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Dark Forces at Work: Essays on Social Dynamics and Cinematic Horrors
By Emiliano Aguilar (Contribution by), Rea Amit (Contribution by), Lindsey Michael Banco (Contribution by), Fernando Gabriel Pagnoni Berns (Contribution by), Alissa Burger (Contribution by), Michael Fuchs (Contribution by), Benjamin James (Contribution by), Juan Juvé (Contribution by), Luisa Hyojin Koo (Contribution by), Katherine Lizza (Contribution by), Allyson Marino (Contribution by), Kevin Thomas McKenna (Contribution by), Russell Meeuf (Contribution by), Cynthia J. Miller (Contribution by), Erika Tiburcio Moreno (Contribution by), Jacqueline Morrill (Contribution by), Brandon Niezgoda (Contribution by), Maria Gil Poisa (Contribution by), Thomas Prasch (Contribution by), Michael C. Reiff (Contribution by), A. Bowdoin Van Riper (Contribution by), James J. Ward (Contribution by), Cynthia J. Miller (Editor), A. Bowdoin Van Riper (Editor)
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By Emiliano Aguilar (Contribution by), Rea Amit (Contribution by), Lindsey Michael Banco (Contribution by), Fernando Gabriel Pagnoni Berns (Contribution by), Alissa Burger (Contribution by), Michael Fuchs (Contribution by), Benjamin James (Contribution by), Juan Juvé (Contribution by), Luisa Hyojin Koo (Contribution by), Katherine Lizza (Contribution by), Allyson Marino (Contribution by), Kevin Thomas McKenna (Contribution by), Russell Meeuf (Contribution by), Cynthia J. Miller (Contribution by), Erika Tiburcio Moreno (Contribution by), Jacqueline Morrill (Contribution by), Brandon Niezgoda (Contribution by), Maria Gil Poisa (Contribution by), Thomas Prasch (Contribution by), Michael C. Reiff (Contribution by), A. Bowdoin Van Riper (Contribution by), James J. Ward (Contribution by), Cynthia J. Miller (Editor), A. Bowdoin Van Riper (Editor)
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Dark Forces at Work examines the role of race, class, gender, religion, and the economy as they are portrayed in, and help construct, horror narratives across a range of films and eras. These larger social forces not only create the context for our cinematic horrors, but serve as connective tissue between fantasy and lived reality, as well.
While several of the essays focus on “name” horror films such as IT, Get Out, Hellraiser, and Don’t Breathe, the collection also features essays focused ...
While several of the essays focus on “name” horror films such as IT, Get Out, Hellraiser, and Don’t Breathe, the collection also features essays focused ...