Early Chinese Cinema and Two-Way World Flows

Early Chinese Cinema and Two-Way World Flows explores how the term 'transnational' became a condition-a site of translations, transactions, and transitions in Chinese cinema. Drawing on a broad range of previously untapped sources by and about female directors, writers, actresses, and moviegoers, including personal recollections from the family of female director Marion Evelyn Hong, this book offers new perspectives on the dynamic multidirectional flow of films, culture, and communities in ...