Performative Opacity in the Work of Isabelle Huppert
Performative Opacity in the Work of Isabelle Huppert argues that the career of this singular French actor—constituting a corpus of well over a hundred films—offers a unique testing ground for current approaches in film studies and affect studies.
Attention to Huppert’s performances can reframe recent discussions on the social and cultural dimensions of emotion and normativity through a compelling paradox: her roles tend to express grandiose and overwhelming conditions central to debates in the humanities—negativity, dispossession, trauma—but through elusive and at times resistant or diminutive forms of expression: what J. Hoberman once called her "genius to distinguish 47 varieties of blankness." Including diverse contributions from an international line-up of established scholars, this volume examines Huppert’s flat affect and other registers with an eye to their significance for cinema and media studies, queer and gender studies, star studies and world cinema.

1142415512
Performative Opacity in the Work of Isabelle Huppert
Performative Opacity in the Work of Isabelle Huppert argues that the career of this singular French actor—constituting a corpus of well over a hundred films—offers a unique testing ground for current approaches in film studies and affect studies.
Attention to Huppert’s performances can reframe recent discussions on the social and cultural dimensions of emotion and normativity through a compelling paradox: her roles tend to express grandiose and overwhelming conditions central to debates in the humanities—negativity, dispossession, trauma—but through elusive and at times resistant or diminutive forms of expression: what J. Hoberman once called her "genius to distinguish 47 varieties of blankness." Including diverse contributions from an international line-up of established scholars, this volume examines Huppert’s flat affect and other registers with an eye to their significance for cinema and media studies, queer and gender studies, star studies and world cinema.

24.95 In Stock
Performative Opacity in the Work of Isabelle Huppert

Performative Opacity in the Work of Isabelle Huppert

Performative Opacity in the Work of Isabelle Huppert

Performative Opacity in the Work of Isabelle Huppert

Paperback

$24.95 
  • SHIP THIS ITEM
    In stock. Ships in 2-4 days.
  • PICK UP IN STORE

    Your local store may have stock of this item.

Related collections and offers


Overview

Performative Opacity in the Work of Isabelle Huppert argues that the career of this singular French actor—constituting a corpus of well over a hundred films—offers a unique testing ground for current approaches in film studies and affect studies.
Attention to Huppert’s performances can reframe recent discussions on the social and cultural dimensions of emotion and normativity through a compelling paradox: her roles tend to express grandiose and overwhelming conditions central to debates in the humanities—negativity, dispossession, trauma—but through elusive and at times resistant or diminutive forms of expression: what J. Hoberman once called her "genius to distinguish 47 varieties of blankness." Including diverse contributions from an international line-up of established scholars, this volume examines Huppert’s flat affect and other registers with an eye to their significance for cinema and media studies, queer and gender studies, star studies and world cinema.


Product Details

ISBN-13: 9781474479844
Publisher: Edinburgh University Press
Publication date: 02/28/2025
Pages: 168
Product dimensions: 6.14(w) x 9.21(h) x 0.00(d)

About the Author

Iggy Cortez is Assistant Professor of Cinema and Media Arts and English at Vanderbilt University. His articles and other writing have appeared in Journal of Cinema and Media Studies, Camera Obscura, and Film Quarterly, among other venues, on topics ranging from world cinema, digital aesthetics, queer sociality, and the relationship between racialization and technology. He is currently working on a manuscript on night-time in world cinema.

Ian Fleishman is Associate Professor of Cinema and Media Studies as well as in the Department of French, Italian and Germanic Studies at the University of Pennsylvania. He has published widely on subjects ranging from the Baroque to contemporary cinema and moving-image pornography. His first monograph, An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (2018), was the winner of the Northeast Modern Language Association Book Award.

Table of Contents

Introduction: Performing the Inassimilable - Iggy Cortez and Ian Fleishman

1. The Unknown Huppert - Catherine Wheatley

2. Huppert in the Ozon-Machine: Melodrama and Meta-Acting in 8 Femmes - Nikolaj Lübecker

3. Alter/Ego: Isabelle Huppert as Werner Schroeter’s Double - Ian Fleishman

4. Laughing in the Face of Death: The Comedic Force of Isabelle Huppert in La Cérémonie - Karen Redrobe

5. White Mothers on Colonised Land, or What Isabelle Huppert Makes Visible? - Erin Schlumpf

6. Isabelle Huppert’s Caring, Carefree, Careless Abortionist in Claude Chabrol’s Une Affaire de femmes - Henrietta Stanford

7. Horn | Huppert | Horn - Lutz Koepnick

Bibliography AcknowledgmentsNotes on Contributors

From the B&N Reads Blog

Customer Reviews