Israel/Palestine: Border Representations in Literature and Film
Since the early 1990s, Israel has greatly expanded a system checkpoints, walls and other barriers in the West Bank and Gaza that restrict Palestinian movement. Israel/Palestine examines how authors and filmmakers have grappled with the spread of these borders.
Focusing on the works of Elia Suleiman, Raba’i al-Madhoun, Ghassan Kanafani, Sami Michael and Sayed Kashua, it traces how political engagement in literature and film has shifted away from previously common paradigms of resistance and coexistence and has become reorganised around these now ubiquitous physical barriers. Depictions of these borders interrogate the notion that such spaces are impenetrable and unbreakable, imagine distinct forms of protest, and redefine the relationship between cultural production and political engagement.

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Israel/Palestine: Border Representations in Literature and Film
Since the early 1990s, Israel has greatly expanded a system checkpoints, walls and other barriers in the West Bank and Gaza that restrict Palestinian movement. Israel/Palestine examines how authors and filmmakers have grappled with the spread of these borders.
Focusing on the works of Elia Suleiman, Raba’i al-Madhoun, Ghassan Kanafani, Sami Michael and Sayed Kashua, it traces how political engagement in literature and film has shifted away from previously common paradigms of resistance and coexistence and has become reorganised around these now ubiquitous physical barriers. Depictions of these borders interrogate the notion that such spaces are impenetrable and unbreakable, imagine distinct forms of protest, and redefine the relationship between cultural production and political engagement.

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Israel/Palestine: Border Representations in Literature and Film

Israel/Palestine: Border Representations in Literature and Film

by Drew Paul
Israel/Palestine: Border Representations in Literature and Film

Israel/Palestine: Border Representations in Literature and Film

by Drew Paul

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Overview

Since the early 1990s, Israel has greatly expanded a system checkpoints, walls and other barriers in the West Bank and Gaza that restrict Palestinian movement. Israel/Palestine examines how authors and filmmakers have grappled with the spread of these borders.
Focusing on the works of Elia Suleiman, Raba’i al-Madhoun, Ghassan Kanafani, Sami Michael and Sayed Kashua, it traces how political engagement in literature and film has shifted away from previously common paradigms of resistance and coexistence and has become reorganised around these now ubiquitous physical barriers. Depictions of these borders interrogate the notion that such spaces are impenetrable and unbreakable, imagine distinct forms of protest, and redefine the relationship between cultural production and political engagement.


Product Details

ISBN-13: 9781474456135
Publisher: Edinburgh University Press
Publication date: 12/14/2021
Pages: 224
Product dimensions: 6.14(w) x 9.21(h) x 0.48(d)

About the Author

Drew Paul is an Assistant Professor of Arabic at the University of Tennessee, Knoxville. His work appeared in a number of key journals, including The Journal of Arabic Literature, Alif, and Scritture Migranti/Migrant Writings. Israel/Palestine is his first book.

Table of Contents

Note on Translation and Transliteration

Acknowledgements

1. Introduction: Excess, Illusion, and the Border

Part I: Expanding Borders

2. Return to the Border: Commitment, Utopia, and the Inescapable Green Line

3. Sayed Kashua, the Palestinian Hebrew Novel, and the Failure of Coexistence

Part II: Deceptive Borders

4. Border Crossings and Stray Narratives of Return

5. Does the Camera Lie? Or, How to Document the Wall

6. The Illusion of the One-Way Mirror: Filming the Checkpoint in Divine Intervention

7. Conclusion: Physical and Fictional Borders

Bibliography

Filmography

What People are Saying About This

Gil Z. Hochberg

Israel/Palestine offers an important contribution to the evergrowing literature on borders and border cultures. Focusing on Israeli and Palestinian cinematic and literary representations of borders, Paul revisits the figure of the border as both a physical device of immense and grave consequences, and as a fictional site of collective imagination open to destabilization. Exploring this double nature of the border, this well written and insightful book manages to advance a much needed cultural and political perspective — at once sober and optimistic!

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