The State of Post-Cinema: Tracing the Moving Image in the Age of Digital Dissemination

This book approaches the topic of the state of post—cinema from a new direction. The authors explore how film has left the cinema as a fixed site and institution and now appears ubiquitous — in the museum and on the street, on planes and cars and new digital communication platforms of various kinds. The authors investigate how film has become more than cinema, no longer a medium that is based on the phohemical recording and replay of movement. Most often, the state of post—cinema is concept...