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The Cinema of Sara G mez: Reframing Revolution
By Susan Lord (Editor), Mar a Caridad Cuman (Editor), V ctor Fowler Calzada (Editor), In s Mar a Martiatu Terry (Contribution by), Lourdes Mart nez-Echaz bal (Contribution by), Odette Casamayor-Cisneros (Contribution by), Sergio Giral (Contribution by), Luis Garc a Mesa (Contribution by), Devyn Spence Benson (Contribution by), Rigoberto L pez (Contribution by), Joshua Malitsky (Contribution by), Ana Serra (Contribution by), Iv n Arocha Montes de Oca (Contribution by), Ricardo Acosta (Contribution by), Alan West-Durán (Contribution by), Sandra Abd'Allah-Alvarez Ramírez (Contribution by)
Hardcover
$108.39
By Susan Lord (Editor), Mar a Caridad Cuman (Editor), V ctor Fowler Calzada (Editor), In s Mar a Martiatu Terry (Contribution by), Lourdes Mart nez-Echaz bal (Contribution by), Odette Casamayor-Cisneros (Contribution by), Sergio Giral (Contribution by), Luis Garc a Mesa (Contribution by), Devyn Spence Benson (Contribution by), Rigoberto L pez (Contribution by), Joshua Malitsky (Contribution by), Ana Serra (Contribution by), Iv n Arocha Montes de Oca (Contribution by), Ricardo Acosta (Contribution by), Alan West-Durán (Contribution by), Sandra Abd'Allah-Alvarez Ramírez (Contribution by)
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Throughout the 1960s until her untimely death in 1974, AfroCuban filmmaker Sara Gómez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution.
Gómez directed numerous documentary films in 10 prolific years. She also made De cierta manera (One way or another), her only featurelength film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memo...
Gómez directed numerous documentary films in 10 prolific years. She also made De cierta manera (One way or another), her only featurelength film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memo...