Film and Everyday Resistance
A philosophical exploration of how modern global cinema represents everyday means of resisting authoritarianism and totalitarianism

Václav Havel’s concept of “living within the truth” in an authoritarian regime frames Marguerite La Caze’s readings of international cinema, highlighting forms of resistance in which seemingly pre- or nonpolitical aspects of life—such as professional labor, exile, and truth telling—can be recognized as political when seen against a backdrop of general acquiescence. La Caze’s case studies cross genres, historical eras, and national contexts: the apartheid regime in South Africa, in A Dry White Season; post-Suharto Indonesia, in The Look of Silence; 1980s East Germany, in Barbara; the Chilean military dictatorship, in No; contemporary Iran, in A Separation; and current-day Saudi Arabia, in Wadjda. This book explores the films’ use of image, sound, narrative, and character in dialogue with the work of Simone de Beauvoir, Aimé Cesaire, Hannah Arendt, Sara Ahmed, and W. E. B. Du Bois to reveal how cinema depicts ordinary people enacting their own philosophies of defiance.

1145620069
Film and Everyday Resistance
A philosophical exploration of how modern global cinema represents everyday means of resisting authoritarianism and totalitarianism

Václav Havel’s concept of “living within the truth” in an authoritarian regime frames Marguerite La Caze’s readings of international cinema, highlighting forms of resistance in which seemingly pre- or nonpolitical aspects of life—such as professional labor, exile, and truth telling—can be recognized as political when seen against a backdrop of general acquiescence. La Caze’s case studies cross genres, historical eras, and national contexts: the apartheid regime in South Africa, in A Dry White Season; post-Suharto Indonesia, in The Look of Silence; 1980s East Germany, in Barbara; the Chilean military dictatorship, in No; contemporary Iran, in A Separation; and current-day Saudi Arabia, in Wadjda. This book explores the films’ use of image, sound, narrative, and character in dialogue with the work of Simone de Beauvoir, Aimé Cesaire, Hannah Arendt, Sara Ahmed, and W. E. B. Du Bois to reveal how cinema depicts ordinary people enacting their own philosophies of defiance.

34.0 Out Of Stock
Film and Everyday Resistance

Film and Everyday Resistance

by Marguerite La Caze
Film and Everyday Resistance

Film and Everyday Resistance

by Marguerite La Caze

Paperback

$34.00 
  • SHIP THIS ITEM
    Temporarily Out of Stock Online
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

A philosophical exploration of how modern global cinema represents everyday means of resisting authoritarianism and totalitarianism

Václav Havel’s concept of “living within the truth” in an authoritarian regime frames Marguerite La Caze’s readings of international cinema, highlighting forms of resistance in which seemingly pre- or nonpolitical aspects of life—such as professional labor, exile, and truth telling—can be recognized as political when seen against a backdrop of general acquiescence. La Caze’s case studies cross genres, historical eras, and national contexts: the apartheid regime in South Africa, in A Dry White Season; post-Suharto Indonesia, in The Look of Silence; 1980s East Germany, in Barbara; the Chilean military dictatorship, in No; contemporary Iran, in A Separation; and current-day Saudi Arabia, in Wadjda. This book explores the films’ use of image, sound, narrative, and character in dialogue with the work of Simone de Beauvoir, Aimé Cesaire, Hannah Arendt, Sara Ahmed, and W. E. B. Du Bois to reveal how cinema depicts ordinary people enacting their own philosophies of defiance.


Product Details

ISBN-13: 9780810147454
Publisher: Northwestern University Press
Publication date: 09/15/2024
Series: Superimpositions
Pages: 200
Product dimensions: 6.00(w) x 9.00(h) x 0.63(d)

About the Author

MARGUERITE LA CAZE is a professor in the School of Historical and Philosophical Inquiry at the University of Queensland. Her previous books include The Analytic Imaginary, Wonder and Generosity: Their Role in Ethics and Politics,and Ethical Restoration after Communal Violence: The Grieving and the Unrepentant.

Table of Contents

List of figures

Acknowledgements

Introduction

Chapter 1
A Dry White Season: Discovering the Truth

Chapter 2
The Look of Silence: Revealing the Truth

Chapter 3
Barbara: Love and Duty

Chapter 4
No: Happiness, Resistance, and Trauma

Chapter 5
A Separation: Ethical Ambiguity

Chapter 6
Wadjda: Realism and Resistance

Conclusion

Bibliography

Filmography

Endnotes

From the B&N Reads Blog

Customer Reviews