The Shut Eye

by Belinda Bauer

Overview

Belinda Bauer is a phenomenal voice in British crime fiction, whose work has garnered rave reviews on both sides of the Atlantic. The Shut Eye is a spine-tingling, edge-of-your-seat thriller about a woman who gets involved with a psychic who may be able to find her missing son.

Five footprints are the only sign that four-year-old Daniel Buck was ever here. And now they are all his mother has left. Every day, Anna Buck guards the little prints in the cement. Polishing them to a shine. Keeping them safe. Spiraling towards insanity.

Anna is desperate for hope, which she’s not getting from the police, or her husband James. So when a woman tells her she’s found a true psychic, a “shut eye,” she grasps at it. Maybe he can tell her what happened to her son. But when she meets the psychic, what she gets is not at all what she suspected.

Matching breathtaking suspense with a keen exploration of skepticism in the face of the unexplainable, The Shut Eye is a riveting read from one of our finest crime writers.

Product Details

ISBN-13:	9780802124852
Publisher:	Grove/Atlantic, Inc.
Publication date:	01/12/2016
Pages:	304
Product dimensions:	5.40(w) x 8.20(h) x 0.90(d)

About the Author

Belinda Bauer is the author of six award-winning novels which have been translated into twenty-one languages. She won the Crime Writers Association s Gold Dagger Award for Crime Novel of the Year for "Blacklands," the Theakstons Old Peculier Crime Novel of the Year Award for "Rubbernecker," and the CWA Dagger in the Library Award for outstanding body of work. She lives in Wales."

Read an Excerpt

CHAPTER 1

Valentine's Day, 2000

John Marvel looked at his watch.

It was eight thirty-seven, and he'd done the same thing less than a minute earlier. He had promised Debbie he would be home by nine. Normally it wouldn't matter, but tonight it did, although he wasn't sure why.

He felt the cold invade his lungs as he stared up into the dome of light that masked the stars. Frost hung in an ethereal ring around the streetlamp, waiting to settle, and Marvel could feel it fingering his shins through the thin material of his trousers.

He didn't like to be outdoors. It was too ... fresh. Even here, where London had sprawled south, overlapping the river and coating what used to be the Garden of England with its grime and its traffic and its smell of decay.

Marvel had started to sprawl with it: too much home cooking.

Too much home.

Comfort had always made him restless. He needed to be always moving on, moving up, otherwise he got frustrated.

Now he looked across the road to the King's Arms. It was filled with warmth and noise and booze. It had been more than a year since he'd been there – been drunk – and he still missed it like a lover, with a yearn in his chest and a dry lump in his throat. He wouldn't have gone in tonight. Or any night. It was a test – a game he played with himself. Driving past, slowing down, craning to look.

Not stopping.

But tonight he'd stopped. He didn't know why. He was no more thirsty than on any of the other four hundred days since he had had a drink.

And then he'd seen the woman.

And now it was hard to stand here, so near and yet so far. The pub's grubby stained-glass windows were lit from behind, like Christ in a cathedral, calling all sinners.

Marvel checked his watch.

It was eight thirty-eight. The second hand arced through the quadrant in a series of cheap jerks.

'Look,' he sighed. 'Are you going to jump or not?'

The woman on the ledge flinched and her fingers pressed more tightly against the brick parapet. In the cold amber glow, Marvel could see the goose-bumps stippling her skinny arms. She was wearing indoor clothes. A thin, strappy top and skinny jeans and those stupid little ballet shoes women wore nowadays instead of high heels.

But then, she didn't strike him as a high-heels kind of girl. She had a pinched, undernourished look to her face that made her cheekbones sharp and her eyes seem huge, but in a way that was less Audrey Hepburn, more eating disorder.

Marvel guessed she was in her early twenties, but she could have been seventeen. Or forty.

She glanced at him and shrugged one bony shoulder in apology. 'I ... I'm waiting for a train,' she said. Then she looked back down between her shoes at the tracks.

'Interesting,' said Marvel, with a sage nod of his head – as if she had explained everything.

He stepped towards her and leaned briefly over the parapet to look at the glimmering rails. While he did, she gripped harder and watched him warily – as if he might suddenly lunge at her, grab her, pull her backwards over the wall to safety.

Heroically save her life.

Despite his name, Marvel did no such thing.

Instead he gave a humourless grunt and said, 'Then you're shit out of luck. The trains don't go through here after eight.'

She said nothing for a long moment. Then, without raising her head, she said, 'Wh — - what time is it now?'

Marvel lifted his watch again – tilting it so that the face was illuminated by the streetlight. 'Eight forty.'

The girl nodded slowly at the tracks, her straggly brown hair veiling everything but her brow and the red tip of her nose. She wrinkled the brow and wiped the nose on the back of her hand.

'Oh,' she said, and Marvel could tell she was crying.

Crying was not his thing, so he decided against words of comfort or a pat on the back, which might open some kind of emotional floodgate. He just stood there while she sobbed quietly.

'I can't get anything right,' she finally whispered.

'Join the club,' he snorted.

She only shook her head slowly, apparently declining to join the ranks of any club that would have him as a member – even in her desperate state.

'What's your name?' he said.

She didn't tell him and he didn't care, but he had to pretend. It was expected.

Marvel wasn't going to keep the nine-o'clock promise. He was glad. Promises were traps; shackles to be broken.

I'll be home by nine.

I'm not in the pub.

I love you.

The girl was still crying a little.

He looked at his watch again. Eight forty-three. 'Come on,' he said brusquely. 'Hop back over and I'll take you home.'

She gave a long, shuddering sigh and nodded fractionally. 'OK.'

Marvel was a little surprised. That was easy.

Too easy.

His jaw clenched with annoyance. She'd probably never meant to jump at all. He'd stood here in the freezing February night for almost thirty bloody minutes in full tortuous view of the King's Arms, and the whole time she'd just been waiting for an opportunity to climb back over the wall.

Time-waster.

His life was full of them and they made him sick.

Still, it had given him a good excuse to be late. Not that he'd really needed one. He often lied to Debbie about where he'd been and what he'd done, and it didn't change a thing. What could she say? In his line of work you could make up any old bollocks and people had to believe you. Perk of the job.

He put out a hand to steady the girl as she swung her legs over the parapet, but she swayed away from him, so he left her to it. She slid awkwardly off the wall and dropped on to the road beside him. She was almost a foot shorter than he was, and Marvel was no giant.

She shivered and hugged her own arms for warmth.

Before either of them could say anything, the eight twenty from London Victoria shook the bridge.

They both stared down at the blurry black roof, blocking out the rails as it raced under their feet and through Bickley station.

In the silence that followed, the girl gave him an accusing look, but Detective Chief Inspector Marvel only shrugged.

CHAPTER 2

'James!'

James Buck was standing with a Golf GTi balanced on a single oily hand, like a waiter bringing a main course to a car-crusher. He looked round at his boss. He hadn't heard him coming because the garage was always loud with engines and echoes and the radio playing. And because he'd been thinking. Always thinking.

About Daniel, of course.

'What?' he said.

'James!' yelled Brian Pigeon again. 'Ang! Turn that bloody thing down!'

Ang went over to the radio, sulkily dragging his broom, and James lowered his arm. The car stayed up without his support – floating on the hydraulic lift, with its wheels dangling from their arches, like a puppy that's just been scooped off the floor.

The music blared very slightly less loudly.

'You did the timing on Mr Knight's car!'

Mr Knight had a pristine Audi TT with a chrome Billy Boat exhaust. Last time they'd had it in, someone had scraped a wing, so if something else had gone wrong with the Audi, it was serious shit. James hadn't touched it on either occasion.

Not that that made any difference.

'What car?' he said blankly.

'That one!' Brian shouted, and jabbed a finger at the garage forecourt. 'The one dripping oil all over my new cement.'

James didn't look at the forecourt; he looked back up at the underside of the Golf and swallowed hard. He didn't trust himself to answer just yet. The cement wasn't that new. It had been poured exactly four months ago, on November fifth.

The morning of Bonfire Night.

The morning Daniel had disappeared.

He didn't expect Brian Pigeon to know that the way he knew it, but he still hated him for thinking of that day for any other reason.

Brian was yelling again. 'When you put the rocker cover back on you must've pinched the gasket. Oil everywhere. All over Mr Knight's driveway too!'

James wouldn't have done something so careless. It was probably Mikey who'd pinched the gasket. He was rash and speedy, and if a car wasn't hooked up to the diagnostic computer, he was often lost. But James didn't say any of that. He just stood there, one hand at his side with a spanner dangling from it, the other over his head as he loosened the nut with his fingers, on autopilot now.

'What have you got to say about that then? Now the job has to be done again.'

'Not by you!' Mr Knight shouted from near the office. 'You'll pay for someone else to fix it or I'll sue the arse off you!'

Brian ignored that. 'What have you got to say?' he demanded of James again.

'Sorry?' said James.

'Sorry, bullshit!' Brian shouted. 'Mr Knight is our most valuable customer! Now we have to do the job again!'

'You're not touching my car,' Mr Knight insisted.

'For free!' Brian kept on.

'Even for free,' said Mr Knight. 'I'm suing you!'

Brian ignored him again and shouted at James, 'This is the last straw, James. Get out.'

James let go of the Golf and wiped his brow with his elbow. 'What?' The spanner in his right hand suddenly felt very heavy.

'Get your stuff and get out.' Brian jerked a thumb over his shoulder. 'You're fired.'

There was a brief silence – or what passed for it in the garage, with the radio still playing like static under their lives.

'Hold on,' said Mr Knight, suddenly not so vehement. 'I'm not ... it's not —'

Brian held up a hand. 'Don't you worry, Mr Knight. It's not your fault. Your custom is far too important for me to risk losing it over some moron.'

James felt the cold steel against the ball of his thumb. The spanner was beautifully machined and perfectly balanced. He tightened his grip.

'Seems a bit steep, firing the guy,' said Mr Knight.

'Not a bit of it,' said Brian. 'Messed up your car. Messed up your driveway. Messed up my forecourt. Cost me a bloody fortune. But it's not about the money – we've got a reputation. We're professionals.'

Mr Knight shrugged and nodded – slowly understanding that sometimes a man had to do what a man had to do.

Brian turned back to look at James. 'Are you still here? What are you waiting for? The gasket fairy?'

James turned and, with all his strength, hurled the spanner across the workshop. It bounced off a bench, then skidded across the red-painted concrete floor of Pigeon's MoT & Diagnostics and slid into the old inspection pit with a loud metal clang. James stormed around his boss (That's a Snap-On, you little shit!) and past Mr Knight (Made a helluva mess on my drive ...) and into the scummy little kitchen.

He sat on the only chair with a padded seat – the one Brian always took. He put a foot on another of the chairs and pushed it noisily around the lino floor for a bit, and then kicked it over with a deliberate crash.

There was a Formica table, a sink unit, the wooden bench where Ang slept, and five mis-matched chairs. The table was covered with old newspapers and junk-food wrappers and a mug without a handle that Pavel and Mikey used as an ashtray. The walls were pitted and smeared with dark finger-marks. Over the microwave was a calendar that was an excuse to hang photos of topless women on the wall. None of them ever looked at it, or changed the month; it was just there as a minor male defiance.

James tipped over another chair.

All the time, he heard indistinct voices under the usual echoing noises of pop music and of engines turning over. The voices became less and less heated. Brian talking to Mr Knight; Mr Knight walking away; the back and forth of departure.

Then the courtesy car started up. James would have known it anywhere; it was a Citroën diesel that sounded like a suit of armour falling downstairs.

Mr Knight was leaving his Audi for the work to be done. After all that bluster and bullshit. That's the way it usually went.

James listened to the Citroën bump off the garage forecourt and grind into second gear as it joined the traffic. Then he got up.

He walked to the back of the workshop, but Ang was already retrieving the spanner from the layer of assorted rubbish in the bottom of the disused pit. Ang was quick to volunteer for anything and Brian was not slow to take advantage of it. He put him to good use fetching sandwiches, parking cars and dialling phone numbers for him, because he was too busy to waste time on hold. Three years after arriving in England on the axle of a flatbed truck, Ang was still learning the language. So far he'd only really mastered the four-lettered words.

Brian Pigeon calling. Please hold. You have message? Ang practised his lines endlessly under his breath, but the task was a minefield.

Now Brian directed him from the edge of the pit, hands on hips, the poppers on his overalls starting to gape. James had noticed that lately, when Brian leaned into an engine bay, he had to find somewhere safe to rest his belly.

He glanced at James. 'Spanner was a bit much.'

'Sorry.'

Brian shrugged, then said, 'Did you like the gasket fairy though?' He laughed at himself, and then added a review: 'Bloody hilarious.'

James smiled faintly, and put out a hand to help Ang up between the old ramp and the pit wall. He was slim, so he braced himself, but Ang was as light as a feather and seemed almost to float out of the pit.

James followed Brian across the workshop to the office while Ang picked up his broom and turned the radio up, singing along, putting the wrong words to the wrong tune.

'Ang!' shouted Mikey. 'You sound like a randy cat!'

'Thank you,' said Ang, and went on singing. He loved that radio. It was on in the morning when they arrived for work, and still on when they left every night.

Brian looked up as James came into the office. 'You don't mind, do you?' 'No,' said James.

'So soon after ...' Brian shrugged with his hands ' ... you know ...'

'I don't mind,' said James, and he meant it. He didn't mind about much any more. Nothing was important enough to mind about.

Brian took a crumple of notes from his pocket and tugged free a twenty. 'Here,' he said.

James tucked it into his top pocket without a word.

'Shit,' said Ang from the doorway. 'Money for old nuts.'

'Rope,' said James. 'Money for old rope.'

'So what is money for nuts?'

'I dunno. Peanuts, maybe? You get paid peanuts? Not much money, you know?'

'Oh,' said Ang. 'OK.' He hovered at the door.

Brian was on the phone, sorting out another new lift. Four years ago when James had first started, they'd had three crappy old inspection pits; now two had already been filled in and replaced by hydraulic lifts. There was also a rubberized floor and a new cement forecourt – and they still had to put the coffee against the microwave door to keep it shut. Brian was rich but tight; James figured maybe he was rich because he was tight.

He shouted at someone about delivery slots and concrete-setting times, then banged the phone down and shouted, 'Arseholes!'

Ang leaned into the office with his usual good timing. 'I's fired for peanuts.'

'What?' said Brian.

'I's fired. No James.'

'James gets fired.'

'But I's fired for peanuts.'

'James gets fired,' Brian repeated. 'He's white and English so he gets fired. You're a Chinaman so I can't fire you because that would be racist, see?'

'Shit.' Ang frowned. He toyed with the end of the broom handle, picking at the wood with his fingernail.

Brian sighed. 'Are you going to clean the floor or am I going to have to call Immigration?'

Ang twitched upright and started sweeping. 'I's Hmong person,' he pointed out sulkily. 'Not Chinaman.'

'Well, now you're in England, and in England we work.'

Across the garage, Pavel gave a hollow laugh into the wheel-arch of a Lexus.

James reached up and continued undoing the nut on the Golf's exhaust clamp. It was the thirteenth time he'd been fired. Two hundred and sixty quid's worth of humiliation. Brian Pigeon was some actor – he should have been in the West End, not running a grubby MoT garage in south London – and his anger was convincing, even when you knew it was fake. Sometimes Mrs Pigeon came to the garage, although she rarely got out of her sleek Mercedes – just issued orders to Brian through the window, as if she were at a McDonald's drive-thru. Brian never got angry with her though, and sometimes James wondered whether that was why he had a reserve of that emotion, all locked and loaded and ready to direct at him whenever a customer looked like getting litigious.

It always worked. Nothing appeased a rich bastard faster than seeing some grease-monkey fired on the spot for screwing up a job. Nothing made them feel more important.

(Continues…)

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Excerpted from "The Shut Eye"
by .
Copyright © 2015 Belinda Bauer.
Excerpted by permission of Grove Atlantic, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Editorial Reviews

The book's supernatural elements are creepy rather than cheesy, and Ms. Bauer is insightful about people, their bereavement and the way it distorts them. She also provides, in the end, the perfect mix of closure and lingering questions…Fans of Ruth Rendell will find familiar pleasures in Ms. Bauer's work.

The New York Times - John Williams

Bauer is an imaginative writer, and before she lets the story spin off into outer space, she offers sensitive insights into maternal love and grief—and cutting observations about some of the people who presume to offer them comfort.

The New York Times Book Review - Marilyn Stasio