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A compelling examination of French sculptor Auguste Rodin from the perspective of his enthusiastic American audience This exhibition catalogue explores the American reception of French artist Auguste Rodin (1840–1917), from 1893, when his first work entered a US museum, to the present. Its trajectory reaches from the collecting frenzy of the early twentieth century—promoted by philanthropist Katherine Seney Simpson and performer Loïe Fuller—to important museum acquisitions of the 1920s and ...