine.The culmination of a decade of intense engagement with antiquity's most surpassingly beautiful and emotionally complex poetry, Wilson's Iliad now gives us a complete Homer for our generation.","

\"Wilson's Iliad is clear and brisk, its iambic pentameter a zone of enchantment.\" -Ange Mlinko, London Review of Books

\n
The greatest literary landmark of antiquity masterfully rendered by the most celebrated translator of our time.

When Emily Wilson's translation of The Odyssey appeared in 2017-revealing the ancient poem in a contemporary idiom that was \"fresh, unpretentious and lean\" (Madeline Miller, Washington Post)-critics lauded it as \"a revelation\" (Susan Chira, New York Times) and \"a cultural landmark\" (Charlotte Higgins, Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of Homer's other great epic-the most revered war poem of all time.

The Iliad roars with the clamor of arms, the bellowing boasts of victors, the fury and grief of loss, and the anguished cries of dying men. It sings, too, of the sublime magnitude of the world-the fierce beauty of nature and the gods' grand schemes beyond the ken of mortals. In Wilson's hands, this thrilling, magical, and often horrifying tale now gallops at a pace befitting its legendary battle scenes, in crisp but resonant language that evokes the poem's deep pathos and reveals palpably real, even \"complicated,\" characters-both human and divine.

The culmination of a decade of intense engagement with antiquity's most surpassingly beautiful and emotionally complex poetry, Wilson's Iliad now gives us a complete Homer for our generation.

",{"_41":2776,"_54":2777,"_56":2778,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/47619888054513","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9781324076148_p0.jpg?v=1765226008",1364,{"_1939":2780},{"_1941":2483,"_1943":1944},{"_1939":2782,"_1950":2783},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":2785},[2786],{"_41":2787,"_1945":59,"_1958":59,"_1959":-5,"_707":2788,"_1961":2789,"_1963":2790,"_1965":2791,"_1971":2772,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46244711006449",{"_41":2776,"_54":2777,"_1936":-5,"_56":2778,"_50":1935},{"_1941":2483,"_1943":1944},{"_72":2771,"_825":2772},[2792],{"_796":1968,"_1969":1970},{"_1969":2794},"[\"B|Bestseller|#007C6C (p7858)\",\"The Books You've Always Meant to Read (p10565)\",\"BADGE - Best Seller (p7883)\"]",{"_1969":2772},{"_1969":1924},[2798,-5,-5,2800,2802,-5,2804,2806,2809,2812,2815,-5,2817,2819,-5,2821,2823,2825],{"_41":2799,"_1983":1984,"_1985":1986,"_1969":2680},"gid://shopify/Metafield/39661683507441",{"_41":2801,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/39661683900657",{"_41":2803,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/39661683179761",{"_41":2805,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/39661683966193",{"_41":2807,"_1983":1984,"_1985":2006,"_1969":2808},"gid://shopify/Metafield/39661684719857","[{\"id\":\"114576237T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"\\\"Wilson's style is like the proverbial mountain stream-clean and clear, and bubbling along at pace.... Wilson's strong authorial voice and open and accessible style...make this volume the definitive Iliad for our times. Readable, relevant and from the heart, this is the Iliad we have all been waiting for, whether we knew it or not.\\\"- Naoíse Mac Sweeney Washington Post

\\\"Wilson's admirers hoped that her second Homeric translation would be as great an achievement as the first. What they might not have expected is that it would be better.... Emily Wilson has not only produced fresh and limpid new translations of two foundational ancient poems. She has also given a new generation of readers the tools to approach Homer, with comfort and confidence, for the very first time. For those who knew the poems already, she lets Homer speak to them in a new voice.\\\"- Johanna Hanink Slate

\\\"Wilson's deep love for and understanding of the Iliad-by her own admission, the greater of her Homeric loves-shine through every page of this superb translation. The completion of her verse Homer amounts to nothing less than the renewal of an English poetic tradition.\\\"- Daniel Walden Bulwark

\\\"The experience of reading Homer must be refreshed from time to time with the blood of a new translation. In her version of The Iliad, [Emily] Wilson enlivens the epic with rich sanguinary nutrients.... The result is an Iliad of clarity and approachability, its violence rendered with brutal intimacy: Wilson's translation is zippy, and it zips the reader to a place and time of alien savagery.... [T]he vigor of language and vision is undeniable.\\\"- Atlantic

\\\"There's nothing stiff or cool about Emily Wilson's stirring translation of The Iliad, which whips and crackles beneath the familiar meter of loose iambic pentameter. Wilson tells it all in plain English, to elegant effect.... [S]he deftly coaxes the original's Dactylic hexameters into our own accentual tongue. We feel her joy, birthed by hard labor.... Wilson has pulled off a thrilling achievement, framing ancient questions in a fresh light.\\\"- Hamilton Cain Boston Globe

\\\"Superb. Emily Wilson's beautiful, fluent, memorable translation tells us once again that the Olympian gods and the would-be superhumans who want to emulate them are not yet dead in our world.\\\"- Rowan Williams New Statesman

\\\"Wilson is at her best when writing of the battlefield.... [S]he has a knack for the consonantal sounds of warfare. Her opening description of Achilles' anger, which will lead inexorably to more men's weapons clanging against metal, terms it 'cataclysmic wrath.' Her priority is those iambic Shakespearean rhythms: the beat makes this the perfect translation to read aloud.\\\"- Kate Maltby Financial Times

\\\"Wilson has again presented a Homer that sings, in sprightly iambic pentameter and pellucid language that avoids ponderosities like, well, ponderosities and pellucid.... The shortness of Wilson's lines...abetted by her unfussy diction and lyricism, are easy on the reader's eye and seem to help the mind grasp the breadth of Homer's canvas at any given moment while still marveling at details.... A masterful, highly readable rendering of the Greek classic.\\\"- Kirkus Reviews, starred review

\\\"Seduce[s] with its crystalline clarity, elegance, sensuality, sometimes breathless pace and above all emotional clout.\\\"- Edith Hall Guardian

\\\"Wilson achieves her register-at once plain spoken and slightly removed from everyday speech-partly by studiously avoiding contractions and allowing for metrically convenient epicisms like 'mighty,' mixed in with natural-seeming phrases like 'only just heard the news about the war.' The effect is not so much to bring the characters of the Iliad into the contemporary sphere, as to bring us into theirs.... Wilson has said that she is an Iliad person rather than an Odyssey one. And I have to say that for all that I enjoyed her Odyssey, I have been even more absorbed by her Iliad. It's a poem you read with your heart in your throat.\\\"- A. E. Stallings Spectator

\\\"The great virtue of this translation is its handling of action. In Wilson's verse the acts of the poem stand out in brilliant, clear Mediterranean light.... The lengthy battle scenes in Homer that a reader might well dread-they shine.... Aeschylus claimed that his tragedies were 'scraps from the great table of Homer,' and with Wilson the great tragedy of the poem is felt afresh.\\\"- John Byron Kuhner National Review

\\\"When she strikes the perfect balance between propulsive pacing, accessible language, and elevated sensibility, Wilson's translation is easy to keep reading. When she does this while also listening to the way words sound, it's even fun. Just as Keats, on first looking into Chapman's Homer, felt a sense of amazed discovery, so too will readers of Wilson's Iliad find fresh and absorbing clarity in this ancient poem.\\\"- Zoe Guttenplan Jacobin

\\\"Wilson's translation of Homeric Greek is always buoyant and expressive.... Wilson wants this version to be read aloud, and it would certainly be fun to perform. In Book 3, we meet Helen of Sparta, now Helen of Troy, 'weaving a massive double-layered cloth / in dazzling colors, patterning upon it / the many troubles, tests, and tribulations / that Trojan horsemen and bronze-armored Greeks / suffered at Ares' hands because of her.' It is a gorgeous moment in both the poem and the translation: the beautiful Helen revealed by Homer as the creator of a war narrative, just like him. The contemporary reader sees a double reflection: Helen at her loom, weaving the same story Homer is telling, the same one Wilson is weaving.\\\"- Natalie Haynes New York Times Book Review

\\\"Wilson's translation is vivid, lucid, pacy. Avoiding cliché, she renders Homeric phrases into natural, modern English counterparts. At its best, the urgent, almost claustrophobic lub-dub of the pentameter keeps up the frenetic energy of close combat, all the while sounding like natural English.... For those yet to encounter this violent, charming, disturbing, beautiful poem, now is the time.\\\"- Katherine Backler Tablet

\\\"Wilson's spin on the battlefield saga centered on the Trojan conflict is refreshing and bold.\\\"- Time

\\\"In Wilson's hands, the poem sings with the clash of bronze, the thundering of hooves, the savage holler of war-cries. Her use of iambic pentameter imbues it with irresistible pace and rhythm. It flows like music-exhilarating, tragic, beautiful and stirring.... Her use of language and imagery makes it a visual experience too; one of glittering metal and flame, full of searing light so that we feel entirely transported to an alien, ancient and terrifying world.... Running throughout is a humane, expressive connection of a truth we all know-the shattering inevitability of loss. Rediscovering it through Wilson's eyes brought me to tears all over again.\\\"- Jennifer Saint i newspaper

\\\"Wilson brings a rare combination of academic rigor and the lyricism of a born poet to one of Europe's most important texts, making ancient battles vivid and visceral and the language of Homer sing like few translators before.\\\"- Charlie Connelly New European

\\\"[Wilson] captures so brilliantly the fire and dread and bewilderment and rage of the poem. She wears her erudition beautifully: she matches it with such wit, precision and flair.\\\"- Katherine Rundell\"},{\"id\":\"114576236T\",\"type\":\"Award Note\",\"linkText\":\"Award Note\",\"typeId\":\"1036\",\"abbr\":\"REV\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"2024 Runciman Award, Short-listed
\"},{\"id\":\"131396457T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

Emily Wilson uses her accessible writing style to bring Homer’s epic poem to life in astonishing detail. Telling an emotionally complex story of war, loss and fury using fresh language, Wilson invites new readers to meet some of literature's most complex characters in The Iliad.

\"},{\"id\":\"91479000T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"Notes From Your Bookseller

Emily Wilson made the news with her 2017 translation of The Odyssey. She brings a fresh take to one of our other oldest tales, inviting in new readers.

\"},{\"id\":\"114576240T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"

Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a fellow of the American Academy in Rome, a Guggenheim Fellow, and a MacArthur Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.

\"},{\"id\":\"88933412T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer’s Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.\"},{\"id\":\"105902966T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"3\",\"text\":\"Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.\"},{\"id\":\"114576238T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"4\",\"text\":\"

Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a fellow of the American Academy in Rome, a Guggenheim Fellow, and a MacArthur Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.

\"},{\"id\":\"88933409T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"5\",\"text\":\"Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer’s Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.\"}]",{"_41":2810,"_1983":1984,"_1985":2010,"_1969":2811},"gid://shopify/Metafield/39661684490481","The-Iliad/Homer",{"_41":2813,"_1983":1984,"_1985":2014,"_1969":2814},"gid://shopify/Metafield/39661682884849","1143278097",{"_41":2816,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39661683835121",{"_41":2818,"_1983":1984,"_1985":1973,"_1969":2794},"gid://shopify/Metafield/39661684785393",{"_41":2820,"_1983":1984,"_1985":1974,"_1969":2772},"gid://shopify/Metafield/39661681279217",{"_41":2822,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39661684031729",{"_41":2824,"_1983":2028,"_1985":2029,"_1969":2585},"gid://shopify/Metafield/87401637314801",{"_41":2826,"_1983":2028,"_1985":2033,"_1969":2189},"gid://shopify/Metafield/87401637282033",{"_1919":1920,"_41":2828,"_72":2829,"_1923":1924,"_825":2830,"_1926":2831,"_1928":2832,"_1930":2833,"_1937":2838,"_1945":59,"_1946":2840,"_1952":2843,"_1973":2852,"_1974":2854,"_1976":2855,"_1978":-5,"_1979":2856},"gid://shopify/Product/8846784463089","SPQR: A History of Ancient Rome","9781631492228","New York Times BestsellerA New York Times Notable BookNamed one of the Best Books of the Year by the Wall Street Journal, the Economist, Foreign Affairs, and Kirkus ReviewsFinalist for the National Book Critics Circle Award (Nonfiction)Shortlisted for the Cundill Prize in Historical LiteratureFinalist for the Los Angeles Times Book Prize (History)A San Francisco Chronicle Holiday Gift Guide SelectionA New York Times Book Review Editors' Choice SelectionAn Independent Press Bestseller A sweeping, \"magisterial\" history of the Roman Empire from one of our foremost classicists shows why Rome remains \"relevant to people many centuries later\" (Atlantic). In SPQR, an instant classic, Mary Beard narrates the history of Rome \"with passion and without technical jargon\" and demonstrates how \"a slightly shabby Iron Age village\" rose to become the \"undisputed hegemon of the Mediterranean\" (Wall Street Journal). Hailed by critics as animating \"the grand sweep and the intimate details that bring the distant past vividly to life\" (Economist) in a way that makes \"your hair stand on end\" (Christian Science Monitor) and spanning nearly a thousand years of history, this \"highly informative, highly readable\" (Dallas Morning News) work examines not just how we think of ancient Rome but challenges the comfortable historical perspectives that have existed for centuries. With its nuanced attention to class, democratic struggles, and the lives of entire groups of people omitted from the historical narrative for centuries, SPQR will to shape our view of Roman history for decades to come.","

New York Times Bestseller

A New York Times Notable Book
Named one of the Best Books of the Year by the Wall Street Journal, the Economist, Foreign Affairs, and Kirkus Reviews
Finalist for the National Book Critics Circle Award (Nonfiction)
Shortlisted for the Cundill Prize in Historical Literature
Finalist for the Los Angeles Times Book Prize (History)
A San Francisco Chronicle Holiday Gift Guide Selection
A New York Times Book Review Editors' Choice Selection
An Independent Press Bestseller
\n
A sweeping, \"magisterial\" history of the Roman Empire from one of our foremost classicists shows why Rome remains \"relevant to people many centuries later\" (Atlantic).

In SPQR, an instant classic, Mary Beard narrates the history of Rome \"with passion and without technical jargon\" and demonstrates how \"a slightly shabby Iron Age village\" rose to become the \"undisputed hegemon of the Mediterranean\" (Wall Street Journal). Hailed by critics as animating \"the grand sweep and the intimate details that bring the distant past vividly to life\" (Economist) in a way that makes \"your hair stand on end\" (Christian Science Monitor) and spanning nearly a thousand years of history, this \"highly informative, highly readable\" (Dallas Morning News) work examines not just how we think of ancient Rome but challenges the comfortable historical perspectives that have existed for centuries. With its nuanced attention to class, democratic struggles, and the lives of entire groups of people omitted from the historical narrative for centuries, SPQR will to shape our view of Roman history for decades to come.

",{"_41":2834,"_54":2835,"_56":2836,"_50":2837,"_1936":-5},"gid://shopify/ProductImage/47444372160753","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9781631492228_p0.jpg?v=1764882245",475,716,{"_1939":2839},{"_1941":2483,"_1943":1944},{"_1939":2841,"_1950":2842},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":2844},[2845],{"_41":2846,"_1945":59,"_1958":59,"_1959":-5,"_707":2847,"_1961":2848,"_1963":2849,"_1965":2850,"_1971":2830,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46244772086001",{"_41":2834,"_54":2835,"_1936":-5,"_56":2836,"_50":2837},{"_1941":2483,"_1943":1944},{"_72":2829,"_825":2830},[2851],{"_796":1968,"_1969":1970},{"_1969":2853},"[\"Celebrate Women's History Month (p10585)\",\"Classroom Literature & Nonfiction (p5500)\",\"The Books You've Always Meant to Read (p10565)\"]",{"_1969":2830},{"_1969":1924},[2857,-5,-5,2860,2862,-5,2864,2866,2869,2872,2875,-5,2877,2879,-5,2881,2883,2886],{"_41":2858,"_1983":1984,"_1985":1986,"_1969":2859},"gid://shopify/Metafield/39664598483185","[{\"contributorId\":291560,\"fullName\":\"Mary Beard\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":2861,"_1983":1984,"_1985":1997,"_1969":1924},"gid://shopify/Metafield/39664599171313",{"_41":2863,"_1983":1984,"_1985":1976,"_1969":1924},"gid://shopify/Metafield/39664597893361",{"_41":2865,"_1983":1984,"_1985":2002,"_1969":2003},"gid://shopify/Metafield/39664599302385",{"_41":2867,"_1983":1984,"_1985":2006,"_1969":2868},"gid://shopify/Metafield/39664601628913","[{\"id\":\"114589165T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"\\\"Beard tells this story precisely and clearly, with passion and without technical jargon...SPQR is a grim success story, but one told with wonderful flair.\\\"- Greg Woolf Wall Street Journal

\\\"Though she here claims that 50 years of training and study have led up to SPQR, Beard wears her learning lightly. As she takes us through the brothels, bars, and back alleys where the populus Romanus left their imprint, one senses, above all, that she is having fun.\\\"- James Romm New Republic

\\\"By the time Beard has finished, she has explored not only archaic, republican, and imperial Rome, but the eastern and western provinces over which it eventually won control...She moves with ease and mastery though archaeology, numismatics, and philology, as well as a mass of written documents on stone and papyrus.\\\"- G. W. Bowersock New York Review of Books

\\\"In SPQR, her wonderful concise history, Mary Beard unpacks the secrets of the city's success with a crisp and merciless clarity that I have not seen equaled anywhere else.\\\"- Ferdinand Mount New York Times Book Review

\\\"Beard does precisely what few popularizers dare to try and plenty of dons can't pull off: She conveys the thrill of puzzling over texts and events that are bound to be ambiguous, and she complicates received wisdom in the process. Her magisterial new history of Rome, SPQR...is no exception.... The ancient Romans, Beard shows, are relevant to people many centuries later who struggle with questions of power, citizenship, empire, and identity.\\\"- Emily Wilson The Atlantic

\\\"A masterful new chronicle.... Beard is a sure-footed guide through arcane material that, in other hands, would grow tedious. Sifting myth from fact in dealing with the early history of the city, she enlivens-and deepens-scholarly debates by demonstrating how the Romans themselves shaped their legendary beginnings to short-term political ends.... Exemplary popular history, engaging but never dumbed down, providing both the grand sweep and the intimate details that bring the distant past vividly to life.\\\"- The Economist\"},{\"id\":\"46387629T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":\"Ferdinand Mount\",\"sourceName\":\"The New York Times Book Review\",\"displayOrder\":\"2\",\"text\":\"In SPQR, her wonderful concise history, Mary Beard unpacks the secrets of the city's success with a crisp and merciless clarity that I have not seen equaled anywhere else.\"},{\"id\":\"46331182T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":\"Dwight Garner\",\"sourceName\":\"The New York Times\",\"displayOrder\":\"3\",\"text\":\"…a sprawling but humane volume that examines nearly 1,000 years in the early history of that teeming city and empire…[Beard] is a debunker and a complicator…and charming company. In SPQR she pulls off the difficult feat of deliberating at length on the largest intellectual and moral issues her subject presents (liberty, beauty, citizenship, power) while maintaining an intimate tone…Ms. Beard's prose is never mandarin, yet she treats her readers like peers. She pulls us into the faculty lounge and remarks about debates that can make or end academic careers…You come to Ms. Beard's books to meet her as much as her subjects. They are idiosyncratic and offbeat, which is to say, pleasingly hers.\"},{\"id\":\"114589164T\",\"type\":\"Award Note\",\"linkText\":\"Award Note\",\"typeId\":\"1036\",\"abbr\":\"REV\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"4\",\"text\":\"2015 New York Times Notable Selection, Commended
2015 Los Angeles Times Book Prize, Short-listed
\"},{\"id\":\"90932935T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

By one of, if not the most compelling writers of history, SPQR tells the story of the rise and fall of the Roman Empire like never before, giving fresh perspective and creative nuance that refreshes one of the most talked about periods of history.

\"},{\"id\":\"114589168T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"1\",\"text\":\"

Mary Beard is the author of the best-selling The Fires of Vesuvius and the National Book Critics Circle Award-nominated Confronting the Classics and SPQR. A popular blogger and television personality, Beard is a regular contributor to the New York Review of Books. She lives in England.

\"},{\"id\":\"66679891T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"Mary Beard is the author of the best-selling The Fires of Vesuvius and the National Book Critics Circle Award–nominated Confronting the Classics and SPQR. A popular blogger and television personality, Beard is a regular contributor to the New York Review of Books. She lives in England.\"},{\"id\":\"91152443T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"3\",\"text\":\"Mary Beard is the author of the best-selling The Fires of Vesuvius and the National Book Critics Circle Award–nominated Confronting the Classics and SPQR. A popular blogger and television personality, Beard is a regular contributor to the New York Review of Books. She lives in England.\"},{\"id\":\"114589166T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"4\",\"text\":\"

\"},{\"id\":\"45633643T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"5\",\"text\":\"Mary Beard is the author of the best-selling The Fires of Vesuvius and the National Book Critics Circle Award–nominated Confronting the Classics and SPQR. A popular blogger and television personality, Beard is a regular contributor to the New York Review of Books. She lives in England.\"}]",{"_41":2870,"_1983":1984,"_1985":2010,"_1969":2871},"gid://shopify/Metafield/39664600613105","SPQR/Mary-Beard",{"_41":2873,"_1983":1984,"_1985":2014,"_1969":2874},"gid://shopify/Metafield/39664597500145","1121186183",{"_41":2876,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39664598974705",{"_41":2878,"_1983":1984,"_1985":1973,"_1969":2853},"gid://shopify/Metafield/39664601792753",{"_41":2880,"_1983":1984,"_1985":1974,"_1969":2830},"gid://shopify/Metafield/39664595042545",{"_41":2882,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39664599466225",{"_41":2884,"_1983":2028,"_1985":2029,"_1969":2885},"gid://shopify/Metafield/61361990533361","{\"scale_min\":\"1.0\",\"scale_max\":\"5.0\",\"value\":\"4.9\"}",{"_41":2887,"_1983":2028,"_1985":2033,"_1969":2888},"gid://shopify/Metafield/61361990500593","7",{"_26":75,"_76":10,"_54":2890},"https://www.barnesandnoble.com/blog/women-in-classics","Women Rewriting the Classics",{"_33":2893,"_26":1068,"_1058":2894,"_72":3177},"cc4f1890f988",{"_1061":2895,"_1070":220,"_1463":1464,"_1465":1466,"_105":-5,"_54":3175},[2896,2953,3009,3065,3119],{"_1919":1920,"_41":2897,"_72":2898,"_1923":2342,"_825":2899,"_1926":2900,"_1928":2901,"_1930":2902,"_1937":2905,"_1945":59,"_1946":2908,"_1952":2912,"_1973":2922,"_1974":2924,"_1976":2925,"_1978":-5,"_1979":2926},"gid://shopify/Product/8833970045169","The Steps: A Memoir","9780063443914","A gritty, inspiring, heart-wrenching memoir by the Academy Award-winning legend and icon Sylvester Stallone, about his unlikely path to stardom and the creation of the greatest underdog story ever told. In the fifty years since Sylvester Stallone ran up the steps of the Philadelphia Art Museum, he and those steps have become symbols of resilience and determination, and have inspired millions from all over the world to pursue their dreams. In The Steps, Stallone recounts how he pursued his own dreams. A culmination of decades of reflection, Stallone shares where he came from-a difficult birth, an even more difficult childhood, years of struggle in school being misunderstood-and he explains how the real story of a successful life is built by facing, embracing, and ultimately overcoming our challenges. It's found in the distances we are willing to go and the steps we must take to get from where we are to where we want to go. In a narrative framed between his arrival in New York City in 1969 and the triumph of Rocky at the 1977 Academy Awards, Stallone weaves a vivid and propulsive portrait of struggle, subsistence, and ultimately success. He writes of his early days and later years, too, and the persistence, creativity, and resilience that led not only to the creation of Rocky but to a career filled with remarkably iconic roles. The Steps is a testament to Stallone's extraordinary life and a profound meditation on the importance of vision and willpower and hard work.","

A gritty, inspiring, heart-wrenching memoir by the Academy Award-winning legend and icon Sylvester Stallone, about his unlikely path to stardom and the creation of the greatest underdog story ever told.

In the fifty years since Sylvester Stallone ran up the steps of the Philadelphia Art Museum, he and those steps have become symbols of resilience and determination, and have inspired millions from all over the world to pursue their dreams. In The Steps, Stallone recounts how he pursued his own dreams. A culmination of decades of reflection, Stallone shares where he came from-a difficult birth, an even more difficult childhood, years of struggle in school being misunderstood-and he explains how the real story of a successful life is built by facing, embracing, and ultimately overcoming our challenges. It's found in the distances we are willing to go and the steps we must take to get from where we are to where we want to go.

In a narrative framed between his arrival in New York City in 1969 and the triumph of Rocky at the 1977 Academy Awards, Stallone weaves a vivid and propulsive portrait of struggle, subsistence, and ultimately success. He writes of his early days and later years, too, and the persistence, creativity, and resilience that led not only to the creation of Rocky but to a career filled with remarkably iconic roles. The Steps is a testament to Stallone's extraordinary life and a profound meditation on the importance of vision and willpower and hard work.

",{"_41":2903,"_54":2904,"_56":2718,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/47637521465585","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780063443914_p0.jpg?v=1768988713",{"_1939":2906},{"_1941":2907,"_1943":1944},"27.5",{"_1939":2909,"_1950":2911},{"_1941":2910,"_1943":1944},"32.5",{"_1941":2910,"_1943":1944},{"_1954":2913},[2914],{"_41":2915,"_1945":59,"_1958":59,"_1959":2916,"_707":2917,"_1961":2918,"_1963":2919,"_1965":2920,"_1971":2899,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46229940338929",{"_1941":2910,"_1943":1944},{"_41":2903,"_54":2904,"_1936":-5,"_56":2718,"_50":1935},{"_1941":2907,"_1943":1944},{"_72":2898,"_825":2899},[2921],{"_796":1968,"_1969":1970},{"_1969":2923},"[\"The Most Anticipated Books of 2026 (p10335)\",\"BADGE - $5 OFF (p7876)\",\"Our Most Anticipated Books (p10162)\",\"BADGE - 15% OFF (p7872)\",\"Retail Price fixing (p261)\"]",{"_1969":2899},{"_1969":2342},[2927,-5,-5,2930,2932,-5,2934,2936,2939,2942,2945,-5,2947,2949,-5,2951,-5,-5],{"_41":2928,"_1983":1984,"_1985":1986,"_1969":2929},"gid://shopify/Metafield/39044557275377","[{\"contributorId\":303924,\"fullName\":\"Sylvester Stallone\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":2931,"_1983":1984,"_1985":1997,"_1969":2342},"gid://shopify/Metafield/39044557865201",{"_41":2933,"_1983":1984,"_1985":1976,"_1969":2342},"gid://shopify/Metafield/39044556620017",{"_41":2935,"_1983":1984,"_1985":2002,"_1969":2381},"gid://shopify/Metafield/39044557963505",{"_41":2937,"_1983":1984,"_1985":2006,"_1969":2938},"gid://shopify/Metafield/67529648242929","[{\"id\":\"128276535T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

Actor, award-winner, and icon Sylvester Stallone brings his story to life in this powerful memoir, chronicling his tumultuous early life, his rise to fame and the struggles of stardom that followed.

\"},{\"id\":\"115311547T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"Notes From Your Bookseller

Actor, award-winner, and icon Sylvester Stallone brings his story to life in this powerful memoir, chronicling his tumultuous early life, his rise to fame and the struggles of stardom that followed.

\"},{\"id\":\"128276541T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"

SYLVESTER STALLONE is the creative force behind some of the most lasting and iconic characters in film, including Rocky Balboa in the Academy Award-winning Rocky, and John Rambo in First Blood as well as the blockbuster franchise The Expendables. In addition to being a prolific writer and director, he is the only actor to open a number one film across six decades. He currently stars in the critically acclaimed hit TV series Tulsa King, where he also acts as executive producer and writer. He and his wife Jennifer share three beautiful daughters, Sophia, Sistine, and Scarlet.

\"},{\"id\":\"128276543T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"SYLVESTER STALLONE is the creative force behind some of the most lasting and iconic characters in film, including Rocky Balboa in the Academy Award—winning Rocky, and John Rambo in First Blood as well as the blockbuster franchise The Expendables. In addition to being a prolific writer and director, he is the only actor to open a number one film across six decades. He currently stars in the critically acclaimed hit TV series Tulsa King, where he also acts as executive producer and writer. He and his wife Jennifer share three beautiful daughters, Sophia, Sistine, and Scarlet.

\"},{\"id\":\"128276542T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"3\",\"text\":\"

\"},{\"id\":\"128276546T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"4\",\"text\":\"SYLVESTER STALLONE is the creative force behind some of the most lasting and iconic characters in film, including Rocky Balboa in the Academy Award—winning Rocky, and John Rambo in First Blood as well as the blockbuster franchise The Expendables. In addition to being a prolific writer and director, he is the only actor to open a number one film across six decades. He currently stars in the critically acclaimed hit TV series Tulsa King, where he also acts as executive producer and writer. He and his wife Jennifer share three beautiful daughters, Sophia, Sistine, and Scarlet.

\"}]",{"_41":2940,"_1983":1984,"_1985":2010,"_1969":2941},"gid://shopify/Metafield/39044558553329","The-Steps/Sylvester-Stallone",{"_41":2943,"_1983":1984,"_1985":2014,"_1969":2944},"gid://shopify/Metafield/39044556194033","1148277546",{"_41":2946,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39044557766897",{"_41":2948,"_1983":1984,"_1985":1973,"_1969":2923},"gid://shopify/Metafield/39044558946545",{"_41":2950,"_1983":1984,"_1985":1974,"_1969":2899},"gid://shopify/Metafield/39044553834737",{"_41":2952,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39044558061809",{"_1919":1920,"_41":2954,"_72":2955,"_1923":2342,"_825":2956,"_1926":2957,"_1928":2958,"_1930":2959,"_1937":2962,"_1945":59,"_1946":2965,"_1952":2969,"_1973":2979,"_1974":2980,"_1976":2981,"_1978":-5,"_1979":2982},"gid://shopify/Product/9412282974449","Redwood: The Untold Story of the Cold War's Most Extraordinary Spy","9780593728123","From the bestselling author of The Spy and the Traitor comes the ultimate true-life Cold War thriller: the untold story of a Russian double agent with a desperate secret-and the key to stopping a nuclear apocalypse.\"Ben Macintyre has a rare ability to turn history and espionage upside down and give us true, colorful stories that astound us as they draw us in. Redwood might be his best.\"-John GrishamIn 1981, KGB Major Vladimir Kuzichkin, codenamed \"Redwood,\" was the best Soviet officer in Iran, running spies in the wake of the Islamic revolution and working with a hidden network of Iranian communists to undermine the new regime. But Kuzichkin had a problem, a sexual secret that, if revealed, would humiliate him with his colleagues, cost him his job, and send him into exile. Desperate for a solution, he reached out to the only place he believed could help: Britain's MI6.So begins one of the most astounding true spy stories of the Cold War, set against the terrifying prospect of nuclear armageddon. Taking readers through shadowy back alleys of Tehran, across bloody streets and into cloistered intelligence offices, Ben Macintyre unfolds a world in turmoil, where no one's motive is what it seems, and exposure means death. As Kuzichkin helps the Soviet leadership plot an overthrow of the Ayatollah's fledgling regime-and the American government secretly contemplates a nuclear response if they do-it falls on MI6's resourceful young undercover officer Ian McCredie to spirit Kuzichkin's vital information back to the West. But when both Iranian intelligence and the KGB close in on the Russian double-agent, McCredie must design an improbable high-stakes escape plan for Kuzichkin, in which failure is almost certain and the direction of the Cold War hangs in the balance.This is the gripping tale of one man's courage, and its extraordinary unintended consequences that still shape our world today. It's about a moving friendship between spies on opposite sides of the global conflict; about marriage, loyalty, and betrayal. Drawing on never-before-seen archival material and revealing interviews with the participants, Redwood plunges readers back into the world of The Spy and the Traitor, where the fate of millions turns on the split-second decisions of spies under pressure.","From the bestselling author of The Spy and the Traitor comes the ultimate true-life Cold War thriller: the untold story of a Russian double agent with a desperate secret-and the key to stopping a nuclear apocalypse.

\"Ben Macintyre has a rare ability to turn history and espionage upside down and give us true, colorful stories that astound us as they draw us in. Redwood might be his best.\"-John Grisham

In 1981, KGB Major Vladimir Kuzichkin, codenamed \"Redwood,\" was the best Soviet officer in Iran, running spies in the wake of the Islamic revolution and working with a hidden network of Iranian communists to undermine the new regime. But Kuzichkin had a problem, a sexual secret that, if revealed, would humiliate him with his colleagues, cost him his job, and send him into exile. Desperate for a solution, he reached out to the only place he believed could help: Britain's MI6.

So begins one of the most astounding true spy stories of the Cold War, set against the terrifying prospect of nuclear armageddon. Taking readers through shadowy back alleys of Tehran, across bloody streets and into cloistered intelligence offices, Ben Macintyre unfolds a world in turmoil, where no one's motive is what it seems, and exposure means death. As Kuzichkin helps the Soviet leadership plot an overthrow of the Ayatollah's fledgling regime-and the American government secretly contemplates a nuclear response if they do-it falls on MI6's resourceful young undercover officer Ian McCredie to spirit Kuzichkin's vital information back to the West. But when both Iranian intelligence and the KGB close in on the Russian double-agent, McCredie must design an improbable high-stakes escape plan for Kuzichkin, in which failure is almost certain and the direction of the Cold War hangs in the balance.

This is the gripping tale of one man's courage, and its extraordinary unintended consequences that still shape our world today. It's about a moving friendship between spies on opposite sides of the global conflict; about marriage, loyalty, and betrayal. Drawing on never-before-seen archival material and revealing interviews with the participants, Redwood plunges readers back into the world of The Spy and the Traitor, where the fate of millions turns on the split-second decisions of spies under pressure.",{"_41":2960,"_54":2961,"_56":2349,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/49384249131249","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780593728123_p0.jpg?v=1783566741",{"_1939":2963},{"_1941":2964,"_1943":1944},"32.0",{"_1939":2966,"_1950":2968},{"_1941":2967,"_1943":1944},"35.0",{"_1941":2967,"_1943":1944},{"_1954":2970},[2971],{"_41":2972,"_1945":59,"_1958":59,"_1959":2973,"_707":2974,"_1961":2975,"_1963":2976,"_1965":2977,"_1971":2956,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/47588913676529",{"_1941":2967,"_1943":1944},{"_41":2960,"_54":2961,"_1936":-5,"_56":2349,"_50":1935},{"_1941":2964,"_1943":1944},{"_72":2955,"_825":2956},[2978],{"_796":1968,"_1969":1970},{"_1969":2368},{"_1969":2956},{"_1969":2342},[2983,-5,-5,2986,2988,-5,2990,2992,2995,2998,3001,-5,3003,3005,-5,3007,-5,-5],{"_41":2984,"_1983":1984,"_1985":1986,"_1969":2985},"gid://shopify/Metafield/74633979855089","[{\"contributorId\":170136,\"fullName\":\"Ben Macintyre\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":2987,"_1983":1984,"_1985":1997,"_1969":2342},"gid://shopify/Metafield/74633980182769",{"_41":2989,"_1983":1984,"_1985":1976,"_1969":2342},"gid://shopify/Metafield/74633979625713",{"_41":2991,"_1983":1984,"_1985":2002,"_1969":2381},"gid://shopify/Metafield/74633980248305",{"_41":2993,"_1983":1984,"_1985":2006,"_1969":2994},"gid://shopify/Metafield/74634584326385","[{\"id\":\"132431612T\",\"type\":\"Excerpt\",\"linkText\":\"Read an Excerpt\",\"typeId\":\"1005\",\"abbr\":\"EXC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"1

Elite Forces

At the age of twenty-two, Vladimir Andreevich Kuzichkin discovered he was not who he thought he was.

Kuzichkin's childhood was privileged, by Moscow standards. His father Andrei was a KGB officer, undistinguished and disgruntled, but enjoying the benefits that came from membership in the Soviet Union's all-powerful intelligence and security service. His mother, Elisabeta, was an office typist. Born in 1947, Vladimir was principally raised by his maternal grandmother, who spoiled him. Despite the privations of postwar Russia, the family had enough to eat, clothing coupons, and holidays in a state dacha. When Vladimir was seven, they moved into a three-room apartment in a cooperative block in the Leningrad District, surrounded by a high fence to keep out the poor from the slums. An only child, little Volodya considered this a life of \\\"luxury.\\\"

But the family had a streak of violent unhappiness running through it, fueled by vodka. Andrei Kuzichkin was a vicious alcoholic. He beat Elisabeta on the weekend and whenever he drank during the week, which was usually. She suffered repeated miscarriages. This added to Andrei's fury. He hit his son, too, until the boy grew big enough to defend himself. By the age of fourteen, Vladimir was already over six feet tall.

Intelligent and sensitive, Vladimir had hated his father for as long as he could remember. One summer in the dacha, he befriended a domesticated pig named Vasili, feeding the animal leftovers and teaching it to come when he whistled. At the end of the holiday Andrei sternly summoned Vladimir to the barn and insisted the boy watch as he killed his pet with a hatchet. Ten-year-old Volodya wept for a week, but not in front of his father. Like many abused children, fear and hatred brought complex secret feelings of guilt and self-loathing. \\\"What kind of a person am I that I detest the man I came from?\\\" he wondered. Sometimes he imagined killing his father, with an axe.

The boy rebelled, insofar as that was possible in Soviet Russia of the 1960s. He ran with a gang of street toughs and got into fights. His height made him a target. To defy his father, he refused to join Komsomol, the communist youth league. He listened to bootleg pop music from Britain and America and aped the forbidden fashions of the capitalist West. He also discovered the songs of Vladimir Vysotsky, an unruly star of the new Moscow folk underground. With a cousin and two friends, he formed a rock band called The Brothers. At the age of eighteen, wearing flares and two-inch home-adapted Cuban heels, Vladimir Kuzichkin imagined himself as a gigantic Russian version of Cliff Richard or Paul McCartney. \\\"We are going to be the Russian Beatles,\\\" he declared. Andrei Kuzichkin said his son's music was rubbish and that The Brothers would never amount to anything. He was right.

Vladimir Kuzichkin finished school with good grades, a reputation for fistfights, a taste for Western pop, a damaged soul, and no ambition. Called up for three years' military service, he was sent to Hagenow in East Germany as a radio operator in a nuclear missile launching unit, the front line of the Cold War. \\\"In the event of war,\\\" he recalled, \\\"the division's task was to annihilate Hamburg with six tactical nuclear missiles\\\" and then be obliterated in turn, in accordance with the logic of mutually assured destruction (MAD). The naïve young conscript was not overly concerned by his assigned role in nuclear Armageddon. He was very bored.

One morning, Kuzichkin was summoned to the commander's office to take an urgent telephone call from his mother. \\\"Your father is dead,\\\" Elisabeta Kuzichkina said, her voice hoarse. \\\"You must come home.\\\" Granted two days' compassionate leave, on the train to Moscow he wondered at his own lack of grief. He was unable to cry. His overwhelming feeling was not grief, but relief. \\\"Now I don't have to hate myself so much,\\\" he reflected.

Opening the apartment front door, he found Andrei Kuzichkin seated at the table, very much alive, and drunk. The older man picked up his bottle without a word and retreated to the bedroom. Between sobs, Elisabeta confessed her lie.

Vladimir's father was not Andrei Kuzichkin, but Georgi Alexandreevich Larkin, a tall, good-looking construction engineer of Irish ancestry, hence his unusual surname. Elisabeta and Georgi met after the war, and she had become pregnant. They intended to marry. But then he was sent to Siberia to build a steel factory. Georgi urged her to come too. She refused. What would she do there? Moscow was the only world she knew. Larkin never returned from the east. For a few years Elisabeta struggled on as an unmarried working mother, while her mother cared for the child. Her sister was married to a KGB officer, who introduced her to his brother, also in the KGB. Andrei Kuzichkin was boozy and rough, but he had a good job. Andrei offered a future. He even reluctantly agreed to adopt her child.

And now Georgi Larkin, the only man she had ever loved, was dead from a heart attack on a bear-hunting expedition in the Siberian wilderness. It was four hours before they discovered his body in the snow.

Vladimir Kuzichkin was baffled and furious. \\\"How could she deceive me all these years?\\\" he wondered. He ignored Andrei from that day on. And yet the discovery explained everything: the dislocation he had always felt; his hatred for the man who had pretended to be his father and beaten that untruth into him. More prosaically, it explained his height and coloring. To his friends, bandmates, and army comrades, he was still Kuzichkin, the lanky would-be pop star, but inside, secretly, he was Larkin. The discovery of a real father, now invested with imaginary qualities Georgi had never possessed in life, awoke the possibility of making himself into someone else. So that is what he did.

To begin that transformation, he decided, he would need some higher education. Back at the Hagenow base, he plunged into the officers' library and began reading ravenously. He joined the Communist Party (an unshakable requirement for anyone with ambition in Soviet Russia), but without much conviction. He had recited the mantras of Marxism from his earliest childhood, and believed them, along with everyone else. The discovery of his real father made him question everything he had grown up with, including communism. He did not share these heretical thoughts with anyone else. He barely admitted them to himself.

After three years in uniform, Kuzichkin applied to study at the Institute of Asian and African Countries in Moscow, a specialist university teaching Oriental and African languages. Mastery of a foreign tongue \\\"raised the probability of future work abroad.\\\" Reading down the list of language options, from Arabic to Zulu, he settled on Persian (or Farsi), the language of Iran. It sounded intriguing, and the course was undersubscribed. A model Soviet citizen with good academic grades and a clean military record, Kuzichkin was told to report to the Institute on September 1, 1970.

In addition to Iran's language, culture, and history, the six-year course included a substantial ideological component: Communist Party history, dialectical materialism, Marxism-Leninism, philosophy, and political economy. Each student was required to learn an additional Western language: he chose English. If he was deemed suitable, the fourth year (1973-1974) would be spent in Iran.

Located on Karl Marx Prospekt opposite the Kremlin, the Institute was controlled by the International Department of the Central Committee of the Communist Party of the Soviet Union (CPSU). Like every other organ of state, its primary function was to bolster communism and spread the doctrine of revolution worldwide. Kuzichkin was now \\\"in the fast lane of Soviet society,\\\" he reflected, a student at a top university with a bright future: \\\"There was nothing to bar my progress.\\\"

Kuzichkin was a shy, awkward young man, as tall people sometimes are. Except when drunk. Alcohol brought out the extrovert in him. In social situations he tended to drink fast and deeply, before seizing a guitar and bursting into song. Women were drawn to this gentle, melodious giant with bright blue eyes and a shock of fair hair. In October, at a party thrown by a friend of his flatmate, Kuzichkin plucked up and soaked up enough Dutch courage to ask a girl to dance. Her name was Galina Lvovna Kokosova, a petite, pale, sweet-faced woman two years his junior. They swayed to bootlegged Rolling Stones records, her head on his chest, tiny in his arms.

Galina, known as Galya to friends and family, could not understand how such a handsome man could be attracted to her. \\\"I was a very sad and lonely 22-year-old girl: I wasn't in love with anyone; I didn't have any particularly close friends; and, after my dad departed, everything in my life went almost catastrophically wrong. The period from 1965, when my father passed away, until I met Volodya, were the saddest years of my existence.\\\" He gave her a confidence she had never felt before.\"},{\"id\":\"132431422T\",\"type\":\"Excerpt\",\"linkText\":\"Read an Excerpt\",\"typeId\":\"1005\",\"abbr\":\"EXC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"1

Elite Forces

At the age of twenty-two, Vladimir Andreevich Kuzichkin discovered he was not who he thought he was.

Kuzichkin's childhood was privileged, by Moscow standards. His father Andrei was a KGB officer, undistinguished and disgruntled, but enjoying the benefits that came from membership in the Soviet Union's all-powerful intelligence and security service. His mother, Elisabeta, was an office typist. Born in 1947, Vladimir was principally raised by his maternal grandmother, who spoiled him. Despite the privations of postwar Russia, the family had enough to eat, clothing coupons, and holidays in a state dacha. When Vladimir was seven, they moved into a three-room apartment in a cooperative block in the Leningrad District, surrounded by a high fence to keep out the poor from the slums. An only child, little Volodya considered this a life of \\\"luxury.\\\"

But the family had a streak of violent unhappiness running through it, fueled by vodka. Andrei Kuzichkin was a vicious alcoholic. He beat Elisabeta on the weekend and whenever he drank during the week, which was usually. She suffered repeated miscarriages. This added to Andrei's fury. He hit his son, too, until the boy grew big enough to defend himself. By the age of fourteen, Vladimir was already over six feet tall.

Intelligent and sensitive, Vladimir had hated his father for as long as he could remember. One summer in the dacha, he befriended a domesticated pig named Vasili, feeding the animal leftovers and teaching it to come when he whistled. At the end of the holiday Andrei sternly summoned Vladimir to the barn and insisted the boy watch as he killed his pet with a hatchet. Ten-year-old Volodya wept for a week, but not in front of his father. Like many abused children, fear and hatred brought complex secret feelings of guilt and self-loathing. \\\"What kind of a person am I that I detest the man I came from?\\\" he wondered. Sometimes he imagined killing his father, with an axe.

The boy rebelled, insofar as that was possible in Soviet Russia of the 1960s. He ran with a gang of street toughs and got into fights. His height made him a target. To defy his father, he refused to join Komsomol, the communist youth league. He listened to bootleg pop music from Britain and America and aped the forbidden fashions of the capitalist West. He also discovered the songs of Vladimir Vysotsky, an unruly star of the new Moscow folk underground. With a cousin and two friends, he formed a rock band called The Brothers. At the age of eighteen, wearing flares and two-inch home-adapted Cuban heels, Vladimir Kuzichkin imagined himself as a gigantic Russian version of Cliff Richard or Paul McCartney. \\\"We are going to be the Russian Beatles,\\\" he declared. Andrei Kuzichkin said his son's music was rubbish and that The Brothers would never amount to anything. He was right.

Vladimir Kuzichkin finished school with good grades, a reputation for fistfights, a taste for Western pop, a damaged soul, and no ambition. Called up for three years' military service, he was sent to Hagenow in East Germany as a radio operator in a nuclear missile launching unit, the front line of the Cold War. \\\"In the event of war,\\\" he recalled, \\\"the division's task was to annihilate Hamburg with six tactical nuclear missiles\\\" and then be obliterated in turn, in accordance with the logic of mutually assured destruction (MAD). The naïve young conscript was not overly concerned by his assigned role in nuclear Armageddon. He was very bored.

One morning, Kuzichkin was summoned to the commander's office to take an urgent telephone call from his mother. \\\"Your father is dead,\\\" Elisabeta Kuzichkina said, her voice hoarse. \\\"You must come home.\\\" Granted two days' compassionate leave, on the train to Moscow he wondered at his own lack of grief. He was unable to cry. His overwhelming feeling was not grief, but relief. \\\"Now I don't have to hate myself so much,\\\" he reflected.

Opening the apartment front door, he found Andrei Kuzichkin seated at the table, very much alive, and drunk. The older man picked up his bottle without a word and retreated to the bedroom. Between sobs, Elisabeta confessed her lie.

Vladimir's father was not Andrei Kuzichkin, but Georgi Alexandreevich Larkin, a tall, good-looking construction engineer of Irish ancestry, hence his unusual surname. Elisabeta and Georgi met after the war, and she had become pregnant. They intended to marry. But then he was sent to Siberia to build a steel factory. Georgi urged her to come too. She refused. What would she do there? Moscow was the only world she knew. Larkin never returned from the east. For a few years Elisabeta struggled on as an unmarried working mother, while her mother cared for the child. Her sister was married to a KGB officer, who introduced her to his brother, also in the KGB. Andrei Kuzichkin was boozy and rough, but he had a good job. Andrei offered a future. He even reluctantly agreed to adopt her child.

And now Georgi Larkin, the only man she had ever loved, was dead from a heart attack on a bear-hunting expedition in the Siberian wilderness. It was four hours before they discovered his body in the snow.

Vladimir Kuzichkin was baffled and furious. \\\"How could she deceive me all these years?\\\" he wondered. He ignored Andrei from that day on. And yet the discovery explained everything: the dislocation he had always felt; his hatred for the man who had pretended to be his father and beaten that untruth into him. More prosaically, it explained his height and coloring. To his friends, bandmates, and army comrades, he was still Kuzichkin, the lanky would-be pop star, but inside, secretly, he was Larkin. The discovery of a real father, now invested with imaginary qualities Georgi had never possessed in life, awoke the possibility of making himself into someone else. So that is what he did.

To begin that transformation, he decided, he would need some higher education. Back at the Hagenow base, he plunged into the officers' library and began reading ravenously. He joined the Communist Party (an unshakable requirement for anyone with ambition in Soviet Russia), but without much conviction. He had recited the mantras of Marxism from his earliest childhood, and believed them, along with everyone else. The discovery of his real father made him question everything he had grown up with, including communism. He did not share these heretical thoughts with anyone else. He barely admitted them to himself.

After three years in uniform, Kuzichkin applied to study at the Institute of Asian and African Countries in Moscow, a specialist university teaching Oriental and African languages. Mastery of a foreign tongue \\\"raised the probability of future work abroad.\\\" Reading down the list of language options, from Arabic to Zulu, he settled on Persian (or Farsi), the language of Iran. It sounded intriguing, and the course was undersubscribed. A model Soviet citizen with good academic grades and a clean military record, Kuzichkin was told to report to the Institute on September 1, 1970.

In addition to Iran's language, culture, and history, the six-year course included a substantial ideological component: Communist Party history, dialectical materialism, Marxism-Leninism, philosophy, and political economy. Each student was required to learn an additional Western language: he chose English. If he was deemed suitable, the fourth year (1973-1974) would be spent in Iran.

Located on Karl Marx Prospekt opposite the Kremlin, the Institute was controlled by the International Department of the Central Committee of the Communist Party of the Soviet Union (CPSU). Like every other organ of state, its primary function was to bolster communism and spread the doctrine of revolution worldwide. Kuzichkin was now \\\"in the fast lane of Soviet society,\\\" he reflected, a student at a top university with a bright future: \\\"There was nothing to bar my progress.\\\"

Kuzichkin was a shy, awkward young man, as tall people sometimes are. Except when drunk. Alcohol brought out the extrovert in him. In social situations he tended to drink fast and deeply, before seizing a guitar and bursting into song. Women were drawn to this gentle, melodious giant with bright blue eyes and a shock of fair hair. In October, at a party thrown by a friend of his flatmate, Kuzichkin plucked up and soaked up enough Dutch courage to ask a girl to dance. Her name was Galina Lvovna Kokosova, a petite, pale, sweet-faced woman two years his junior. They swayed to bootlegged Rolling Stones records, her head on his chest, tiny in his arms.

Galina, known as Galya to friends and family, could not understand how such a handsome man could be attracted to her. \\\"I was a very sad and lonely 22-year-old girl: I wasn't in love with anyone; I didn't have any particularly close friends; and, after my dad departed, everything in my life went almost catastrophically wrong. The period from 1965, when my father passed away, until I met Volodya, were the saddest years of my existence.\\\" He gave her a confidence she had never felt before.\"},{\"id\":\"130247273T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"\\\"I grab each new book by Ben Macintyre and read it as fast as possible. He has a rare ability to turn history and espionage upside down and give us true, colorful stories that astound us as they draw us in. Redwood might be his best. Given the current war in Iran, it is certainly his most timely.\\\"--John Grisham

\\\"A crackerjack spy story that only Ben Macintyre could tell so well. He seems to have talked to everyone, and cracked every file, that might shed new light on this remarkable tale. But a word of advice: before starting to read, settle into a comfortable chair and have snacks close to hand, because you won't be going anywhere for a while.\\\"--Scott Anderson, author of King of Kings: The Iranian Revolution: A Story of Hubris, Delusion and Catastrophic Miscalculation

\\\"A tangled tale of spy versus spy . . . As ever, Macintyre delivers an improbable but impeccable tale of true espionage.\\\"--Kirkus Reviews

\"},{\"id\":\"127897052T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"2\",\"text\":\"\\\"I grab each new book by Ben Macintyre and read it as fast as possible. He has a rare ability to turn history and espionage upside down and give us true, colorful stories that astound us as they draw us in. Redwood might be his best. Given the current war in Iran, it is certainly his most timely.\\\"-John Grisham

\\\"A crackerjack spy story that only Ben Macintyre could tell so well. He seems to have talked to everyone, and cracked every file, that might shed new light on this remarkable tale. But a word of advice: before starting to read, settle into a comfortable chair and have snacks close to hand, because you won't be going anywhere for a while.\\\"-Scott Anderson, author of King of Kings: The Iranian Revolution: A Story of Hubris, Delusion and Catastrophic Miscalculation

\\\"A tangled tale of spy versus spy . . . As ever, Macintyre delivers an improbable but impeccable tale of true espionage.\\\"-Kirkus Reviews

\"},{\"id\":\"128651742T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

He revealed the Kremlin’s secret plot and prevented Armageddon. This gripping account of an unsung hero brings the hidden world of Cold War espionage to life.

\"},{\"id\":\"121116298T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"

Ben Macintyre is a writer-at-large for The Times (UK) and the bestselling author of Agent Sonya, The Spy and the Traitor, A Spy Among Friends, Double Cross, Operation Mincemeat, Agent Zigzag, Rogue Heroes, Prisoners of the Castle, and The Siege, among other books. Macintyre has also written and presented BBC documentaries of his work.

\"},{\"id\":\"122263818T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"2\",\"text\":\"

\"}]",{"_41":2996,"_1983":1984,"_1985":2010,"_1969":2997},"gid://shopify/Metafield/74633980707057","Redwood/Ben-Macintyre",{"_41":2999,"_1983":1984,"_1985":2014,"_1969":3000},"gid://shopify/Metafield/74633979494641","1148963735",{"_41":3002,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/74633980084465",{"_41":3004,"_1983":1984,"_1985":1973,"_1969":2368},"gid://shopify/Metafield/78682087293169",{"_41":3006,"_1983":1984,"_1985":1974,"_1969":2956},"gid://shopify/Metafield/74633978642673",{"_41":3008,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/74633980313841",{"_1919":1920,"_41":3010,"_72":3011,"_1923":2342,"_825":3012,"_1926":3013,"_1928":3014,"_1930":3015,"_1937":3019,"_1945":59,"_1946":3022,"_1952":3025,"_1973":3035,"_1974":3036,"_1976":3037,"_1978":-5,"_1979":3038},"gid://shopify/Product/9484011438321","The Castle: Adventures in a World of Unraveling Men","9781594634208","\"Fantastic and intensely of-the-moment... It's a dogged feat of investigation from one of our greatest non-fiction storytellers.\" -Patrick Radden Keefe \"Brilliant... A blockbuster portrait of men gone mad.\" -Publishers Weekly, starred reviewFrom the bestselling author of The Psychopath Test and So You've Been Publicly Shamed comes a darkly comic trip to the furthest reaches of the masculinity crisisHis only child is lured to a mysterious castle in the forests of New England late one night, sending Jon Ronson on an extraordinary adventure into a dark world of unmoored men desperately searching for purpose and control-whatever the cost. With zero warning, the crisis of masculinity and its bizarre, wrecking-ball manifestations had crashed into Jon's life. As his investigation deepens, urgent questions come to light: What exactly is \"Princessing\"? Why did a lawn care influencer dress as a baby in front of billions of online viewers? How did a paid-up member of the Skeptic Society derail his life in the name of a warped vision of chivalry? And, more pressingly, why are two recently released murderers on their way to pay Jon a visit? In our rapidly changing society, many men have become detached from reality; some are behaving like separatists, while others have fallen deep down ideological rabbit holes. Is this a complete fracturing of society, a new era of disinhibition where anything goes? Drawing on his trademark brand of humor, psychological insight, and unrivaled prescience, The Castle marks Jon Ronson's long-awaited return to the written page in his darkest and most insightful book yet-one where he throws open the doors to the Castle and reveals a new lost generation of men.","\"Fantastic and intensely of-the-moment... It's a dogged feat of investigation from one of our greatest non-fiction storytellers.\" -Patrick Radden Keefe

\"Brilliant... A blockbuster portrait of men gone mad.\" -Publishers Weekly, starred review

From the bestselling author of The Psychopath Test and So You've Been Publicly Shamed comes a darkly comic trip to the furthest reaches of the masculinity crisis

His only child is lured to a mysterious castle in the forests of New England late one night, sending Jon Ronson on an extraordinary adventure into a dark world of unmoored men desperately searching for purpose and control-whatever the cost.

With zero warning, the crisis of masculinity and its bizarre, wrecking-ball manifestations had crashed into Jon's life. As his investigation deepens, urgent questions come to light: What exactly is \"Princessing\"? Why did a lawn care influencer dress as a baby in front of billions of online viewers? How did a paid-up member of the Skeptic Society derail his life in the name of a warped vision of chivalry? And, more pressingly, why are two recently released murderers on their way to pay Jon a visit?

In our rapidly changing society, many men have become detached from reality; some are behaving like separatists, while others have fallen deep down ideological rabbit holes. Is this a complete fracturing of society, a new era of disinhibition where anything goes?

Drawing on his trademark brand of humor, psychological insight, and unrivaled prescience, The Castle marks Jon Ronson's long-awaited return to the written page in his darkest and most insightful book yet-one where he throws open the doors to the Castle and reveals a new lost generation of men.",{"_41":3016,"_54":3017,"_56":3018,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/48885996126449","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9781594634208_p0.jpg?v=1777343651",1323,{"_1939":3020},{"_1941":3021,"_1943":1944},"29.0",{"_1939":3023,"_1950":3024},{"_1941":2964,"_1943":1944},{"_1941":2964,"_1943":1944},{"_1954":3026},[3027],{"_41":3028,"_1945":59,"_1958":59,"_1959":3029,"_707":3030,"_1961":3031,"_1963":3032,"_1965":3033,"_1971":3012,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/47819820761329",{"_1941":2964,"_1943":1944},{"_41":3016,"_54":3017,"_1936":-5,"_56":3018,"_50":1935},{"_1941":3021,"_1943":1944},{"_72":3011,"_825":3012},[3034],{"_796":1968,"_1969":1970},{"_1969":2368},{"_1969":3012},{"_1969":2342},[3039,-5,-5,3042,3044,-5,3046,3048,3051,3054,3057,-5,3059,3061,-5,3063,-5,-5],{"_41":3040,"_1983":1984,"_1985":1986,"_1969":3041},"gid://shopify/Metafield/76812541886705","[{\"contributorId\":1057956,\"fullName\":\"Jon Ronson\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":3043,"_1983":1984,"_1985":1997,"_1969":2342},"gid://shopify/Metafield/76812542083313",{"_41":3045,"_1983":1984,"_1985":1976,"_1969":2342},"gid://shopify/Metafield/76812541755633",{"_41":3047,"_1983":1984,"_1985":2002,"_1969":2381},"gid://shopify/Metafield/76812542116081",{"_41":3049,"_1983":1984,"_1985":2006,"_1969":3050},"gid://shopify/Metafield/76812915900657","[{\"id\":\"130618355T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"\\\"Fantastic and intensely of-the-moment, The Castle explores the nature of male anxiety, the spiralling delusions of the internet, the destructive allure of anti-woke defiance, the obsequious flattery of AI chatbots, the impunity of the mega-rich and so many other currents that are currently roiling our existence. The genuine horrors of contemporary life are rendered in a way that manages to be so antic and perversely fun, without whitewashing any of the horror itself . . . It's a dogged feat of investigation from one of our greatest non-fiction storytellers.\\\" -Patrick Radden Keefe, author of London Falling

\\\"Ridiculously compelling and wonderfully weird, this is a book that helps us understand why so many men seem to be unraveling, filling their lives with ill-conceived dreams and self-performance. The Castle is vintage Ronson: wise, timely and extremely funny.\\\" -Louis Theroux

\\\"Addictively readable, I loved The Castle. This is a much-needed book - an anti-sensationalist yet utterly compelling investigation into the masculinity crisis.\\\" -Dolly Alderton, author of Good Material

\\\"The Castle is by turns funny and frightening, dark and disarming. It's a cautionary tale of our times that deserves to be on the shelf of any reader who seeks to make sense of the perplexing, and sometimes toxic, manosphere.\\\" -BookPage, starred review

\\\"Brilliant...A blockbuster portrait of men gone mad.\\\" -Publishers Weekly, starred review

\\\"Jon Ronson is an essential guide in these disorienting times. I love everything that Ronson writes but The Castle is a particular gem, a story of his own making in the collapsing world of twenty-first century masculinity. Wonderfully breathless and weird and open, it feels hallucinatory and all too real at the same time.\\\" -Sam Knight, author of The Premonitions Bureau

\\\"The Castle is an investigation into one man that broadens into an enquiry into the state of all men. Jon Ronson is such a companiable narrator, and this book is by turns horrifying, hilarious, bizarre and gripping\\\" -Ed Caesar, author of Moth and the Mountain

\\\"Every Jon Ronson book has made me see the world differently. Nobody tells an unbelievable-but-true story like him. He's done it again with The Castle: I was utterly gripped from page one. If you want a totally compelling live mystery that will make you burn for justice, READ THIS BOOK URGENTLY.\\\" -Marina Hyde\"},{\"id\":\"130704411T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"2\",\"text\":\"\\\"Fantastic and intensely of-the-moment, The Castle explores the nature of male anxiety, the spiralling delusions of the internet, the destructive allure of anti-woke defiance, the obsequious flattery of AI chatbots, the impunity of the mega-rich and so many other currents that are currently roiling our existence. The genuine horrors of contemporary life are rendered in a way that manages to be so antic and perversely fun, without whitewashing any of the horror itself . . . It's a dogged feat of investigation from one of our greatest non-fiction storytellers.\\\" --Patrick Radden Keefe, author of London Falling

\\\"Ridiculously compelling and wonderfully weird, this is a book that helps us understand why so many men seem to be unraveling, filling their lives with ill-conceived dreams and self-performance. The Castle is vintage Ronson: wise, timely and extremely funny.\\\" --Louis Theroux

\\\"Addictively readable, I loved The Castle. This is a much-needed book -- an anti-sensationalist yet utterly compelling investigation into the masculinity crisis.\\\" --Dolly Alderton, author of Good Material

\\\"The Castle is by turns funny and frightening, dark and disarming. It's a cautionary tale of our times that deserves to be on the shelf of any reader who seeks to make sense of the perplexing, and sometimes toxic, manosphere.\\\" --BookPage, starred review

\\\"Brilliant...A blockbuster portrait of men gone mad.\\\" --Publishers Weekly, starred review

\\\"Jon Ronson is an essential guide in these disorienting times. I love everything that Ronson writes but The Castle is a particular gem, a story of his own making in the collapsing world of twenty-first century masculinity. Wonderfully breathless and weird and open, it feels hallucinatory and all too real at the same time.\\\" --Sam Knight, author of The Premonitions Bureau

\\\"The Castle is an investigation into one man that broadens into an enquiry into the state of all men. Jon Ronson is such a companiable narrator, and this book is by turns horrifying, hilarious, bizarre and gripping\\\" --Ed Caesar, author of Moth and the Mountain

\\\"Every Jon Ronson book has made me see the world differently. Nobody tells an unbelievable-but-true story like him. He's done it again with The Castle I was utterly gripped from page one. If you want a totally compelling live mystery that will make you burn for justice, READ THIS BOOK URGENTLY.\\\" --Marina Hyde\"},{\"id\":\"130277863T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

With humor and curiosity, Jon Ronson unpacks modern masculinity, delving into the pressures and expectations placed on men as well as the loneliness, shame and loss of purpose many experience.

\"},{\"id\":\"124037624T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"

Jon Ronson is an internationally bestselling author, journalist, and filmmaker whose books have been translated into more than thirty languages. His nonfiction titles include So You've Been Publicly Shamed, The Psychopath Test, and Them: Adventures with Extremists. Two of his books, The Men Who Stare at Goats and Frank, have been adapted into feature-length films, and his TED talks have amassed more than thirty million views. Ronson is also the host and producer of multiple radio programs and chart-topping podcasts. He is a regular contributor to This American Life and lives in New York.

\"},{\"id\":\"132070175T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"

\"}]",{"_41":3052,"_1983":1984,"_1985":2010,"_1969":3053},"gid://shopify/Metafield/76812542378225","The-Castle/Jon-Ronson",{"_41":3055,"_1983":1984,"_1985":2014,"_1969":3056},"gid://shopify/Metafield/76812541690097","1149525288",{"_41":3058,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/76812542050545",{"_41":3060,"_1983":1984,"_1985":1973,"_1969":2368},"gid://shopify/Metafield/78682482245873",{"_41":3062,"_1983":1984,"_1985":1974,"_1969":3012},"gid://shopify/Metafield/76812540936433",{"_41":3064,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/76812542148849",{"_1919":1920,"_41":3066,"_72":3067,"_1923":2342,"_825":3068,"_1926":3069,"_1928":3070,"_1930":3071,"_1937":3074,"_1945":59,"_1946":3076,"_1952":3079,"_1973":3089,"_1974":3090,"_1976":3091,"_1978":-5,"_1979":3092},"gid://shopify/Product/9484011602161","Vibe: The Secrets of Strong Connections in a Lonely World","9798217059706","#1 New York Times bestselling author Adam Grant illuminates the surprising science of chemistry and closenessWhen we vibe with other people, it fuels our happiness and success. Yet building meaningful ties is one of the most pressing problems of our time. As face-to-face interaction gives way to digital screens, communication gets outsourced to AI, and the world becomes more polarized, our loneliness crisis shows no signs of slowing.To reveal how we can forge faster, stronger, and longer bonds, Adam Grant offers groundbreaking studies, expert insights, and myth-busting stories. Filled with the eye-opening takeaways that have brought millions of readers to his books, Vibe teaches us that similarity is not necessary for solidarity, chemistry doesn't always happen quickly, and closeness doesn't always take time.Along the way, Grant introduces us to a crew of astronauts who learned to trust people they don't like, a comedy troupe that swears by taking time apart as a key to staying together, a band that grew closer by learning to fight more, and a journalist who designed a gathering that led to seventy-eight marriages. He also opens up about his personal struggles to find his place as a shy introvert and the lessons that propelled his transformation into an enthusiastic convener. Through these examples and more, Grant uncovers the keys to creating deeper relationships and tighter communities.Vibe will change how you interact with people. No matter how good you are at connecting, you can always get better-and help others get better too.","#1 New York Times bestselling author Adam Grant illuminates the surprising science of chemistry and closeness

When we vibe with other people, it fuels our happiness and success. Yet building meaningful ties is one of the most pressing problems of our time. As face-to-face interaction gives way to digital screens, communication gets outsourced to AI, and the world becomes more polarized, our loneliness crisis shows no signs of slowing.

To reveal how we can forge faster, stronger, and longer bonds, Adam Grant offers groundbreaking studies, expert insights, and myth-busting stories. Filled with the eye-opening takeaways that have brought millions of readers to his books, Vibe teaches us that similarity is not necessary for solidarity, chemistry doesn't always happen quickly, and closeness doesn't always take time.

Along the way, Grant introduces us to a crew of astronauts who learned to trust people they don't like, a comedy troupe that swears by taking time apart as a key to staying together, a band that grew closer by learning to fight more, and a journalist who designed a gathering that led to seventy-eight marriages. He also opens up about his personal struggles to find his place as a shy introvert and the lessons that propelled his transformation into an enthusiastic convener. Through these examples and more, Grant uncovers the keys to creating deeper relationships and tighter communities.

Vibe will change how you interact with people. No matter how good you are at connecting, you can always get better-and help others get better too.",{"_41":3072,"_54":3073,"_56":2718,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/48762598359281","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9798217059706_p0.jpg?v=1785381129",{"_1939":3075},{"_1941":2352,"_1943":1944},{"_1939":3077,"_1950":3078},{"_1941":2355,"_1943":1944},{"_1941":2355,"_1943":1944},{"_1954":3080},[3081],{"_41":3082,"_1945":59,"_1958":59,"_1959":3083,"_707":3084,"_1961":3085,"_1963":3086,"_1965":3087,"_1971":3068,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/47819821023473",{"_1941":2355,"_1943":1944},{"_41":3072,"_54":3073,"_1936":-5,"_56":2718,"_50":1935},{"_1941":2352,"_1943":1944},{"_72":3067,"_825":3068},[3088],{"_796":1968,"_1969":1970},{"_1969":2368},{"_1969":3068},{"_1969":2342},[3093,-5,-5,3096,3098,-5,3100,3102,3105,3108,3111,-5,3113,3115,-5,3117,-5,-5],{"_41":3094,"_1983":1984,"_1985":1986,"_1969":3095},"gid://shopify/Metafield/76812550701297","[{\"contributorId\":3612652,\"fullName\":\"Adam Grant\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":3097,"_1983":1984,"_1985":1997,"_1969":2342},"gid://shopify/Metafield/76812551389425",{"_41":3099,"_1983":1984,"_1985":1976,"_1969":2342},"gid://shopify/Metafield/76812550177009",{"_41":3101,"_1983":1984,"_1985":2002,"_1969":2381},"gid://shopify/Metafield/76812551520497",{"_41":3103,"_1983":1984,"_1985":2006,"_1969":3104},"gid://shopify/Metafield/76812923502833","[{\"id\":\"131047017T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"\\\"A deep dive into the science of friendship, companionship, and love. Every page is an illumination! The world needs this book now more than ever.\\\"
-Reese Witherspoon

\\\"Adam Grant has focused his enormous brain and loads of research on how we connect to our fellow humans and the result is informative and compulsively readable. Simply put, the Vibe is immaculate.\\\"
-Lin-Manuel Miranda and Luis Miranda

\\\"Vibe is a brilliant book about how to create great connections. Reading it is pure joy, and it will bring more joy into your life. If everyone reads it, the world will be a more magical place.\\\"
-Bob Iger

\\\"This book is the antidote for an increasingly lonely and disconnected world. It will make you feel truly hopeful about the power of human connection. I can't imagine a time in our history when we've needed Adam Grant's insights more.\\\"
-Jacinda Ardern

\\\"A master class in building winning teams and lasting bonds. In Vibe, Adam Grant presents an ingenious new approach to being better together. This book is a must-read.\\\"
-Steve Kerr

\\\"Vibe is an indispensable guide for enriching your interactions with loved ones, extended family, coworkers, difficult people, and even strangers. It's so potent, it might even work for your first encounter with a space alien.\\\"
-Neil deGrasse Tyson

\\\"Vibe explores one of the most important lessons I learned during my year in space: Human connection is not something you find, it's something you build. It's a superb book, with compelling insights that are especially relevant in a world where genuine connection is increasingly rare.\\\"
-Scott Kelly\"},{\"id\":\"131072511T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"2\",\"text\":\"\\\"A deep dive into the science of friendship, companionship, and love. Every page is an illumination! The world needs this book now more than ever.\\\"
--Reese Witherspoon

\\\"Adam Grant has focused his enormous brain and loads of research on how we connect to our fellow humans and the result is informative and compulsively readable. Simply put, the Vibe is immaculate.\\\"
--Lin-Manuel Miranda and Luis Miranda

\\\"Vibe is a brilliant book about how to create great connections. Reading it is pure joy, and it will bring more joy into your life. If everyone reads it, the world will be a more magical place.\\\"
--Bob Iger

\\\"This book is the antidote for an increasingly lonely and disconnected world. It will make you feel truly hopeful about the power of human connection. I can't imagine a time in our history when we've needed Adam Grant's insights more.\\\"
--Jacinda Ardern

\\\"A master class in building winning teams and lasting bonds. In Vibe, Adam Grant presents an ingenious new approach to being better together. This book is a must-read.\\\"
--Steve Kerr

\\\"Vibe is an indispensable guide for enriching your interactions with loved ones, extended family, coworkers, difficult people, and even strangers. It's so potent, it might even work for your first encounter with a space alien.\\\"
--Neil deGrasse Tyson

\\\"Vibe explores one of the most important lessons I learned during my year in space: Human connection is not something you find, it's something you build. It's a superb book, with compelling insights that are especially relevant in a world where genuine connection is increasingly rare.\\\"
--Scott Kelly\"},{\"id\":\"129789034T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

In a world increasingly dependent on technologies like social media and AI, human connection can seem less attainable than ever. Adam Grant shares his personal struggles alongside expert insights for overcoming loneliness and cultivating belonging.

\"},{\"id\":\"124037524T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"

Adam Grant is an organizational psychologist at Wharton, where he has been the top-rated professor for seven straight years. His books have sold millions of copies, he is one of TED's most popular speakers, and his podcasts have over 100 million downloads; he hosts Re:Thinking. Adam has been recognized as the world's second-most influential management thinker and one of Fortune's 40 Under 40. Grant received his BA from Harvard University and his PhD from the University of Michigan, and he is a former Junior Olympic springboard diver and magician. He lives in Philadelphia with his wife, Allison Sweet Grant, a novelist and poet; their two cats (who don't get along); and their three children (who mostly do).

\"},{\"id\":\"124114690T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"

Adam Grant is an organizational psychologist at The Wharton School, where he has been the top-rated professor for seven straight years. His books have sold millions of copies, his TED talks have been viewed more than thirty-five million times, and he hosts the hit podcast Re:Thinking. His pioneering research has challenged widespread assumptions about motivation, success, character, and change, and his viral piece on languishing was the most-read New York Times article of 2021 and the most-saved article across platforms. He has been recognized as the world’s number-two most influential management thinker and one of Fortune’s 40 Under 40, and he has received distinguished scientific achievement awards from the American Psychological Association and the National Science Foundation. Grant received his B.A. from Harvard University and his Ph.D. from the University of Michigan, and he is a former Junior Olympic springboard diver and magician. He lives in Philadelphia with his wife, Allison Sweet Grant, a novelist and poet; their two cats (who don’t get along); and their three children (who mostly do).

\"},{\"id\":\"132492492T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"3\",\"text\":\"

Adam Grant is an organizational psychologist at Wharton, where he has been the top-rated professor for seven straight years. His books have sold millions of copies, he is one of TED's most popular speakers, and his podcasts have over 100 million downloads; he hosts Re: Thinking. Adam has been recognized as the world's second-most influential management thinker and one of Fortune's 40 Under 40. Grant received his BA from Harvard University and his PhD from the University of Michigan, and he is a former Junior Olympic springboard diver and magician. He lives in Philadelphia with his wife, Allison Sweet Grant, a novelist and poet; their two cats (who don't get along); and their three children (who mostly do).

\"},{\"id\":\"124240444T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"4\",\"text\":\"

\"},{\"id\":\"132492252T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"PAPERBACK COMMENTARY\",\"displayOrder\":\"5\",\"text\":\"

Adam Grant is an organizational psychologist at Wharton, where he has been the top-rated professor for seven straight years. His books have sold millions of copies, he is one of TED's most popular speakers, and his podcasts have over 100 million downloads; he hosts Re: Thinking. Adam has been recognized as the world's second-most influential management thinker and one of Fortune's 40 Under 40. Grant received his BA from Harvard University and his PhD from the University of Michigan, and he is a former Junior Olympic springboard diver and magician. He lives in Philadelphia with his wife, Allison Sweet Grant, a novelist and poet; their two cats (who don't get along); and their three children (who mostly do).

\"}]",{"_41":3106,"_1983":1984,"_1985":2010,"_1969":3107},"gid://shopify/Metafield/76812552667377","Vibe/Adam-Grant",{"_41":3109,"_1983":1984,"_1985":2014,"_1969":3110},"gid://shopify/Metafield/76812549914865","1149158802",{"_41":3112,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/76812551225585",{"_41":3114,"_1983":1984,"_1985":1973,"_1969":2368},"gid://shopify/Metafield/78682520584433",{"_41":3116,"_1983":1984,"_1985":1974,"_1969":3068},"gid://shopify/Metafield/76812548342001",{"_41":3118,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/76812551651569",{"_1919":1920,"_41":3120,"_72":3121,"_1923":2342,"_825":3122,"_1926":3123,"_1928":3124,"_1930":3125,"_1937":3128,"_1945":59,"_1946":3131,"_1952":3134,"_1973":3144,"_1974":3146,"_1976":3147,"_1978":-5,"_1979":3148},"gid://shopify/Product/9524501872881","Secrets: A Reporter's Memoir","9781668008232","From two-time Pulitzer Prize-winning investigative journalist Bob Woodword comes the definitive memoir of the man with more #1 bestsellers than any journalist of our time, offering an unprecedented inside look at some of the most newsworthy stories ever.Bob Woodward has reported on every American president from Richard Nixon to Donald Trump. His books have penetrated government institutions, informed the national conversation and shaped our culture. In Secrets, Woodward tells his story-from his Illinois youth to his Navy service during the Vietnam War to his tenure at The Washington Post, where his reporting with Carl Bernstein on Watergate captivated the world and became the book All the President's Men. Like never before, Woodward takes readers inside his reporting on the White House, Supreme Court, CIA operations, and the Pentagon. Woodward's one-of-a-kind reporter's memoir lifts the lid on his historic reporting relationships and secret sources, and he explains why he can reveal some of those long-time sources now. The New York Times said of Woodward, \"The scope and depth of his work have earned him a unique place in politics and journalism as perhaps the most enduring chronicler of American presidents.\" Robert Gates, former Defense Secretary and CIA Director said, \"He has an extraordinary ability to get otherwise responsible adults to spill [their] guts.\"","From two-time Pulitzer Prize-winning investigative journalist Bob Woodword comes the definitive memoir of the man with more #1 bestsellers than any journalist of our time, offering an unprecedented inside look at some of the most newsworthy stories ever.

Bob Woodward has reported on every American president from Richard Nixon to Donald Trump. His books have penetrated government institutions, informed the national conversation and shaped our culture.

In Secrets, Woodward tells his story-from his Illinois youth to his Navy service during the Vietnam War to his tenure at The Washington Post, where his reporting with Carl Bernstein on Watergate captivated the world and became the book All the President's Men. Like never before, Woodward takes readers inside his reporting on the White House, Supreme Court, CIA operations, and the Pentagon.

Woodward's one-of-a-kind reporter's memoir lifts the lid on his historic reporting relationships and secret sources, and he explains why he can reveal some of those long-time sources now.

The New York Times said of Woodward, \"The scope and depth of his work have earned him a unique place in politics and journalism as perhaps the most enduring chronicler of American presidents.\"

Robert Gates, former Defense Secretary and CIA Director said, \"He has an extraordinary ability to get otherwise responsible adults to spill [their] guts.\"",{"_41":3126,"_54":3127,"_56":2718,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/49031571112177","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9781668008232_p0.jpg?v=1774236175",{"_1939":3129},{"_1941":3130,"_1943":1944},"24.5",{"_1939":3132,"_1950":3133},{"_1941":2967,"_1943":1944},{"_1941":2967,"_1943":1944},{"_1954":3135},[3136],{"_41":3137,"_1945":59,"_1958":59,"_1959":3138,"_707":3139,"_1961":3140,"_1963":3141,"_1965":3142,"_1971":3122,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/47947898978545",{"_1941":2967,"_1943":1944},{"_41":3126,"_54":3127,"_1936":-5,"_56":2718,"_50":1935},{"_1941":3130,"_1943":1944},{"_72":3121,"_825":3122},[3143],{"_796":1968,"_1969":1970},{"_1969":3145},"[\"BADGE - 30% off (p7865)\",\"Our Most Anticipated Books (p10162)\",\"Retail Price fixing (p261)\"]",{"_1969":3122},{"_1969":2342},[3149,-5,-5,3152,3154,-5,3156,3158,3161,3164,3167,-5,3169,3171,-5,3173,-5,-5],{"_41":3150,"_1983":1984,"_1985":1986,"_1969":3151},"gid://shopify/Metafield/78239680856305","[{\"contributorId\":174944,\"fullName\":\"Bob Woodward\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":3153,"_1983":1984,"_1985":1997,"_1969":2342},"gid://shopify/Metafield/78239681478897",{"_41":3155,"_1983":1984,"_1985":1976,"_1969":2342},"gid://shopify/Metafield/78239680332017",{"_41":3157,"_1983":1984,"_1985":2002,"_1969":2381},"gid://shopify/Metafield/78239681642737",{"_41":3159,"_1983":1984,"_1985":2006,"_1969":3160},"gid://shopify/Metafield/78239684034801","[{\"id\":\"125226341T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

The iconic journalist and editor tells his own story, in his own words. From his childhood in Illinois to his tenure at The Washington Post, Woodward reflects on his life and brings readers inside some of his biggest stories from The White House, The Supreme Court, CIA operations and more.

\"},{\"id\":\"131642236T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"Notes From Your Bookseller

\"},{\"id\":\"125188537T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"3\",\"text\":\"Notes From Your Bookseller

\"},{\"id\":\"125226344T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"

Bob Woodward is an associate editor at The Washington Post, where he has worked for fifty-five years. He has shared in two Pulitzer Prizes, one for his Watergate coverage with Carl Bernstein and the other for coverage of the 9/11 terrorist attacks. He has authored twenty-four bestselling books, sixteen of which have been #1 New York Times bestsellers.

\"},{\"id\":\"125153592T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"

Bob Woodward is an associate editor at The Washington Post, where he has worked for 55 years. He has shared in two Pulitzer Prizes, one for his Watergate coverage with Carl Bernstein and the other for coverage of the 9/11 terrorist attacks. He has authored 24 bestselling books, 16 of which have been #1 New York Times bestsellers.

\"},{\"id\":\"125226345T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":\"AUDIO COMMENTARY\",\"displayOrder\":\"3\",\"text\":\"

Bob Woodward is the author of three consecutive #1 New York Times bestsellers on President Trump—Fear (2018), Rage (2020), and Peril (2021) with Robert Costa—and an audiobook of 20 interviews with Trump. He has authored 22 bestselling books, 15 of which have been #1 New York Times bestsellers, covering every president from Nixon to Biden.

\"}]",{"_41":3162,"_1983":1984,"_1985":2010,"_1969":3163},"gid://shopify/Metafield/78239682822385","Secrets/Bob-Woodward",{"_41":3165,"_1983":1984,"_1985":2014,"_1969":3166},"gid://shopify/Metafield/78239680037105","1149767323",{"_41":3168,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/78239681347825",{"_41":3170,"_1983":1984,"_1985":1973,"_1969":3145},"gid://shopify/Metafield/78239684329713",{"_41":3172,"_1983":1984,"_1985":1974,"_1969":3122},"gid://shopify/Metafield/78239678464241",{"_41":3174,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/78239681773809",{"_26":75,"_76":10,"_54":3176},"https://www.barnesandnoble.com/blog/the-biggest-books-of-fall-2026-nonfiction-edition","The Biggest Books of Fall 2026: Nonfiction Edition",{"_33":3179,"_26":1068,"_1058":3180,"_72":3473},"29a004db3ba0",{"_1061":3181,"_1070":220,"_1463":1464,"_1465":1466,"_105":-5,"_54":3471},[3182,3240,3294,3355,3413],{"_1919":1920,"_41":3183,"_72":3184,"_1923":2342,"_825":3185,"_1926":3186,"_1928":3187,"_1930":3188,"_1937":3192,"_1945":59,"_1946":3194,"_1952":3197,"_1973":3206,"_1974":3208,"_1976":3209,"_1978":-5,"_1979":3210},"gid://shopify/Product/9367798710513","Penelope Rex vs. the New Kid","9781368108706","A brand-new Penelope Rex book from Ryan T. Higgins, the #1 New York Times best-selling author-illustrator ofWe Don't Eat Our Classmates and Mother Bruce! Just when she has gotten used to being the only dinosaur in a class full of children, Penelope Rex is surprised to learn that the new kid is...a dinosaur just like her! Will the playground be big enough for the two of them?Penelope Rex is the only dinosaur in her school and she likes it that way. But when a new kid joins her class, Penelope doesn't know how to feel about it-because this new kid is another dinosaur! As she tries to welcome Patty Topps, Penelope is faced with some dino-size questions about standing out, fitting in, and what really makes her feel special. Readers will root for Penelope as she navigates what it means to be one of a kind (even if she's no longer the only kid in her class who is seven feet tall and covered in scales). Read all of the Penelope Rex books!· We Don't Eat Our Classmates· We Will Rock Our Classmates· We Don't Lose Our Class Goldfish· Bundle Up, Penelope Rex· Penelope Rex and the Problem with Pets","A brand-new Penelope Rex book from Ryan T. Higgins, the #1 New York Times best-selling author-illustrator ofWe Don't Eat Our Classmates and Mother Bruce!

Just when she has gotten used to being the only dinosaur in a class full of children, Penelope Rex is surprised to learn that the new kid is...a dinosaur just like her! Will the playground be big enough for the two of them?

Penelope Rex is the only dinosaur in her school and she likes it that way. But when a new kid joins her class, Penelope doesn't know how to feel about it-because this new kid is another dinosaur! As she tries to welcome Patty Topps, Penelope is faced with some dino-size questions about standing out, fitting in, and what really makes her feel special.

Readers will root for Penelope as she navigates what it means to be one of a kind (even if she's no longer the only kid in her class who is seven feet tall and covered in scales).

Read all of the Penelope Rex books!

· We Don't Eat Our Classmates
· We Will Rock Our Classmates
· We Don't Lose Our Class Goldfish
· Bundle Up, Penelope Rex
· Penelope Rex and the Problem with Pets",{"_41":3189,"_54":3190,"_56":1935,"_50":3191,"_1936":-5},"gid://shopify/ProductImage/48710215303409","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9781368108706_p0.jpg?v=1770898918",1510,{"_1939":3193},{"_1941":2483,"_1943":1944},{"_1939":3195,"_1950":3196},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":3198},[3199],{"_41":3200,"_1945":59,"_1958":59,"_1959":-5,"_707":3201,"_1961":3202,"_1963":3203,"_1965":3204,"_1971":3185,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/47136290046193",{"_41":3189,"_54":3190,"_1936":-5,"_56":1935,"_50":3191},{"_1941":2483,"_1943":1944},{"_72":3184,"_825":3185},[3205],{"_796":1968,"_1969":1970},{"_1969":3207},"[\"Picture Books (p4127)\",\"Barnes & Noble @ School (p310)\",\"Our Most Anticipated Books (p10162)\"]",{"_1969":3185},{"_1969":2342},[3211,3214,-5,3217,3219,-5,3221,3223,3226,3229,3232,-5,3234,3236,-5,3238,-5,-5],{"_41":3212,"_1983":1984,"_1985":1986,"_1969":3213},"gid://shopify/Metafield/73854990909681","[{\"contributorId\":10778060,\"fullName\":\"Ryan T. Higgins\",\"jobName\":\"Author\",\"sequenceNumber\":1}]",{"_41":3215,"_1983":1984,"_1985":1990,"_1969":3216},"gid://shopify/Metafield/73854991007985","Penelope Rex Series",{"_41":3218,"_1983":1984,"_1985":1997,"_1969":2342},"gid://shopify/Metafield/73854991106289",{"_41":3220,"_1983":1984,"_1985":1976,"_1969":2342},"gid://shopify/Metafield/73854990778609",{"_41":3222,"_1983":1984,"_1985":2002,"_1969":2381},"gid://shopify/Metafield/73854991139057",{"_41":3224,"_1983":1984,"_1985":2006,"_1969":3225},"gid://shopify/Metafield/73855272648945","[{\"id\":\"119068502T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"PRAISE FOR WE DON'T EAT OUR CLASSMATES
\\\"[T]he bright colors and deceptively adorable dinosaurs make this a fun read rather than a scary one, with a hidden lesson about boundaries. Too much fun for a single read.\\\"-Booklist

\\\"For the times when students struggle to understand one another and when impulse control needs a little strengthening, pair this winner with Mo Willems's Edwina, the Dinosaur Who Didn't Know She Was Extinct. An appealing read-aloud selection.\\\"-SLJ

\\\"Higgins (\\\"Mother Bruce\\\") knows how to make big, scary animals seem vulnerable, lovable and funny, adding a strategic touch of gross-out when our heroine spits her victims back up.\\\"-New York Times Book Reviews

\\\"Higgins once again delivers sassy dialogue, flawless comic pacing, and faith in the ability of children to learn and grow.\\\"-Publishers Weekly (starred review)

\\\"Higgins' illustrations combine scanned textures, graphite, ink, and Photoshop elements, and they feature a wonderfully diverse class that includes a girl in hijab, a tyke in glasses, and a boy wearing a kippah amid classmates of varying skin and hair colors and body types. Fans of macabre, tongue-in-cheek humor (and twist endings!) will enjoy time spent with Penelope.\\\"-Kirkus Reviews (starred review)

PRAISE FOR WE WILL ROCK OUR CLASSMATES
A thoughtful and humorous story. Penelope's latest adventure is a welcome addition for young readers and a suggested first purchase for all libraries.-School Library Journal (starred review)

Higgins perfectly captures Penelope's seesawing emotions, the highest highs and the lowest lows.-Kirkus (starred review)\"},{\"id\":\"131344427T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"2\",\"text\":\"PRAISE FOR WE DON'T EAT OUR CLASSMATES
\\\"[T]he bright colors and deceptively adorable dinosaurs make this a fun read rather than a scary one, with a hidden lesson about boundaries. Too much fun for a single read.\\\"--Booklist

\\\"For the times when students struggle to understand one another and when impulse control needs a little strengthening, pair this winner with Mo Willems's Edwina, the Dinosaur Who Didn't Know She Was Extinct. An appealing read-aloud selection.\\\"--SLJ

\\\"Higgins (\\\"Mother Bruce\\\") knows how to make big, scary animals seem vulnerable, lovable and funny, adding a strategic touch of gross-out when our heroine spits her victims back up.\\\"--New York Times Book Reviews

\\\"Higgins once again delivers sassy dialogue, flawless comic pacing, and faith in the ability of children to learn and grow.\\\"--Publishers Weekly (starred review)

\\\"Higgins' illustrations combine scanned textures, graphite, ink, and Photoshop elements, and they feature a wonderfully diverse class that includes a girl in hijab, a tyke in glasses, and a boy wearing a kippah amid classmates of varying skin and hair colors and body types. Fans of macabre, tongue-in-cheek humor (and twist endings!) will enjoy time spent with Penelope.\\\"--Kirkus Reviews (starred review)

PRAISE FOR WE WILL ROCK OUR CLASSMATES
A thoughtful and humorous story. Penelope's latest adventure is a welcome addition for young readers and a suggested first purchase for all libraries.--School Library Journal (starred review)

Higgins perfectly captures Penelope's seesawing emotions, the highest highs and the lowest lows.--Kirkus (starred review)\"},{\"id\":\"129873877T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

Penelope doesn't know how to feel about the new dinosaur in her class. Is this classroom big enough for the both of them?! Celebrate what makes each of us unique in this fun new Penelope Rex story.

\"},{\"id\":\"119068503T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"

Ryan T. Higgins is the author and illustrator of a number of bestselling and award-winning books, including Mother Bruce, We Don't Eat Our Classmates, Norman Didn't Do It!, and What About Worms!?an Elephant and Piggie Like Reading! book. He lives in Maine with his three kids, three dogs, two cats, one gecko, one tortoise, and one wife.

\"},{\"id\":\"131344435T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"

\"}]",{"_41":3227,"_1983":1984,"_1985":2010,"_1969":3228},"gid://shopify/Metafield/73854991401201","Penelope-Rex-vs-the-New-Kid/Ryan-T-Higgins",{"_41":3230,"_1983":1984,"_1985":2014,"_1969":3231},"gid://shopify/Metafield/73854990713073","1148772789",{"_41":3233,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/73854991073521",{"_41":3235,"_1983":1984,"_1985":1973,"_1969":3207},"gid://shopify/Metafield/73854991663345",{"_41":3237,"_1983":1984,"_1985":1974,"_1969":3185},"gid://shopify/Metafield/73854990188785",{"_41":3239,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/73854991171825",{"_1919":1920,"_41":3241,"_72":3242,"_1923":2342,"_825":3243,"_1926":3244,"_1928":3245,"_1930":3246,"_1937":3250,"_1945":59,"_1946":3252,"_1952":3255,"_1973":3264,"_1974":3265,"_1976":3266,"_1978":-5,"_1979":3267},"gid://shopify/Product/9448598765809","A Day Off School","9798217039999","A hilarious picture book from the mind of #1 New York Times bestselling creator Oliver Jeffers, about what incredible things you might miss if you take the day off school . . .A whole day off school! ALL TO HIMSELF!!When Herbie has the sniffles, he stays home from school. It’s exciting to have time to play Space Blasters and watch cartoons. But by lunchtime, he wonders what fun he might be missing at school. What if there’s an extra playtime, a dog on the loose . . . or even A PIRATE INVASION?A hilarious, action-packed story from globally bestselling picture book creator Oliver Jeffers and award-winning illustrator Kevin Waldron.","A hilarious picture book from the mind of #1 New York Times bestselling creator Oliver Jeffers, about what incredible things you might miss if you take the day off school . . .

A whole day off school! ALL TO HIMSELF!!

When Herbie has the sniffles, he stays home from school. It’s exciting to have time to play Space Blasters and watch cartoons. But by lunchtime, he wonders what fun he might be missing at school. What if there’s an extra playtime, a dog on the loose . . . or even A PIRATE INVASION?

A hilarious, action-packed story from globally bestselling picture book creator Oliver Jeffers and award-winning illustrator Kevin Waldron.",{"_41":3247,"_54":3248,"_56":3249,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/48588499845361","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9798217039999_p0.jpg?v=1769484838",1733,{"_1939":3251},{"_1941":1942,"_1943":1944},{"_1939":3253,"_1950":3254},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":3256},[3257],{"_41":3258,"_1945":59,"_1958":59,"_1959":-5,"_707":3259,"_1961":3260,"_1963":3261,"_1965":3262,"_1971":3243,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/47720473592049",{"_41":3247,"_54":3248,"_1936":-5,"_56":3249,"_50":1935},{"_1941":1942,"_1943":1944},{"_72":3242,"_825":3243},[3263],{"_796":1968,"_1969":1970},{"_1969":3207},{"_1969":3243},{"_1969":2342},[3268,-5,-5,3271,3273,-5,3275,3277,3280,3283,3286,-5,3288,3290,-5,3292,-5,-5],{"_41":3269,"_1983":1984,"_1985":1986,"_1969":3270},"gid://shopify/Metafield/75629437223153","[{\"contributorId\":4214067,\"fullName\":\"Oliver Jeffers\",\"jobName\":\"Author\",\"sequenceNumber\":1},{\"contributorId\":10787265,\"fullName\":\"Kevin Waldron\",\"jobName\":\"Illustrator\",\"sequenceNumber\":2}]",{"_41":3272,"_1983":1984,"_1985":1997,"_1969":2342},"gid://shopify/Metafield/75629437386993",{"_41":3274,"_1983":1984,"_1985":1976,"_1969":2342},"gid://shopify/Metafield/75629437092081",{"_41":3276,"_1983":1984,"_1985":2002,"_1969":2381},"gid://shopify/Metafield/75629437419761",{"_41":3278,"_1983":1984,"_1985":2006,"_1969":3279},"gid://shopify/Metafield/75629540507889","[{\"id\":\"126950364T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

Herbie gets to stay home from school and do all the things he likes most, but as the day goes on his imagination runs wild… and he starts to wonder what he might be missing.

\"},{\"id\":\"122479235T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"

Oliver Jeffers is a visual artist and author working in painting, bookmaking, illustration, collage, performance, and sculpture. His engagements and practice are truly international in scope. His critically acclaimed picture books have been the recipients of numerous awards, including a New York Times Best Illustrated Children’s Books Award, TIME Best Book of the Year, the Bologna Ragazzi Award, an Irish Book Award, a United Kingdom Literary Association Award, and two Emmy Awards for the Apple TV adaptation of Here We Are: Notes For Living on Planet Earth. He has exhibited at institutions such as the Brooklyn Museum in New York, the National Portrait Gallery in London, and the Isabella Stewart Gardner Museum in Boston. Jeffers's work is currently featured in the new long-term exhibition Building Stories at the National Building Museum in Washington, DC. He also recently received a Member of the Order of the British Empire Award (MBE) for his services in art.

Kevin Waldron was born and raised in Dublin. After graduating with a degree in Graphic Design from D. I. T., he moved to London to study for an MA in Illustration at Kingston University. His first book, Mr. Peek and the Misunderstanding at the Zoo (Templar Publishing) won the Bologna Ragazzi Opera Prima Award in 2009. He illustrated Tiny Little Fly (Walker Books), written by Michael Rosen, which won the Bull-Bransom Award for Excellence in Children’s Illustration in 2011. The same year, he was also named a BookTrust Best New Illustrator. Kevin has now made New York his home, where he makes picture books from his Brooklyn studio.

\"}]",{"_41":3281,"_1983":1984,"_1985":2010,"_1969":3282},"gid://shopify/Metafield/75629437681905","A-Day-Off-School/Oliver-Jeffers",{"_41":3284,"_1983":1984,"_1985":2014,"_1969":3285},"gid://shopify/Metafield/75629437026545","1149196861",{"_41":3287,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/75629437354225",{"_41":3289,"_1983":1984,"_1985":1973,"_1969":3207},"gid://shopify/Metafield/75629437976817",{"_41":3291,"_1983":1984,"_1985":1974,"_1969":3243},"gid://shopify/Metafield/75629436502257",{"_41":3293,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/75629437452529",{"_1919":1920,"_41":3295,"_72":3296,"_1923":3297,"_825":3298,"_1926":3299,"_1928":3300,"_1930":3301,"_1937":3306,"_1945":59,"_1946":3309,"_1952":3312,"_1973":3321,"_1974":3323,"_1976":3324,"_1978":-5,"_1979":3325},"gid://shopify/Product/8848263479537","You're My Little Bookworm (Board Book for Babies and Toddlers 0-2 years old)","Board Book","9781667204567","This sweet, rhyming story with interactive die-cuts is perfect to share with your own little bookworm!National Bestselling Series-More Than 4.1 Million Books Sold!Come here, my little bookworm,Let's snuggle up and read.Adventures bold, new worlds unfold,Just us, that's all we need.You're My Little Bookworm is a cute rhyming story that celebrates the love between a parent and child. Each colorful spread features a sweet sentiment-a smart cookie, a gold star, and more-paired with a die-cut shape that provides a tactile reading experience. With chunky pages for little hands and heartfelt text, this book is the perfect read for back-to-school or any time of the year!Perfect for... Baby or toddler 0-3 years old. New baby or parent gift. Baby shower gift. Nursery library gift. Baby girl or baby boy gift. Baptism, birthday, shower, or christening gift. Get to know the You're My Little series from Silver Dolphin Books!From Valentine's Day to Christmas Day and every day in between, the bestselling You're My Little series is cute as can be-and fun too! Pages from these delightful books feature adorable illustrations by Natalie Marshall, as well as shaped cut-outs, raised elements, or even stickers. Perfect for cuddling up with your little one, these sweet rhyming stories celebrate a parent's love for their child.","This sweet, rhyming story with interactive die-cuts is perfect to share with your own little bookworm!

National Bestselling Series-More Than 4.1 Million Books Sold!
Come here, my little bookworm,
Let's snuggle up and read.
Adventures bold, new worlds unfold,
Just us, that's all we need.

You're My Little Bookworm is a cute rhyming story that celebrates the love between a parent and child. Each colorful spread features a sweet sentiment-a smart cookie, a gold star, and more-paired with a die-cut shape that provides a tactile reading experience. With chunky pages for little hands and heartfelt text, this book is the perfect read for back-to-school or any time of the year!

Perfect for...

Baby or toddler 0-3 years old.
New baby or parent gift.
Baby shower gift.
Nursery library gift.
Baby girl or baby boy gift.
Baptism, birthday, shower, or christening gift.

Get to know the You're My Little series from Silver Dolphin Books!
From Valentine's Day to Christmas Day and every day in between, the bestselling You're My Little series is cute as can be-and fun too! Pages from these delightful books feature adorable illustrations by Natalie Marshall, as well as shaped cut-outs, raised elements, or even stickers. Perfect for cuddling up with your little one, these sweet rhyming stories celebrate a parent's love for their child.",{"_41":3302,"_54":3303,"_56":3304,"_50":3305,"_1936":-5},"gid://shopify/ProductImage/47534649868529","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9781667204567_p0.jpg?v=1768957488",1395,1404,{"_1939":3307},{"_1941":3308,"_1943":1944},"9.99",{"_1939":3310,"_1950":3311},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":3313},[3314],{"_41":3315,"_1945":59,"_1958":59,"_1959":-5,"_707":3316,"_1961":3317,"_1963":3318,"_1965":3319,"_1971":3298,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46246396723441",{"_41":3302,"_54":3303,"_1936":-5,"_56":3304,"_50":3305},{"_1941":3308,"_1943":1944},{"_72":3296,"_825":3298},[3320],{"_796":1968,"_1969":1970},{"_1969":3322},"[\"This Is the Way We Go to School (p1414)\",\"Barnes & Noble @ School (p310)\",\"Back to School: Pre-K - Grade 3 (p3729)\"]",{"_1969":3298},{"_1969":3297},[3326,3329,-5,3332,3334,-5,3336,3338,3341,3344,3347,-5,3349,3351,-5,3353,-5,-5],{"_41":3327,"_1983":1984,"_1985":1986,"_1969":3328},"gid://shopify/Metafield/39736605671665","[{\"contributorId\":3948699,\"fullName\":\"Nicola Edwards\",\"jobName\":\"Author\",\"sequenceNumber\":1},{\"contributorId\":13306203,\"fullName\":\"Natalie Marshall\",\"jobName\":\"Illustrator\",\"sequenceNumber\":2}]",{"_41":3330,"_1983":1984,"_1985":1990,"_1969":3331},"gid://shopify/Metafield/39736605999345","You're My Little Series",{"_41":3333,"_1983":1984,"_1985":1997,"_1969":3297},"gid://shopify/Metafield/39736606261489",{"_41":3335,"_1983":1984,"_1985":1976,"_1969":3297},"gid://shopify/Metafield/39736605245681",{"_41":3337,"_1983":1984,"_1985":2002,"_1969":902},"gid://shopify/Metafield/39736606327025",{"_41":3339,"_1983":1984,"_1985":2006,"_1969":3340},"gid://shopify/Metafield/39736607736049","[{\"id\":\"131295643T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"With chunky pages for little hands and heartfelt text, the book is the perfect read for back-to-school or any time of the year.- Anathi Mlonyeni Weekend Argus\"},{\"id\":\"131295650T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"

Nicola Edwards was raised by the seaside in beautiful Brighton. She loves reading, dancing, rhyming, and turquoise things. She now lives with her husband, two children, and an insane number of house plants in North London, where she spends her days writing and editing children's books.

Natalie Marshall is an Australian illustrator, author, and designer. Her extensive design background and strong graphic illustration style-combined with her signature bold palette and unique characters-has seen her client list grow over the last 17 years to include both local and international clients. Nat has illustrated more than 150 internationally published children's books. Her titles feature regularly on bestseller lists and bring joy to kids (and parents) around the world. Natalie is the illustrator of the best-selling You're My Little series of books published in the United States by Silver Dolphin Books. Nat lives near the beach in Melbourne with her two children, her bike-loving scientist husband, and her dog Obi-Wan Butterbear, who likes to run fast and bark loudly. She is a traveller at heart and has lived and worked in New York and London. Nat has traveled extensively on a motorbike in Europe, but her best adventure was taking her children swimming with whale sharks at Ningaloo Reef in Western Australia.

\"},{\"id\":\"131295651T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"Nicola Edwards was raised by the seaside in beautiful Brighton. She loves reading, dancing, rhyming, and turquoise things. She now lives with her husband, two children, and an insane number of house plants in North London, where she spends her days writing and editing children’s books.

Natalie Marshall is an Australian illustrator, author, and designer. Her extensive design background and strong graphic illustration style—combined with her signature bold palette and unique characters—has seen her client list grow over the last 17 years to include both local and international clients. Nat has illustrated more than 150 internationally published children’s books. Her titles feature regularly on bestseller lists and bring joy to kids (and parents) around the world. Natalie is the illustrator of the best—selling You're My Little series of books published in the United States by Silver Dolphin Books. Nat lives near the beach in Melbourne with her two children, her bike—loving scientist husband, and her dog Obi—Wan Butterbear, who likes to run fast and bark loudly. She is a traveller at heart and has lived and worked in New York and London. Nat has traveled extensively on a motorbike in Europe, but her best adventure was taking her children swimming with whale sharks at Ningaloo Reef in Western Australia.\"},{\"id\":\"131295649T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"3\",\"text\":\"Nicola Edwards was raised by the seaside in beautiful Brighton. She loves reading, dancing, rhyming, and turquoise things. She now lives with her husband, two children, and an insane number of house plants in North London, where she spends her days writing and editing children's books.

Natalie Marshall is an Australian illustrator, author, and designer. Her extensive design background and strong graphic illustration style--combined with her signature bold palette and unique characters--has seen her client list grow over the last 17 years to include both local and international clients. Nat has illustrated more than 150 internationally published children's books. Her titles feature regularly on bestseller lists and bring joy to kids (and parents) around the world. Natalie is the illustrator of the best-selling You're My Little series of books published in the United States by Silver Dolphin Books. Nat lives near the beach in Melbourne with her two children, her bike-loving scientist husband, and her dog Obi-Wan Butterbear, who likes to run fast and bark loudly. She is a traveller at heart and has lived and worked in New York and London. Nat has traveled extensively on a motorbike in Europe, but her best adventure was taking her children swimming with whale sharks at Ningaloo Reef in Western Australia.\"}]",{"_41":3342,"_1983":1984,"_1985":2010,"_1969":3343},"gid://shopify/Metafield/39736607113457","Youre-My-Little-Bookworm/Nicola-Edwards",{"_41":3345,"_1983":1984,"_1985":2014,"_1969":3346},"gid://shopify/Metafield/39736605016305","1137938443",{"_41":3348,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/39736606195953",{"_41":3350,"_1983":1984,"_1985":1973,"_1969":3322},"gid://shopify/Metafield/39736608063729",{"_41":3352,"_1983":1984,"_1985":1974,"_1969":3298},"gid://shopify/Metafield/39736602919153",{"_41":3354,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/39736606425329",{"_1919":1920,"_41":3356,"_72":3357,"_1923":2342,"_825":3358,"_1926":3359,"_1928":3360,"_1930":3361,"_1937":3364,"_1945":59,"_1946":3367,"_1952":3370,"_1973":3379,"_1974":3381,"_1976":3382,"_1978":-5,"_1979":3383},"gid://shopify/Product/8896684982513","Tiny T. Rex and the First-Day Oopsies: A Back-to-School Book","9781797233208","It's Tiny T. Rex's first day of school! In this addition to the bestselling series, Tiny is certain he's ready for anything at his BIG new school—but learns that even the best-prepared dinosaur will still meet some \"oopsies\" along the way!Tiny T. Rex is everyone's favorite pint-sized dinosaur, and he’s ready for his biggest adventure yet: the first day of school! Despite being a little dino in a big world, Tiny doesn't mind taking on a new challenge, even when it's the first day of a brand-new school.From his giant backpack to his good-luck bowtie, Tiny is prepared for anything—which means nothing can go wrong . . . right? With his best friend, Pointy, by his side, Tiny soon discovers that school isn't about getting everything perfect—it's about trying new things, learning along the way, and having friends beside you when oopsies happen.EVERYONE LOVES TINY: From the bestselling Tiny, Tiny T. Rex and the Impossible Hug onward, readers have fallen in love Tiny’s funny, heartwarming adventures, and his lovable determination in a big world. Dino-obsessed kids delight in hearing and laughing along with these tales.REASSURING BACK-TO-SCHOOL STORY: For home and classroom reading, this comforting picture book helps kids navigate first-day jitter, while showing that mistakes, mishaps, and trying new things are all part of learning and growing.SOCIAL-EMOTIONAL THEMES KIDS RELATE TO: Tiny’s adventures encourage resilience, friendship, empathy, self-confidence, and a positive attitude toward life’s everyday challenges.ENGAGING READ-ALOUD: Funny, expressive text paired with adorable, colorful illustrations make this a charming read-aloud kids will want to read again and again.Perfect for: Dinosaur-loving kids from babies and toddlers through ages 4-6 Parents, grandparents, teachers, and caregivers seeking funny kids' books Go-to choice for reassuring back-to-school books Fans of sweet, warm-hearted family picture books Baby shower, children's birthday, teacher, or classroom gift Fans of the Tiny T. Rex series and popular children's books like How Do Dinosaurs Go to School?, The Crayons Go Back to School, and The Pigeon HAS to Go to School!","It's Tiny T. Rex's first day of school! In this addition to the bestselling series, Tiny is certain he's ready for anything at his BIG new school—but learns that even the best-prepared dinosaur will still meet some \"oopsies\" along the way!

Tiny T. Rex is everyone's favorite pint-sized dinosaur, and he’s ready for his biggest adventure yet: the first day of school! Despite being a little dino in a big world, Tiny doesn't mind taking on a new challenge, even when it's the first day of a brand-new school.

From his giant backpack to his good-luck bowtie, Tiny is prepared for anything—which means nothing can go wrong . . . right? With his best friend, Pointy, by his side, Tiny soon discovers that school isn't about getting everything perfect—it's about trying new things, learning along the way, and having friends beside you when oopsies happen.

EVERYONE LOVES TINY: From the bestselling Tiny, Tiny T. Rex and the Impossible Hug onward, readers have fallen in love Tiny’s funny, heartwarming adventures, and his lovable determination in a big world. Dino-obsessed kids delight in hearing and laughing along with these tales.

REASSURING BACK-TO-SCHOOL STORY: For home and classroom reading, this comforting picture book helps kids navigate first-day jitter, while showing that mistakes, mishaps, and trying new things are all part of learning and growing.

SOCIAL-EMOTIONAL THEMES KIDS RELATE TO: Tiny’s adventures encourage resilience, friendship, empathy, self-confidence, and a positive attitude toward life’s everyday challenges.

ENGAGING READ-ALOUD: Funny, expressive text paired with adorable, colorful illustrations make this a charming read-aloud kids will want to read again and again.

Perfect for:

Dinosaur-loving kids from babies and toddlers through ages 4-6
Parents, grandparents, teachers, and caregivers seeking funny kids' books
Go-to choice for reassuring back-to-school books
Fans of sweet, warm-hearted family picture books
Baby shower, children's birthday, teacher, or classroom gift
Fans of the Tiny T. Rex series and popular children's books like How Do Dinosaurs Go to School?, The Crayons Go Back to School, and The Pigeon HAS to Go to School!\n

",{"_41":3362,"_54":3363,"_56":1935,"_50":2719,"_1936":-5},"gid://shopify/ProductImage/47652595958001","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9781797233208_p0.jpg?v=1768985037",{"_1939":3365},{"_1941":3366,"_1943":1944},"16.99",{"_1939":3368,"_1950":3369},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":3371},[3372],{"_41":3373,"_1945":59,"_1958":59,"_1959":-5,"_707":3374,"_1961":3375,"_1963":3376,"_1965":3377,"_1971":3358,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46299960115441",{"_41":3362,"_54":3363,"_1936":-5,"_56":1935,"_50":2719},{"_1941":3366,"_1943":1944},{"_72":3357,"_825":3358},[3378],{"_796":1968,"_1969":1970},{"_1969":3380},"[\"Picture Books (p4127)\",\"Barnes & Noble @ School (p310)\"]",{"_1969":3358},{"_1969":2342},[3384,3387,-5,3390,3392,-5,3394,3396,3399,3402,3405,-5,3407,3409,-5,3411,-5,-5],{"_41":3385,"_1983":1984,"_1985":1986,"_1969":3386},"gid://shopify/Metafield/42073092030705","[{\"contributorId\":17761838,\"fullName\":\"Jonathan Stutzman\",\"jobName\":\"Author\",\"sequenceNumber\":1},{\"contributorId\":18565106,\"fullName\":\"Jay Fleck\",\"jobName\":\"Illustrator\",\"sequenceNumber\":2}]",{"_41":3388,"_1983":1984,"_1985":1990,"_1969":3389},"gid://shopify/Metafield/42073092129009","Tiny T. Rex Series",{"_41":3391,"_1983":1984,"_1985":1997,"_1969":2342},"gid://shopify/Metafield/42073092227313",{"_41":3393,"_1983":1984,"_1985":1976,"_1969":2342},"gid://shopify/Metafield/42073091899633",{"_41":3395,"_1983":1984,"_1985":2002,"_1969":2381},"gid://shopify/Metafield/42073092260081",{"_41":3397,"_1983":1984,"_1985":2006,"_1969":3398},"gid://shopify/Metafield/42073093275889","[{\"id\":\"113057198T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"“Young children will relate to Tiny and his first day of school jitters, while being reassured that school is a place to make mistakes and grow.” — School Library Journal

“Tiny’s world is… vibrant and welcoming, filled with brightly colored, kindly dinosaurs, like BFF Pointy. Tiny models resilience, relying on the support of loved ones

and finding creative ways to cope with a too-big environment. It’s a comforting reminder that new experiences aren’t always easy, but they’re certainly worth it. Small but mighty, like its determined protagonist.” — Kirkus Reviews

\"},{\"id\":\"131389506T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"2\",\"text\":\"\\\"Tiny's world is... vibrant and welcoming, filled with brightly colored, kindly dinosaurs, like BFF Pointy. Tiny models resilience, relying on the support of loved ones

and finding creative ways to cope with a too-big environment. It's a comforting reminder that new experiences aren't always easy, but they're certainly worth it. Small but mighty, like its determined protagonist.\\\" -- Kirkus Reviews

\\\"Young children will relate to Tiny and his first day of school jitters, while being reassured that school is a place to make mistakes and grow.\\\" -- School Library Journal\"},{\"id\":\"112900198T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

The world's cutest prehistoric apex predator is back... to school. This is a relatable and adorable way to help kids with first day jitters.

\"},{\"id\":\"109686503T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Jonathan Stutzman is the New York Times bestselling and award-winning children's book author and filmmaker. His work for children includes the bestselling Tiny T. Rex series as well as Llama Destroys the World illustrated by Heather Fox, Bear Is a Bear illustrated by Dan Santat, and many others. Jonathan lives in Pennsylvania, where right now he's most likely reading or thinking about new stories.

Jay Fleck is the author-illustrator of Crinkle, Crinkle, Little Car and the illustrator of a number of other children's books, including the New York Times bestselling Tiny T. Rex series. He resides in a suburb south of Chicago with his wife, two children, and loyal dog, Otis. He spends his spare time running and reading (but not at the same time).\"},{\"id\":\"109236484T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"Jonathan Stutzman is an award-winning children's book author and filmmaker. His work for children includes the bestselling Tiny T. Rex series as well as Llama Destroys the World illustrated by Heather Fox, Bear Is a Bear illustrated by Dan Santat, and many others. Jonathan lives in Pennsylvania, where right now he's most likely reading or thinking about new stories.

Jay Fleck is the author-illustrator of Crinkle, Crinkle, Little Car and the illustrator of a number of other children's books, including the bestselling Tiny T. Rex series. He resides in a suburb south of Chicago with his wife, two children, and loyal dog, Otis. He spends his spare time running and reading (but not at the same time).\"}]",{"_41":3400,"_1983":1984,"_1985":2010,"_1969":3401},"gid://shopify/Metafield/42073092817137","Tiny-T-Rex-and-the-First-Day-Oopsies/Jonathan-Stutzman",{"_41":3403,"_1983":1984,"_1985":2014,"_1969":3404},"gid://shopify/Metafield/42073091801329","1146610167",{"_41":3406,"_1983":1984,"_1985":2018,"_1969":2019},"gid://shopify/Metafield/42073092194545",{"_41":3408,"_1983":1984,"_1985":1973,"_1969":3380},"gid://shopify/Metafield/42073093406961",{"_41":3410,"_1983":1984,"_1985":1974,"_1969":3358},"gid://shopify/Metafield/42073091178737",{"_41":3412,"_1983":1984,"_1985":2024,"_1969":2025},"gid://shopify/Metafield/42073092292849",{"_1919":1920,"_41":3414,"_72":3415,"_1923":2342,"_825":3416,"_1926":3417,"_1928":3418,"_1930":3419,"_1937":3423,"_1945":59,"_1946":3425,"_1952":3428,"_1973":3437,"_1974":3439,"_1976":3440,"_1978":-5,"_1979":3441},"gid://shopify/Product/8847911583985","The Crayons Go Back to School","9780593621110","#1 NEW YORK TIMES BESTSELLER • The hilarious Crayons from The Day the Crayons Quit are ready to go back to school in this mini hardcover book!Purple Crayon loves math!White Crayon loves reading!The Crayons are getting ready to go back to school, and each crayon has a subject they’re looking forward to the most. They’re also ready to meet new friends . . . and let loose during their very favorite time of day: art class.","#1 NEW YORK TIMES BESTSELLER • The hilarious Crayons from The Day the Crayons Quit are ready to go back to school in this mini hardcover book!

Purple Crayon loves math!
White Crayon loves reading!

The Crayons are getting ready to go back to school, and each crayon has a subject they’re looking forward to the most. They’re also ready to meet new friends . . . and let loose during their very favorite time of day: art class.",{"_41":3420,"_54":3421,"_56":3422,"_50":1935,"_1936":-5},"gid://shopify/ProductImage/47562063839473","https://cdn.shopify.com/s/files/1/0674/5433/7265/files/9780593621110_p0.jpg?v=1768961018",1643,{"_1939":3424},{"_1941":3308,"_1943":1944},{"_1939":3426,"_1950":3427},{"_1941":1949,"_1943":1944},{"_1941":1949,"_1943":1944},{"_1954":3429},[3430],{"_41":3431,"_1945":59,"_1958":59,"_1959":-5,"_707":3432,"_1961":3433,"_1963":3434,"_1965":3435,"_1971":3416,"_72":1970,"_1972":-5},"gid://shopify/ProductVariant/46246027297009",{"_41":3420,"_54":3421,"_1936":-5,"_56":3422,"_50":1935},{"_1941":3308,"_1943":1944},{"_72":3415,"_825":3416},[3436],{"_796":1968,"_1969":1970},{"_1969":3438},"[\"Picture Books (p4127)\",\"This Is the Way We Go to School (p1414)\",\"Social and Emotional Learning (p9063)\",\"Barnes & Noble @ School (p310)\",\"Back to School: Pre-K - Grade 3 (p3729)\"]",{"_1969":3416},{"_1969":2342},[3442,3445,-5,3448,3450,-5,3452,3454,3457,3460,3463,-5,3465,3467,-5,3469,-5,-5],{"_41":3443,"_1983":1984,"_1985":1986,"_1969":3444},"gid://shopify/Metafield/39719211139313","[{\"contributorId\":4455810,\"fullName\":\"Drew Daywalt\",\"jobName\":\"Author\",\"sequenceNumber\":1},{\"contributorId\":4214067,\"fullName\":\"Oliver Jeffers\",\"jobName\":\"Illustrator\",\"sequenceNumber\":2}]",{"_41":3446,"_1983":1984,"_1985":1990,"_1969":3447},"gid://shopify/Metafield/39719211466993","Drew Daywalt's Crayons Book Series",{"_41":3449,"_1983":1984,"_1985":1997,"_1969":2342},"gid://shopify/Metafield/39719212024049",{"_41":3451,"_1983":1984,"_1985":1976,"_1969":2342},"gid://shopify/Metafield/39719210615025",{"_41":3453,"_1983":1984,"_1985":2002,"_1969":2381},"gid://shopify/Metafield/39719212187889",{"_41":3455,"_1983":1984,"_1985":2006,"_1969":3456},"gid://shopify/Metafield/39719213760753","[{\"id\":\"124741315T\",\"type\":\"Review\",\"linkText\":\"From The Critics\",\"typeId\":\"1002\",\"abbr\":\"REV\",\"maxToDisplay\":\"255\",\"authorName\":null,\"sourceName\":\"From the Publisher\",\"displayOrder\":\"1\",\"text\":\"Praise for The Crayons Go Back to School:

\\\"A...congenial matriculant in publishing’s autumnal rite of back-to-school offerings.\\\" –Kirkus Reviews

\\\"In this illustration- and dialogue-driven story, Daywalt’s simple, one-sentence pages are expanded upon with playful crayon written dialogue and Jeffers’s beloved signature gouache, ink, colored pencil, and crayon illustrations. [L]ibraries will not want to quit expanding their collections of Daywalt titles with this bite-sized back-to-school send-off.\\\" –School Library Journal\"},{\"id\":\"113790831T\",\"type\":\"Bookseller Content\",\"linkText\":\"B&N Says\",\"typeId\":\"1027\",\"abbr\":\"BSC\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"Notes From Your Bookseller

The beloved crayon characters are back for back-to-school of course… and they are thrilled about it. Fun, relatable and reassuring — these crayons are too cool for school.

\"},{\"id\":\"124741317T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"1\",\"text\":\"

Drew Daywalt grew up in a haunted house, but now lives in a Southern California home haunted only by his wife, two kids, and a German shepherd. A Hollywood screenwriter when he is not writing for young readers, Drew's favorite crayon is Black. He is the #1 bestselling author of The Day the Crayons Quit and The Day the Crayons Came Home, in addition to many other titles.

Oliver Jeffers is a creator of art for adults and children. An illustrator of fine art, his picture books have received numerous awards and much critical acclaim. The Day the Crayons Quit and The Day the Crayons Came Home were both #1 New York Times bestsellers. Oliver has become one of the world's most in-demand artists, creating pieces and graphics for TED Talks, the New York Times, Publishers Weekly, and for U2's lyric video to the song \\\"Ordinary Love.\\\" You can find Oliver at OliverJeffers.com.

\"},{\"id\":\"86388744T\",\"type\":\"Fatbrain Author Description\",\"linkText\":\"Author Description\",\"typeId\":\"1102\",\"abbr\":\"FBA\",\"maxToDisplay\":\"1\",\"authorName\":null,\"sourceName\":null,\"displayOrder\":\"2\",\"text\":\"Drew Daywalt grew up in a haunted house, but now lives in a Southern California home haunted only by his wife, two kids, and a German shepherd. A Hollywood screenwriter when he is not writing for young readers, Drew's favorite crayon is Black. He is the #1 bestselling author of The Day the Crayons Quit and The Day the Crayons Came Home, in addition to many other titles.

Oliver Jeffers is a creator of art for adults and children. An illustrator of fine art, his picture books have received numerous awards and much critical acclaim. The Day the Crayons Quit and The Day the Crayons Came Home were both #1 New York Times bestsellers. 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James Lee Burke

All Books By James Lee Burke