Shakespeare, Film Studies, and the Visual Cultures of Modernity

by A. Guneratne

Overview

This book is the first in-depth cultural history of cinema's polyvalent and often contradictory appropriations of Shakespearean drama and performance traditions. The author argues that these adapatations have helped shape multiple aspects of film, from cinematic style to genre and narrative construction.

Product Details

ISBN-13:	9781403967886
Publisher:	Palgrave Macmillan US
Publication date:	11/07/2008
Edition description:	2008
Pages:	346
Product dimensions:	6.30(w) x 9.10(h) x 1.00(d)

About the Author

ANTHONY GUNERATNE is Associate Professor of Communication, Florida Atlantic University, USA.

Table of Contents

Introduction Reconstituting King John Screening Hamlet's Aura Featuring the Bard Avant-garde Shakespeares Genre, Style, and the "Politique des Auteurs" in Orson Welles's Shakespeare Text, Intertext, Subtext and Post-Modern Approaches to Shakespeare

What People are Saying About This

Michael Anderegg

"Shakespeare, Film Studies, and the Visual Cultures of Modernity is a remarkable book, one that exhibits both a sensitivity to Shakespeare's texts and a wide knowledge of international cinema. Theoretically sophisticated but never obscure, written in a flowing, attractive prose, Guneratne's study expands beyond any previous approach to Shakespeare on film to become a complex meditation on the cinema itself."--(Michael Anderegg, Chester Fritz Distinguished Professor of English Emeritus and author of Cinematic Shakespeare and Orson Welles, Shakespeare, and Popular Culture)

Peter S. Donaldson

"Shakespeare, Film Studies, and the Visual Cultures of Modernity is provocative and original, proposing what amounts to a history of cinema seen through the lens of Shakespeare film. Guneratne writes with deep learning across several media histories and disciplines and makes illuminating connections no one else has thought of making. His is one of the most interesting voices to come out of the wave of new work on Shakespeare films."--(Peter S. Donaldson, Professor of Literature, Massachusetts Institute of Technology and author of Shakespearean Films/Shakespearean Directors)

Editorial Reviews

"Shakespeare, Film Studies, and the Visual Cultures of Modernity is a remarkable book, one that exhibits both a sensitivity to Shakespeare's texts and a wide knowledge of international cinema. Theoretically sophisticated but never obscure, written in a flowing, attractive prose, Guneratne's study expands beyond any previous approach to Shakespeare on film to become a complex meditation on the cinema itself." - Michael Anderegg, Chester Fritz Distinguished Professor of English Emeritus and author of Cinematic Shakespeare and Orson Welles, Shakespeare, and Popular Culture

"Shakespeare, FilmStudies, and the Visual Cultures of Modernity is provocative and original,proposing what amounts to a history of cinema seen through the lens of Shakespeare film.Guneratne writes with deep learning across several media histories and disciplines and makes illuminating connections no one else has thought of making. His is one of the most interesting voices to come out of the wave of new work on Shakespeare films." - Peter S. Donaldson, Professor of Literature, Massachusetts Institute of Technology and author of Shakespearean Films/Shakespearean Directors

"The strength of the volume lies in Guneratne s admirable skill in amassing a profusion of details about these products, cultures, times, locations, conventions, and traditions; only a scholar with a deft hand and archival fortitude could weave together accounts of hundreds of Shakespeare productions into anything resembling a coherent narrative. Indeed, the word that most often came to mind when reading this book was 'encyclopedic.' " - Renaissance Quarterly

From the Publisher