Louise Nevelson's Sculpture: Drag, Color, Join, Face
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A daring reassessment of Louise Nevelson, an icon of twentieth-century art whose innovative procedures relate to gendered, classed, and racialized forms of making
“Here is a book that is not only a transformative study of a single artist but also a record of the scholar’s own labor—and her devotion.”—Artforum
In this radical rethinking of the art of Louise Nevelson (1899–1988), Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine...
“Here is a book that is not only a transformative study of a single artist but also a record of the scholar’s own labor—and her devotion.”—Artforum
In this radical rethinking of the art of Louise Nevelson (1899–1988), Julia Bryan-Wilson provides a long-overdue critical account of a signature figure in postwar sculpture. A Ukraine...






















