American Cinema and the Southern Imaginary
By Briallen Hopper (Contribution by), Chris Cagel (Contribution by), Christopher J. Smith (Contribution by), Jay Watson (Contribution by), Leigh Anne Duck (Contribution by), Matthew Bernstein (Contribution by), Melanie Benson Taylor (Contribution by), R. Brasell (Contribution by), Robert Andrew Jackson (Contribution by), Sharon Monteith (Contribution by), Tara McPherson (Contribution by), Valerie Ann Smith (Contribution by), Ryan De Rosa (Contribution by), Deborah Barker (Editor), Kathryn McKee (Editor)
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By Briallen Hopper (Contribution by), Chris Cagel (Contribution by), Christopher J. Smith (Contribution by), Jay Watson (Contribution by), Leigh Anne Duck (Contribution by), Matthew Bernstein (Contribution by), Melanie Benson Taylor (Contribution by), R. Brasell (Contribution by), Robert Andrew Jackson (Contribution by), Sharon Monteith (Contribution by), Tara McPherson (Contribution by), Valerie Ann Smith (Contribution by), Ryan De Rosa (Contribution by), Deborah Barker (Editor), Kathryn McKee (Editor)
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Employing innovations in media studies, southern cultural studies, and approaches to the global South, this collection of essays examines aspects of the southern imaginary in American cinema and offers fresh insight into the evolving field of southern film studies.
In their introduction, Deborah Barker and Kathryn McKee argue that the southern imaginary in film is not contained by the boundaries of geography and genre; it is not an offshoot or subgenre of mainstream American film but is inte...
In their introduction, Deborah Barker and Kathryn McKee argue that the southern imaginary in film is not contained by the boundaries of geography and genre; it is not an offshoot or subgenre of mainstream American film but is inte...


