Niki de Saint Phalle in the 1960s

A timely reassessment of the artist’s early performances and feminist sculptures, affirming their radical engagements and art historical significance

This volume is a focused look at two bodies of work, the Tirs (“shooting paintings”) and Nanas (“dames”), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle (1930–2002). Alongside a poetic response to the work, four essays treat Saint Phalle’s oeuvre as works of radical performance and feminist art, as well a...