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Italian Political Cinema: Figures of the Long '68

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An exploration of how film has made legible the Italian long ’68 as a moment of crisis and transition

Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to the early 1980s, a period of intense po...