Continuity and Crisis in German Cinema, 1928-1936
By Barbara Hales (Editor), Mihaela Petrescu (Editor), Valerie Weinstein (Editor), Anjeana K. Hans (Contribution by), Barbara Hales (Contribution by), Bastian Heinsohn (Contribution by), Brook Henkel (Contribution by), Christian Rogowski (Contribution by), Kalani Michell (Contribution by), Kevin B. Johnson (Contribution by), Margrit Fr lich (Contribution by), Mihaela Petrescu (Contribution by), Owen Lyons (Contribution by), Paul Flaig (Contribution by), Richard W. McCormick (Contribution by), Valerie Weinstein (Contribution by), Wilfried Wilms PhD (Contribution by)
Hardcover
$130.00
By Barbara Hales (Editor), Mihaela Petrescu (Editor), Valerie Weinstein (Editor), Anjeana K. Hans (Contribution by), Barbara Hales (Contribution by), Bastian Heinsohn (Contribution by), Brook Henkel (Contribution by), Christian Rogowski (Contribution by), Kalani Michell (Contribution by), Kevin B. Johnson (Contribution by), Margrit Fr lich (Contribution by), Mihaela Petrescu (Contribution by), Owen Lyons (Contribution by), Paul Flaig (Contribution by), Richard W. McCormick (Contribution by), Valerie Weinstein (Contribution by), Wilfried Wilms PhD (Contribution by)
Premium Members save an extra 10% and all Members collect stamps to save with Rewards. 10 stamps = $5.
This item is currently out of stock online.
Select a store to view item availability.
New essays examining the differences and commonalities between late Weimar-era and early Nazi-era German cinema against a backdrop of the crises of that time.
Hitler's Machtergreifung, or seizure of power, on January 30, 1933, marked the end of the Weimar Republic and the beginning of the Third Reich, and German film scholarship has generally accepted this date as the break between Weimar and Nazi-era film as well. This collection of essays interrogates the continuities and discontinuities i...
Hitler's Machtergreifung, or seizure of power, on January 30, 1933, marked the end of the Weimar Republic and the beginning of the Third Reich, and German film scholarship has generally accepted this date as the break between Weimar and Nazi-era film as well. This collection of essays interrogates the continuities and discontinuities i...






















