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A deep dive into the pioneering collection of nineteenth-century French photographs, equipment, and ephemera, which is a cornerstone of the George Eastman Museum

In the early twentieth century, Parisian photographer, amateur historian, and collector Gabriel Cromer (1873–1934) amassed a collection that traced photography’s prehistory, invention, and development to about 1890. His dream was to found a national museum of the photographic arts in France. Although Cromer’s ambition was never re...