Nationhood and Identity in Indian Adaptations of Shakespeare, 1989-2020

Investigating an increase in the visibility of Indian adaptations of Shakespeare in film, theatre and fiction between 1989 and 2020, Taarini Mookherjee suggests that this popularity reflects the political affordances of adapting Shakespeare in contemporary India. A foreign, yet familiar, text, Shakespeare provides both opportunities for radical reinvention and subversive political critique. Mookherjee mobilises the term desify, a bilingual portmanteau popular in the South Asian diaspora tha...