Songs to Make the Dust Dance: The Ryojin Hisho of Twelfth-Century Japan

Breaking through the long—established image of Heian Japan (794–1185) as a culture dominated by ritualized aristocratic values, Yung—Hee Kim presents a picture of a country in transition, filled with a wide variety of common people responding to very ordinary situations. The court does not disappear, but rather becomes part of a larger society inhabited by Buddhist nuns and mountain ascetics, farmers and fishermen, beggars and gamblers. In popular songs called imayo, they express their conc...